Sentences with phrase «with exhibition forms»

The group's purpose was to experiment with exhibition forms in a workshop setting, the results of which were shared with the public in a variety of venues.

Not exact matches

Boeheim, who is in his 37th year as head coach at Syracuse, tinkered with various forms of zone and man - to - man defense for most of his career, but says that he fully committed to the 2 — 3 after a humiliating 82 — 79 exhibition loss to Division II Le Moyne, which is also located in Syracuse, in November 2009.

With start - up funding from The Wellcome Trust, they have formed a U.K. branch of the European Collaborative for Science, Industry, and Technology Exhibitions.

In Berlin, leather outfits from their second show formed part of an outré exhibition: a fake campaign for their perfume «Iron Lady» — equal parts Chanel N ° 5 and Yves Saint Laurent's Rive Gauche — which the pair created with photographer Tyrone Lebon (starring porn star Stoya.)

Aside from exhibition matches and party games to play with friends, the main bulk of the single player experience comes in the form of Grand Slam.

Ford's crop of star drivers and racing vehicles will heat up the pavement at the Ford Out Front exhibition, providing buyers with an up - close look at various forms of motorsports and driving styles that put the latest equipment from Ford and Show exhibitors to the test in this interactive performance setting.

The American Kennel Club licenses dogs shows (competitive exhibitions in which dogs are judged in accordance with an established standard of perfection for each breed) that test and evaluate the form and function of purebred dogs.

In common with most of its neighbours, the Luxor also competes for your non-gambling or dining buck, in this instance through two adjoining exhibitions, Bodies, about the human form, and Titanic, an intriguing take on the doomed voyage, featuring artefacts salvaged from the sunken vessel.

JARDIN: Celebrate spring with Jardin, an exhibition of Ryuijie's Color Ice Forms, and Janelle Lynch's Jardines de Mexico.

This is the largest art gallery in the Maldives and forms the epicentre of the country's art scene, with numerous exhibitions of local as well as international artists that create everything from conceptual art to photography to be displayed on the museum.

Following in - depth study of the exhibition, learn to construct ideal geometric forms and combine them with recycled materials while realizing an interior space designed around your unique perspective and personality.

Presented through all of MUMA's recently designed galleries, the inaugural exhibition sees artists explore performative, media and event cultures, and the post-industrial architecture of the urban fringe, whilst others work with sound, light, sculpture, film, and painting in its diverse and expanded forms, offering a multi-sensory register of art and everyday life, from complex cultural perspectives.

DeFeo's distinctive exploration of form and repetition of shape, as well as her fascination with space and depth of field, are seen throughout the exhibition.

Under the Cover THE SEEN announces the Spring / Summer preview titles launching Issue 06 in print this April 2018, featuring Brendan Fernandes on the cover to align with his recent exhibition, The Master and Form, at the Graham Foundation.

Considering Moss» artistic relationship with Mondrian is a way of reconsidering her impact, but also the other conversations represented in the & Model exhibition, with British Construction and Systems artists such as Norman Dilworth, Anthony Hill, Peter Lowe, David Saunders, Jeffrey Steele, Gillian Wise and others, form part of a bigger and very necessary exchange artists are making now with modernist positions that are far from redundant.

This exhibition draws together photographs and sculptures with a minimalist aesthetic which relate to structures, form, space and colour beyond the landscape.

The resulting pages, complete with typos and hand - written notes, form an array of possible, and sometimes impossible, propositions for artworks, which collectively form the initial piece in every Liversidge exhibition.

Beginning with significant historical works from artists such as Richard Long, who was one of the first artists to make walking his art form, to Ana Mendieta, who carved and shaped her own figure into the earth and documented these private sculptural performances, to Michelangelo Pistoletto's performance, Walking Sculpture, in which he and a group of people walked a large newspaper ball down the streets of Turin, the exhibition will include works from all decades since the 60s and commission artists to create new work for 2017.

And so at the moment about two dozen of Ms. Crockett's sparkling late paintings, with their bright tangles of jazzy lines and shapes floating on pale, brushy backgrounds, form a surprising exhibition at Meredith Ward Fine Art.

Indeed, Liu, who will open a new solo exhibition on November 2 at the Lehmann Maupin gallery, in Manhattan, is known for working within a variety of mediums — painting, photography, video, sculpture, installation — and experimenting with all manner of materials, letting the concept dictate the form a piece will ultimately take.

With its exhibitions and events, the opening of a gallery in London's West End, together with the publication of the influential Signals Newsbulletin, Signals became a centre for experimental international artists, with links formed between the avant gardes of Latin America, Europe and LonWith its exhibitions and events, the opening of a gallery in London's West End, together with the publication of the influential Signals Newsbulletin, Signals became a centre for experimental international artists, with links formed between the avant gardes of Latin America, Europe and Lonwith the publication of the influential Signals Newsbulletin, Signals became a centre for experimental international artists, with links formed between the avant gardes of Latin America, Europe and Lonwith links formed between the avant gardes of Latin America, Europe and London.

In cooperation with the University of California Berkeley Art Museum and Pacific Film Archive, Kunsthalle Bielefeld will present the exhibition Creation in Form and Color, dealing with the work of the German - born painter, Hans Hofmann.

Within this exhibition, the artist's steel sculptures are so saturated with spray finish and powder coating as to achieve a unity of color and form.

Through their engagement with specific architectural forms, the works in the exhibition offer insights into distinct cultural contexts, histories and social struggles.

The artists in the exhibition inflect Modernist forms with contemporary perspectives on intimate subjects including: the poetics of domestic architecture, the pertinence of ancient myth, and the solipsism of art history.

For his exhibition at Arnolfini, which forms part of the city's celebrations as 2015 European Green Capital, Long has selected some of his favourite photographs and text pieces, many of them with local flavour, from the last 50 years of his career.

Placing the challenges of form and content at the center of his production, Seçkin Pirim describes Hypochondriac as «an exhibition that overlaps with my life, it lays my life bare.

Artwork submitted for Open Call exhibitions may be made available for sale at the discretion of the artist (with the League retaining a 40 % commission on sales)-- keep in mind that you'll need pricing information to complete the form.

Form and creativity convene throughout the exhibition with beauty, color and shapes coming together to initiate abstracted visual experiences.

The exhibition featured approximately 70 prints, drawings and related sculptures from throughout Puryear's nearly 40 - year career, including many works never shown before outside the artist's studio.1 Together with its substantial catalogue, it illuminated the complex and intimate relationship between Puryear's two - and three - dimensional thinking, and the persistence with which he continually revisits and reworks forms, in some cases, over the course of decades.2

This exhibition traces the career of artist Gary Erbe from his early troupe l'oeil works to his recent paintings combining realism with modernist tendencies, including works that focus on objects arranged to emphasize composition, form and structure.

In this exhibition, viewers will be able to view the woodcuts in tandem with the film, gaining insight into not only the artist's creative process, but also the seemingly magical ability of film to transpose concrete form into ephemeral imagery.

The clear accord between the museum's new habitat and its collection has already inspired a major gift, in the form of some 500 works from the collection of Thea Westreich Wagner and Ethan Wagner, many of which will be displayed here in the autumn in an exhibition co-organised with the Centre Pompidou.

One could have easily organized a rote exhibition of the same title with completely different works by these artists examining an affinity of form or subject matter.

The group exhibition allows not only for an encounter with different forms of reflection and expression, but also offers a space for spontaneous art actions and further discussion.

That exhibition thematized the relationship between Liu's paintings and his three - dimensional sculptural forms via explicit formal echoes: Black - and - white geometric paintings were adroitly paired with rectilinear pseudotopiary sculptures in which bands of foliage were interspersed with horizontal neon lights, while the oscillating static playing on stacked TV sets chimed with the abstract canvases as well.

After leaving the field of clinical psychology in the mid-1940s, Truitt began making figurative sculptures, but turned toward reduced geometric forms after visiting the Guggenheim Museum with her friend Mary Pinchot Meyer to see H.H. Arnason's exhibition «American Abstract Expressionists and Imagists» in November 1961.

The current exhibition is a step - by - step illustration of this shift towards this de-naturalization of form and the artists» revolutionary approach to color, line and form as the primary vehicles of communicating with the viewer.

Their activities have taken many forms, including an exhibition space in Düsseldorf, Germany, various publishing projects, sustained collaborations with other artists, as well as exhibitions, realized both individually and together with a loose network of artists and cultural producers.

In Mungo Thomson's solo exhibition at Kadist Art Foundation, Wall, Window, or Bar Signs, the gallery is filled with neon works that appropriate the form of Bruce Nauman's spiraling neon text piece, The True Artist Helps the World by Revealing Mystic Truths (Window or Wall Sign) from 1967.

For here, surface, colour and form are united in plastic in an exhibition that plays with the idea of what contemporary painting is.

Attempting to recreate the show's installation with as much fidelity to the original as possible (akin to what the Barnes Foundation pulled off in Philadelphia), the new exhibition — titled «When Attitudes Become Form: Bern 1969 / Venice 2013» — promises an audacious engagment with the relatively recent past in a city in love with history.

The forward progression of these dueling interests provided Martinez with a foundation from which to expand such concepts further through exhibition form.

Harriet Kelley, whose art collection with husband Harmon Kelley forms the reason the exhibition came into being, spoke to the ways black artists represented their culture in the days of the 1920s Harlem Renaissance.

Sterling will also be working with Nicoll to create costumes for her performance work «The Ultimate Form», the culmination of her exhibition at the Hepworth Wakefield (16 Feb - 12 May 2013).

In the entirety of the small exhibition, black forms stand against white ground, with a couple of works that incorporate light or reflective elements.

Gabrielle Welsh sat down with Fernandes to talk about his most recent exhibition, The Master and Form, being queer in the dance world, and the absolute fun of manipulating the viewer.

Alice Wang 18th Street Arts Center Atrium Gallery Exhibition: January 12 - March 1, 2015 Reception: Saturday, February 21, 6 - 9 pm Conversation with Michael Ned Holte: Friday, January 23, 6pm - 8 pm with light refreshments kinetic forms.

The exhibition forms part of 45 Park Lane's 2017 programme of art exhibitions curated around «The Uplifting Power of Art» in association with Ackerman Studios.

In 1969 he formed the artists» group General Idea with Felix Partz and Jorge Zontal; for the next 25 years they lived and worked together to produce the living artwork of their being together, undertaking over 100 solo exhibitions, and countless group shows and temporary public art projects.