Sentences with phrase «with film composer»

These include an introduction by Martin Scorsese, a commentary with film composer David Newman and film historians Jon Burlingame, Julie Kirgo and Nick Redman, a making - of featurette, a look at the music of The Robe (the Alfred Newman's score has an isolated music track), still galleries and an interactive press book.

Not exact matches

Creativity will be the keyword of the evening as it will feature film screening and original live music with the performance of composer Pete Drungle on archive images from Gaumont film studio.

The movie was nominated for an impressive 13 Oscar Nominations including Best Picture, Best Director (Steven Spielburg), Best Actor (Danny Glover), Best Actress (Whoopi Goldberg), Best Supporting Actress Nominations for Oprah Winfrey and Margaret Avery, along with Best Supporting Actor (Adolph Caesar), and Best Original Musical Score for a Motion Picture (Quincy Jones) which was the first time in any Spielburg produced film that composer John Williams did not compose a film score for a Spielburg movie.

The film blends archival footage with illuminating interview segments featuring some of Russell's colleagues and most notable collaborators, including poet Allen Ginsberg, composer Philip Glass and indie pop sensation Jens Lekman.

ComicBook.com has an interview with composer Tom Holkenborg (a.k.a. Junkie XL) about his work on «BvS,» which is the latest ina long line of films featuring the characters.

«Pino Donaggio» (15:41) lets the film's composer speak in his native Italian, with English subtitles translating his remarks, about his work with De Palma on this and other thrillers.

For years now, composers of all kinds have been hosting live performances of their favorite work, usually shown alongside with the film during the orchestration.

For more than a decade, IFMCA award - winning composer Olivier Derivière (Remember Me, Assassin's Creed IV Freedom Cry) has been scoring music for animation, films, and video games and is widely acclaimed for both his composition and innovative approaches to connecting music with the game experience.

INDEPENDENT & FOREIGN FILMS Coco Chanel & Igor Stravinsky (R for graphic sexuality and nudity) Romance drama, set in Paris in the Twenties, abut the scandalous affair conducted by a famous French clothes designer (Anna Mouglalis) with the promising classical composer (Mads Mikkelsen) whose penniless, refugee family she let live in her villa after they escaped the Russian Revolution.

Granted by France's Society of Dramatic Authors and Composers, the SACD Award for best French - language film went to Pierre Salvadori's screwball crime romcom «The Trouble with You.»

Superlative work is also done by multiple Oscar - nominees Bruno Delbonnel (the cinematographer who worked with Burton on Dark Shadows in 2012), and Danny Elfman (the composer who has written wonderful scores for many Burton films beginning with Bettlejuice in 1988).

Special Features New high - definition digital restoration, with uncompressed monaural soundtrack New interview with British cinema scholar John Hill, author of «Cinema and Northern Ireland: Film, Culture and Politics» Postwar Poetry, a new short documentary about the film New interview with music scholar Jeff Smith about composer William Alwyn and his score «Home, James,» a 1972 documentary featuring actor James Mason revisiting his hometown Radio adaptation of the film from 1952, starring Mason and Dan O'Herlihy Plus: An essay by critic Imogen Sara Smith

Add to that crazy killer baby bit a very suspenseful score by composer Bernard Herrmann and you have a classic film that startles us time and time again with its off - screen shenanigans.

Rob Cohen makes his first film since the awful Stealth, and reunites with his favourite composer Randy Edelman, who continues in the series which began so strong musically with Jerry Goldsmith's rollicking adventure score, before the considerably - inferior sequel which had its overbearing (but unbelievably popular) Alan Silvestri one.

Evanescence star Amy Lee has just completed work on her first film score after teaming up with composer Dave Eggar for independent drama War...

Petersen has been eclectic when choosing composers in the past, but seemed to get a safe pair of hands here with James Newton Howard, who wasn't exactly the A-lister he is today, but had a solid enough body of work behind him on this kind of film.

Interviews with several of the film's actors, including Kirk Acevedo, Jim Caviezel, Thomas Jane, Elias Koteas, Dash Mihok, and Sean Penn; composer Hans Zimmer; editors Billy Weber, Leslie Jones, and Saar Klein; and writer James Jones's daughter Kaylie Jones

Directed by Oscar ® winner Bill Condon based on the 1991 animated film, «Beauty and the Beast» is produced by Mandeville Films» David Hoberman and Todd Lieberman with eight - time Oscar - winning composer Alan Menken, who won two Academy Awards ® (Best Original Score and Best Song) for the 1991 animated film, providing the score, which will include new recordings of the original songs written by Menken and Howard Ashman, as well as several new songs written by Menken and three - time Oscar winner Tim Rice.

Composer Howard Shore, who won an Oscar for the first film, again provides an elegant score befitting an epic, with haunting soulfulness in emotional scenes.

THE SHERMAN BROTHERS: A HOLLYWOOD SONGBOOK — June 20 — 7:30 p.m. Samuel Goldwyn Theater, Beverly Hills With Oscar - winning composers Richard M. Sherman and Michael Giacchino, film critic Leonard Maltin, Oscar - winning director Pete Docter, Oscar - winning producer Jonas Rivera, actors Dick Van Dyke, Anthony Gonzalez, B.J. Novak, Lesley Ann Warren, Grammy ® - winning performers LeAnn Rimes and Kenny Loggins and more.

Solo will stay in the Star Wars family with veteran franchise composer John Williams set to write the theme for the standalone film about Han Solo, slated for release on May 25.

By bringing Lamar on board and employing Ludwig Göransson (a longtime collaborator with Coogler who has also worked with Donald Glover aka Childish Gambino) as the film's principal composer, Marvel are finally broadening their symphonic horizons.

The score for the film is worth taking note of as well, and you can learn more about it in the special features section with an audio interview with the composer Robert Bellon.

Additionally, there's a new featurette on the film's visual effects, new interviews with composer Alan Howarth, actor Joe Unger, still photographer Kim Gottlieb - Walker and filmmaker David DeCoteau, as well as a previously released featurette and the original opening bank robbery sequence.

He often collaborates with his wife, producer Emma Thomas, and his brother, screenwriter Jonathan Nolan, as well as cinematographer Wally Pfister, film editor Lee Smith, composers David Julyan and Hans Zimmer, special effects coordinator Chris Corbould, and actors Christian Bale and Michael Caine.

The composer messed with the pitch and tone of what she wrote, «perverting material,» as she calls it, to create a finished product that's just as responsible for the film's nervy, agitated, unshakable tone as Glazer and DP Daniel Landin «s haunted imagery.

LIFE marks his sixth project with director Daniel Espinosa, having previously composed music for his films Babylonsjukan, Outside Love, Snabba Cash, and Child 44, and the Danish short film The Boxer, which was his first work as a composer.

The screening was part of Film Independent at LACMA's ongoing film series and featured a Q&A afterward with del Toro, actors Sally Hawkins, Doug Jones, Richard Jenkins, Michael Stuhlbarg, and composer Alexandre Desplat.

It comes with three commentary tracks: the first by Scorsese and editor Thelma Schoonmaker, the second by cast & crew (producer Irwin Winkler, composer Robbie Robertson, actor John Turturro (who was an extra in the film), cinematographer Michael Chapman and others) and the third by the «storytellers» (Paul Schrader, Mardik Martin, Jason Lustig and Jake La Motta).

Composer Lorne Balfe [TERMINATOR GENISYS, CHURCHILL, THE STORY OF GOD WITH MORGAN FREEMAN] is a Grammy Award - winning, EMMY and BAFTA nominated film composer from Inverness, SComposer Lorne Balfe [TERMINATOR GENISYS, CHURCHILL, THE STORY OF GOD WITH MORGAN FREEMAN] is a Grammy Award - winning, EMMY and BAFTA nominated film composer from Inverness, Scomposer from Inverness, Scotland.

What makes this one worth buying is the new commentary with Tim Burton and composer Danny Elfman, as well as the original poem and concept art the film was based on, read by Christopher Lee.

Filled with exquisite imagery, the film follows Fred (Caine), a retired longtime composer and conductor, who brings along his daughter (Weisz) and best friend, renowned filmmaker, Mick (Keitel) who is working on his last screenplay, for a brief sojourn in the Swiss Alps.

During our chat we touched on why the film is only 58 minutes long and whether there was any intention to extend it, whether Refn believes he should have won the Palme d'Or, why he switched from composer Peter Peter to working with Cliff Martinez, how they had little boosts of money that helped get the film made, why the film is just now coming out instead of closer to Only God Forgives «release, whether Refn ever wanted to stop being filmed, the commercial prospects of an hour long documentary, and much more.

The film, featuring a score by Tony - winning composers Marc Shaiman and Scott Wittman, also stars Lin - Manuel Miranda, Colin Firth, and Meryl Streep, marking Blunt's third collaboration with Streep following The Devil Wears Prada and Into the Woods.

The week before Thanksgiving we screened Creed with writer - director Ryan Coogler, a loyal USC alumni, and his colleagues, most of whom attended school with him and worked on his first feature, Fruitvale Station: co-writer Aaron Covington, composer Ludwig Göransson, and film editors Michael Shawver and Claudia Castello.

It was a memorable night for my class, following a strong semester with a wide array of guests and films, from documentarian Ondi Timoner (with her Russell Brand feature Brand: A Second Coming) to composer Harry Gregson - Williams (with The Martian), Oscar - winning production designer Adam Stockhausen (with Bridge of Spies), writer Charlie Kaufman and Duke Johnson, who co-directed the offbeat animated feature Anomalisa.

But that's what we were going to get with Hulk until a few weeks before its release date, when someone at Universal thought that instead of one of the least well - suited composers for silly comicbook films they would be better - served by the most well - suited, so they turned to Danny Elfman, veteran of Batman and Spiderman.

Levinson always picks the perfect composer for each film he scores rather than rigidly sticking with the same one, and the roster of composers with whom he has worked is a virtual who's who of the film music business - Alex North, Bruce Broughton, John Williams, Randy Newman, Ennio Morricone, Hans Zimmer, Christopher Young, and others.

With an operatic sweep, the composer has fashioned music which manages to conjure the same type of powerfully anguished beauty as the great Georges Delerue did in his scores for more serious films.

Golden Globe and Critics Choice Award winning «La La Land» composer Justin Hurwitz talks crafting the film's most challenging song, «Start a Fire», and collaborating with superstar John Legend.

On the latest Crew Call, the Long Island native and two - time Oscar nominee of The Hurt Locker and 3:10 to Yuma talks with us about his latest work as well as his early days at Yale Music, and how he decided to take the plunge into film scoring thanks to The Omen and Poltergeist composer Jerry Goldsmith.

EE: I continue to try and select excellent films that could suffer without a great score and offer my helping hand, because I'll be completely honest with you, I don't have a lot of faith in the other film composers out there.

Composer Justin Hurwitz and lyricists Benj Pasek and Justin Paul contribute a pleasing score, with the kind of earnest verse («Here's to the ones who dream / Foolish as they may seem / Here's to the hearts that ache / Here's to the mess we make») on which Demy films thrived.

So, for those interested composers reading, they can currently go to: http://secretsoffilmscoring.blogspot.com The feedback has been incredible, «I learned more about film scoring here, than I had in the last 10 years», «No one out there today will teach you what Evan does», «god bless him for his commitment to improving the condition of the film music industry», «a genius at what he does», «incredibly well informed with a lot of experience».

EXTRAS: The Blu - ray release includes Paul Thomas Anderson's 2002 short film «Blossoms & Blood,» a new interview with composer Jon Brion, behind - the - scenes footage from one of Brion's recording sessions, deleted scenes, an essay by filmmaker Miranda July and more.

But he, together with his brilliant editor Peter Hunt (like Bond stalwarts Saltzmann and composer John Barry, invaluable, we'll discuss his contribution later) shook up the language of film to a mad degree to make us, the viewer, step firmly into Harry's irreverent shoes as an outsider, bucking the system, and off - kilter in a paranoid world.

The film was shot by the great Roger Deakins, surely one of the top cinematographers of the last half a century, with American composer Alaric Jans continuing his collaboration with Mamet that would ultimately stretch to four feature films.

Radiohead have announced that they are teaming up with renowned film soundtrack composer Hans Zimmer to work on the score for the BBC's upcoming...

Steven Price is the very talented composer behind the film «Gravity», which ended up winning him last year's Oscar for Best Score (along with numerous other awards).

There are a couple of familiar key tracks here (Hank Levy «s, which gives the film its title, and Duke Ellington «s «Caravan,» among them), but an overwhelming amount of the music in the film is original and from composer Justin Hurwitz, who played in a band with Chazelle at Harvard.