Gomez - Rejon tries to paper over his empty picture
with gorgeous cinematography and a rousing score, but neither one of these serve the movie because ultimately there's nothing to serve.
Filled
with gorgeous cinematography and moving interviews (hydro industry representatives did not, for the most part, agree to participate), the film persuasively makes the case that the time has come for a serious re-examination of all the dams in the country.
With gorgeous cinematography by Haynes stalwarts Ed Lachman and music by Carter Burwell, it's a wonderfully immersive and touching dialogue - free two minutes.
Clay Staub's directorial debut, Devil's Gate, is a slick horror / sci - fi flick that, from the first scene, demonstrates
with its gorgeous cinematography that you're in competent hands.
Bridget Regan appears in a scene from «Devil's Gate,» Clay Staub's directorial debut that is a slick horror / sci - fi flick
with gorgeous cinematography but not a compelling enough story.
It's an ambitious shoot and likely one that will pay off
with some gorgeous cinematography.
With gorgeous cinematography by Haynes stalwarts Ed Lachman and music by Carter Burwell, it's...
Also helping are the technical aspects of the film,
with gorgeous cinematography from one of Amodovar's old collaborators, Jose Luis Alcaine (Blast from the Past, Belle Epoque), and a fantastic score from Alberto Iglesias (The Dancer Upstairs, Sex and Lucia), who has done the music for the last three Almodovar movies, which are arguably his finest.
And though their languishing trip over rail, bus lines and cobbled streets is imbued
with gorgeous cinematography courtesy of the Greek coast and Marcel Zyskind «s penitent eye, the affair quickly bores.
The film is beautiful to look at,
with gorgeous cinematography by Bradford Young.
This new trailer seems to show the same emotion and grit, and
all with gorgeous cinematography.
How incredibly frustrating it is to see a movie so compelling, wonderfully directed, technically exemplary and
with a gorgeous cinematography go into self - destruction mode in the last thirty minutes, when it gives in to predictable revelations and silly situations worthy of a lame soap - opera.
With gorgeous cinematography and an exceptional cast, including a breakout performance from Josh Wiggins, Hellion allows its audience to travel the downward spiral of a broken family and is absolutely gripping thanks to its authentic feel.
Not exact matches
An overrated thriller that does have a
gorgeous cinematography and an intriguing premise but whose development has its share of unnecessary narrative flaws and drags unforgivably, feeling bloated (and even tiresome)
with scenes that are elongated for too long.
Besson delivers 89 minutes of Euro - flair action,
gorgeous cinematography and silly - smart thrills
with an acute awareness that what he is selling is more icing than cake.
It checks off the required boxes
with solid acting,
gorgeous cinematography and all the frustrating, glorious emotional restraint that you expect from a romance set in Victorian England.
A largely faithful and beautifully produced adaptation of the classic Thomas Hardy novel,
with great period piece production values,
gorgeous cinematography and fine performances across the board.
Both of their contributions are evident in this clip,
with Lachman's
cinematography crafting
gorgeous compositions out of each frame, and Burwell's atmospheric score adding a tinge of melancholy to whatever is taking place.
With lush colors,
gorgeous cinematography, and convincing CGI elements, this is «eye - candy» in every sense of the word, and every bit as satisfying and addictive as the real candy shown within.
The
cinematography was
gorgeous and well deserving of the Oscar and no other director around today could have made this as special as Marty did
with his love for film preservation.
Corbijn has a remarkable eye, so the movie looks
gorgeous,
with painterly
cinematography by Martin Ruhe and direction that captures scenes
with encompassing anglesthat vividly echo Jack's consuming paranoia.
Stunning
cinematography, supplied by Martin Ruhe, along
with Corbijn's music video background, make The American a
gorgeous film to look at.
Roger Deakins» sometimes astonishing
cinematography clearly differentiates between Zamperini's many ordeals, even if it does sometimes render things inappropriately beautiful, leaving it all
with a weirdly
gorgeous sheen.
Yet, THE SOUND OF MUSIC also features some
gorgeous cinematography by Ted McCord, that along
with the aforementioned music, would make the film enjoyable even without dialogue.
It's a fundamentally minor movie, distinguished chiefly by its
gorgeous black - and - white
cinematography and little bursts of comic strangeness, like a smitten preteen
with a deep, manly voice and the soul of a poet.
Luckily, the film's images are top - notch,
with beautiful, exotic production design for Krypton and their technology and
gorgeous cinematography.
Set amid the sweeping desert landscape of 1950s Nevada, the film vividly evokes the thrill of a new, unexpected love
with the help of a soundtrack packed
with jukebox classics and
gorgeous cinematography by future Oscar winner Robert Elswit (There Will Be Blood).
A flawed experience that makes up for its shortcomings
with a great cast, intriguing premise and
gorgeous cinematography.
Also of interest is the beautiful scenery and
cinematography by Emmanuel Lubezky (Meet Joe Black, Sleepy Hollow),
with the foggy vistas and
gorgeous green vineyards.
Page Eight, the new selection on PBS \» «Masterpiece Contemporary,» is more beautifully filmed than most movies on the big screen, and the
gorgeous cinematography, especially of London draped
with electric light at night, cinched it as a closing night selection at this year \'s Toronto Film Festival.
It's an incredibly stylish homage to the genre,
with gorgeous high contrast black and white
cinematography and plenty of slow motion moody dream sequences.
In addition to McTiernan's tight direction, Predator soars to the top of the 1980s action flick pack through its brilliant camera work,
with some breathtaking
cinematography by Donald McAlpine (Moon Over Parador, The Hard Way), and a
gorgeous score from Alan Silvestri (Flight of the Navigator, Back to the Future), one which is worthy of a major sci - fi epic franchise.
There's plenty to admire throughout the entire film; Ford's direction is ambitious and, like his work in A Single Man, he has a keen artistic eye
with some vibrant and striking imagery captured by Christopher Brown's art direction, Seamus McGarvey's sombre
cinematography and the
gorgeous production design by Shane Valentino and Meg Everist invites you into the characters» dark, dual existences without ever losing its consistent tone.
It's an accomplished piece of filmmaking
with the vibrancy and
gorgeous cinematography by Robert Richardson deserving a very special mention.
He co-wrote the script
with Jay Cocks, filming in
gorgeous locations
with impeccable lighting, and lush
cinematography from Rodrigo Prieto.
This is a
gorgeous, occasionally hallucinogenic piece of filmmaking which frequently left me slack - jawed as it brought the vast expanses of the solar system to life
with a stunning use of visual effects and some breathtaking
cinematography.
Whiplash is one of my favorite films in recent memory and had more of an impact that I thought it would and Chazelle seems to be recapturing that magic
with another music based film that has some ridiculously
gorgeous cinematography.
It's an admirable film
with its great moments, a top notch performance from Jennifer Lawrence, an understated turn from John Hawked, and
gorgeous cinematography.
Gorgeous cinematography, beautiful music and a complete lack of dialogue may scare off a few but those that manage to stick
with it are greatly rewarded in the film's final 10 minutes.
As such, Tuck Everlasting makes for a decent introduction,
with such
gorgeous cinematography and locales, that even adults won't mind being along for the ride, even if the destination is familiar.
Thanks to Dion Beebe's
gorgeous cinematography, an exquisitely costumed cast that includes Emma Stone (in the painfully underwritten role of a moll sleeping
with both Penn and Gosling), and overall high production values, Gangster Squad looks fantastic, but it doesn't have an original thought inside its pretty little head.
State of Grace fits this model to a tee, but
with strong performances and
gorgeous cinematography (Jordan Cronenweth, Blade Runner), this is a sleek and finely - tuned drama that should please those who typically enjoy crime cinema stories from the inside.
Mudbound is a difficult film to watch, but a
gorgeous one,
with some of the best
cinematography and performances of any film in 2017.
Johanne Debas and Darius Khondji's
cinematography is
gorgeous, the film is filled
with wonderful performances where you can tell that all of the actors are having a marvelous time, and Allen brings it all together
with a joy rarely seen in his movies these days.
The film's jazz soundtrack,
gorgeous black - and - white
cinematography and deadpan humour create a romantic melancholic atmosphere that is highly enjoyable to indulge in,
with Niko as a charismatic flâneur.
It's a vibe that's perpetuated by everything from Roy Webb's lush score to Ted Tetzlaff's
gorgeous cinematography to the uniformly effective performances,
with, in terms of the latter, Grant and Bergman's chemistry together ensuring that one can't help but root for their characters» triumph over Rains» nefarious (yet somewhat sympathetic) Sebastian.
With an enticing, complementary score from the Newton Brothers and Danny Elfman, and
gorgeous cinematography by Michael Fimognari that aches to be seen on the big screen, ultimately BEFORE I WAKE awakens heartrending ideas about hope and healing.
The scene in Age of Innocence,
with Michelle on the dock looking out at the water while Day Lewis watches her from afar is my favourite in the whole film, such
gorgeous cinematography.
Gorgeous cinematography paired off
with a titillating musical score and performances will keep your eyes fixated on every moment.
None of that is important for the first 30 - 40 minutes of the movie, though, because Cuarón and his team of collaborators — notably Emmanuel Lubezki (
gorgeous cinematography), Steven Price (unsettling musical score), Mark Sanger (seamless editing
with Cuarón), and Andy Nicholson (meticulous production design)-- have created a setting and a mood and a tempo and a feeling that sweeps from sheer beauty quickly into sheer, sustained terror.