Exploring new language
with familiar iconography, both artists grapple with contemporary blackness.
Not exact matches
Audrey Gelman's blush - toned, women - only workspace, The Wing, is anchored by a sprawling bookshelf bursting
with familiar female
iconography.
A navigation bar appears on every page of the website and the
iconography used throughout the site should be
familiar to anyone
familiar with modern technology.
Its convoluted plot line — something Guy Ritchie is all too
familiar with — is made significantly difficult to penetrate
with its Western / Eastern
iconography, symbolism, and philosophical musings.
In November 2012, the artist's controversial Revisionist Art Series opened in New York
with large silkscreen works that satirised lofty public figures and celebrities within the format of famous magazine covers, re-contextualizing the
familiar graphics and
iconography with vivacity and a maverick sense of the absurd.
Coming from a family that made its living cultivating plant seeds, Kusama was
familiar with the kabocha squash in the fields that surrounded her childhood home and the pumpkin continues to occupy a special place in her
iconography.
The exhibition is the first UK solo show of his work in seven years, celebrating his multi-layered works which fuse traditional and contemporary North African culture
with familiar Western imagery and
iconography.
By inverting the foot of the female figure in Douen's Dance, Ofili subtly infuses the
familiar image of the couple
with new meaning, blending disparate traditions to create a rich and unique
iconography.
For those who enjoy Yoshitomo Nara's mischievousness characters and pop - culture inspired
iconography, or those who are not yet
familiar with them, the current show at the Asia Society in New...
At the Well, produced to coincide
with an exhibition of Neo Rauch's new works at David Zwirner in New York, brings together both small and large format paintings that expand the artist's unique
iconography of eccentric figures, animals, and hybrids within vaguely
familiar but imaginary settings.
At the Well, produced to coincide
with the 2014 exhibition of Rauch's new works at David Zwirner in New York, brings together small and large format paintings that expand the artist's unique
iconography of eccentric figures, animals, and hybrids within vaguely
familiar but imaginary settings.
Throughout his body of work, Bowen takes
familiar iconography and handily corkscrews it
with his own unique brand of humor and distinct painting style.
Along
with his signature color palette of cotton candy pinks and blues, Wesley has returned to
familiar iconography including female nudes and Dagwood Bumstead.