Sentences with phrase «with film editor»

You can read our thoughts on The Dark Knight Rises here, here, here and here, as well as our interview with film editor Lee Smith here.

You can read our thoughts on Argo here, here, here and here, as well as our interview with VFX supervisor Matt Dessero here, and our interview with film editor William Goldenberg here.

2 - Disc DVD Extras: 11 newly - discovered deleted and extended scenes, director's commentary, feature commentary with Spike Lee, cinematographer Ernest Dickerson, actress Joie Lee and production designer Wynn Thomas, retrospective documentary with the cast and crew, storyboard gallery, 1989 Cannes press conference, interview with film editor Barry Brown, trailers, and «Behind the Scenes» and «The Making of» featurettes.

New to this edition are the featurettes «A Ticking Clock» with film editor Mark Goldblatt (6 minutes), «A Stanley Kramer Production» with filmmaker and film historian Michael Schlesinger (14 minutes), «Imitation of Life: The Blacklist History of High Noon» with historian Larry Ceplair and blacklisted screenwriter Walter Bernstein (10 minutes), and he visual essay «Oscars and Ulcers: The Production History of High Noon» narrated by Anton Yelchin (12 minutes).

This is my third year writing about the Toronto International Film Festival with film editor A.A. Dowd (our dispatches will run on alternating days), and right now everything feels out - of - whack: On the flight, where I sit behind a snoring guy with a Viking topknot and steroid acne and across from a fiftysomething...

Not exact matches

Editor's Note: Academy Award winning actress Mira Sorvino sat down with CNN's Belief Blog to talk about her new film Like Dandelion Dust.

Editor's Note: The following interview with Noah screenwriter Ari Handel contains some minor spoilers and discussions of items that deal with major plot points in the film.

Ends Notes to Editors: § Interview and filming opportunities are available with IET spokespersons.

The Guardian has been given an exclusive preview of the film, which includes remarkably candid footage of sensitive meetings with Labour's high command as the election campaign unravelled, as well as private telephone calls with Gordon Brown and the editor of the Times, James Harding.

It's heartbreaking to read, in New York editor Chris Bonanos's account, how the technology company that fit the workings of an entire darkroom inside a pouch of film fell to pieces with the rise of digital cameras.

SciAm editor George Musser discusses the film with the director.

Through her company, she began making films and short documentaries for science nonprofit organizations, working together with a small crew consisting of two cameramen, a sound technician, and a video editor.

The film editor used Domino to get rid of the wires with an electronic airbrush.

There is always a question about Jurassic Park (laughs), I even worked with Jack Horner (Editor's note: Palaeontologist who worked on the films).

They talked to the music teacher, and I was able to connect them with a friend who is an award - winning film editor.

Case in point: Proenza Schouler's front row, which welcomes the requisite editors and retailers, is also filled with friends and supporters of the brand, from Vogue's Lisa Love to the film director and writer James Oakley.

[Editors note: With the success of Saturday morning cartoons and in an attempt to cash in, the third of the Robocop films drastically toned down the violence and added a young sidekick for Robocop.

Before joining PLM, he was a story editor at a book - scouting agency working with film clients.

The job of assembling all of this was given to film editor Fred Raskin, who, while working closely with Tarantino, cut the film to a final run time of two hours and 45 minutes, leaving almost two additional hours of footage on the cutting room floor.

He then moved up to the position of editor with director Justin Lin, working on three Fast and the Furious films: The Fast and the Furious: Tokyo Drift, Fast & Furious, and Fast Five.

After spending nearly a year assembling Django Unchained, Raskin, who is now armed with a BAFTA nomination, opens up about his work on the Oscar - nominated film, the job of a film editor, and working with one of his cinematic heroes.

It just hums as Affleck and editor William Goldenberg («Heat,» «The Insider») have paced their storytelling with such finesse that even the most disparate elements of the film seem of a whole.

In films until the 1960s, Kent Smith was also briefly a regular on TV's Peyton Place; his credits should not be confused with those of film editor Kent Smith.

In her first encounter in the film with Bradlee, Graham approaches the editor as if she's his employee, not the other way around, and it's inspiring to watch her discover the power that comes with her role, and learn how to wield it in opposition to all of the controlling masculine forces that seek to exert their influence on her decisions.

In the previous film, Jack was the old fiction editor at the publishing house, the one let go after he got handsy with Anastasia.

This film's playful visual language pulls you in rather than shuts you out; it isn't difficult to decipher, and it enables Coppola and his editor, Walter Murch, to navigate the story's many realms with a directness and dexterity that are refreshing.

At the same time, the film presents us — pointedly — with another layer of nostalgia, with a vision of a vibrant world of newspapers and reporters and editors and independent owners that itself is now dying out.

Steven Spielberg's film is an ode to an era when newspapers — with their crotchety reporters and editors, connected and well - heeled owners, democratic values, and broadsheet features — were a literal part of the social fabric, lining parlor couches and billowing through windy city streets.

Special kudos must be given to film editor Michael Kahn, whose facility with these completely unhinged battle sequences should shame anybody who's ever worked on a Michael Bay movie; to cinematographer Janusz Kaminski, who has given these scenes a dull grey cast evocative of nightmares torn from America's sleeping subconscious brain; and to sound designer Gary Rydstrom, who has crafted a World War II soundscape that rattles and unnerves you even when your eyes are closed.

A decade may have passed, but Reverse Shot co-founders and editors Jeff Reichert and Michael Koresky vividly remember the birthday celebration at Dallas BBQ (complete with giant blue cocktails) that gave birth to the online film journal.

I imagine editing a book series is somewhat akin to curating an art show or even a film retrospective: in all three cases the curators / editors need to present works tied together with a thematic thread.

Sandy King Carpenter is an artist, editor, writer, film producer and PRESIDENT OF STORM KING PRODUCTIONS.With a background in art, photography and animation, Sandy King's filmmaking career has included working with John Cassavetes, Francis Ford Coppola, Michael Mann, Walter Hill, John Hughs, and John Carpenter.

The design and look of the film can not be faulted, with special mention going to editor Alexander Berner for his easy to follow handling of the story's duel timelines and shifting perspectives.

Review of Life Partners by Associate Editor Brigid K. Presecky Susanna Fogel and co-writer Joni Lefkowitz tell the story of two best friends dealing with growing up and growing apart in the new film Life Partners.

If all this weren't enough, Mannix also has to contend with twin gossip columnists (played by Tilda Swinton) who are circling the studio in search of scandal; a near - fatal accident involving a film editor (Frances McDormand); an accountant (Jonah Hill) enlisted to see whether the pregnant ingénue can legally adopt her own child; and a song - and - dance star (Channing Tatum) harboring more than one Big Secret.

Interviews with several of the film's actors, including Kirk Acevedo, Jim Caviezel, Thomas Jane, Elias Koteas, Dash Mihok, and Sean Penn; composer Hans Zimmer; editors Billy Weber, Leslie Jones, and Saar Klein; and writer James Jones's daughter Kaylie Jones

It ends with a title card that states «A Paul Schrader Film,» but it is such in name only — a version of the movie that neither Schrader nor Refn (who retains an executive producer credit) nor Cage endorse or have done anything to promote, assembled by a team of producers without the input of Schrader or the film's credited editor, Tim Silano.

Nonfictionfilmcom.com editor - in - chief Matthew Carey (left) with director Matthew Heineman and Aziz Al - Hamza, one of the subjects of his film «City of Ghosts.»

On Nov. 3, The Times published a statement that its writers and editors had been blocked from attending advance screenings of Disney films, in response to The Times» news coverage of Disney's business arrangements with the City of Anaheim.

Working with cinematographer Jolanta Dylewska, production designer Erwin Prib and editor Michal Czarnecki, Holland so successfully re-creates that alien subterranean world that Krystyna Chiger, the «Green Sweater» author who survived the ordeal, told the New York Times that the film «was so realistic that I felt I am back in the sewer and am smelling it.»

It is not clear whether women chose to write reviews of films with women directors and writers or if editors assigned these films to women writers.

Extras include a six - minute behind - the - scenes featurette whose highlight is star Wilson suiting up for a pre-production supersonic flight; seven deleted or extended scenes — among them odd alternate opening and closing title sequences — with optional commentary from director Moore and editor Paul Martin Smith — these trims carry a viewer discretion warning, for they would've threatened the film's PG - 13 rating; a fantastic, largely CGI pre-visualization (with, again, optional Moore / Smith commentary) of the virtuoso ejection set piece that at times gives Final Fantasy a run for its money; the teaser trailer for Spielberg's upcoming Minority Report; and two engrossing full - length commentaries, one by Moore and Smith, the other producer John Davis and executive producer Wyck Godfrey.

; Scarlett Johansson plays a femme fatale with a hefty Brooklyn accent, a string of broken mobster marriages and a knack for swimming; and Frances McDormand's blink - and - you'll - miss - it turn as a chain - smoking film editor is equal parts hilarious and harrowing.

Special features include feature commentary with Writer / Director Scott Stewart, Producer Jason Blum, Executive Producer Brian Kavanaugh - Jones and Editor Peter Gvozdas as well as alternate and deleted scenes from the film.

Executive produced by Brad Miska, Bloody Disgusting's head writer and editor, V / H / S is a predictably adequate anthology horror film with a cute hook: What can you do in a horror movie told entirely from a first - person POV?

It is unclear whether women chose to review romantic comedies and dramas or if editors were more likely to assign films with romantic themes to women writers.

He often collaborates with his wife, producer Emma Thomas, and his brother, screenwriter Jonathan Nolan, as well as cinematographer Wally Pfister, film editor Lee Smith, composers David Julyan and Hans Zimmer, special effects coordinator Chris Corbould, and actors Christian Bale and Michael Caine.

In discussing the original film with the rest of The Mary Sue editors, Teresa pointed out that The Warriors was all about toxic masculinity, and she's absolutely right; I imagine what one thinks the movie says about toxic masculinity will be very dependent on how one feels about toxic masculinity overall.

in the retro - futuristic world of Priest, a question that proves rhetorical; throughout, rewrites, preview versions, and cutting - room innovations are candidly discussed, with Sam Raimi's editor Bob Murawski receiving special praise as a latecomer to the project who instituted structural changes that made the film more linear.

Working with a screenplay by «Star Trek: Enterprise» story editor Jonathan Fernandez, De Fellita infuses the film with comedic moments that often miss the mark.