Sentences with phrase «with exhibitionism»

This week in art news: Theresa May sported a Frida Kahlo bracelet during her disastrous Conservative party conference speech, the highest level of the Colosseum was made accessible to tourists, and performance artist Deborah de Robertis was charged with exhibitionism after exposing herself in front of the Mona Lisa.
The real fantasy at play in these photographs has nothing to do with exhibitionism or even with eternal youth: it's the idea of having the Louvre all to yourself.
Concurrently with Exhibitionism, the Center for Curatorial Studies presents Keith Edmier 1991 — 2007 in the CCS Galleries.

Not exact matches

and i don'think public opinion is any closer to decriminalization of exhibitionism, or even prostitution the majority of the public still thinks breast feeding is erotic Same sex marriage rights, have nothing to do with erotic liberties.
It would be easy to dismiss the naked experimentation as exhibitionism, but I'm sure some riders may have been struggling with their body image or health concerns; for some it may have been a healing process from being bullied, targeted, or abused; and perhaps others simply wanted to walk through the wall of a conventional boundary.
Vanessa Beecroft, known for naked exhibitionism — the use of nude women in many installations — caused an uproar when she splattered naked African immigrants with red paint during last year's Venice Biennale to protest the situation in Darfur.
Wentworth has remarked «as exhibitionism in private galleries, foundations and museums (both personal and public) have coalesced, I detect a pattern of exhibition making which I associate with the philately of my childhood.
Exhibitionism's 16 exhibitions in the Hessel Museum are (1) «Jonathan Borofsky,» featuring Borofsky's Green Space Painting with Chattering Man at 2,814,787; (2) «Andy Warhol and Matthew Higgs,» including Warhol's portrait of Marieluise Hessel and a work by Higgs; (3) «Art as Idea,» with works by W. Imi Knoebel, Joseph Kosuth, and Allan McCollum; (4) «Rupture,» with works by John Bock, Saul Fletcher, Isa Genzken, Thomas Hirschhorn, Martin Kippenberger, and Karlheinz Weinberger; (5) «Robert Mapplethorpe and Judy Linn,» including 11 of the 70 Mapplethorpe works in the Hessel Collection along with Linn's intimate portraits of Mapplethorpe; (6) «For Holly,» including works by Gary Burnley, Valerie Jaudon, Christopher Knowles, Robert Kushner, Thomas Lanigan - Schmidt, Kim MacConnel, Ned Smyth, and Joe Zucker — acquired by Hessel from legendary SoHo art dealer Holly Solomon; (7) «Inside — Outside,» juxtaposing works by Scott Burton and Günther Förg with the picture windows of the Hessel Museum; (8) «Lexicon,» exploring a recurring motif of the Collection through works by Martin Creed, Jenny Holzer, Barbara Kruger, Bruce Nauman, Sean Landers, Raymond Pettibon, Jack Pierson, Jason Rhoades, and Allen Ruppersberg; (9) «Real Life,» examines different forms of social systems in works by Robert Beck, Sophie Calle, Matt Mullican, Cady Noland, Pruitt & Early, and Lawrence Weiner; (10) «Image is a Burden,» presents a number of idiosyncratic positions in relation to the figure and figuration (and disfigurement) through works by Rita Ackerman, Jonathan Borofsky, John Currin, Carroll Dunham, Philip Guston, Rachel Harrison, Adrian Piper, Peter Saul, Rosemarie Trockel, and Nicola Tyson; (11) «Mirror Objects,» including works by Donald Judd, Blinky Palermo, and Jorge Pardo; (12) «1982,» including works by Carl Andre, Robert Longo, Robert Mangold, Robert Mapplethorpe, A. R. Penck, and Cindy Sherman, all of which were produced in close — chronological — proximity to one another; (13) «Monitor,» with works by Vito Acconci, Cheryl Donegan, Vlatka Horvat, Bruce Nauman, and Aïda Ruilova; (14) «Cindy Sherman,» includes 7 of the 25 works by Sherman in the Hessel Collection; (15) «Silence,» with works by Christian Marclay, Pieter Laurens Mol, and Lorna Simpson that demonstrate art's persistent interest in and engagement with the paradoxical idea of «silence»; and (16) «Dan Flavin and Felix Gonzalez - Torres.»
«By creating artwork that establishes me as an object it could be argued that I produce photographs that reinforce stereotypical images of the female body, but with apparent exhibitionism I create a substitute that renders my real body invisible.»
Concurrently with Keith Edmier 1991 — 2007, the CCS Bard Hessel Museum presents, Exhibitionism: An Exhibition of Exhibitions of Works from the Marieluise Hessel Collection.
But as late as 1981, when Arneson was shown with five other like - minded California ceramic sculptors in the Whitney Museum exhibition, Ceramic Sculpture: Six Artists, there was a backlash, with New York Times art critic Hilton Kramer singling out Arneson as dominated, «by a gruesome combination of bluster, facetiousness and exhibitionism — plac [ing] a fatal limit on what his gifts allow him to accomplish, or even to conceive.
As the work's title suggests, Touch (2012) addressed the inherent tactility and homoerotic exhibitionism that comes with contact sports.
These buxom women anticipate an audience, exaggerating both voyeurism and exhibitionism, confronting cultural tropes with bawdy humour.
Heather Morgan is known for her expressive, sometimes self - effacing self - portraits that toy with notions of intimacy and exhibitionism at once.
Taking over the entire Saatchi Gallery with 9 thematic rooms, Exhibitionism combines over 500 original artifacts to offer the most comprehensive and immersive insight into the band's fascinating fifty - year history.
To mark the event, we spoke with the ICP's new curator - in - residence, Charlotte Cotton, about the age - old photographic drive of voyeurism, and how it's giving way to social media's newfound thrills of exhibitionism.
It is also stomach - churning, and his video performances are a disturbing gore-fest of chocolate sauce, syrupy drool, exhibitionism, onanism, self - harm and extreme violence, played out in weird costumes and with rumbustious, clownish fervour.
Yet for other men and women, the addictive behaviors may cross over into illegal activities such as exhibitionism, voyeurism, obscene phone calls, sex with prostitutes, or sex with people found on websites that cater to sex addicts.
I have worked with men who have been addicted to pornography, escort services, strip clubs, dating sites used for casual sexual encounters, voyeurism, exhibitionism, S&M, fetishes, serial affairs, and more.
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