Sentences with phrase «with flat canvas»

The second uses actual folds to create light and dark, with flat canvas strips woven into squares.

Typically the ground appears lighter or brighter than the foreground image, and one can choose to identify that with flat canvas or light scattered off stone.

Not exact matches

Like yesterday was as low as it gets for me as fan I didn't even care when Liverpool got 3 rd and fourth goals because we're dead our pride as fans is same as players we're just dead hurt, sad, weak and spineless then it gets better ox is going Chelsea today and now timers sanchez has put in transfer request haha when board said change they meant it change as in we're selling all players and we're going like Aston Villa laugh u mite we are rotten from top to da bottom and it will get better cause I bet by Thursday we will bring in nobody and promote young kids we mite chance van diik he's going for 60 million and by Thursday night sky sports will report arsenal came in with last min bid of 21 million for van diik it got flat out laughed at so at 1 min to 11 we came in again with bid of 27 million and add ons til 2029 its hard and it is only beginning haha ox starts at anfield and was shambles and he is sold today says a lot about wenger if that was me I'd say stay away till ur sold u little traitor thanks ox hope its worth it, loyalty me behind ahwell we still bellerin another little man and heart holding for Barca ahhhh I'm so mad we need Simeon's cum in and start bouncing heads off da canvas Jesus bring bk George graham at least we have defence??

Flats Black fake leather ballet flats Brown fake leather ballet flats Grungy canvas floral ballet flats I should really replace Pink patent with a slightly pointy toe Black patent with a slightly pointy toe (All 5 flats so far are from target) Black ballerina - type shoes with the elastic around the ankle and a tiny wedge heel

Features: Sneaker Low cut Canvas Lacing with metal eyelets Flat Laces Vulcanised rubber sole Treaded sole Absorption EVA insole Hard - wearing material Logo patch Manufacturer colour: (moody floral) Outer Shell: Textile Lining: Textile Sole: Plastic

As for the booties, I'd seen the canvas and leather strap detail on a flat sandal that I like but something seemed off with the whole look so when I saw it with a chunky heel, I was sold.

Features: Canvas vulcanised rubber sole lacing with metal eyelets low cut Logo emblem on the back logo patch on the shoe tongue Material: Sole: 100 % plastic material Lining: 100 % Polyester ### unbleash white Features: Canvas Low cut, Slim cut Flat Laces Lacing with metal eyelets Vulcanised rubber sole Logo

No matter what your style, these Kate Spade canvas flats and slip ons come in glitter and plaid to go with any occasion.

But if you are on the hunt for a spectacular daytime display, then opt for a beach dress from Isabel Marant, compiled together with flat sandals and a canvas tote bag.

I prefer skirts and dresses all the way, but outside of being «girly girl» and wearing skirts and dresses with heels, I love styling them with sneakers, canvas shoes, flats.

I had been looking for a pair of cropped black pants to wear with loafers and flats for the upcoming fall season and loved this pair I found by Canvas Lands» End.

Team them with solid - coloured leggings, cute flats, and canvas bag for college.

In summer, all - cotton, faded or distressed boyfriend jeans, rolled up, with canvas sneakers (no visible socks) or sandals (flat and wedged).

The silhouette may vary, but the LBD is the essential canvas, ready to be dressed up with a bit of sparkle or a splash of color, or ready for an afternoon of racing around with flats and a carry - the - world - around handbag.

Another way to wear this outfit is with flats, sandals or canvas shoes, creating a more laid - back and casual look.

I completed the look with a navy bangle, my black espadrille flats and a canvas bag with a similar look to the shoes.

For those unfamiliar with Van Gogh's story, it is a faithful exploration of the person behind the paintings, and for those already acquainted, it is a thrilling stroll through the world heretofore known only on a canvas or flat page.

It used the front portion of its outmoded four - door unit - construction sedans for the cabin and put a sturdy live - axle chassis under the flat load bed with fold - down sides and tailgate, often with a covered - wagon canvas top over it.

Below, the master suite continues the «luxury under canvas» theme, with a four - poster queen bed bedecked with canvas and leather trim, a steamer trunk acting as a media cabinet for the flat - screen 40 - inch TV, a canvas seating area that conceals a spare bed, and canvas - backed directors chairs set before sliding doors delightfully opening onto the pool deck.

The open - plan living area has a comfortable L - shaped couch and 2 canvas chairs, a mounted flat - screen TV with selected DStv channels.

Below, the Master Suite continues the «luxury under canvas» theme, with a four - poster king bed bedecked with canvas and leather trim, a steamer trunk acting as a media cabinet for the flat - screen 40 - inch TV, a canvas seating area that conceals a spare bed, and canvas - backed directors chairs set before sliding doors delightfully opening onto the pool deck.

By pairing the first - an abstract painting whose flat forms are schematic and derived from markings observed on a soccer field with the second - a silkscreened canvas depicting a nearly identical painting photographed at an angle, Uglow creates a visual experience charged with the potential of both abstraction and representation.

In his abstract expressionism, each canvas is filled edge to edge with grand strokes, creating a simplistic portrait with a deeper texture, as the dry paint occasionally adds a physical dimension to what can be considered a flat surface.

Sheets of vibrant hues with varying density fill across her canvases, as flat expanses merge with delicate clusters of pigment, creating deceptively complex compositions.

In a talk on the painter Elizabeth Murray in 2005, Jessica Stockholder remarked that Murray's pictures, in doing away with flat rectangular canvases while retaining naturalistic representation and illusion, embody «a duality between aggressive challenge...

The flat plane of the field, with its painted boundaries can be seen as a metaphor for the canvas — and in this way the painting becomes self - reflexive and the act of painting itself the true subject of the work, thus demonstrating a clear tension between the image and its reference point.

Color field painters efface the individual mark in favor of large, flat, stained and soaked areas of color, considered to be the essential nature of visual abstraction along with the actual shape of the canvas, which Frank Stella in particular achieved in unusual ways with combinations of curved and straight edges.

In the late 1940s, Jackson Pollock (1912 — 1956), now recognized as one of the most important Abstract Expressionist artists, began experimenting with a new method of painting that involved dripping, flinging and pouring paint onto a canvas laid flat directly on the floor.

With Op Art the argument was made that the canvas work was made to be seen on the wall, flat, not draped and paraded about on debs at swank parties.

While the walls of the museum are painted a flat black and covered from floor to ceiling with partially erased names of films, at Regen Projects, Simmons creates canvases in muted tones of gray that highlight the names of the actors who were featured in the films.

«With a painting, people expect paint on a canvas or pigment in liquid on a flat surface, I'm trying to do something different.

Painting with viscous oils on rectangular and diamond - shaped canvases, Mr. Hanson constructs florid, heraldic compositions traversed by grids, serpentine lines and curved and flat bands.

There are smaller paintings than this, some of theme equally concerned with the process of painting, and with the «deliberately accidental», Callum Innes «s words for the process he adopts of dividing the canvas into two, painting a quarter with a flat colour leaving the other quarter exposed, and then taking the same colour and applying it to the other half of the canvas before «unpainting» it by rubbing it off with turpentine, leaving a ghost of the original colour.

Leaning over unstretched canvas laid flat on the ground, the American artist experimented with the movement, speed, density, and height of paint in his drip technique.

The color contrasts are startling, as in «Yellow Half» (1963), a canvas nearly six feet square with a solid V of vibrant red bordered by lemon yellow and then a more subtle red, the whole set on a stark black ground; that is, the ground forms two right triangles on either side of the V. Characteristically, Mr. Noland later went back to these V's, as in «Songs: Indian Love Call» (1984), but this time with very painterly effects, crumpling the flat surfaces with broken strokes of thick pigment.

Working in series, the artist produced canvases depicting flat, monochromatic forms, their blocks of vibrant colour cut with fine lines and sharp edges.

The influence of Marinetti, Italian editor and founder of the Futurist movement, is shared with Bas's appreciation for the absurdist theater of Alfred Jarry, specifically in the canvas Ubu Roi, in which Jarry's protagonist Ubu «leads a group of dancing followers through a scene reminiscent of Soviet Futurist stage design, flat cubist abstraction and the illustrated tales of Hans Christian Andersen.»

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

Jackson, who had begun as a landscape painter, returned to color at the end of the decade, generating a series of vibrant, deeply hued paintings throughout the «70s that play with flat, often - veil like forms, offbeat arrangements, and, often, a sense of lateral or even forward movement, as if projecting off the canvas.

While Newman's work reeled viewers into a color field, Swavely's paintings resist close inspection, for as one approaches, the brushstrokes that once felt voluminous fall flat, having been washed away by turpentine - soaked rags scrubbed across canvas heavy with oil.

His extended, predominantly vertical brushstrokes seem to confront the flat, usually vertical canvas with a quiet vehemence.

In the fall of ’51 he went even further and painted pictures seemingly of nothing: canvases to which flat white house paint had been applied with a roller.

To do so, she uses thin paint, and starts with the canvas flat on the ground, then raises it up and turns it around, allowing gravity to do some of the work.

The sinuous lines combined with round cutout shapes create harmonious movements and unexpected surprises within the flat surfaces of the canvas.

Drawing on inspirations ranging from Buddhism and American modernist painting to psychedelia and Amy Winehouse, Brooklyn - based painter Chris Martin (born 1954) «lets the paintings make themselves,» with often generously scaled canvases characterized by flat yet textured planes of bright, saturated color, frequently incorporating found materials and highly personal paper ephemera.

Matthew Radford removes the effects of gravity in his painting process by working with his canvas flat upon the floor and employing improvised walkways across the surface of the larger pieces.

In the next room — a low - ceilinged former workshop — Barlow gathered pipes, planks and flattened cardboard boxes, taping them together to form a ceiling - scratching bundle, clad on one side with a mosaic of irregularly sized, painted rectangles of plywood joined into a flat sheet to form a canvas - insinuating plane (untitled: stashhoarding).

She begins a work by covering the canvas with gradated colour, and in works like Menso, 2016, and Lya, 2016, these first paint layers are revealed in the final design, taking on a primacy, and in the case of Lüür, 2015, a three - dimensionality through painted shadows that lift the squirming form off the flat of the canvas and in to space.

Part texture (collage, oil on canvas, pastel on paper) and part flat surface, her use of line with geometric shapes in the horizontally moving base juxtaposed against the lines evaporating upwards makes for an effective image, although again subtle.

This led him in 1958 to visit the Venice Biennale: the experience of Lucio Fontana's slashed canvases, which dramatically introduced the element of space into otherwise flat surfaces, was succeeded by direct contact with Piero Manzoni, whom Fabro met when he moved to Milan in the following year.