Sentences with phrase «with film montage»

Most recently, the Cioccis have been mining YouTube for both contemporary and vintage material for «mash - ups» — often - hilarious shorts that overlay and integrate found digital videos in a way that would not have been possible with film montage.

Not exact matches

After much wrangling, the film - maker's original cut made it into cinemas, but not before some radical new versions had been tested — including one that The New Yorker says featured a montage of religious images and ended with a Christian rock song.

The short film begins with a montage of play highlights, interspersed with title cards like, «THE (insert opposing team here) HAVE ENTERED THE FORTRESS TO CHALLENGE OUR KNIGHTS,» and, «THIS IS OUR CITY, THIS IS OUR HOME.»

The film's essence is a montage of past interviews with the three protagonists of the iconic black power salute photograph: Tommie Smith (gold, USA), Peter Norman (silver, Australia), and John Carlos (bronze, USA).

In the spirit of a movie theme, the room even had a popcorn stand and giant projection screen with a montage of famous film clips.

Snyder was rightly criticized for Superman's lack of regard for saving human lives in the first film, so in this film he tries to rectify that with a montage early on showing Superman saving people from burning buildings, exploding rockets, deadly floods.».».

Since the film already knows that Damien is the devil's offspring, the montage of the boy's infancy is probably accompanied with the wrong music.

It was enjoyable but not a breakthrough composition in terms of the film, sort of just standard fare biopic montage of interviews and old photos with the main thread of the piece being the documentarian's footage of Toback's then newest adventure in film - making.

The most affecting moments in the film involve Snape, from his grisly death — which is obscured visually, but powerfully conveyed with sound — to a montage of memories that Harry (Daniel Radcliffe) witnesses showing the deep love Snape had for Harry's mother.

A brief audio montage at the beginning of the film has people discussing him with words like «egomaniac,» «radical,» and «reckless.»

In place of the emotional stage - setting another film might waste its time on, there is instead a lengthy getting - ready montage, with drooling close - ups of Anastasia (Dakota Johnson) slipping into her lacy gown while her husband - to - be Christian (Jamie Dornan) fastens his cufflinks, which look like two enormous platinum Chewits.

But the problem with the film is that Jerry experiences the biggest personality transformation in his life as part of a montage that facilitates the opening credits.

The main menu runs through a montage of emotionally charged clips from the film with a section of the score that crescendos in the background, fading in and out with the buildup of the images

He occasionally tries to bolster its sense of danger with montages of white - supremacist movements and imagery that plays like cheap tricks, this film's version of a jump scare.

Then the film reaches its conclusion, all in montage, of Padme's funeral (complete with Jar Jar and Boss Nass cameos), Leia going to Alderaan, and Luke being given to his aunt and uncle on Tatooine.

Nothing special here: a theatrical trailer, a music video montage of the film's tabletops, a strange but funny Bill Murray outtake, a soundtrack plug, and an entertaining interview with the bitchy Taylor Mead.

Peck chooses to close out the film with a photo montage, backed by Bob Dylan singing «Like a Rolling Stone,» showcasing everybody and everything from Ronald Reagan and Margaret Thatcher to Che Guevara and Nelson Mandela, along with Vietnam, Wall Street, the Berlin Wall, and a whole lot more.

I did spend the middle portion of the film hoping there wouldn't be a training montage... unfortunately as is usual with boxing movies there was.

The film kicks off with a montage of 9/11 phone calls playing over black and the sequence is cut perfectly, rousing the heartache of that day through a sense of hysteria, but also by giving certain audio clips time to breathe, establishing a personal connection.

But I kept telling the studio, and I kept telling Ryan, I'm like, «No, the director's cut going to come in at like 2:12,»» Leitch explained about his rough cut of the film before elaborating that the extended version contains a montage of Deadpool attempting suicide, some extra material with Domino and alternate takes of existing scenes with different dialogue.

This is a film with so much potential, but instead of fully committing to the moments where it seems to be challenging the representation of women in many indi films, it opts for a montage of Calvin and Ruby seeing zombie movies, going to a fun fair and then going to a dance party where she tells him she's taken her underwear off.

And in a twist on the sorts of freewheeling montages in which Billy Crystal once specialised, a droll film montage showed what various Oscar hopefuls might have looked like with black performers added to the mix.

It's not until much later in the story, when another young woman named Éponine (Samantha Barks, by far the best singer in the cast) sings of her own vision of fulfilling what is in reality an unrequited love, that the film reaches the emotional peak of the scenes with Fantine (A montage of preparation at the midway point is rousing, though).

A suspense - filled and ferocious battle of good versus evil, Dead Again in Tombstone on Blu - ray ™, DVD and Digital HD is loaded with exciting special features including a behind - the - scenes look at the making of the film, deleted scenes montage and feature commentary with filmmakers.

The story of four sexy college girls who rob a fast food outlet to fund their Spring Break vacation, the presence of tween icons Selena Gomez (Wizards of Waverly Place) and Vanessa Hudgens (High School Musical) belies the film's seriously twisted approach, albeit one that's made immediately evident once the movie begins via an extensive slow motion montage of drunken beachside revellers abandoning dignity along with their clothes.

It's a dark echo in there, side - by - side with Jimmy's grim dedication to buying up lakefront property and turning this prelapsarian wonderland into an exclusive, members - only club, but the film explores neither beyond their mention and contents itself to wrap up with a few scenes of mayhem, three insipid montages set to horrible music, and the same finale involving the birth of a child it seems like Martin has done now in a good half of his films.

Based on a Patricia Highsmith story (enough said), the film opens with a cross-cut montage of two men's walking shoes, getting nearer to their train berths and, eventually, culminating in a flirtatious game of footsy.

«The Young Karl Marx» closes with a snappy historical montage that shows some of the events theorizing led to, but a weighty pro and con is not on this film's mind.

Earlier this year, Leslie shared the stage with Tracy Morgan, Chris Rock and Whoopi Goldberg in an epic Academy Awards sketch in a montage re-imagining some classic, Oscar - winning films with black actors.

Half of the film is spent with amusing montages of Erik and friends completing outrageous tasks.

The couple is Jenn (Missy Peregrym) and Alex (Jeff Roop), and the film starts with them driving from the city to the countryside in a montage that establishes they are comfortable with each other — enough to have a little inside joke about a song he loves and she hates, moments of silence without feeling obligated to talk, and, in general, enough patience to last a lengthy road trip without getting into a serious fight over the little things.

When the film ends with a montage of roads around Le Vinatier cloaked in early morning mist, blue light, and more Desplat strings, what's it telling us?

The film opens with a montage of shocking scenes that catapults you right into the tone and feel of the film.

Other films with multiple nominations included «Meru,» «Heart of a Dog,» «Going Clear: Scientology and the Prison of Belief,» «Kurt Cobain: Montage of Heck» and «Best of Enemies.»

The film opens with a montage of grainy early -»70s news footage, but any warm feeling toward the counterculture is tainted by an air of smugness, like tear gas wafting through a peace rally.

Although other films might've depicted a fun - filled female - bonding sequence as a throwaway montage backed by an En Vogue song, Story transformed it into a full - fledged music video set to Bell Biv DeVoe's 1990 mega-hit «Poison,» complete with MTV - and BET - style corner - screen end credits, resulting in one of Think Like a Man Too's most memorable scenes.

The rest are of the supplements are just grace notes: a relaxed interview with actor Rod Taylor, a tribute to «The Original Inglorious Bastards» with director Enzo Castellari and actor Bo Svenson (who both make cameo's in QT's film), a mock - featurette on «The Making of Nation's Pride» (with the performers all in character — Eli Roth has a blast playing the sneering autocratic German auteur of this «lost» classic of Nazi propaganda cinema) and montages showing the playfulness of QT and his cast and crew on the set.

But to be fair, any film that can simultaneously abuse and lampoon the overused montage scene, make fun of the use of hard rock music during mundane moments and re-use jokes repeatedly with confidence, deserves a look.

Ashley Judd called for intersectionality in storytelling, followed by a powerful montage of diverse filmmakers explaining the necessity for minority voices; writer and star of The Big Sick, Kumail Nanjiani, remarked that if he was able to watch and be affected by films narrating straight white men all his life, then white men have no reason to feel out of place with BAME and female - led stories.

Her decision to direct the movie as if it were a combination of a student art film mixed with music video montages will make some feel as though this is something less than a serious endeavor.

Noteable High Profile Omissions Though these films made a name for themselves at the box office or with honors from various organizations none of them made it to the finals: The Black Panthers: Vanguard of the Revolution, Dark Horse, Deli Man, Dior and I, Iris, Janis: Little Girl Blue, Kurt Cobain: Montage of Heck, Meet the Patels, Only the Dead See the End of War, Stray Dog, Sunshine Superman, The Russian Woodpecker, and The Wolfpack

FILM MUSIC COMPOSITION OF THE YEAR Cloverfield: «ÄúRoar Overture, «Äù music by Michael Giacchino The Happening: «ÄúBe With You, «Äù music by James Newton Howard Valkyrie: «ÄúThey «Äôll Remember You, «Äù music by John Ottman and Lior Rosner Wall * E: «ÄúDefine Dancing, «Äù music by Thomas Newman and Peter Gabriel Wanted: «ÄúSuccess Montage, «Äù music by Danny Elfman)

The film opens in an unexpected and very graceful way with a montage of faces of the audience members as we listen to the musical overture.

It flutters in the middle, displaying everything you expect (the big, loud Italian - American family; the against - all - odds resurgence; the training montage) with little of the raw rush normally associated with films about the brutal sport.

There are interesting side - by - side storyboard / finished scene comparisons for the film's more visually complex sequences; a selection of rather understandably deleted scenes that can be viewed with commentary by director and producer as well as within the context of the film (albeit in rather cumbersome fashion); a largely useless montage of still photos from the production cut to a cue of John Murphy's score; the usual cast and crew filmographies and production notes; plus a full - frame version of the film to go with the nicely transferred anamorphic widescreen one.

It consists of a cycling montage of what seems to be every single sequence of Raccoons running and frolicking from the film - overlaid with cheerful score music.

The film does open up with a tacky, but cute montage of Chris, Natalie and Amanda's pre-Paul trip footage, but then it ditches the handycam for a somewhat more traditional shooting style.

Near the beginning of the film, after a grim montage of old newsreels and photos of southern black labor and lynching of blacks, a color fade takes us from archival footage of blacks exiting a New Orleans train to a shot of Junior alone with his suitcase in front of the station.

On Disc Two, which contains the unrated version of the film, there's an audio commentary with zombie performers Matt Blazi, Glena Chao, Michael Felsher, and Rob Mayr; another audio commentary with George A. Romero, producer Peter Grunwald, and editor Michael Doherty; the When Shaun Met George with Simon Pegg and Edgar Wright featurette; the Bringing the Dead to Life featurette; a Scenes of Carnage montage; Zombie Effects: From Green Screen to Finished Scene; the oddball Scream Tests: Zombie Casting Call CGI test; Bringing the Storyboards to Life split - screen comparison; the Undead Again: The Making of Land of the Dead featurette; and A Day with the Living Dead featurette.

There are many things to admire about «The Big Short» — a tight & well written script based on true events, several perfectly sound - tracked montages that mark the passing of time, Ryan Gosling's inexplicable love affair with both St. Tropez fake tan & mid 90's perming solution — but for the me, the biggest was that this film turns out to be very definitely and very confidently both a comedy & a horror.