It's a docu - social - realist adventure,
with fictional scenes in a real setting.
Not exact matches
Together they've tackled the Manchester music
scene in 24 Hour Party People, and the
fictional side of their celebrity personas in Tristram Shandy: A Cock And Bull Story, both
with the help of eclectic English director Michael Winterbottom (The Killer Inside Me).
Many
scenes focus lovingly on Penn as (the
fictional) Emmet Ray playing his guitar, alone or
with a band.
Paul Thomas Anderson's latest film, Phantom Thread, a portrait of a
fictional fashion designer in the couture
scene of 1955 London, indulges in similar revels, placing the film firmly in the tradition of the melodramatic women's pictures of the 1940s: it's filled
with achingly vivid close - ups (Anderson also shot the film) of shining colored threads, needles piercing thick fabric, rough - edged hand - sewn labels, intricate lace patterns, and rich cloth falling in sculptural folds.
The scenario is
fictional, but the sex
scenes can be construed as documentary in nature, to almost the same extent as the nine concerts that punctuate the film and provide it
with its title.
But now,
with key new
scenes of Roberta Sparrow (aka Grandma Death) and chapter headings to correspond to the
fictional textbook in the movie (The Philosophy of Time Travel), Donnie Darko is organized in such a way that new and old audiences can get a better idea as to what's happening in this rich tale of a young man and his personal search for God.
There's a
scene early in Justin Simien's debut film Dear White People where Sam (Tessa Thompson)- a student at a
fictional Harvard - ish Ivy League school who's known for organizing rallies against racist school policies - has an argument
with her white friend -...
Packed
with epic fight
scenes, a marvelous villain, stunning cinematography, and the type of mind - blowing special effects that make a
fictional world feel real.
Collector's Edition DVD Review: The first disc in the Collector's Edition DVD set features everything from the original release: a making - of featurette, deleted
scenes, a Polyphonic Spree music video, a
fictional Lacuna infomercial, a conversation
with Jim Carrey and director Michel Gondry, and an audio commentary
with Gondry and writer Charlie Kaufman.
Ford's cinematic influences are overtly placed — everything from the iconography and satire of DR. STRANGELOVE (as shown in the war room
scene), to the narrative drive of STRAW DOGS (as shown in the grippingly tense
scenes with fictional Tony's harassers, led by a perfectly - cast Aaron Taylor - Johnson), to the tangible feel of David Lynch's oeuvre, to the cunning bite of Michael Haneke's FUNNY GAMES.
[Note: In Home Alone (1990), Macauley Culkin watched a
scene from a
fictional B / W gangster film videotape titled, «Angels
With Filthy Souls» (a take - off on the Cagney film Angels
With Dirty Faces (1938)-RRB-, in which gangster Johnny shoots a rival gangster named Snakes, while saying, «Keep the change, ya filthy animal!»]
In a movie filled
with vegetarian sharks and the best
fictional seagulls going, Dory still manages to steal every
scene with her absence memory.
Cinematographer Roger Deakins made light come alive in this
fictional dark dystopia world
with contrasting pools of light moving and transforming differently in almost every
scene.
Fans of Harry Potter and magic, rejoice: Universal Orlando is expanding its Wizarding World of Harry Potter
with a new area based on the books»
fictional scenes in Diagon Alley and London.
Wright and McCarten stage an entirely
fictional scene in which the prime minister rides the London Underground and holds court
with the common folk, asking their opinions of the war and whether Britain should hold fast in its resistance to the Nazi invasion.
As more companies spend meaninglessly huge amounts of money on corporate training and advertisements, a
fictional company attempts to change the whole
scene of consumer interaction and training
with education and technology.
Jake Arnott's decade - spanning, continent - hopping novel mixes fascinating real - life figures
with fictional characters as it moves briskly from WWII spy intrigue (featuring Ian Fleming) and occultism (Aleister Crowley) to the West Coast pulp science - fiction set (Philip K. Dick, Robert A. Heinlein — even L. Ron Hubbard) and the»80s U.K. new wave music
scene.
It fuels the imagination
with vivid
scenes, as if from some
fictional novel.
Starting
with the rather camp and flowery Tulip Garden (the end of route «A» we managed to complete); Metropolis - an awesome,
fictional mix of various European city landmarks such as the Eiffel Tower and Nelson's Column
with streetlights illuminating the gorgeous night sky; Ancient Ruins - the second stage we didn't get to see unfortunately; Imperial Avenue - a jaw - dropping sunset
scene with Romanian architecture and coliseums; and finally the toughest stage of them all we don't even know the name of, since we couldn't reach Ghost Forest, the only stage from which the this final and most challenging mystery section is accessible.
Douglas began
with an interest in documentary and later moved on to direct
fictional scenes with actors, costumes and props.
In constructing life - sized models out of paper and cardboard often based on images taken from various media sources, and by photographing the constructed
scene, Demand plays
with the viewer's notions of the real and the
fictional.
Perhaps the most famous work in this vein, More Love Hours Than Can Ever Be Repaid and The Wages of Sin from 1987, featured a mess of used rag dolls, animals and blankets strewn across a canvas, a way of investing a
fictional childhood
scene with some visceral pathos which was first shown at Rosamund Felsen Gallery in Los Angeles.