Sentences with phrase «with fragments of words»

His paintings use the by - now venerable abstract painting technique of pouring to risk a certain loss of control, and yet by using blown - up stencils to interrupt these random flows with fragments of words, images, or hand - me - down decorative motifs, he constantly keeps a discursive, referential function in play.

Not exact matches

Thus says the Holy One of Israel, «Because you despise this word, and trust (sic) in oppression and perverseness... This iniquity shall be to you like a break in a high wall... which is smashed so ruthlessly that among its fragments not a sherd is found with which to take fire from the hearth, or to dip water out of the cistern!»

Charles Peirce said this in his twenties with superb clarity, except that finitude is in this usage an inadequate word; we are but fragments of the finite cosmos, which so far as we know is itself finite.

But language is what the poet has to work with, and so the poet is forced to take sometimes exaggerated, sometimes extreme steps to pierce the mundane, breaking up lines, using words in odd new contexts, relying on sound effects and packing the stanzas with sensuous images and fragments from scripture, and the common language of faith suddenly takes on new meaning through these odd juxtapositions.

In other words, listeners experienced fragmented communication — little pieces of information supplied with very little context, background, or perspective.

Thus says the Holy One of Israel, «Because you despise this word, and trust in oppression and perverseness, and rely on them; therefore this iniquity shall be to you like a break in a high wall, bulging out, and about to collapse, whose crash comes suddenly, in an instant; and its breaking is like that of a potter's vessel which is smashed so ruthlessly that among its fragments not a sherd is found with which to take fire from the hearth, or to dip up water out of the cistern.»

Funes is first mentioned in an obituary of James Joyce, «A Fragment on Joyce,» published in 1941 in the magazine Sur.3 There, with some measure of sarcasm, Borges says that to read straight through a «monster» like Joyce's Ulysses — a 400,000 - word reconstruction of a single day in Dublin — requires another monster able to remember an infinite number of details.

«Give Life Back To Music» with its robot voice and disco beat, «Giorgio by Moroder» with its spoken word story before kicking in with its ferocious live drumming and strange sounds, the eighties feel of «Instant Crush» with the Strokes Julian Casablancas on vocals, the Television sitcom theme style of «Fragments of Time», the closer «Contact» which builds to a glorious crescendo there is so much here to love.

First of all, I will not even consider feeding any foods that contain any of the following: meat by - products, poultry by - products, any food with the actual words «meat meal» in the ingredient list (meat meal could potentially contain anything such as diseased or dead / dying animals, including the possibility of euthenised pets from shelters (yes with the euthenasia drugs still in their systems and sometimes even with collars still on), as well as a legal allowed % of plastic, chemicals and other unmentionables), soy, corn or any fragments thereof, wheat or any fragments thereof, any kind of gluten or gluten meals, sugar, artificial flavours, artificial colors, BHA, BHT, ethoxyquin

Schiele famously traveled everywhere with a full - length mirror that once belonged to his mother, and Saville also uses full - length mirrors, as well as photographs (the latter to «hold the image down,» in her words), to aid in the lengthy process of painting her fragmented and layered figures.

His text speaks to absence as much as presence with a story of war and empire told in fragments, phrases, words hanging on the page — an index of both the trauma and resistance experienced by those subjected to the violence of empire.

Some of the works included in the exhibition explicitly engage with Eliot and his writing, such as Philip Guston's grim deathbed painting East Coker: T.S.E. (1979); David Jones's painted inscription Nam Sibyllam (1958), made as a gift for Eliot, which combines the text from Petronius that is The Waste Land's epigraph with the opening lines of the poem and other phrases connected to the Grail myth; Graham Sutherland's two Illustrations for T. S. Eliot (1973); and Vibeke Tandberg's The Waste Land (2007), which consists of 36 collages in which the artist has cut out each of the words of the poem, and re-organised them alphabetically and in groups, at once fragmenting Eliot's poem of «broken images» even further and bringing its underlying verbal structure to light.

Then for the catalogue, we decided we wanted the artists» own words, so we asked them for their own writings, and I realized how amazing that fragment of Richter was, so I became curious and I started to research and I saw that there were all these amazing writings he had done, and there was never a book, so the third project we did after the Nietzsche house and the group show in Vienna, The Broken Mirror, was I started to edit, over years, a book of his collected writings, which came out, and has now come out in an augmented edition, a second edition, co-edited together with Dietmar Elger, and is now double the size of the one from fifteen years ago, and then, so it's always been approached in working on another exhibition together.

In this series the artist combined her love of decoration — in this instance, Islamic ornament — with her longstanding passion for cartography, so that interspersed throughout the works are maps of the Gaza strip, the Pale of Settlement (the territory within Imperial Russia restricted for Jews from 1835 - 1917, to which Kozloff traces her ancestry), as well as text references to the Tasman Sea, among other word fragments.

While the majority of Grossman's works concern the physicality of the body, many of her collages and assemblages are dense, abstract compositions, such as Tough Life Diary (1973), created from words and fragments cut from the artist's diaries, and Light is Faster than Sound (1987 — 88), which combines dyed paper with an image of Lyndon Johnson and found scraps and fliers.

The diverse body of work includes Anish Kapoor's wood fragments in red Perspex box, Douglas Gordon's burnt wood cast in bronze and Grayson Perry's ceramic with the words «Art is dead.

Mostly English words, with a modest amount of markup and some script fragments.

Instead, write your bullet points in sentence fragments e.g. «Successfully led a team of six to complete project X ahead of schedule» or «Proficient with Microsoft Word, Excel, and Outlook».