Sentences with phrase «with films like»

From album covers to posters to graphic design, the style permeated mass culture, with Peter Max designing advertising for consumer products and mainstream animation producers, such as Al Broadax and Ralph Bakshi, bringing the imagery to the general public with films like Yellow Submarine and Fritz the Cat.

If you are obsessed with films like Goodfellas or The Godfather, the mob action of City Domination is gonna be right up your alley.

But that's not all, share a laugh with films like Sausage Party and Ted (Unrated), get your couple on with Passengers or round up the gang for a movie night with more than 75 flicks to choose from.

It's not a new idea, but it's been done very effectively over the last 15 - plus years of cinema with films like «Blair Witch Project,» «Cloverfield» and «Quarantine,» to name a few.

As expected with films like these, that job naturally goes wrong, and Joe must find a way to not only survive, but ensure Nina's safety.

That script, first sold way back in 2014, recalls similar films — the comparisons to «Girls Trip» are inevitable, but it also shares DNA with films like «Bridesmaids» and «The Sweetest Thing.»

Scott has definitely been on a strange path of late and though many have laid claims that he's become too out there with films like Prometheus and The Counselor, I'm very much interested in his recent career and find almost as compelling as his inauspicious beginnings.

With films like Prisoners, Sicario and Arrival, director Denis Villeneuve has brought an alien strangeness to his intimate moments.

When: April 8th Why: Jake Gyllenhaal has really turned around his career over the past few years with films like «Nightcrawler» and «Prisoners,» so it only seems fitting that he would team up with Jean - Marc Vallée, the Canadian - born director partially responsible for Matthew McConaughey («Dallas Buyers Club») and Reese Witherspoon's («Wild») recent career revivals.

Deakins — who is usually the Coen brothers» go - to guy with films like Fargo, No Country for Old Men, True Grit, along with Denis Villeneuve's guy for Prisoners and Sicario — won his Oscar for Ridley Scott's Blade Runner 2049.

He followed that up with films like Unbreakable (also starring Bruce Willis), The Village and Signs, all of which had some major positives.

Although infused with his familiar energy, it's in love with films like Sharky's Machine, Bullit, Heat, and Point Break and perfectly happy to be a member of that club rather than a parody or a deconstruction.

With films like «Bronson», «Valhalla Rising» and «Drive» he could take «Catching Fire» in an interesting direction.

Warren spouts off movie quotes, and lines his house with films like «Thief,» «Butch Cassidy and the Sundance Kid» and «The Killing.»

Not only does this look like a really good police drama, but it looks like it could become the new great heist film; keeping it's own with films like Heat.

Her career started with films like Carnal Knowledge and The Wind and the Lion, but she really found great notoriety in 1988 when she starred at the titular Murphy Brown, the long - running CBS series from whip - smart creator Diane English about a tough broadcast journalist bucking against the system.

With films like In The Company of Men and The Shape of Things already in his filmography, Neil LaBute has developed a reputation for creating provocative, occasionally inflammatory material.

Scott Thomas herself knows something about her character's predicament, having been forsaken by Hollywood in recent years after her career as a leading lady peaked with films like «The English Patient» and «The Horse Whisperer.»

Andrew Niccol, a writer and director who initially showed such promise with films like Gattaca and The Truman Show, can't seem to find the right footing to make The Host into anything more than a fluffy sci - fi body - snatcher flick for tweens.

I love seeing that the horror anthology genre seems to be making its long awaited return with films like this, Trick «R Treat, and The ABC's of Death getting a ton of appreciation from horror fans.

And although they are elbowing into the Oscar race with films like Mudbound, there's still a sense that Netflix hasn't figured out how to best position gems like Dee Rees» exceptional look at racism in America.

SNEAKERS should really be classed with films like THE ADDAMS FAMILY and STAR TREK — THE MOTION PICTURE, as a full - length feature which grew out of a TV series.

They are primarily known for their work in the horror genre with films like 2008's Quarantine and last year's As Above, So Below.

Zemeckis might not have repeated success on that order, but he continued to deliver high - caliber and commercially potent entertainment with films like Contact and Cast Away.

Disney has been on an incredible run of form lately, comfortably outperforming sister studio Pixar over the past five years with films like «Wreck - It Ralph,» «Frozen» and «Zootopia,» and that trend continues with «Moana.»

Big comedies had taken a bit of a beating for a few years, with films like the Hangover sequels and This is 40 showing us the logical (and abyssal) depths of successful comedies and comedic forms pushed far beyond their breaking point.

Dench would never have won had she gotten it a year before, and might not have if the academy had known they'd get more chances with films like «Iris».

Wright already showed with films like Pride and Prejudice and Anna Karenina that he can bring a distinct visual style without detracting from the material at hand, and that's absolutely what he does here.

Breaking into the American cinemas by killing Apollo Creed in Rocky IV, the statueque and intimidating (standing at 196 centimetres and weighing in at 111.5 kilograms) Lundgren continued his barrage in the 80s with films like Red Scorpion, The Punisher and I Come in Peace.

Rian Johnson is used to critical praise, as seen with his films like Looper and Star Wars: The Last Jedi.

Writer and director Jeremy Saulnier has quickly been establishing himself as a master of physical and existential terror with films like 2013's Blue Ruin and 2007's Murder Party and his latest offering Green Room should even further solidify his status as a genre filmmaker to watch.

It's been on the rise in the United States for about decade, with films like Ramin Bahrani's Chop Shop (2007) and Kelly Reichardt's Wendy and Lucy (2008) employing a natural and semi-observational style that focuses on characters and situations rather than heavy - handed plots to tell their stories about America's downtrodden poor.

There's been a certain desperation to the efforts, with films like «Shark Tale» and «Chicken Little» relying too much on puns and associations instead of writing actual jokes.

And with films like the «Wonder Woman» standalone next year having already established a director, tone, and lead cast, there are others such as «Aquaman» that still has very little known about it.

In fact, it actually shares more in common with films like «Superbad» and «Weekend at Bernie's» than the Todd Phillips - directed comedy, and though it takes a while to get going, once the beer starts flowing, «21 & Over» manages to be somewhat entertaining provided you're in the right mindset.

A searingly topical fever dream doco that, in combination with films like Jonas Carpignano's Mediterranea and Sean McAllister's A Syrian Love Story, showed that filmmakers were responding to stories of displacement in much more considered, illuminating and human ways than politicians were in 2015.

Oscar - winning actresses like Meryl Streep and Helen Hunt are getting into the act, with films like «Rikki and the Flash» and «Ride.»

The problem with films like this where the same location (s) are constantly re-used is that they can become visually monotonous.

Carptener's career hit a slump in the 1990's with films like Memoirs of an Invisible Man, Village of the Damned, Escape from LA, Vampire $ and.

She was a Hollywood siren at the tail end of a career that began with films like «Blonde Fever» (1944) and «It's a Wonderful Life» (1946).

What You Need To Know: Even those who liked all of David Gordon Green «s comedies were, by the time «The Sitter» rolled around, looking forward to seeing the filmmaker return to the kind of territory that made his name, with films like «George Washington,» «All The Real Girls» and «Undertow.»

They were also hesitant to create yet another kaiju movie with films like Pacific Rim and Godzilla being released.

After all, Flanagan has a knack for the horror genre with films like Hush, Before I Wake and Oculus.

From a business perspective, though, it's understandable that Paramount would want to cast a wider net with Star Trek Beyond, especially since the competition during Summer 2016 is going to be fierce - with films like the Ghostbusters reboot and Bourne 5 playing in theaters near the same time as Beyond (while sci - fi sequel Independence Day: Resurgence will have opened a month earlier).

Robert Downey Jr. has been on a roll lately with films like «Iron Man» and «Tropic Thunder,» and though you could easily chalk up «Sherlock Holmes» as just another notch in a career littered with great characters, having someone with the wit and charm of Downey to play the quick - thinking detective is necessary in reaching a more mainstream audience.

The nominees for this year's awards were announced earlier this week (December 11), with films like The Disaster Artist, Get Out, and Lady Bird all in the running for trophies.

LC: Any movie Nicolas has done, going all the way back in Denmark with films like Pusher... It's always in Nicolas» films that I think their performances are the best.

The more pop culture is saturated with films like Neil LaBute's Your Friends and Neighbors and television programs like Jerry Springer, Judge Judy, and The Simple Life, the more Americans...

Mr. Lewis rose to fame as Dean Martin's comedy partner but went on to a major solo career with films like «The Bellboy» and «The Nutty Professor.»

With films like The Bourne Trilogy and United 93 under his belt, British film director Paul Greengrass has more than cemented his position as a filmmaker of note.