Going out to conferences or going into New York was the main way to meet
with fiction editors and sell books.
Not exact matches
«Some find it shocking that a technically gifted group, earning its keep by designing web sites for businesses, could fall prey to aberrational beliefs that blended far - out science
fiction with elements of Christianity,» write the
editors.
Wilson, who is both
editor and publisher, stirs in
fiction, book reviews and classified ads
with articles on all aspects of boatbuilding, including such spellbinders as «When the Keel Drops Off» and «How I Almost Used My Kayak As Firewood.»
So, while it may not have the lure of the multicoloured Epindorff tube, or the glamour of
fiction publishing (the life of an academic book
editor is certainly not one long launch party), I wouldn't want to do anything else... well, except maybe work
with those spotty monsters!
Andrea Rothman was a postdoctoral fellow and research associate at the Rockefeller University in New York, where she studied the neurobiology of olfaction; she is a
fiction writer and an
editor for the journal Hunger Mountain, and her first novel, set in a research lab, is under contract
with Janklow & Nesbit Literary Agency.
At the publishing house she works at, and which Christian bought, she is promoted to
fiction editor, a job that comes
with a big exposed - brick office and lots of responsibility («Increase the font size by two points,» she commands an underling,
with a satisfied smirk).
In the previous film, Jack was the old
fiction editor at the publishing house, the one let go after he got handsy
with Anastasia.
Fifty Shades Freed, the third movie based on the best - selling novels by E.L. James, opens
with a showy wedding during which the demure
fiction editor Anastasia Steele and the reformed sadist Christian Grey exchange mismatched vows: apparently, he has to do a whole lot of extra comforting and protecting.
The plot of Fifty Shades Freed, such as it is — and never has «such as it is» been meant
with such a deliberate arch of the eyebrow — relies upon both Christian's terrible childhood and Ana's promotion to
fiction editor of an independent book publisher that Christian purchased while she was employed there as a jerk's personal assistant.
Writer - producer -
editor - director Krik (his director's credit reads «Dave Herman,» apparently out of concern that weaving too much inconvenient truth in
with the genre
fiction might attract the wrath the shadow conspirators), might have done better to deliver less retro larkiness and more straight facts.
But Trent, along
with Cane's
editor Linda Styles (Julie Carmen), soon finds himself crossing the barrier between fact and
fiction, and entering a terrifying world of evil and madness from which there is no escape.»
Once they're back in Seattle, Christian occupies himself
with his business — whatever that business is — and Ana returns to the little indie publishing house where she has been promoted to
Fiction Editor.
Legendary weird
fiction writer and
editor Jeff VanderMeer is back
with a new trilogy, The Southern...
Legendary weird
fiction writer and
editor Jeff VanderMeer is back
with a new trilogy, The Southern Reach, and the first novel came out last week.
Working together
with reading experts and educators, Windmill's
editors have developed
fiction and nonfiction books that are both fun to read and that impart important information.
As a publicist she works
with both
fiction and non-
fiction authors including New York Times bestseller D. Watkins, author of The Beastside: Living and Dying While Black in America, Tia Williams, former magazine beauty
editor and author of The Perfect Find and Clint Smith award - winning poet, Ted Talk conference speaker and contributor to The New Yorker.
Hidden Shadows is a Winner in the
Fiction category of the 2016 NABE Pinnacle Book Achievement award; Winner 2016 Global Ebook Awards, Popular Literature
Fiction; Short - Listed for the Eric Hoffer Award Grand Prize; finalist for the Eric Hoffer First Horizon Award; Honorable Mention, General
Fiction, Eric Hoffer Award; Finalist, da Vinci Eye Award; Finalist, Debut category: WFWA (Women's
Fiction Writers Association) Star Award Contest; Finalist, Literary
Fiction, NIEA (National Indie Excellence Awards); Finalist for the Will Rogers Medallion Award in the Western Romance category; Finalist in the NERFA contest (National Excellence in Romance
Fiction Awards), sponsored by First Coast Romance Writers, for «Novel
with Romantic Elements;» Finalist in the Long Contemporary category for the Aspen Gold Reader's Choice Contest (Heart of Denver Romance Writers) and Top Ten finisher, Best Other Novel, Predators &
Editors Readers» Poll 2015 as well as other awards and accolades.
Filed Under: Book Industry Trends, Craft of Writing, How To Get Published Tagged
With: Alan Rinzler, crime
fiction, developmental
editor, how to write a mystery, mysteries
As a freelance
editor for independent
fiction authors, I network
with a lot of indie authors on social media, and I know that being an indie author can be tough.
All Around The World Audio Books Author Platform Book Marketing Business Tips Client Talk Editing Editorial Tips Editorial Tools
Editors On The Blog
Fiction Freelancing Free Stuff Getting Noticed Grammar Links Guest Writers Indexing Indie Authors Link Of The Week Macro Chat Marketing Tips Money Matters More Macros And Add Ins Networking PDF Markup Proofreading Proofreading Marks Publishing Q&A
With Louise Resources Roundups Self Editing Self Publishing Authors Software Stamps Starting Out Training Using Word Website Tips Weekly News Reviews Work Choices Working Onscreen Working Smart Writer Resources Writing
This came on the heels of years teaching
fiction writing, finding agents,
editors, and hearing more rejections than I wish to share
with you.
Lisa Poisso is a
fiction editor and book writing coach working
with independent authors and new authors seeking representation.
As an FYI, for my
fiction writing (I'm a writer /
editor) I use a program called Storyist (http://www.storyist.com) that is both a word processor
with project management style features for
fiction / research.
In 2017 the
fiction prize was won by Sara Batkie for her manuscript Better Times, chosen by guest judges Chigozie Obioma and Christine Sneed
with Editor - in - Chief Kwame Dawes.
Filed Under: Book Industry Trends, How To Get Published, Literary Agent Profiles, Self - Publishing Tagged
With: agent, Alan Rinzler, debut author, debut writer, developmental
editor, editorial consultant, emerging author,
fiction, Folio Literary Agency, Folio Literary Management, Jill Marsal, literary agent, Marsal Lyon Agency, Michelle Brower, novelist
If you've written
fiction, work
with an
editor to get the building blocks of your story solid — the storytelling, the structure, the characterisation, etc..
The times I've placed my short
fiction I've had the opportunity to work
with excellent
editors who've managed the copy & developmental editing
with aplomb.
Each year, hundreds of veteran authors and those just learning the craft of Christian
fiction gather in a setting like this to hear skilled instructors, inspiring keynoters... to gain from the insights of industry professionals... to interact
with other writers... and to present their ideas to agents and
editors looking for stories like theirs, or to mentors who can help them move forward in their writing career.If you write Christian
fiction — or want to learn how — the ACFW conference is an investment worth making.
Once Humans (Daimones Trilogy) by Massimo Marino Posted in Science
Fiction & Fantasy by
editor — December 30, 2013 Amazon, $ 4.50, 314 pages The second in the Daimones Trilogy from Massimo Marino, does a great job of clueing in the reader about the first book
with a detailed prologue, making the reading of the first volume not necessary.
As a
fiction editor, I completely agree
with the content of this post, especially I haven't seen anyone else hit it quite so on target.
Candace Johnson is a professional freelance
editor, proofreader, writer, ghostwriter, and writing coach who has worked
with traditional publishers, self - published authors, and independent book packagers on nonfiction subjects ranging from memoirs to alternative medical treatments to self - help, and on
fiction ranging from romance to paranormal.
Filed Under: Blog, Leaving the House, Pink Raygun, Writing Tagged
With: deadlines,
editors, Historical
Fiction, web design, Writing
In this post, our group of professional
editors and ghostwriters want to discuss another commonly made «writing mistake» that we frequently come across
with our clients» manuscripts, in the hopes that you can continue to grow your awareness and skills in
fiction and book writing.
Kelly Harms is a former
editor and literary agent where she worked
with a wide array of bestselling and award - winning authors of commercial
fiction.
Fiction editors will often work
with authors at any point of the writing process, whether you have 50 pages written or nothing more than an idea.
Now that you've worked
with a developmental
editor to put all your pieces in place for your book (
fiction or non-
fiction), all that's left is to write the damn thing.
Fiction writers still dealt directly
with editors, often going to their offices.
Filed Under: Book Industry Trends, How To Get Published, Marketing Your Book, Self - Publishing Tagged
With: advice, Alan Rinzler, author, book, book deal, developmental
editor,
editor,
fiction, marketing, prequel, self - publishing, writer
He also compares the editing of her memoir
with the experiences professional
editor Jay Schaefer had working on Under the Tuscan Sun and creating a short
fiction magazine in the 1980s.
I have to say that when I had «
editor calls»
with editors interested in my
fiction book, the FIRST one
editor (not from a Big 5, but not a small press) was «How many followers do you have on social media?»
I am a national award - winning newspaper
editor with more than 25 years experience, and a traditionally published author of both nonfiction and
fiction books.
Filed Under: Ask the
Editor, Craft of Writing Tagged With: Alan Rinzler, ask the editor, book editor, craft of writing, developmental editor, editor, emotional glue, fiction, novel, writing, writin
Editor, Craft of Writing Tagged
With: Alan Rinzler, ask the
editor, book editor, craft of writing, developmental editor, editor, emotional glue, fiction, novel, writing, writin
editor, book
editor, craft of writing, developmental editor, editor, emotional glue, fiction, novel, writing, writin
editor, craft of writing, developmental
editor, editor, emotional glue, fiction, novel, writing, writin
editor,
editor, emotional glue, fiction, novel, writing, writin
editor, emotional glue,
fiction, novel, writing, writing tips
Filed Under: Craft of Writing Tagged
With: Alan Rinzler, author, book, craft of writing, developmental
editor,
editor,
fiction, freelance, vertical space
Filed Under: Craft of Writing, How To Get Published, Self - Publishing Tagged
With: Alan Rinzler, author, developmental editing,
editor, novel, novella, rewriting, short story, short - form
fiction, writer
Update: A day after putting up this post, while doing more reading about the publishing industry, I ran across another dirt - dishing voice
with a similar (but different) last name: Daniel Menaker, who is a «a former Executive
Editor - in - Chief of Random House» and «fiction editor for The New Yorker.&
Editor - in - Chief of Random House» and «
fiction editor for The New Yorker.&
editor for The New Yorker.»
While I agree
with Kristen that blogging makes us write «leaner, meaner, faster, and cleaner», so does short story writing, so does flash
fiction writing, and so does a few rounds
with an experienced
editor over your novel.
Laine Cunningham works as a ghostwriter and book
editor with authors, public speakers, thought leaders and businesses on
fiction and nonfiction; to develop speaking engagements and adjunct products; and on author branding.
When I started writing A Promise of Fire over five years ago now, there was a good chance this manuscript would end up like my other works of
fiction: perhaps unfinished, never seen by anyone but me, definitely never presented to agents or
editors and using up space on my hard drive in a folder
with a misleading enough name that hopefully no one would ever open it and stumble upon my first (and sometimes hilarious) attempts at writing a novel.
Ruth Reichl, the former NYT restaurant reviewer, final
editor of Gourmet magazine and author of several best - selling memoirs, will be turning to
fiction with her next book.
«
With choices from literary masterworks to genre
fiction to nonfiction, there's something for everyone,» gushed Amazon's senior books
editor.