The producers should also be commended for hiring inexperienced young actors in the lead and supporting roles rather than the typical seasoned stars of the high school / frat pack genre, who you would normally associate
with films of this nature, and they by and large acquit themselves rather well.
Not exact matches
It was
filmed using a custom - built drone equipped
with seven GoPro cameras and operated by a licensed drone pilot due to the complicated
nature of the shoot, which included dropping 30 feet into a field
of sharp agave; long, continuous shots; and stabilization against the wind.
While classification freed directors to use explicit language in marvelous
films like Platoon and Something Wild and has allowed
films like Out
of Africa and Children
of a Lesser God to explore the complex
nature of human sexuality, it has also given us a series
of slasher
films — Friday the 13th,
with its many parts; The Texas Chainsaw Massacre, parts one and two — and
films like Brian DePalma's artistically significant but deplorably explicit Body Double.
The beautiful eighteenth - century costumes and setting seduce us into viewing these affairs
with a kind
of horrified detachment, as though we were watching a «
Nature»
film on PBS showing the praying mantis being devoured by his mate in the act
of copulation.
If Ross occasionally plays loose
with the facts, he remains true to the core
of the story, and many
of the racetrack scenes evoke more sharply than ever before on
film a sense
of the surpassing grace and power
of the running horse, the sound
of rolling thunder
of the hooves and a sense
of the precarious, perilous
nature of the jockeys» existence as they bound along hell - fired at 40 miles an hour, monkeys on a stick, wind - sheared and often screaming at each other in the din.
There's something organic about shooting
film that feels like a pleasant match to me
with time spent in the quiet, slow, and calm
of nature.
As part
of the Collections Inventory Project, Collections staff
with the Chicago Academy
of Sciences and its Peggy Notebaert
Nature Museum (CAS / PNNM) conducted an inventory and preliminary condition survey
of the museum's motion
film collection in 2011.
In the study, published today in
Nature Communications, the researchers placed a magnetic particle in the center
of a liquid
film filled
with swimming bacteria.
Using a mix
of live - action sequences, animation and satellite data, the NASA - produced
film Water Falls melds science
with art to convey the dynamic
nature of the water cycle.
«Humans have long been fascinated
with the idea
of replicating
nature through machines, from Leonardo da Vinci's famous mechanical knight to speculative fiction
of future androids like Philip K. Dick's «Do Androids Dream
of Electric Sheep» that inspired the Blade Runner
film,» Gu says.
He returned from the journey
with 70 rolls
of film and a new appreciation for
nature.
The hills are alive... During the first
of many backpacking trips, Gazzaley shot 70 rolls
of film, including this view
of Otago Peninsula on New Zealand's South Island, and experienced a sense
of connectedness
with nature that he'd never felt before.
In the 28 September issue
of Nature, Nakagaki and his colleagues describe a series
of experiments
with a 4 - centimeter - by -4-centimeter maze, using plastic
film to separate the passageways.
NOTHING to do
with a Hollywood
film - making process, technicolour takes us back to the beginning
of the universe, when two
of the fundamental forces
of nature, electromagnetism and the weak force (which governs particle decay within the atomic nucleus), were united in a single force — the electroweak force.
Getting to grips
with the realities
of an ageing global population: The second
film of the 2014
Nature Video series «A Picture
of Health» is out now.
Our solution to this problem was to
film without music and then add the music back to the video scoring the music to the movement and exercise as best as can be done until the rep speed drastically slows down because
of fatigue.You will notice how the music ebbs and flows
with the intensity
of the exercise and even the breaks between exercises have their own special music that is much calmer in
nature.
A decade ago it was unimaginable to make a
film without major financing, but now given the
nature of new media and available technology, independent filmmakers can tell their stories
with a limited budget.
i prefer not to talk about myself but here goes... i am 175 cm
with blond hair and ive studied architecture.i like taking long walks because i like
natures surroundings, i adore animals, going to the beach (summer
of course hanging out
with friends watching
films and reading books about philosophy and phsycology.
The
film's performers are all - around excellent (McShane provides an anchor
of subtlety to some
of the shrill histrionics, and Winstone exudes potent personal angst from simple offhanded comments like ordering calamari), but it's Kingsley's menacing and humorous performance, a brutal force
of near poetic
nature, that reveals new layers
with each viewing
of the
film.
Written by Being John Malkovich scribe Charlie Kaufman, Human
Nature was the feature debut from acclaimed music - video director Michel Gondry and featured Arquette as a woman cursed
with a coat
of fur covering her body.As the decade progressed, audiences could see Arquette in projects ranging from the star - studded documentary Searching for Debra Winger to the sleeper family
film Holes.
Early in the
film, we hear a radio talk show host discussing the
nature of an FBI informant
with an expert on the subject.
It's only as the
film inevitably segues into its mystery - oriented midsection that it slowly - but - surely becomes a seriously dull piece
of work, as there's simply nothing interesting or intriguing about the gang's ongoing investigation into what happened -
with the tediousness
of this stretch exacerbated by the unpleasant and downright seedy
nature of the movie's locale.
Those who would make the claim that Malick has looked backwards
with an uncritical eye need look no further than a simple juxtaposition late in the
film that finds Opechancanough (Wes Studi), observing
with wonder the ability
of man to sculpt
nature as evinced by a topiary garden in England.
Synopsis: Brimming
with action while incisively examining the
nature of truth, «Rashomon» is perhaps the finest
film ever to investigate the philosophy
of ju... [MORE]
With the fan expectations, the iconic
nature of the original material, and the development hell that lasted more than a decade, the
film just had too much going against it.
It's just as clear, however, that the
film's incongruously languid pace stands as an almost insurmountable obstacle virtually from the get - go, as filmmakers Jon Hurwitz and Hayden Schlossberg have employed an episodic structure that becomes more and more problematic as the thin narrative unfolds -
with the ongoing emphasis on subplots
of a decidedly underwhelming
nature (eg Jim's continuing efforts at resisting the advances
of a sultry neighbor) compounding the movie's increasingly lackluster atmosphere.
Benedikt Erlingsson's follow - up to
Of Horses and Men is «another skillfully crafted, surreally told tale of man and nature — or in this case, woman and autre — but one with more emotional depth and sharper political undertones» than his previous film, according to Jordan Mintzer of TH
Of Horses and Men is «another skillfully crafted, surreally told tale
of man and nature — or in this case, woman and autre — but one with more emotional depth and sharper political undertones» than his previous film, according to Jordan Mintzer of TH
of man and
nature — or in this case, woman and autre — but one
with more emotional depth and sharper political undertones» than his previous
film, according to Jordan Mintzer
of TH
of THR.
But there are some spots that transcend the rote
nature of the
film: Zach Galifianakis» gonzo Alan walks
with all the
film's memorable moments, from his asking about beeper - friendliness to his speech on the roof, and his Rain Man infatuation to his treatment
of the baby they find in a closet.
While Anon doesn't boast a superior story, it's engaging in the way many B - grade noir
films from the «40s and «50s were — pulpy excursions into the dark side
of human
nature with hard - bitten heroes and duplicitous femmes fatale.
At its heart, Black Panther has a fairly standard comic book sort
of story: baddie Ulysses Klaue (a rare live - action Andy Serkis: Star Wars: The Last Jedi, War for the Planet
of the Apes), one
of the few outsiders who knows the secrets
of Wakanda, and who had stolen a small quantity
of vibranium decades ago, is up to no good again,
with a scary dude nicknamed Killmonger (Michael B. Jordan: Fantastic Four, and both
of Coogler's previous
films) at his side; they must be stopped by T'Challa, Nakia, and the absolute force
of nature General Okoye (Danai Gurira),
with an assist from CIA agent Everett K. Ross (Martin Freeman: The Hobbit: The Battle
of the Five Armies, Sherlock).
This
film, like others
of its
nature and era, gets a little bit carried away
with its contrived, simplified portrayal
of Ancient Rome,
with sophisticated, but near - cheesily overblown dialogue, and character types.
Filmed with widescreen grandeur on the Pine Ridge Reservation in South Dakota, The Rider reinvigorates tropes from the western genre
of men, horses, honor codes and vast expanses
of nature with a refreshing lack
of sentimentality, without sacrificing their inherent lyricism and poetry.
Such is the
nature of Tris Prior (Shailene Woodley), who saw her mother (Ashley Judd) and father killed in the first
film and is now on the run
with other members
of her Dauntless faction, as well as her gangly brother, Caleb (Ansel Elgort).
Filmed with exceptional care and remarkable photographic ingenuity, no other
nature documentary is as personal and as close - up as this one to the peculiarities
of birds.
With its bijou period trappings and Enya - lite score, it's easy to dismiss the film as another pat, issue - ducking weepie, but on closer inspection it offers interesting and cohesive musings on the illogical nature of the human character, and how that fits with the responsibilities of scientific discov
With its bijou period trappings and Enya - lite score, it's easy to dismiss the
film as another pat, issue - ducking weepie, but on closer inspection it offers interesting and cohesive musings on the illogical
nature of the human character, and how that fits
with the responsibilities of scientific discov
with the responsibilities
of scientific discovery.
For my money, The Ides
Of March — with its dark view of human nature and satisfyingly twisty plot — is one of the most entertaining films ever made about the political proces
Of March —
with its dark view
of human nature and satisfyingly twisty plot — is one of the most entertaining films ever made about the political proces
of human
nature and satisfyingly twisty plot — is one
of the most entertaining films ever made about the political proces
of the most entertaining
films ever made about the political process.
With the exception
of «Coffee Time», most
of the
film's musical numbers are forgettable; Astaire and Lucille Bremer dance well together, but generate none
of the charisma necessary to sustain a whimsical tale
of this
nature.
If it doesn't tie many (or any)
of these thematic strands
with a neat bow, that's in the
nature of a
film that chooses raw dramatic power over narrative finesse.
After, Justice Leauge is by its very
nature an ensemble
film with lots
of strings to tie up.
It's a
film that will linger
with you (review here) particularly because
of its true
nature.
Of course, Oscar voters must only select five, not ten, Best Picture titles on their nominations ballots, but both Tonya and Molly movies appeal to the largely male voting bodies, given the nature of the films — sports oriented - ish with women who are easy on the eye
Of course, Oscar voters must only select five, not ten, Best Picture titles on their nominations ballots, but both Tonya and Molly movies appeal to the largely male voting bodies, given the
nature of the films — sports oriented - ish with women who are easy on the eye
of the
films — sports oriented - ish
with women who are easy on the eyes.
As countless other critics will tell you, The Revenant resembles a Terrence Malick
film,
with its sparse use
of dialogue, dreamlike atmosphere, and extensive reliance on
nature shots.
The
film is a look at the fleeting
nature of attraction, all done in stop - motion animation and
with enough imagination to shame most
of its live - action counterparts.
A rather insultingly negligent dismissal
of the one character
with any real human emotional pathos — a
film - saving Jennifer Lawrence (Winter's Bone)-- only adds to the infuriating
nature of the
film.
His previous
film «March
of The Penguins» was an impressive
nature programme, on a par
with David Attenborough.
It's the stop - and - go
nature of the storytelling that really hurts the end product, especially when the
film already feels so bloated, packed
with too much... well, everything.
Exploring his rise to fame from carting to his highly publicised rivalry
with fellow racer Alain Prost, his three world championships to his infamous move from McLaren - Honda to Williams - Renault, his outspoken
nature to the impact
of the internal politics
of the sport, the
film is riveting and resonant, as well as fascinating and thrilling.
Deceptively clever and possessing an innate understanding for the follies
of human
nature, the
film is a romantic comedy that offers up more thoughtful questions than one
with pre-conceived judgments may expect.
While Freddy's Revenge isn't really in keeping
with the first
film in the
nature of Freddy, whose powers seem to now come
with the house, it still has an interesting premise and at least takes a direction that makes it less
of a rehash
of the first
film than other slasher
film sequels have been.
There are some fun character moments throughout — especially the stuff
with Murray and Balaban — but it's not enough to counteract the rather pedestrian
nature of the
film.