Sentences with phrase «with gallery representation»

It is my first solo show in Europe with gallery representation and I look forward to developing this relationship.

We have many artists with gallery representation, fine art, sculptors, photographers, jewelers, glass artists, ceramic artists, book binder, print makers, wood workers, fabric artists, mixed media artists, and makers of all kinds of things.

Even with gallery representation, you have to do things yourself.

And then, just as now, visitors were about as likely to find artists making fairy art as artists with gallery representation.

Not exact matches

Not long afterward, art dealer Andrea Rosen announced that she would close her eponymous Chelsea gallery after 27 years in the business, and share representation of the Felix Gonzalez - Torres estate — which she had overseen since the artist's death in 1996 — with the much larger David Zwirner gallery.

This work, along with two recent photographic series, will go on view at Jack Shainman's 20th Street space this week; nearby, at its 24th Street gallery, Weems will debut two more photographic series that deal with the representation of black Americans, often through performance.

All too often I think there's fear of critically thinking about the issues you raise about gallery representation, as if one will get black listed for wanting to ensure a fair business exchange with a gallery.

In this month's issue, Brendan Greaves looks at the current trend for embracing such art as it begins to extend to the marketplace, with an auction at Christie's and representation of vernacular artists by mainstream galleries.

A marked break with his previous emotionally charged acrylic paintings that merged representation, abstraction, and text (exhibited at 532 Gallery... Read more

I personally know one New York artist who ended up with a solo show and gallery representation in Berlin as a result of the exposure, and a Boston artist who's now with a Boston gallery, which then resulted in a commission for a major New England museum, so sometimes the dots do connect.

Gibson blends a classic contemporary art bio — studies at the Art Institute of Chicago and the Royal College of Art, current representation by the New York gallery Sikkema Jenkins & Co. — with a deep understanding of indigenous craft traditions.

REPRESENTATION Kerry James Marshall joins David Zwirner in London on June 18, with plans for a solo exhibition at the gallery in October.

«One Blood,» his first exhibition with Susanne Vielmetter, was on view early this year, four months before his representation with the gallery was announced.

REPRESENTATION Luhring Augustine announces on March 28 that jazz composer and pianist Jason Moran, a frequent collaborator with visual artists who is redefining the notion of multidisciplinary art, is joining its Chelsea, N.Y., gallery.

REPRESENTATION Mickalene Thomas joins Kavi Gupta in Chicago and Berlin on March 19, with plans for a forthcoming fall exhibition at the gallery's Chicago location.

REPRESENTATION Sean Kelly Gallery in New York announces its representation of Hugo McCloud on Jan. 7 in advance of «Palindrome,» the artist's first solo exhibition with the gallery (Jan. 30 - MaREPRESENTATION Sean Kelly Gallery in New York announces its representation of Hugo McCloud on Jan. 7 in advance of «Palindrome,» the artist's first solo exhibition with the gallery (Jan. 30 - March 14,Gallery in New York announces its representation of Hugo McCloud on Jan. 7 in advance of «Palindrome,» the artist's first solo exhibition with the gallery (Jan. 30 - Marepresentation of Hugo McCloud on Jan. 7 in advance of «Palindrome,» the artist's first solo exhibition with the gallery (Jan. 30 - March 14,gallery (Jan. 30 - March 14, 2015).

Since Ritchie exhibited The Universal Adversary at Andrea Rosen Gallery in 2006, his process of synthesizing and expressing complex systems and cosmologies to create new forms and explore new myths has increasingly expanded across disciplines and into collaborative projects with physicists, composers, writers, actors, architects and engineers, aimed at developing a group of visual and performance environments that can theoretically sustain not one, but every possible representation of the universe.

New York — Pace and Pace / MacGill Gallery are pleased to inaugurate their representation of British artist Richard Learoyd with an exhibition of his large - scale color and black - and - white photographs made over the last decade.

Art, AIDS, America Curated by Rock Hushka And Jonnathan Katz One Gallery, LA TACOMA, WA Zuckerman Museum, Georgia Bronx Museum, NY National Tour 2015 Only representation of women of color living with HIV / persons born with HIV virus

The «museum 3.0» establishes the gallery as a public site, beyond representation and participation and based on use value, with its meaning defined by its constituents.

Michael Rosenfeld Gallery is proud to share representation of the Michael Goldberg Estate with Manny Silverman Gallery, Los Angeles.

Edwynn Houk Gallery is pleased to announce our representation of the Herb Ritts Foundation with an exhibition of photographs drawn from the estate's collection.

Strong representation from Central and South America also continues this year with returning galleries A Gentil Carioca (Rio de Janeiro), Mendes Wood DM (São Paulo), Galería Jaqueline Martins (both São Paulo), Instituto de Visión (Bogotá) and Proyectos Ultravioleta (Guatemala City) alongside newcomers Luis Adelantado (Mexico City) and Galeria Nora Fisch (Buenos Aires), among many others.

(New York — September 26, 2014) Michael Rosenfeld Gallery proudly announces our representation of Barbara Chase - Riboud, the American - born, European - based author, poet, and artist whose work in all genres engages with the processes of transformation.

, Patricia Low Contemporary, Gstaad, Switzerland Now New: New Works, New Space, Elgiz Museum of Contemporary Art, Istanbul Strip / Stripe, Emily Harvey Foundation, New York Quand la première ivresse des succès bruyants..., CAPC Musée d'art Contemporain, Bordeaux, France (catalogue) H x W x D: Thirty Years of MFA at UNO, University of New Orleans St. Claude Gallery, New Orleans, LA (catalogue) Fuentes, Galerie Thaddaeus Ropac, Salzburg, Austria Synthetics, Whitney Museum of American Art, New York Sensory Overload: Light, Motion, Sound and the Optical in Art Since 1945, Milwaukee Art Museum, WI Antes de ayer y pasado mañana; o lo que puede ser la Pintura hoy, Museo de Arte Contemporáneo Unión Fenosa, La Coruña, Spain Images and Representations: The Eighties Second Part, MAGASIN Centre National d'Art Contemporain de Grenoble, France (catalogue) With You I Want To Live: Gordon Locksley & George T. Shea Collection, Museum of Art Fort Lauderdale, FL Collect With Us, Armand Bartos Fine Art, New York Structures — Space, New Museum of Contemporary Art, New York

As Sarah continued, the empty canvases on the gallery wall became filled with visual representations of value, exchange, and causality.

Beginning with exclusive representation of Sally Mann in 1989, Edwynn Houk Gallery has acted as the sole agent for a select group of leading contemporary photographers, including Robert Polidori, Lalla Essaydi, Annie Leibovitz and Abelardo Morell.

In his inaugural exhibition with Lévy Gorvy, Dan Colen will present «Mailorder Mother Purgatory,» celebrating the artist's recently announced representation by the gallery and featuring new paintings and sculptures.

Meanwhile, the David Zwirner gallery is celebrating its new representation of the Judd Foundation with an exhibition of nine large anodized boxes made in Switzerland in 1989 and never before shown in such numbers in the United States.

She was working with another gallery, but it wasn't a full representation.

A specific constellation of five key works that has been conceived for the gallery by the artist, and deals with contemporary ideas of time through the use of sound, touch, light and reflectivity; with each work existing in a zone between abstraction and representation.

The gallery began its programming by exhibiting mid-career artists with no prior gallery representation, then expanding the roster to show previously unseen archives as well as promising contemporary photographers.

The exhibition will be installed throughout our three gallery spaces, with historical and contemporary art juxtaposed in the first two galleries and the third focusing on contemporary responses to the challenge of self - representation.

On Jan. 25 Mr. Lewis's gallery will inaugurate its representation of the artist with a show intriguingly titled «Mr. Dial's America.»

Beginning with exclusive representation of Sally Mann in 1989, the Edwynn Houk Gallery has acted as the sole agent for a select group of leading contemporary photographers, including Robert Polidori, Lalla Essaydi, Annie Leibovitz and Abelardo Morell.

Yet in conjunction with the country's recent economic boom, the international art market has begun to sit up and pay attention: Brazilian galleries have multiplied, institutional attention has intensified and a whole generation of younger artists, along with overlooked figures from a previous generation, has come to wider attention and secured representation, critical coverage and collectors from abroad.

This is not to say that the gallery is consumed with the latest thing — in recent years, Boesky has pulled off major coups in securing the representation of two legendary living artists, the Arte Povera sculptor Pier Paolo Calzolari and the Minimalist icon Frank Stella, the latter of which recently made news when it was announced that his first major retrospective since 1970 will be the first show to fill a full floor of the Whitney's new Meatpacking District building when it opens next spring.

In 2009, she co-curated with Philae Knight the exhibition Re-Accession: For Sale by Owner at FLAG, which featured a cross section of New York — based artists who were either without, or who had lost, gallery representation as a result of the 2008 economic downturn.

Artist talk with Alia Youssef Wednesday, March 14 6:00 PM In partnership with Gallery 44, Youssef will present her talk «Can I have a say in this narrative» In her presentation Alia Youssef will discuss the representation of Muslim women from pre-9 / 11 to present in western media.

I often wonder how other galleries are dealing with artists who have gallery representation but continue to self - promote.

He talked with curator Nicholas Cullinan about works in the National Portrait Gallery, how they've influenced his practice, and the «role of history, questions of representation, biography, masculinity, and portraiture in a broader sense» in his work.

In 1963, he co-founded the Spiral Group (along with Romare Bearden, Norman Lewis, Hale Woodruff, and others), which sought to contribute to the Civil Rights movement through the visual arts in part by increasing gallery and museum representation for black artists.

Concurrent with Jenkins Johnson Gallery's presentation of his work at EXPO Chicago from September 13 - 17, Lavar Munroe will speak on the panel, Race and Representation in Contemporary Institutions, moderated by Perry Irmer, president and CEO, the DuSable Museum of African American History.

In «No / Body,» a show jointly presented by Lower East Side galleries 11R and Lyons & King, Grzesykowska presents several new series that use collage, photography and sculpture to cleverly toy with the rules of self - representation.

This institution was charged with telling the story of modernism, but in the nine years Saltz tracked its galleries, its representation of women artists vacillated between 3.5 and 8 percent.

A marked break with his previous emotionally charged acrylic paintings that merged representation, abstraction, and text (exhibited at 532 Gallery Jaeckel in 2010), the contemplative oil paintings in The Ribbons That Tie Us demonstrate the artist's evolving and deepening commitment to breaking past stereotype and false exteriors in order to truly know other people.

The gallery has prominently positioned itself on the contemporary art scene with the sole UK representation of artists such as Ron Arad, Tony Bevan, Ori Gersht, Candida Höfer, Claude & François - Xavier Lalanne, Heinz Mack, Vik Muniz, Gavin Turk and Not Vital.

In his first solo exhibition with the gallery, Palacios seeks to bear representation to the state of affairs of the modern world — what he refers to as an «ugly society», a term he borrows from Noam Chomsky's documentary «Requiem for an American Dream».

These portraits - actually reproductions of drawings made by a street artist outside the Uffizi Gallery - are but fictive representations, mere signs of individuals with no pretense of naturalism or referential necessity.

Accompanied by a generously illustrated catalogue with essays by Brandt, Joshua Takano Chambers - Letson, Alexandra Chang and Muna Tseng, the Grey Art Gallery exhibition makes a strong case for Tseng's photography - based performances as an essential critical intervention in the historical representation of the Asian «other» in the West — and one that is rooted in an interventionist queer practice.