Sentences with phrase «with film historians»

Extras include an isolated score track in 2.0 mono DTS - HD; an audio commentary with film historians Eddy Friedfeld, Paul Scrabo, and Lee Pfeiffer, which is quite good and provides plenty of insight into the making of the film and its status as a New Hollywood film that's been forgotten and worth rediscovery (I concur); the film's original theatrical trailer, presented in HD; a scroll - through of the current Twilight Time catalogue; and as always, an excellent 8 - page insert booklet with an essay by the great Julie Kirgo.

The disc includes Jerry Goldsmith's isolated score track and audio commentary with film historians David Del Valle, Lem Dobbs, and Nick Redman.

He provides commentary for the two films with film historians Bill Krohn and Blake Lucas and personally interviews producer Roger Corman and stars Millie Perkins and Harry Dean Stanton in new featurettes that play like conversations.

Extras: Fans of this one get two commentaries: an isolated score track with film historians Jeff Bond, Jon Burlingame, and Nick Redman commenting mostly ahead of the music (which really begins when the fantastic voyage begins); and a feature commentary with Bond again covering all the basics in a somewhat average walk - through.

While actor biographies and trailers are a welcome addition on the set, even more history on Brown and some interview footage with film historians and / or critics would be a welcome addition.

This release serves up about 8.5 minutes of deleted and extended scenes presented without context, along with a gallery of trailers for other Kino releases and a commentary track with film historians Howard S. Berger and Nathaniel Thompson.

The ending in the theatrical release was not well - liked, but a much - better alternate version is included here, along with interviews with director John Boorman and art director Anthony Pratt, as well as an audio commentary with film historians Travis Crawford and Bill Ackerman.

Features include an iolated score, the original theatrical trailer, and audio commentary with film historians Lem Dobbs, Julie Kirgo, and Nick Redman.

The first platter is also home to a piecemeal featuring - length yakker orchestrated by Laurent Bouzereau that compiles snippets from stand - alone interviews with film historian Rudy Behlmer and actor Malden.

Special Features New 4K digital restoration New interview with cinematographer John Bailey about director of photography Conrad Hall's work in the film New interview with film historian Bobbi O'Steen on the film's editing New interview with film critic and jazz historian Gary Giddins about Quincy Jones's music for the film New interview with writer Douglass K. Daniel on director Richard Brooks Interview with Brooks from a 1998 episode of the French television series «Cinema Cinemas» «With Love From Truman,» a short 1966 documentary featuring novelist Truman Capote, directed by Albert and David Maysles Two archival NBC interviews with Capote: one following the author on a 1966 visit to Holcomb, Kansas, and the other conducted by Barbara Walters in 1967 Trailer Plus: An essay by critic Chris Fujiwara

There is an audio commentary with film historian Drew Casper.

- New high - definition digital restoration, with uncompressed monaural soundtrack on the Blu - ray - Audio commentary featuring film scholar James Naremore, author of The Magic World of Orson Welles - New interview with actor Keith Baxter - New interview with director Orson Welles's daughter Beatrice Welles, who appeared in the film at age nine - New interview with actor and Welles biographer Simon Callow - New interview with film historian Joseph McBride, author of What Ever Happened to Orson Welles?

«The Pollyanna Collector» is an 11 - minute inteview with film historian Stacia Martin.

Don't miss: Extras include an interview with cinematographer John Bailey about Conrad Hall, the movie's cinematographer, an interview with film historian Bobbie O'Steen about the film's editing, an interview with film critic and jazz historian Gary Giddens about Quincy Jones» score for the movie, a 1988 French TV interview with Brooks, a short 1966 documentary about Capote, interviews with Capote from 1966 and 1967, an interview with writer Douglas K. Daniel about Brooks and an essay about the movie.

Not exact matches

With his latest opus due out this month and a half - dozen more films on the way, the director and historian Ken Burns has learned a lot about how to manage big teams through even bigger projects.

He is neither a historian nor theologian, but the film, «Monumental,» shows him consumed with Christianity - and with rage over what he says has been the systematic removal of religion's role from American history.

Heffner, himself a historian, finds JFK filled with «not - quite - provable speculations about the end of Camelot,» but he is intrigued by the angry response to the film on the part of print media and television journalists.

«They are not the same films that most people are used to seeing,» says Alex Wellerstein, a historian of science at the Stevens Institute of Technology who is not involved with the project.

In the film's lyrical telling of the story, which relies on historical photographs, an inventive use of animation, and interviews with Egan and western historians, «flaming embers shot down from the sky» as an ad - hoc army of firefighters tried to control the fast - spreading blaze.

Composed of field testimonies and hidden camera footage, the film also features interviews with Haiti's Ambassador to the United States, Ambassador Raymond Joseph, the U.S. Department of States» Ambassador John Miller from the Office of Human Trafficking, renowned anthropologist and sugar historian Sidney Mintz, Carol Pier from Human Rights Watch, Public Interest Attorneys Bill Quigley as well as Greg Schell, and a number of activists from the field including human rights lawyer Noemi Mendez, Colette Lespinase of G.A.R.R. Haiti [Organization for Refugees and the Repatriated] and missionaries Pierre Ruquoy and Father Christopher Hartley.

From 1930 to 1962, with rare exceptions, the actor projected what film historian Leslie Halliwell once described as a «dignified, heavy presence.»

For Hank and Jim, biographer and film historian Scott Eyman spoke with Fonda's widow and children as well as three of Stewart's children, plus actors and directors who had worked with the men — in addition to doing extensive archival research to get the full details of their time together.

A second commentary track with historians Glenn Kenny, Ed Hulse, and Fran Smith Neeme, a short doc Busby Berkeley: A Journey with a Star, Alice Faye's last film We Still Are!

Written by David Hare (The Reader) and directed by Mick Jackson (The Bodyguard, Temple Grandin), the film vigorously conveys the tense story of Lipstadt's legal battle with British historian David Irving, of whom she was accused of libel.

with an interview of film historian William Scott Wilson, and the film's trailer.

EXTRAS: The Blu - ray release includes an audio commentary by director John Frankenheimer, new interviews with actress Angela Lansbury, filmmaker Errol Morris and historian Susan Carruthers, a 1987 conversation between Frankenheimer, actor Frank Sinatra and writer George Axelrod, and an essay by film critic Howard Hampton.

«There's Always Vanilla Film Locations» (11 mins., 1080p) has «Romero historian» Lawrence DeVincentz talking over a slideshow of contemporary photographs of locations used for scenes in the film (some of them featuring him or his buddy Spooky Daz Sargeant in the frame matching the pose of the original actors) with authentic production stills occasionally appearing in an inset.

The final bonus feature is an audio commentary by film historians Travis Crawford and Bill Ackerman, who prepared a discussion that covers the movie from its origin to its release, with plenty of information about Marvin, Mifune, Boorman, and others.

Each title gets a full - length audio commentary from Travis Crawford, a dogged film critic and programmer with the instincts of a historian, who goes into detail on the background of just about every lead and significant supporting player who appears on screen, in addition to the producers and financiers behind the scenes who allowed (or more likely didn't allow) Romero to realize his vision on screen.

Film historians recall how Walt considered following up Snow White with an animated Oz film, but missed out on securing the series» rights.

«Snapshot in Time: 1967 -» 68» (19:15) discusses the history of the Vietnam War in the period dramatized in the film with comments from Stone, historians, and an assortment of military veterans.

She brought a sophistication to movies in the era when movies grew up and though she shares screen credit with her husband, Phillip Smalley, film historians agree that Weber was the defining creative force.

She brought a sophistication to movies in the era when movies grew up and though she shares screen credit with her husband, Phillips Smalley, film historians agree that Weber was the defining creative force.

«Spielberg» has the feel of official business, with the man himself happily participating in long conversations about his creative process, while dozens of other sources — his 100 - year - old father, Arnold, and his mother, Leah, who died at 97 in February; his siblings, peers, longtime collaborators, actors, film critics and historians — supply their own observations and asides.

House of the Long Shadows (Kino Lorber Studio Classics, Blu - ray, DVD), directed by Pete Walker, stars Vincent Price, Christopher Lee, and Peter Cushing, along with John Carradine and Desi Arnaz Jr., and the disc features separate commentary tracks by director Pete Walker and film historian David Del Valle and an interview with Walker.

Featuring deliciously unsavory dialogue, in an acid, brilliantly structured script by Clifford Odets and Ernest Lehman, and noirish neon cityscapes from Oscar - winning cinematographer James Wong Howe, this cynical masterpiece is accompanied on the Channel by a 1986 documentary about Mackendrick, a 1973 documentary about Howe, and a video interview with film critic and historian Neal Gabler.

It features new commentary by film historian Stephen Prince, new interviews with assistant director and restoration supervisor Kiyoshi Ogasawara and literary scholar Christopher Benfey, who discusses Lafcadio Hearn's stories, and a 1993 discussion between Kobayashi and fellow filmmaker Masahiro Shinoda, plus trailers and a fold - out insert with a new essay by Geoffrey O'Brien.

Features commentary by film historians David Del Valle and Tim Sullivan, an interview with Uta Levka, and a featurette on director Gordon Hessler, along with the trademark isolated score audio track, and booklet with an essay by Julie Kirgo.

HollywoodNews.com: The Academy of Motion Pictures Arts and Sciences will honor Oscar ® - nominated actress Gloria Stuart's career in film and celebrate her 100th birthday with a program featuring film clips and an onstage conversation between Stuart and her longtime friend, film historian Leonard Maltin, on Thursday, July 22, at 7:30 p.m., -LSB-...]

This edition has commentary by film historians David Del Valle and Tim Sullivan, who also deliver a reading of a print interview with Robert Quarry, plus stills, a radio tribute to Robert Quarry, isolated score audio track, and booklet with an essay by Julie Kirgo.

Also on board is an audio commentary from» 09 — Disney, alas, has dropped the picture - in - picture option that made this a full - blown «Cine - Explore feature» on the PE — teaming Leonard Maltin with Disney animator («and unashamed animation geek») Eric Goldberg and film historian J.B. Kaufman, who at the time was writing a book about the making of Pinocchio that finally got published in 2015.

«Beatnik Blues: Investigating Daddy - O» is a brief look at how the film fits into the tough guy movies that were in vogue during the 1950s, with comments from the usual film historians who pop up in Shout!

Cinematic historian and film critic Leonard Maltin will interview Burton at The Highball (Alamo's bar, fully equipped with stage, dance floor, and themed karaoke rooms) in a new special event dubbed Maltin at the Movies.

The idea that the fate of this little racehorse that could (and ultimately, even the idea that the horse is an underdog is a bit of a cheat, since Seabiscuit's lineage was sterling — less «underdog» than «underachiever») galvanized a nation reeling under the Great Depression is the only idea that remains in the film, seized by Ross as an opportunity to insert archive stills of the period — complete with voice - over from historian David McCullough — to lend his horse opera the sort of gravitas he's not able to provide through narrative.

EXTRAS: There's a new audio commentary by Chaplin historian Charles Maland, a video essay about Jackie Coogan, interviews with Coogan and Lita Grey Chaplin, deleted scenes, archival footage, the 1922 silent short «Nice and Friendly,» an essay by film scholar Tom Gunning and much more.

Known for roles in such films as «Amistad,» «Blood Diamond» and «Guardians of the Galaxy,» Hounsou will play CJ Mitchum, an original resident of the town and a historian with extensive knowledge of its complex origins — and the one person who can provide a unique bridge between the current world of Wayward Pines and the previous world that humans inhabited.

The other three features are First Name: Carmen (1983), Detective (1984), and Helas Pour Moi (aka Oh, Woe Is Me, 1993), and the disc features the half - hour documentary «Jean - Luc Godard: A Riddle Wrapped in an Enigma,» with film critics and historians Kent Jones, Winston Wheeler Dixon and David Sterritt.

It feels like production has gone on as long as World War II itself for The Monuments Men, George Clooney's film about a platoon of soldiers comprised of art historians and experts tasked with the job of saving irreplaceable and priceless artwork from getting destroyed by the Nazis.

The Blu - ray and DVD feature Rivette's 1956 short Le coup du berger, which stars Jean - Claude Brialy and features appearances by his fellow film critics (and future nouvelle vague filmmakers) Claude Chabrol, Jean - Luc Godard, and Francois Truffaut, and an interview with critic and historian Richard Neupert.

Now it has been lovingly remastered from the negatives and Janus films (a partner with Criterion) has applied digital technology to create a new digital restoration for the U.S., which is the source of Criterion's special edition, which features commentary by film scholar James Naremore and new interviews with Keith Baxter, Welles's daughter Beatrice Welles (who has a small role in the film), and Welles historians Simon Callow and Joseph McBride among the supplements.