Sentences with phrase «with figures in a landscape»

So this book, which is an invitation to get to know the characters and their backgrounds more fully, will, I hope, build on that and allow the reader to develop his or her relationship with the figures in our landscapes.

This flirtation with narrative, with figures in a landscape, suggests multiple connotations that carry veiled references to both current events and our place in history.

Not exact matches

CNBC's «Mad Money» host Jim Cramer calls him «a heroic figure in a landscape filled with people who are just part of a bland army,» while T - Mobile Executive Vice President of corporate services Dave Carey told «The Brave Ones»: «He can be charming on one hand and a raucous Las Vegas night club act on the other.»

In the three weeks since dozens of women came forward with allegations of sexual assault and misconduct against movie mogul Harvey Weinstein, the cultural landscape has been altered, with claims brought against figures across other industries.

The figure shows how the genetic landscape of HCC (in grey) and liver cancers with biliary phenotype with hepatitis (in black) are clustered, unlike those of liver cancers with biliary phenotype without hepatitis (in blue).

Having established some understanding of the open chromatin landscape in healthy mice, the researchers now hope to figure out how these relationships change with disease states.

Miguel knows that he is no longer in Kansas when he sees skeletal - like figures with colorful skulls existing in a strangely elaborate and visually diverse landscape.

An (apparently unintentional) riff on The Searchers that's also perfectly in line with its director's previous visions of lone figures in the landscape, Jauja is finally chancier and more surprising than its minimalist aesthetic might suggest.

Wandering the mountainous landscape, gorgeously photographed by veteran cinematographer Dean Cundey (Apollo 13, Who Framed Roger Rabbit, Jurassic Park), the psychically tortured protagonist has a series of run - ins with various figures, including a sympathetic Indian (Adam Beach), a Chinese immigrant (Tzi Ma), an old war buddy (Danny Glover) and, most memorably, a vicious killer named Ezra (Walton Goggins, stealing every scene as usual) who demands a «toll» from Jackson for encroaching on his territory.

Many of the landscapes are painted backdrops with moving figures, as in a»30s film, and some of the outdoor action, especially a chase down a ski hill, looks accomplished with models.

K - 12 technology leads all sectors of education in number of mergers and acquisitions so far this year, with private equity firms continuing to figure prominently in the new education landscape, according to a new report.

Succeeding as a writer in today's digital world takes so much more: figuring out how to work with clients, navigating the changing landscape of traditional publishing, learning the ins and outs of social media, growing a following for your blog and finding a community that will support you along the way.

With such a legacy, the prices of his jewel - like paintings of figures, houses and rainbows in landscapes are shockingly modest: $ 8,000 to $ 35,000.

Tuck writes that: «the paintings in this show alternate between the quiet and the chaotic: landscapes that are represented like in comics and topographical maps — on a soft colored ground lines are drawn with paint, the figures are much smaller than life size and feel like quotes from movies... [Richter] draws seamlessly from our common cultures of art, entertainment, violence, music, etc., and plants these things in his paintings.»

His paintings are usually about a particular moment — «The work of art — a stop of time», he wrote in a diary — a chance arrangement of things on the breakfast table, with a figure perhaps, or a landscape as he saw it in the light of an instant, and so they are usually painted from a single drawing, or from more than one made in quick succession on the same occasion.

The German abstract figure painter, who became widely known in the»80s along with Jörg Immendorff - associated circle of friends Werner Büttner, Georg Herold, and Martin Kippenberger, often painted interiors, self - portraits, landscapes, language fragments, and diverse abstractions.

Brooklyn - born painter Walter Price stands out as particularly impressive in this context, with a selection of small skewed and abstracted figure - in - landscape paintings.

The mostly chronological narrative begins in the 1920s with traditional landscape subjects and Depression - era figure studies that transform into quasi-abstractions.

Amply sculpted figures and hilly landscape in «St Jerome and a Donor» (1451) are harmonised in a palette of soft hues, bathed in an envelope of crystalline light with which, says Longhi, «leaving the past to embrace the future. . .

It was a moment when de Kooning turned to what he called the tableaux: «forcefully composed paintings with ideas of less frontal or variously posed figures in a well defined landscape space» (J. Cowart, «De Kooning Today,» de Kooning 1969 — 78, Gallery of Art, University of Northern Iowa, 1978, p. 15).

His collages are of landscape but often with figures in them.

Additionally, the narratives in many of the portrayed scenes are representations (but also, at times, literal acts) of miscegenation, including a geisha figure laying down in a tropical landscape, copulating with a dark - skinned mulatto man.

Understood in their broadest definition, the drawings and photographs assembled here include a wide range of material, among which are an 1864 photograph of the forest of Fontainebleau by the little - known French photographer Constant Alexandre Famin; a pastel completed earlier this year by Jasper Johns; a 3 x 5 inch Cezanne figure drawing; a new 6 1/2 x 10 foot landscape drawing by Ugo Rondinone; a digitally - manipulated photograph of the musician Björk by Inez van Lamsweerde; a small piece by an outsider artist known as the «Philadelphia Wireman,» who carefully bound his drawings up with bits of wire so they are barely visible; a recent charcoal on canvas by Gary Hume; and a 1949 sketchbook by Tony Smith.

Mainly working with oil - based ink on unprimed boards and with no formal concept in mind, the artist works intuitively to produce obscured figures and landscapes that appear like otherworldly phenomena.

In the following eight years, O'Keeffe studied art and art education, taught art, traveled, and worked on developing her unique style — a blend of symbolism, abstraction, and photography with subjects including cityscapes, landscapes, figure studies, and flower paintings.

With his iconic paintings serving as a trademark of American contemporary art, Wayne Thiebaud is a Pop art painter best known for his colorful works depicting commonplace objects like pies, lipsticks, paint cans, ice cream cones, pastries and hot dogs, although he has painted many landscapes and figures in his time as well.

«I have often thought that the pictures of this period of my work should not be considered «figure in landscape» but «landscape with figure» — ocean, sky, rocks with figure.

Those familiar with Robert Greene's early paintings of figures, architecture, and landscape combined in fairy - taleish scenarios would recognize a shift in the artist's most recent abstract works.

Sometimes suggesting a table top, or a harbour, a landscape, or a figure or, as with Figure into Landscape, one of the best works in the Jacobson show, a transformation from one to the figure or, as with Figure into Landscape, one of the best works in the Jacobson show, a transformation from one to the Figure into Landscape, one of the best works in the Jacobson show, a transformation from one to the other.

Born in North Manchester, Indiana, Garber began his formal art training at the Art Academy of Cincinnati in 1897 where he studied for one year with landscape and figure painter Vincent Nowottny and fraternized with the followers of Frank Duveneck known as the «Duveneck Boys.»

Diebenkorn often said how much he owed to European painting and the debt is acknowledged here, in the second room of the show, in big works depicting human figures framed in landscape — on a terrace, at a window — or secluded in shady interiors, in placid unanimity with their surroundings, sunken - eyed, reading, or lost in contemplation.

Two landscapes, bare of figures, suggest an easy, American - colloquial interest in grand, open spaces, but in Cityscape # 1, a tapestry record of human management, with fields and buildings beside a long road, the absence of persons and the pristine brightness of the day give off a charge of anxiety.

A figurative artist who still attracts comparisons with Rothko, Anthony Fry painted landscapes and figures in rich, dreamlike colours.

This development can be seen in the floor sculptures Figure with Nganga (1984) and Untitled (1983 - 84), which show an affinity to works she made in the landscapes of places like Cuba, Iowa, and Mexico.

By the beginning of his professional artistic life in the late 1930s, Pasmore had quickly established himself as an assured painter of lyrical landscapes, figures and still - life studies in a style that drew upon his familiarity with the work and writings of a number of post-impressionist masters such as Pierre Bonnard.

Blending themes of mythology, warfare and nature, haunting figures exist in the shadows of austere landscapes, carrying with them both a sense of danger and serenity.

Piero della Francesca pairs two figures from 1465, but in profile and with a more distant landscape.

The works build through a stream of images and ideas with a dreamlike, surreal feeling, to which Heffernan contributes by titling each one «Self Portrait...» In her recent paintings, the figure set in a tortured landscape functions as a metaphor for contemporary experiencIn her recent paintings, the figure set in a tortured landscape functions as a metaphor for contemporary experiencin a tortured landscape functions as a metaphor for contemporary experience.

The Puerto Rico - based artists have studied the ephemeral nature of collective drawing with monumental sticks of chalk at the Biennial de Lima, Peru (Chalk [Lima], 1998 — 2002); the imprints of colonial, nationalist, and military violence on the diverse populations and landscapes of Vieques, Puerto Rico (Land Mark (Foot Prints), 2001 — 2002; Land Mark, 2003; Returning a Sound, 2004; Under Discussion, 2006 and Half Mast / Full Mast, 2011); and the resonance of playing, warping and combining music from various moments in history (Clamor, 2006; Wake Up, 2007; Sediments Sentiments - Figures of Speech, 2008; Stop, Repair, Prepare: Variations on Ode to Joy for a Prepared Piano, 2008; Raptor's Rapture, 2012; Apotomē, 2013; 3, 2013); as well as the entanglement between biophysics, semiotics and actuality (Growth, 2004; Puerto Rican Light - Cueva Vientos, 2015).

In works like Darkytown Rebellion (2000), the artist uses overhead projectors to throw colored light onto the ceiling, walls, and floor of the exhibition space; the lights cast a shadow of the viewer's body onto the walls, where it mingles with Walker's black - paper figures and landscapes.

The visitor sees him develop his work from an early loose style — fireworks in Dieppe flung across the canvas with impressionistic strokes — through bold and colourful portraits influenced by Matisse to figures and landscapes in the contrails of Cubism.

Historical and contemporary works of art, videos, machines, archaeological artefacts and iconic objects, like the giant inflatable cartoon figure of Felix the Cat — the first image ever transmitted on TV — inhabit an «enchanted landscape» created in Nottingham Contemporary's galleries, where objects seem to be communicating with each other and with us.

Figure shown with back to the viewer, alluding to landscape imagery made popular during the period of German Romanticism by painter Caspar David Friedrich in the 19th century.

He has made his name in the past few years creating, with ostensible effortlessness, messy yet sophisticated paintings that feature bug - eyed figures in craggy landscapes.

The main gallery showcases paintings by the designer and street artist duo Graphic Airlines, populated with their signature ghostly, bloated - faced figures, alongside Mok Yat San's and Kevin Fun's fanciful sculptures and Lam Tung Pang's mixed - media landscapes, in which plastic models of floating islands hover above the Hong Kong cityscape.

This catalogue for a traveling exhibition considers the working drawings and spontaneous studies of Josef Albers, beginning with the landscapes and figure studies he created before enrolling at the Bauhaus, to abstractions inspired by archeological sites in Mexico, to color studies for his famous Homage to the Square paintings.

In this way, Bacon tackled landscape painting similar to the way he dealt with the human figure.

This sense of vitality is echoed in the presence of musical instruments played by the figures, which resonates with the sense of sound and smell captured in the landscapes.

From the late 60s to the late 70s de Kooning explored the figure with new gestural liquidity, merging the figure into landscape and working in sculpture for the first time.

In these small works there are bricks, bottles, and shoes flying around a barren landscape; engulfing waters in which figures are immersed; interiors with overstuffed chairs, dangling light bulbs, mirrors, and framed pictures; objects and books stacked up in piles; rolled - up compacted clusters of «stuff» extruding fingers and gun barrels; suns and balls on the horizoIn these small works there are bricks, bottles, and shoes flying around a barren landscape; engulfing waters in which figures are immersed; interiors with overstuffed chairs, dangling light bulbs, mirrors, and framed pictures; objects and books stacked up in piles; rolled - up compacted clusters of «stuff» extruding fingers and gun barrels; suns and balls on the horizoin which figures are immersed; interiors with overstuffed chairs, dangling light bulbs, mirrors, and framed pictures; objects and books stacked up in piles; rolled - up compacted clusters of «stuff» extruding fingers and gun barrels; suns and balls on the horizoin piles; rolled - up compacted clusters of «stuff» extruding fingers and gun barrels; suns and balls on the horizon.