Sentences with phrase «with fragments of text»

The color fields are shot through with fragments of text (the character for «fire» is among the few that are decipherable), misshapen ripostes to his family tradition of orderly calligraphy that place this free spirit on the same stage as de Kooning, one of Abstract Expressionism's most vibrant rebels.

Many of her mixed - media sculpture pieces incorporate stitched and altered pages with fragments of the text.

Most of them are drawings with fragments of text.

Powerfully striking images, portraits of obsolete architecture and natural landscapes, and visions of remote deserts turn up throughout her works, combined with fragments of text and scenarios where past and present intertwine.

Her canvases, too, are like palimpsests, layered with fragments of texts, images, passages of color, and gestural brushstrokes, all based on her observations of her urban environment and inspired by Andy Warhol and Robert Rauschenberg.

Not exact matches

Bock agreed with the notion that the text fragment shared similarities with those gospels, called the Gnostic Gospels, which were the writings of an early outlier sect of Christians.

Rather than tell a story, the text captures fragments of Frida's life, like snapshots with bilingual captions.

Each fragment of the text is checked with the help of our anti-plagiarism software;

Combining found footage with items found on eBay, a pastel - hued studio set - up and fragments of text, the artist explores how objects of desire can lose or gain attraction over time.

With illegible fragments of text arranged over sculpted surfaces, Chun creates harmonious areas that fade from light to dark in the manner of a flock of birds changing direction.

By silk - screening fragments of text from an essay by the French thinker Maurice Blanchot directly onto the surface of the paintings, he integrates language with his iconic images.

Broken plates, Kabuki theater backdrops, tarpaulins and boxing mats; thickly applied oil paint, collage, viscous resin, and flat digital reproduction; fragments of text in different languages: these are just some of the diverse materials with which Schnabel engages life's grand themes — sexuality, obsession, suffering, redemption, death, and belief.

The effects of this formative environment coupled with the influences of other Los Angeles - based artists such as Ed Ruscha, Douglas Huebler, and John Baldessari, who all experimented with combing found images and text fragments, are important foundations of his work.

The drawings, which combine fragments of text with images culled from American popular and underground culture, dominated the exhibition, due in part to the sheer number of them and in part to the appeal of familiar images drawn in a simple graphic style.

In the nine - second video loop «Untitled (Touchscreen),» a still image of a smiling young couple is split into overlapping blue and red versions that flicker from place to place, alternating with moments of black; the handsome print «Untitled (Coil Whine)» puts a large, black and white image of fingers beside wavering green lines of video distortion and under a block of marbleized orange and a fragment of sans - serif text reading «UP YOUR DAY.»

His text speaks to absence as much as presence with a story of war and empire told in fragments, phrases, words hanging on the page — an index of both the trauma and resistance experienced by those subjected to the violence of empire.

Hence there's May Hands `, «Endless Euphoria (Calvin Klein)» (2014)-- a minimal white netted canvas dotted with the fashion house's perfume cards — next to «Guilty, (Gucci)» (2014) and Deanna Havas «s «Regrind (4)», a papier mâché plaque on foam crudely painted with brands, a browser window and fragments of text including, «Brand Name: Famous».

Her photographic practice flowered in the 1980s, becoming famous for its examination of gender and race: her works juxtapose text fragments with images of African - American men and women, their faces often hidden from the lens.

Some of the works included in the exhibition explicitly engage with Eliot and his writing, such as Philip Guston's grim deathbed painting East Coker: T.S.E. (1979); David Jones's painted inscription Nam Sibyllam (1958), made as a gift for Eliot, which combines the text from Petronius that is The Waste Land's epigraph with the opening lines of the poem and other phrases connected to the Grail myth; Graham Sutherland's two Illustrations for T. S. Eliot (1973); and Vibeke Tandberg's The Waste Land (2007), which consists of 36 collages in which the artist has cut out each of the words of the poem, and re-organised them alphabetically and in groups, at once fragmenting Eliot's poem of «broken images» even further and bringing its underlying verbal structure to light.

Oscillating somewhere between portraiture, poetry, and fragmented non sequitur, Pendleton covers the wall with appropriated text — a gesture that nods to the French auteur's critique of style and his embrace of the productive possibilities inherent in the accumulation of found content.

The accompanying book consists of ten short new texts around which fragments of communication with the authors have been punctuated by observational photographs and sculptural documentation.

His work toys with text and fragmented images of the human body.

The presented works will be connected with texts on the artists, written by Josef Strau, partly already published, partly in a more fragmented form of some collected notes.

For Come and Go, Steiner has provided a 20 plus year photo archive on a variety of sensitive topics that range from state - sanctioned exploitation and violence to planetary implosion; for Fragments from Expeditions: Destitution, Deterioration, and Devastation, Burdin has included his new satirical, text - based paintings along with video documentation of live performances.

But as with most fairy stories, there's a darker side at play, too, as revealed on closer inspection of her collages of photographs, diary fragments and text.

The passages of the gallery's decayed labyrinth, filled with woven walls, sculptural props, and fragmented texts, guide viewers to the end of a personal odyssey of conflict, harmony, and restoration.

In the painting Signes sobre matèria / Signs on matter the surface is covered with seemingly rapid notes of a formula or equation, an inscription of ancient text or fragmented hieroglyphics.

Working with texts, video fragments and choreographies, either composed himself or strategically plundered from elsewhere, these works propose a historiographic model that acknowledges doubt, subjectivity and reduction as inevitable factors when making sense of past events.

With a combination of natural and synthetic materials, digital and analog marks, and fragments of text, these works comment on the glut of advertising, graffiti and signage that somehow coalesce to become iconic New York City vistas.

Like ransom notes sent to the Academy, the paintings of Muntean / Rosenblum pilfer text and image fragments and place them in dilapidated landscapes rife with balletically posed youths — a new Romanticism for a consumption - obsessed world; a poetic angle on the coming apocalypse.

Pettibon's rough, drunken comic - influenced graphics and wacky fragments of text («Don't go home with a hard - on,» «Popped heads like thought balloons, whuyyyt») balance out Dzama's comparatively delicate lines, floral patterns, and child - like illustrations.

In this series the artist combined her love of decoration — in this instance, Islamic ornament — with her longstanding passion for cartography, so that interspersed throughout the works are maps of the Gaza strip, the Pale of Settlement (the territory within Imperial Russia restricted for Jews from 1835 - 1917, to which Kozloff traces her ancestry), as well as text references to the Tasman Sea, among other word fragments.

Splashes of ink, dribbles and spattering of watercolour both obscure and are incorporated within the making of the image, whereas hand - written fragments of text — with political undertones — and scribbles of ball - point pen generate an urban, graffiti style aesthetic which reminds one of artists like Basquiat but has a distinct and unique personality.

Combining pop culture subject matter with abstraction, his fragmented comic - inspired imagery paired with text is reminiscent of the 1960s Pop Art movement.

For this work, Respectable Thief, Mosquito begins with a set of text fragments that recur and recombine across the Project's three elements: a single performance staged in various locations throughout the Museum; a video installation; and several visual and sonic interventions across MoMA's existing media platforms, including the display screens in the lobby, Kids audio tour, and select social media channels.

Davis is known primarily for the stripe works that span twenty - seven years, but he was a versatile artist who worked in a variety of formats and media: modular compositions consisting of discrete, but related, pieces that together form one composition; collages combining cutout fragments of images and text with painted and drawn elements; Klee - inspired images that resemble musical scores; and silhouette self - portraits.

Drawing upon a long - standing interest in poetry and literature, the artist accompanies these images with her own fragmented text that is at times infused with suggestions of violence or trauma.

Given that text documents are still very much the core material produced by legal professionals, and that references to text documents will remain the basis for grounded and verifiable legal reasoning regardless of the actors and technologies employed, current generation standards in the legal domain are providing a layered organization of their offerings: presentation - oriented XML is being replaced with structured XML with ample room for metadata and annotations; naming mechanisms based on URIs and IRIs provide linkable anchors both to entire documents and to smaller fragments; and document - oriented ontologies provide the necessary glue between abstract legal reasoning and the textual pieces of supporting evidence.