Not exact matches
With the
sculpture guides and 3D model, I was able to estimate pretty closely how much
foam and in what thicknesses we would need.
As glimpses of Sachs's signature style blossom into a new - age sanctuary — fitted
with bricolage works (crafted predominately from plywood, Con Ed barriers, and powder - blue
foam core) set against Isamu Noguchi's basalt and limestone
sculptures — it becomes clear that Hart has a point.
He has worked
with other mediums and materials, including two - dimensional paintings made
with automobile paint, tied urethane
foam sculptures (both in the 1960s), and crushed metal and melted Plexiglas
sculptures (in the 1970s).
An abstract
foam sculpture, a group of bloated glow - in - the - dark skeletons, and a rock - climbing painting relief share little in common
with one another, yet they are all a part of Puff Pieces, an ongoing group exhibition at Rachel Uffner Gallery.
During the same year, another retrospective of her entire work,
with wool pictures, ceramics,
foam sculptures and collages was held at the WIELS Contemporary Art Centre in Brussels.
These include a number of Chamberlain's series of small
sculptures entitled Penthouse, 1969, watercolour and resin on paper; Stuffed Dog, 1970, in urethane
foam with cord and paint — and Socket, 1978, in painted aluminium.
Its first section is based on the Marfa, Texas, Chinati Foundation exhibition of 2005 - 2006,
with installation shots and photographs of each exhibited piece; the second section assembles a total of 85
foam sculptures, constituting an almost complete catalogue of this group and an update to Chamberlain's catalogue raisonné of 1986.
The Nashville - born, New York - based artist plays
with our ever - shifting opinions and perceptions of reality in optical, textural paintings made
with flashe and gesso and undulating figurative
sculptures — squashed heads, couples jogging — made in
foam with such precision that Sayer's hand is almost imperceptible.
Will we get some of his trademark gargantuan, drippy stalagmite
sculptures, which he makes
with PVC,
foam and urethane?
Won by the terrific Helen Marten, who split the winnings
with her fellow contenders, the Hepworth
sculpture prize exhibition (ends 19 February) ranges from Phyllida Barlow's rough - and - tumble slanted stage,
with its cavernous undercroft, to David Medalla's delicate
foam fountains, from Steven Claydon's mobile phone masts disguised as trees and rafts of fabricated tribal artifacts, to Marten's complex syntax games
with objects and images.
Hovering between painting and
sculpture,
with the recent playful incorporation of spray
foam, round, bulbous, chunky, oozing, squishy, fecund and fertile are all descriptions that come to mind.
In one of Robert de Saint Phalle's (b. 1978) three
sculptures, he begins
with a found rusty barrel, and then inserts a colorful, amorphous form made of automobile
foam and auto paint.
Teens will be invited to explore and use all types of nature - related materials (including artificial flowers / leaves, floral printed fabric and paper, tissue paper flowers, and even terra - cotta pots) in conjunction
with other unique and unusual materials such as
foam mannequin heads and air - dry clay to create a piece of wearable art or
sculpture.
Among its highlights was a series of medium - size urethane
sculptures made by squeezing and tightly tying blocks of
foam at midsection, so that their ends and edges curl and twist
with voluptuous abandon.
Scattered around were a number of wall and floor pieces — the well - known automobile parts crammed and jammed into muscular, abstract conglomerates, lacquered metal shards, a big twisted urethane
foam work from 1966, and a room filled
with the newer collapsed galvanized zinc
sculptures made from
But I wonder if it is not, paradoxically, in situations like that unforgettable occasion in Marfa in 2005 —
with its fine - grained and apposite conjunction of metal and
foam sculptures in what were singular, even ideal circumstances — that his enduring contribuition will be best remembered.
They bear a certain similarity to the wall -
sculptures: constructions of wood or metal, wrapped in
foam - filler and coated
with plaster or a granular layer of chalk - grey sand - cement, sometimes
with applications of greasepaint.
For example, in the
sculpture titled,... And there's my marble double, a heavy gray form holds its negative mirror image — a plaster cast of a
foam head
with rubbed out eyes, imperfections and cracks; a discarded hat display.
Other works of the sort include «Mango Tourist,» a 2011 series of hulking
sculptures made
with fruit - like strips of orange
foam, and «Sugar Hill Smiles,» a 2014 project that involved collecting smiles from Harlem residents he had peer into mirrors placed in the bottom of metal cans.
We all sat on Katherine Bernhardt's series of imported «Moroccan Magic Carpets» below Agathe Snow's dangling
sculpture Coucou, a «found tree - trunk gutted by natural elements» injected
with stress - relieving soft
sculptures built of memory
foam that she had squeezed, twisted, and punched while building to allay anxieties.
These funky flubber - like
sculptures are made
with a combination of polyurethane
foam, acrylic paint, and epoxy resin.
Born in the mountain city of Winterthur, Switzerland in 1926, Heidi Bucher moved to California in the 1960s, where she collaborated
with her husband, Carl Bucher, on a series of oversized, wearable
foam sculptures.
The Hammer Museum in L.A. also just featured his work, which often consists of
sculptures that come out of a performance - based process, and bringing together found materials along
with foams and resins.
The largest cork
sculpture «Castle of the Daughter» stands at eight feet tall,
with a four - faced head of cork and a white torso and face that seem to be dripping seeds of
foam core.
Between showings of the film the darkened space of The Boiler will come to life
with projections and illuminations relating to the animation, including isometric glow - in - the - dark tape drawings on bubble wrap and a hanging
sculpture made of 500 four - inch
foam rubber cubes, which will slowly become visible.
She invented dramatic, large - scale
sculptures in surprising materials (including, most memorably, poured polyurethane
foam with phosphorescent pigment) that can make the likes of Richard Serra, Anish Kapoor and Matthew Barney look timid.
The
sculptures will be covered in
foam — the perfect blank canvas, a material that is malleable to whatever form is given to it — then embellished
with capacitors found at MASS MoCA from the former Sprague plant and several thousand dried mango seeds harkening to the tropics.
Working in a variety of media including drawing, film, performance, and
sculpture, he creates complex installations comprised of quotidian materials such as cable, cardboard, Q - tips,
foam, and tape along
with personal products like shaving cream and toothpaste.
Carved from industrial
foam and polyurethane, the colossal bagel
sculptures are a witty riff on American sculptor Claes Oldenburg's monumental scales and Constantin Brancusi's modernist columns,
with a gothic twist.
César's experiments
with the potentials of expanded polyurethane
foam, for example, are echoed in the cascading forms of Robert Morris's felt works, Claes Oldenburg's soft
sculpture, and the highly textured paintings of Dutch - born Belgian artist Bram Bogart.
In The Colonies (2016), his first solo exhibition at MoMA, Beloufa presents an immersive installation of kinetic
sculptures and video projection; CCTV cameras
with Raspberry Pi mounts (small inexpensive CPUs) and speakers; walls made from
foam and resin; plastic bags
with crushed beer and soda cans; seating areas made from steel, pleather, and wood; and two videos — centered around his 2011 video People's Passion, lifestyle, beautiful wine, gigantic glass towers, all surrounded by water.
Nearby, a set of hangers rest on a white clothes railing, three of them bulbous and engorged
with the colorful
foam sculptures.
A kinetic rebellion is felt in the
foam sculptures, whose overwhelmingly drippy shapes and soft textures — which would look like mold but for their day - glo colors — clash appropriately
with the austere, perfect edges of the clocks, the chairs, the shelves, and other cookie - cutter furniture.
System VI, White Traffic Artist: Richard Tuttle born 1941 Date: 2011 Classification:
sculpture Medium: wood, fibreboard, polystyrene
foam, synthetic mesh, terracotta, halogen lamp, ceramic, vinyl?coated steel cable, wire, f Dimensions: object: 2540 x 2896 x 2896 mm Purchased
with assistance from the Karpidas Family (Tate Americas Foundation) 2013 © Richard Tuttle
GALLERY B I Belong Here Art of the Shaw Community July 5 - 30, 2017 In April and May of 2017 Touchstone Gallery artists worked
with youth and adults at New Community ArtSpace to create works of art in a variety of media through a program called [email protected] Our kid workshops included painting Mondrian style
with Shelley Lowenstein and Claudia Samper, Rock City
sculpture with Ann Gordon and Paula Lantz, story cloth printing on clay slabs
with Susi Cora, and
foam prints
with Ellyn Weiss.
Beeswax, ostrich eggs, body bags,
foam, aerospace materials and clothes are assembled in anthropomorphic
sculptures that contrast
with rectangular - shaped wall works.
Using steel, rubbers and
foam, sterile surfaces reserved for functional counters are here perverted: patterned
with stains, soaked
with rotten puddles and comically violated by leftover objects, for example burnt pizzas, rusted cookware and plastic placemats are squashed inside and between
sculptures.
In his multidisciplinary practice — from live performances involving embedded microphones in
sculptures made of sneakers and
foam and other electronic musical equipment to sculptural works of found objects (often his own) such as shredded hoodies, du - rags, and basketball jerseys — Kevin Beasley explores connections between the physical and aura, and personal memory and lived experience,
with the broader issues of power, sexuality, gender, and race in urban America.
Adam Parker Smith will present two new bodies of work, building off his recent series of large wall
sculptures: in one series, Parker Smith uses materials like EVA
foam with UV prints of marble as his canvas,
with plastic beads, faux food, and socks inlaid via intarsia.
That was certainly the case at the Arcade Gallery space, which had an indescribable
sculpture of expanding soft
foam by John Wallbank, while Rob Tufnel offered an aquarium by Aaron Angell, who surrounded his stoneware
with live, pink or black axolotls, Mexican walking fish that seemed as bewildered by the fair as visitors were
with them.
The abstract collages, paintings, and
sculptures on view, made of neutral - colored, plain materials (brown and blue carpets painted in white, beige scraps of paper, clear tape and light brown masking tape, white
foam core, discarded aluminum, plywood) echoed long - established tendencies in abstraction, such as Robert Rauschenberg's experiments
with nontraditional materials and Richard Tuttle's casual approach to art making.
The bright colors and lightweight of the
foam sculptures deliberately disconcert the viewer by an apparent light - heartedness that is at odds
with their more serious subject matter.
, Zacheta National Gallery of Art, Warsaw Art Brussels,
with Chert, Berlin Re-Opening, DEWEER gallery, Otegem, Belgium 2011 Pentimenti, Kleine Humboldt Galerie, Berlin Petrosphere, ReMap3, Athens
Sculpture is three - dimensional artwork created by shaping or combining hard materials..., Johann König, Berlin Based in Berlin, organised by Kulturprojekte Berlin Gmbh, Berlin A Skeleton in the Closet, curated by Rebecca Lamarche - Vadel, Heidelberger Kunstverein - Ausser Haus project, Heidelberg That which doesn't kill us is often made of
foam, Chert, Berlin 2010 Imploaded, Mareschstrasse, open studios, Berlin 2
Sculpture Biennale, Przestrzeń.