Sentences with phrase «with graffiti culture»

On the other side of the tracks, they were also ignored by the fine arts establishment because of their association with graffiti culture and for unabashedly continuing their gallery - related practices under the term Graffiti, which they still did not entirely leave behind.

On the other side of the tracks, they were also ignored by the fine arts establishment because of their association with graffiti culture and for unabashedly continuing their gallery - related practices under the term Graffiti.

Focusing their program on artists who are pushing the limits of contemporary art while having a strong connection with graffiti culture, the British and Dutch artists» abstracted compositions were the perfect fit for the gallery's summer 2017 show.

Not exact matches

When debate about an artist's merit no longer seems to have any point, one is left either with an icon of culture, too sacred to enjoy, or with a target of satire, brought down to our more humdrum level by a vaudeville lampooning of the unapproachable totem, as when graffiti artists paint a moustache on reproductions of the Mona Lisa.

With funding from the Austrian Ministry for Science and Research and the Culture Division of the City of Vienna, Norbert Siegl spent months studying the «gender - specific differences in frequency and thematic content» of the graffiti in the toilets at the University of Vienna.

by Jefferson Robbins The skeleton key to George Lucas's American Graffiti isn't in its setting — the cruising culture of exurban southern California, 1962, as witnessed by young participants with the»50s at their back and Vietnam ahead.

Creator George Lucas was the same guy who made 1973's «American Graffiti»: keenly attuned to car culture and nostalgia, in love with the horizon, a tinkerer with gears.

Captivate your imagination on the vintage savoir vivre with a modern twist and discover Pop Culture graffiti pieces by urban artist Bàlu.

«With roots firmly planted in illustration, pop culture, comics, street art and graffiti, put quite simply the New Contemporary Art Movement is art for the people,» Thinkspace co-founder Andrew Hosner said.

Taking up the iconography and subject matter inherent to Western culture and making use of crude painting techniques blended with the vandalistic language of graffiti, Lister appropriates and reformats codes and languages in order to create a new proposal of grotesque contours brimming with creative energy.

The exhibition will feature paintings, mixed media sculptures, and interactive installations by 50 of the most dynamic artists and will emphasize Los Angeles's role in the evolution of graffiti and street art, with special sections dedicated to seminal local movements such as cholo graffiti and Dogtown skateboard culture.

A small side room of the exhibition is devoted to a new VR piece by KATSU that is an «homage» to the Tenderloin area of San Francisco, a region «with deep roots in graffiti culture» that is slowly being sanitized and gentrified.

Considering Andy Warhol's and Keith Haring's artistry, the New York - based artist Brian Donnelly, or internationally known as Kaws, is a prolific contemporary artist who has pushed the art of appropriation significant steps forward embracing pop culture with a wide range of influential artistic projects from toys, to clothings, graffiti, paintings, sneakers and videos.

Emerging with the New York City graffiti and street art movement of the 1980s, Scharf's imagery draws upon pop icons, media advertising and consumer culture of the 1960s, including TV cartoon characters such as the Flintstones and the Jetsons.

Graffiti is also intertwined with pop culture and politics as a means to deliver messages quickly and to a wide public audience.

The artists work with impressions from contemporary culture such as cartoon series and graffiti, yet when doing so, also engage with art historical traditions such as Surrealism, Abstract Expressionism, Neorealism, Pop Art or 1960s Performance Art.

I particularly enjoyed the floating geometry of a gold rectangle against broad blue swathes of action painting, vocalizing on top of power chords, even as I wish he had abstained from the graffiti culture's obligation to tag everything with his initials right when the surface of the painting was shimmering with a certain delicacy.

Coming up in the Bay Area pre-Dot com boom, McCarthy alongside Chris Johanson, Margaret Kilgallen, Ruby Neri, and Barry McGee embody the urban street and graffiti culture with its rustic aesthetic.

With diverse influences from graffiti, street culture, and outsider art, she has produced commercial and non-commercial work in various media.

-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Iggraffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Iggraffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and IgGraffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos

Juxtapoz x Superflat was conceived by the renowned Japanese artist Takashi Murakami and co-curated with Evan Pricco, Editor - in - Chief of Juxtapoz Art & Culture, a legendary San Francisco - based magazine committed to contemporary art, design, fashion and graffiti.

Joanne Howard's installation lines the walls of Glyndor's restroom, pairing Wave Hill's history and ecology with contemporary graffiti culture.

He often merges the codes of street culture (stickers, graffiti) with the codes of high traditional art (the round canvas: the tondo) in works expressing a loss of any fixed definition.

He is most well known for his large paintings populated with scribbled marks, calligraphic or graffiti - like words, letters, numbers, and references to Classical culture.

The combined forces of his formal training, quick graffiti chops, and expert skills as a draftsman, along with multiple artistic influences (Mexican Muralists, tramp art, surfer culture, graffiti from the 1970s and 1980s, the beat poets, geometric abstraction, op art, early video and site - specific works, graphic design, typography, and cartoons) have factored into his unwieldy, yet unmistakable visual lexicon.

Known as one of the artists of Beautiful Losers — a bi-coastal collective inspired by various aspects of street culture associated with skateboarding, graffiti, punk, and hip - hop — Campbell's defiantly animated assemblages pay homage to the roguishly creative spirit of urban signage.

Eschewing formalism, Dahn's work favored experimentation and unexpected combinations of seemingly random imagery such as graffiti with Oceania; album cover art recycled with appropriated images drawn from popular culture; snapshots of friends juxtaposed with landscapes and architecture.

Born and raised south of San Francisco, Norling hails from a recent generation of artists raised on the fun and gun ethos of graffiti and the mark - making of urban street culture; from stickers to wheat - pasted posters, it is from this street aesthetic; one that is in dialogue with Norling's teacher Raymond Saunders, as well as younger artists such as Barry McGee and the late Margaret Kilgallen, that Norling's paintings, sculptures and installations derive much of their impact.

This metamorphosis done from series that overlapped in time, with contributions from Kitsch, from graffiti, with evocations from Pop and employing popular culture colours, led him to some sort of baroque from which he later escaped when he worked on monumental scale works, to which polished, rusted or burnt steel gave a much more austere aspect.

While this exhibition takes its starting point from hip hop, it branches out to include artists who use pop culture, graffiti, fashion and other signifiers of urban life in combination with more traditional forms of Aboriginal identity.

«Visionary» graffiti artist and entrepreneur, Montreal based artist Chris Dyer has crafted a style that synthesizes influences from astrology, spirituality, graffiti, Street Art, skater culture, and folk art into a modern representational style you may associate with glowing barefoot and shirtless celebrants at Burning Man or similar transformational / experiential festivals around the globe.

Fujita blends Eastern techniques (anime, partitioned screens, ukiyo - e), and elements (geishas, warriors, demons), with Western, urban imagery (Latino graffiti, U.S. pop culture imagery) in a way that is stunning and vibrant, yet harmonious.

Klughaus showcases a diverse roster of talented artists with roots in graffiti and street culture including JURNE, Seb GOREY, RIME, Aaron OBLVN, Martha Cooper, Jesse Edwards, Tom Gould, and Ricky Powell.

His work often uses the street as his canvas or his backdrop, alluding to hip - hop and the role of graffiti artists, and he often operates within the gritty aesthetic associated with that culture.

Combining traditional, folkloric, and contemporary elements of Brazilian culture with graffiti, hip - hop, and international youth culture, the artists have created an expansive body of work that includes murals, paintings, sculpture, site - specific installations, and video.

With roots firmly planted in illustration, pop culture imagery, comics, street art and graffiti, put quite simply the New Contemporary Art Movement is art for the people.