Sentences with phrase «with fellow curators»
Now, as the latest in our series of interviews around Phaidon's new Vitamin P3 compendium of contemporary painting, Artspace's Loney Abrams spoke with the ambitious curator — and P3 nominator — about the political and economic dimensions of abstract painting, the pre-digital canvases of Thomas Bayrle, and what he's discovering about the medium's direction while assembling the 2018 Triennial with fellow curator Gary Carrion - Murayari.
https://www.artspace.com/ Not exact matches
And as we talk about them, we must remember to address them with humility, understanding and grace, keeping in mind our role as fellow hospital patients, not museum curators.
I love taking part in art and craft markets — they are a great place to meet fellow makers, network with gallery curators and to talk to potential buyers about my processes and inspirations, but they require a lot of time and organisation so I only commit to one or two a year.
«We expected to find similar trends across all primate radiations — that is, that the faces of highly social species would have more complex patterning,» said Santana, who conducted the research as a postdoctoral fellow with the UCLA Department of Ecology and Evolutionary Biology and UCLA's Institute for Society and Genetics and who is now an assistant professor at the University of Washington and curator of mammals at the Burke Museum of Natural History and Culture.
Meet our Curator and mingle with fellow Museum Members.
But best of all are the people I've met, from tourism bureau reps and fellow travel writers to shop owners, museum curators, other travelers, so many more I've crossed paths with, and especially you, my readers.
«Having a workspace at the Brooklyn Army Terminal has given me a place to connect with fellow artists, create and document new work, and host curators to discuss my art.
Michelangelo Frammartino: Alberi is organized by Jenny Schlenzka, Associate Curator with Alex Sloane, Volkswagen Fellow.
Neuberger Curatorial Fellows Program for Purchase College Students The Neuberger Museum of Art Curatorial Fellowship Program is a competitive, advanced apprenticeship designed to pair Purchase College students with curators from the museum to co-curate an exhibition drawn from the permanent collection.
EXPO CHICAGO's VIPs receive insider access to the fair as well as a tailored itinerary exploring Chicago's contemporary and modern art scene including special visits to the city's top private collections, artist studios, curator led tours of the nation's top institutions as well as invitation only receptions with fellow art aficionados.
Concurrent with the artists» open call, there was also an open call for a Curatorial Fellow, a hands - on mentoring program for emerging curators who serve as advisors for In Practice.
SPRAWL Co-curated by former Houston Center for Contemporary Craft curatorial fellow Susie J. Silbert and former HCCC curator Anna Walker, SPRAWL explores the urban landscape with works by 16 artists presented in three thematic sections loosely based on the three phases of urban growth.
Soñando en East Los is an exhibition curated by Cal State LA alumni Bridgette Candice and Roxy Gonzalez in collaboration with the artist and fellow alumnus Frank Romero and Edward Hayes, Curator of Exhibition at the Museum of Latin American Art (MOLAA).
Villar Rojas, who is described by the Serpentine curators as being «on the brink of gaining international renown for his dramatic, large - scale sculptural works», 1 operates in the tradition of Merz and her fellow Arte Povera artists in focusing his work on clay and brick, but with a contemporary twist of conceptualism and site - specificity.
It's been unavoidable as we met with artists, fellow curators, writers, and other cultural producers across the United States and beyond.»
While participating in programs within the contemporary art world at large, Studio Society Members build meaningful relationships with fellow Members, as well as artists, curators and other leaders in our community and beyond.
Teresa Silva is a writer, curator, Director of Exhibitions & Residencies with the Chicago Artists Coalition, and a Curatorial Fellow with Rapid Pulse International Performance Art Festival for 2015.
She joined the Cranbrook Art Museum in Bloomfield Hills, Michigan, in 2000 as Curatorial Collections Fellow, advancing to Assistant Curator with a focus on art, architecture, craft, and design.
Talk with local curators upcoming programming and independent projects, in addition to meeting fellow arts administrators, artists, and cultural practitioners.
Hammer Fellow and Patron - level members are invited to join us for a private walk - through of Still Life with Fish: Photography from the Collection led by the Hammer's chief curator Connie Butler.
Laure Prouvost: They Are Waiting for You is organized by Victoria Sung, Assistant Curator, Visual Arts, with Gwyneth Shanks, Interdisciplinary Fellow, Visual Arts.
This expedition, curated by CCS Bard Curatorial Fellow Christina Linden, will be followed during 2010 with undertakings by CCS Bard faculty member Tirdad Zolghadr and curator - in - residence Ana Paula Cohen.
Hank Willis Thomas: Unbranded is curated by Janet Dees, Steven and Lisa Munster Tananbaum Curator of Modern and Contemporary Art, with assistance from Tamar Kharatishvili, 2017 - 18 Block Graduate Curatorial Fellow.
Organized by Quentin Bajac, The Joel and Anne Ehrenkranz Chief Curator, with Kristen Gaylord, Beaumont and Nancy Newhall Curatorial Fellow, Department of Photography.
Join fellow Producers Council Members at the home of Lisa Ivorian - Jones for a conversation with Jenny Moore, Associate Curator, and Lynne Cooke, Andrew Mellon Professor, CASVA, National Gallery of Art, Washington, DC, on the recently opened exhibition «Rosemarie Trockel: A Cosmos» — co-curated by the artist and Cooke for the Reina Sofía.
The exhibition is organized by Eva Respini, curator, with Drew Sawyer, Beaumont and Nancy Newhall Curatorial Fellow, department of photography, The Museum of Modern Art.
Minor White co-founded the influential magazine Aperture in 1952 with fellow photographers Ansel Adams, Dorothea Lange, and Barbara Morgan; writer / curator Nancy Newhall; and Newhall's husband, historian Beaumont Newhall.
Organized by Sarah Hermanson Meister, Curator, with Kristen Gaylord, Beaumont and Nancy Newhall Curatorial Fellow, Department of Photography.»
She was a 2014 - 2015 Chicago Artists Coalition Curatorial Resident, 2016 Gaylord & Dorothy Donnelley Foundation Curatorial Fellow; 2016 participant of Independent Curators International's Curatorial Intensive in Dakar, Senegal; and 2016 - 2017 Arts + Public Life Curatorial Collective Resident with Sadie Woods.
Throughout this eclectic monograph, the artist's own commentary is interwoven with text from additional contributors, including essays by fellow artist Jake Chapman, novelist Nick McDonell, art historian Abigail Solomon - Godeau, curator Dominic Molon, and the artist's father, the noted linguist - anthropologist Derek Bickerton.
Tarah Hogue is the 2016 Audain Aboriginal Curatorial Fellow with the Art Gallery of Greater Victoria, and Curator at grunt gallery in Vancouver.
She was curator - in - residence with grunt gallery between 2014 — 2017, the 2016 Audain Aboriginal Curatorial Fellow at the Art Gallery of Greater Victoria, and has curated exhibitions at the Morris and Helen Belkin Art Gallery, Or Gallery, and SFU Gallery.
Exploring these themes, this year's Frieze Talks features Claudia Rankine — 2016 MacArthur Fellow and winner of the 2017 Bobbitt National Poetry Prize for her collection Citizen: An American Lyric — discussing her writing and her newly - founded Racial Imaginary Institute; a panel on art and social commitment chaired by Shuddhabrata Sengupta of Raqs Media Collective (curators of the 11th Shanghai Biennial, «Why Not Ask Again») and featuring artists Tania Bruguera, Anri Sala and — ahead of her major project with Philadelphia Museum — Jeanne van Heeswijk; and a conversation on «complicating the Modern» with Ann Temkin, Marie - Jose ́e and Henry Kravis Chief Curator of Painting and Sculpture at MoMA.
The exhibition is organized by Roxana Marcoci, Senior Curator, with Drew Sawyer, Beaumont and Nancy Newhall Curatorial Fellow, Department of Photography.
The 22 works in The Sympathetic Imagination exhibit, one of her first comprehensive museum exhibition in the US, spans from her work in the early»90s through 2015 was co-curated by Lynee Cooke, Senior Curator for Special Projects in Modern Art at the National Gallery of Art in DC and Christine Y. Kim, Associate Curator of Contemporary Art at LACMA with the Chicago exhibit coordinated by MCA's Chief Curator Michael Darling and Curatorial fellow Joey Orr.
Other programming highlights of the fall include an exhibition curated by Tirdad Zolghadr, LUMA Fellow and CCS Bard Senior Academic Advisor, and Fionn Meade, Independent Curator, along with first - year CCS Bard students, at Family Business, Maurizio Cattelan and Massimiliano Gioni's exhibition space in New York City, opening on October 12, 2012; the CCS Bard Speakers Series, including Sarah Pierce, Gregg Bordowitz, and Julia Bryan - Wilson; and the Nova Benway Conference, Methods and Models: Experimental Education at the Hessel Museum of Art, on October 18, 2012.
An exhibition curated by Tirdad Zolghadr, LUMA Fellow and CCS Bard Senior Academic Advisor, and Fionn Meade, Independent Curator, along with first - year CCS Bard students, will be on view at Family Business, Maurizio Cattelan and Massimiliano Gioni's exhibition space in New York City.
A History of Handwork was co-curated by Anna C. Lee, Post-Doctoral Fellow in Art History, and Aprile Gallant, Curator of Prints, Drawings, and Photographs, with contributions by Renna Bushko, «18, Emma Crumbley «19, Ana C. Ledgerwood «17, Julia B Smith «19, and Tyra Wu» 19.
David, Delacroix, and Revolutionary France: Drawings from the Louvre is organized by Louis - Antoine Prat, Curator in the Department of Graphic Arts at the Musée du Louvre and Jennifer Tonkovich, Curator in the Department of Drawings and Prints at the Morgan Library & Museum, with the assistance of Esther Bell, Moore Curatorial Fellow, the Morgan Library & Museum.
As part of the 13/14 McKnight Visual Artists Fellowship program, over the next few months the fellows will be meeting with Dean Daderko, curator at the Contemporary Art Museum Houston; David Humphrey, a New York - based painter and writer; and Candice Hopkins, a Canadian independent curator who is co-curating the 2014 SITE Santa Fe Biennial.
Opening Reception and Curators» Talk Friday, June 2, 6:30 — 8:30 pm Curators» tour at 7:30 pm Reception and exhibition talk with 2017 Curatorial Fellows Carissa Carman & Natalie Campbell.
(König and his fellow curators explored collaborating with cities in South America and Africa, but nothing felt quite right.)
She has recently been a Curator in Residence for the CPR: Mexico program, an Arts Writer in Residence for Contemporary Art Stavanger, and an MFU fellow with BHQFU and ArtCenter / South Florida.
Over the next couple of years, he staged a series of memorably class - conscious shows in London: «The Cleaners» Late Summer Party With Comme des Garçons,» at the Serpentine, in which fellow janitors danced with the art world; a show turning a gallery into a yoga studio; an installation at the South London Gallery «with canvasses on the floor, very much works in progress, sculptures for corn and grinders for corn,» as the curator Margot Heller puts it, raising the question «What is waste and what is commodity?&raWith Comme des Garçons,» at the Serpentine, in which fellow janitors danced with the art world; a show turning a gallery into a yoga studio; an installation at the South London Gallery «with canvasses on the floor, very much works in progress, sculptures for corn and grinders for corn,» as the curator Margot Heller puts it, raising the question «What is waste and what is commodity?&rawith the art world; a show turning a gallery into a yoga studio; an installation at the South London Gallery «with canvasses on the floor, very much works in progress, sculptures for corn and grinders for corn,» as the curator Margot Heller puts it, raising the question «What is waste and what is commodity?&rawith canvasses on the floor, very much works in progress, sculptures for corn and grinders for corn,» as the curator Margot Heller puts it, raising the question «What is waste and what is commodity?»
Published annually since 2006, in collaboration with Fundación Telefónica, La Fabrica's Conversations with Photographers series pairs up leading lights in contemporary photography and the visual arts with international curators and fellow artists.
Organized by Roxana Marcoci, Senior Curator, and Sarah Hermanson Meister, Curator, with Drew Sawyer, Beaumont and Nancy Newhall Curatorial Fellow, Department of Photography.
This is manifested through my decades of photographic practice, and through my ongoing work with fellow artists, filmmakers, writers and curators under the rubric of Artist Curated Projects.
Sunday Sessions is organized by Jenny Schlenzka, Associate Curator with Mike Skinner, Producer and Alex Sloane, VW Fellow.
A Tale of a Tub has worked with: Fleur van Muiswinkel, curator Oude Kerk (former co-director) Eloise Sweetman, independent curator and founder of Shimmer (guest curator) Niekolaas Johannes Lekkerkerk, The Office for Curating (guest curator) Hendrik Folkerts, curator documenta 14 (guest curator) Nathalie Hartjes, director Showroom MAMA (guest curator) Jack Segbars (research fellow)
This exhibition is organized by Omar Kholeif, Manilow Senior Curator and Director of Global Initiatives, with Nina Wexelblatt, Curatorial Assistant, and Jared Quinton, Marjorie Susman Curatorial Fellow, at the Museum of Contemporary Art Chicago, and is presented in the Griffin Galleries of Contemporary Art and the Turner Gallery.