«We unconsciously elect a leader within five, 10 minutes and we do so by lining up those undertones
with everybody in the room,» he says.
Not exact matches
With the whole voice - control - slash - conversational interface game still very much
in its infancy, there's
room for
everybody to be right.
But there are great places
in this area that have great
rooms an» all and we didn't want to compete
with them either so we tried not to be hoggish about it, we want
everybody, but it was time.
I've been that last kid stuck
in the
room with the teacher, holding up everything because a task is taking you longer than it took everyone else and you don't know why you're so much slower than
everybody else, but you're really trying.
That might be the first place I breastfeed
in public as we asked questions, I was sitting there waiting and like I don't know why, though they must be ready to go [laughs] and so am sitting there and I had my baby and was he probably 5 weeks old and
in my head I was like saying, «I should have been here sooner, I should have been here sooner», [laughs] which is irrelevant but that what's goes through your head and then I was like I guess I just do it and it was the meanest thing because I'm sitting on the floor
with my baby and I didn't have to use the cover and I was just so «Oh, you just have to do it like
in a
room full of women» and
everybody is
in just as uncomfortable and
everybody is trying to make this dance work and trying to get a rhythm and they needed this thing to be able to do and I would imagine for me it was a good transition to being
in publicand not to worry about the cover but also for women like ok, this is your group for example.
I think
everybody thinks because we're actors we have the same experiences, it's actually completely opposite experiences cause she's off
in another country shooting something totally different
with different people, so what I learned actually is I've always been the biggest fan of hers, but not until you're
in the
room when she does what she does do you know why she's so phenomenal.
After all,
with the internet's help, the world has turned to a one small village where
everybody talks to
everybody:
in chat
rooms, online forums and even through video conferencing.
This is a joy for the eyes, a prize for
everybody who have put Wii U
in the right place, i.e.
in their living
room, while certain people
with a lot of spare time struggle to talk no sense and troll Nintendo
in forums and blogs all around the world.
It's funny
with this movie because the energy between
everybody is palpable both
in the
room and on set, and you can also see it on the screen
with everyone's personalities.
Forty - five thousand pennies were lined up, side by side on the floor, creating a visual image that
everybody in that
room will carry
with them for the rest of their lives!
Teachers that I meet
with often say «I don't know how to differentiate instruction for the broad range
in my
room» and they try
in earnest to meet
everybody's needs but they sometimes don't have the toolbox of instructional strategies that can help them meet every child's needs.
Soak up the sun, while sitting by the freeform infinity pool, or just relax
with a glass of vino
in the Jacuzzi, play a round of golf on the 18 hole course, or challenge your friends and family to a game of billiards
in the upstairs game
room; this property has something for
everybody.
These days the studio is most known for 2015's award - winning
Everybody's Gone to the Rapture, but The Chinese
Room first made its name
with the haunting Dear Esther — set on an island
in the Hebrides,
with fragments of a letter read to the player as they cross the uninhabited terrain.
The Chinese
Room is returning to their roots
in thoughtful, story - driven games
with their next project, a spiritual successor to Dear Esther called
Everybody's Gone to the Rapture.
The doors close on The Chinese
Room - for now (Wesley Yin - Poole / Eurogamer) «Just under a year after the launch of
Everybody's Gone to the Rapture, a «walking simulator» about dealing
with loss
in Shropshire
in 1984, it won three BAFTAs.
His sharing a
room with Mack will probably generate some confusion to the less - informed, but it's actually good to see two artists
with such different conceptual and formal propositions working together
in order to look both good rather than embracing the «blow
everybody else off stage» mentality that often dooms group shows.
It was necessary to design a study space, guest sleeping accommodation and a space for various types of recreation, so that one could sit
with a book, watch a movie, or welcome a crowd of friends, have a dance party and then accommodate
everybody for a night, all
in one
room.
There's a lot of
room for
everybody to win,» says McPheters, who also talks about Ronnie Fieg's success
in working
with brands like Puma and Asics as a boon to adding more diversity to the sneaker game.
Yeah, yeah,
in society here, you wouldn't have your father —
in - law
in the same
room as the daughter -
in - law and here am I saying a whole strange man going to be
in the centre
with everybody you know.