Sentences with phrase «with exhibition formats»

I was working in different ways, experimenting with exhibition formats, and BHQF was working in every medium, aiming to be artists that did everything.

LAGE EGAL is distinguished in its approach to experimenting with exhibition formats.

An important part of Overgaden's profile also consists of experimenting with exhibition formats and the relationship between artists, art institution, and audience.

He often speaks about spaces, buildings and the society that inhabits them, with the exhibition format acting as vehicle for ideas and medium for his artistic practice.

With the exhibition format REVISIT, Overgaden Institute of Contemporary Art delves into its own history for the third year running.

Not exact matches

The FIF exhibition format remains open plan with polished concrete flooring and no pre-fabricated shell systems.

The feature is being self - distributed in theaters exclusively this weekend, and Hauck has partnered with Kodak and Fotokem to spread the message that «film can be affordable and accessible to independent filmmakers as both a shooting and exhibition format.»

This play between documentary and staged images, usually shot using a large - format camera, is what Wall has become known for, and, with this exhibition of new work, Wall will continue to mess with what viewers believe to be the truth in his pictures.

Here, the group exhibition format is approached as a work in and of itself, with all of the included pieces echoing Stockholder's idiosyncratic method, and in many cases approximating her work.

Organized in partnership with the Art Gallery of Ontario (AGO), supported by the Estate of Jean - Paul Riopelle in Montréal and the Joan Mitchell Foundation in New York, the exhibition will focus mainly on large - format paintings from French, Canadian and American private and museum collections.

Designed by the MNBAQ and organized in partnership with the Art Gallery of Ontario (AGO), supported by the Joan Mitchell Foundation in New York and the Estate of Jean - Paul Riopelle in Montréal, the exhibition mainly presents large - format paintings, a number of works on paper and archival documents from more than 30 French, Canadian and American lenders, private and museum collections.

With the selection of Gabi Ngcobo, the Berlin Biennale continues its mission of serving as an experimental platform for exploring and expanding the format of the exhibition and a curatorial agenda as well as for examining current global discourses and developments in relation to Berlin as a local point of reference.

Organized in partnership with the Musée national des beaux - arts du Québec, supported by the Estate of Jean - Paul Riopelle in Montréal and the Joan Mitchell Foundation in New York, the exhibition will focus mainly on large - format paintings from French, Canadian and American private and museum collections.

The exhibition concludes with a selection of ephemera and some of Waters» earliest films presented in a peep - show format.

The next installment of INK will offer further thoughts on the role of these marginalized formats in culture and art, with discussion of the following exhibitions, among others.

With contemporary art a need has arisen for exhibition spaces that also have room to show the technically demanding and space - requiring formats: large art installations of light, sound and motion, sculptural landscapes, performance and monumental video art on many screens.

The exhibition comprises a total of 12 large - format paintings, 24 drawings and two sculptures that the artist has produced together with artisans and artists from the city of Seville.

I'm interested to know your thoughts on the recent exhibitions, screenings, and forums that have focused on artistic engagement with television content, formats, and viewership.

The exhibition will include hundreds of photographic works, along with additional materials including books, ephemera and objects - created by the artist in many formats and mediums of photography, allowing the viewers for a fuller understanding of the diversity of his output.

Get an in - depth experience of the exhibition with our longer viewing format.

Take a quick trip round the exhibition with our short viewing format.

She wanted the exhibition to point to a multiplicity of formats that create «a stunning physical installation that can put a viewer in touch with many new forms of artmaking in one space.»

Various Private Collections - New York, NY; Detroit, MI: Memphis, TN; Nashville, TN; St.Petersburg, FL; Washington, DC; Oxford, MS; Seattle, WA, Los Angeles, CA; Little Rock, AR; Boston, MA; Raleigh, NC SELECTED BIBLIOGRAPHY Artscope, «Centerfold», Volume 4, Numer 2, May / June 2009 ArtSEEN, «Drawing Conclusions», Volume 5, Spring 2007 NY ARTS, «Artist's Voice», Volume 12, Issue 5/6, May / June 2007 The Washington Post, «Portraiture's Harsh Lessons» by Blake Gopnik, June 25, 2006 The Atlanta Journal - Constitution, «Colorful Melange Blends Well», by Jerry Cullum March 12, 2006 The Commercial Appeal, «A Splash of Great Painting» by Frederic Koeppel, January 21, 2005 The Star - Ledger, «Connecting Art and the Everyday» by Dan Bischoff, Sunday, August 1, 2004 Art Papers, Exhibition Review «Homegrown» by Linda Johnson Dougherty, Volume 26, Issue 1; Jan. / Feb. 2002 The Spectator, «The Spaces Between: Brian Bishop's «The Longest Year»» by Glenn Perkins, December 26, 2001 New York Times, «Among a Show of Drawings, Looking for Ones with Bite» by William Zimmer, May 14, 2000 The Memphis Flyer,»... Offering up an earful and eyeful» by Cory Dugan, March, 1998 New American Paintings, Open Studio Competition, 1998 CURRENT EMPLOYMENT Professor of Art and Chair, Department of Art + Music, Framingham State University, Framingham, MA click here to download a comprehensive cv in pdf format.

In addition, the sonic documentation of exhibitions, combined with the remix format, catalyses exhibitions to become objects that are curatable.

This exhibition brings together the artist's iconic black and white self - portraits, a group of colour photographs that have not been publicly exhibited since 1983, rare sepia landscapes and, in collaboration with the artist's estate, introduces a group of his photographs in a large - scale format for the first time.

In the gallery director Fiona van Schendel curates every year a group show that goes beyond the format of a commercial gallery exhibition and encompasses a collaboration with other galleries, artists and museums.

Laurence Miller Gallery, in partnership with Asia Week New York, presents Toshio Shibata — Harmony, a solo exhibition featuring large format color photographs that extend his exploration of man - made structures co-existing within nature.

I am dispersing with the usual third person format in summarising Marina Abramović's residence at the Serpentine, this being an «experience» not an exhibition, and entirely subjective to each individual's impression of it, bound to change immeasurably from person to person.

Galerie Eric Dupont in Paris, France, starts the new art year with an exhibition of new, mainly large - format paintings by...

Series I: Exhibition Files is comprised of the working curatorial exhibition files (including grant correspondence, correspondence with artists, project planning documents, promotional materials, press, and exhibition documentation in various paper and media formats) for various exhibitions curated between 1989Exhibition Files is comprised of the working curatorial exhibition files (including grant correspondence, correspondence with artists, project planning documents, promotional materials, press, and exhibition documentation in various paper and media formats) for various exhibitions curated between 1989exhibition files (including grant correspondence, correspondence with artists, project planning documents, promotional materials, press, and exhibition documentation in various paper and media formats) for various exhibitions curated between 1989exhibition documentation in various paper and media formats) for various exhibitions curated between 1989 and 1991.

He continues to renew his signature format with each exhibition.

This exhibition by American artist Francesca Woodman includes five large - format photographs presented for the first time along with a selection of some 30 photographs from the key formative periods in Francesca Woodman's career - Boulder, Colorado; Providence, Rhode Island; Rome...

Her exhibitions and workshops explore the collecting of resources and formats in circulation, questioning the notions of multiple authorship and living archive (unbreaken, AFFECT, 2014; new atlantis, co-curated with Elisa R. Linn and Lennart Wolf, 2013; we outsourced everything and now we're bored., with Clémence de La Tour du Pin and John Henry Newton, 2013).

As part of an interdisciplinary initiative at the College to explore the rich traditions of large - scale artworks and to develop new scholarship around the mural format, Nadia Haji Omar, a Sri Lankan multimedia artist living and working in Rhode Island, will transform the exhibition space with mirrored surfaces and her signature alpha - numeric abstraction.

A unique feature of Super 8 is that this collection of diverse work in one -, two - and three - channel formats, selected through a peer - to - peer curatorial process, accumulates into a serial format exhibition with a global scope.

At YBCA, the artist experiments with the exhibition as a format of presentation.

The final exhibition in this student - led format was staged in 1986 with a catalogue which contained a historical introduction (and post-script), to the exhibition by Andrew Lambirth, New Contemporaries Past and Present.

To coincide with the exhibition, kurimanzutto will produce a publication which pays homage to the original format and concept of Signals London's Newsbulletin, which documented its exhibitions, and included critical essays, images, experimental poetry, and reports on new art and new science from home and abroad.

There are twenty - five medium and large - scale paintings in this exhibition, with an equal mix of landscape and portraiture formats.

With the aim to experiment with new formats for exhibition concepts, insitu takes a risk and will develop group exhibitions as fictional charactWith the aim to experiment with new formats for exhibition concepts, insitu takes a risk and will develop group exhibitions as fictional charactwith new formats for exhibition concepts, insitu takes a risk and will develop group exhibitions as fictional characters.

Muholi's visit to UCLan coincides with her participation to the group exhibition Residual: Traces of the Black Body, curated by Christine Eyene at New Art Exchange, Nottingham, as part of FORMAT International Photography Festival 2015.

Shane Solanksi, FORMAT 2015 artist in residence, responded to the exhibition with a short story in the form of a captivating video entitled Dust.

As always, the mixture of quasi-narrative films, which require the viewer's attention for a fixed period of time, with more traditional exhibition formats where the viewer sets the pace, feels unsatisfactory.

However, the students soon began to realise that the current format for the exhibition was unsustainable, and many organisers were left with personal debt.

With an exhibition area of more than 100 square meters the new project space will be dedicated to different exhibition formats of young and experimental art projects (access possible only through the central staircase)

Nostalgia / Utopia immediately reminds of the gallery's recent exhibition of David Salle with large format paintings intersected with unexpected objects.

Its mission is to create a space in which to experiment with ideas and exhibition formats, to foster an active collaboration between artists and curators while challenging their roles.

Presented in dense groupings of individual works, the exhibition also subverts canonical notions of Minimalist seriality by playing with the anonymous, mechanical format of repeated objects.

Furthermore, Tillmans has transformed the understanding of photographic exhibition making through his daring and original installations, playing with scale, formats, framing and presentation to produce immersive experiences that have inspired subsequent generations of artists.»

On the occasion of the finissage of Li Shurui's exhibition at Connoisseur Art Gallery and Connoisseur Contemporary, VernissageTV met with the artist who is using airbrush to create large format paintings.