Urucum is teaching favela residents about their rights and how to make videos
with handheld cameras, utilize social media, and document the reality they see.
Their 21 - minute video, «Permission Streak,» filmed
with handheld cameras, GoPros and drones, is screened in a carpeted mini-theater strewn with gym mats, a «custom diving bunk,» message boards and ambient sound (the installation as a whole is called «Safety Pass»).
The whole film is shot
with handheld cameras, giving it a «documentary» feel at times, but most of the actual shots are ultra-stylized and comic - booky.
This is no staid period piece; shot like an action film,
with handheld cameras and 360 - degree sets, it's visceral, bloody and moves at a breathtaking pace.
Olivier then becomes intensely curious about his new student... [/ font][font = Century Gothic][/ font][font = Century Gothic] «The Son» is a tense drama that is filmed
with handheld cameras, so the viewer is looking at Olivier's point of view throughout the film.
Shot on location
with handheld cameras, La Promesse used a stripped - down, realistic visual style to illuminate the harsh conditions of immigrants forced to work illegally, within an intensely personal story of a teenager who is forced to choose between morality and family ties when one of his father's exploited immigrant employees dies.
Filming
with handheld cameras, over-exposing the film, and making extensive use of jump - cuts, Peploe seems to be trying to find the spirit if Jean - Luc Godard in The Triumph of Love.
Among this year's notable videos: Some are careless slips captured
with a handheld camera, some depict telling or heated moments during public appearances and some are campaign ads that grew larger than their creators could have ever imagined.
The brunt of the power of Paul Greengrass» (The Theory of Flight, The Murder of Stephen Lawrence) film comes from the way he filmed Bloody Sunday
with a handheld camera.
Being shot on video and
with a handheld camera gives «The Jim Gaffigan Show» a decidedly different look than many sitcoms.
It's not exactly a rippling footprint,
with the handheld camera technique appearing to signal that this is simply part of the slow promotional tease from Universal, but we'll look upon it as a butterfly flapping its wings in Beijing, a sign of bigger things to come.
I confess relief in reporting that Garden State is not shot on digital video, or
with a handheld camera, as much as the dreary surroundings might beg for such indie - movie cred - bearers.
A drama of this nature demands the finest quality film but what comes across is hazy, resembling a digital print or one shot largely
with a handheld camera intent on extreme close - ups.
Director Derek Cianfrance, who extensively used improvisations to create a spontaneity, intercuts his anatomy of the end of a marriage with flashbacks to the excitement and anticipation and hope of the beginning of the relationship, and shoots
it all with a handheld camera that, which is more distracting that immediate and «real.»
They are: her best friend and fellow fashion buff Jennifer (Brenda Song), Gabe (Ali Mukaddam), the kid who is always equipped
with a handheld camera, and Jack Downey (Bug Hall), the editor of the school newspaper who is from the other side of the tracks, (gasp) Brooklyn!
Set on a farm in the British countryside, Francis Lee's feature debut looked at first like yet another grim and gritty British drama, shot on location in Yorkshire
with handheld camera.
Coyle: It was pretty much the only place, in drum and bass clubs, where you could walk through the crowd, have the whole crew following
you with a handheld camera and no one bats an eye lid.
Though introduced as footage Raven captured
with a handheld camera during production, most of it is either standard set B - roll or higher quality film of Raven shooting away.
Perry also abandoned his usual preference of shooting
with a handheld camera, the style used for nearly every shot of «Listen Up Philip.»
I appreciate that the game encourages you to use a stealthy approach, and to hide or flee when being assaulted, but it just seems that even a freelance journalist should be able to throw a punch, or better yet, hit someone in the face every now and then
with that handheld camera he uses the entire time.
There is a crafty aspect to the work which takes do - it - yourself techniques seriously as a way of questioning what is standard, whether it is man - made machines, videos filmed
with a handheld camera or textile - like collages.
There is a crafty aspect to the work Personal Protocols and Other Preferences, which takes do - it - yourself techniques seriously as a way of questioning what is standard, whether it is man - made machines, videos filmed
with a handheld camera, or textile - like collages.
Some commentary and animation have been added to clarify some of the workshop points, but overall, this is still just a video of a workshop made
with a handheld camera.
Instead, this range is perfect for shooting slow moving objects (think people or pets)
with a handheld camera.
Not exact matches
At three minutes in length, this ad might run a little long, but it beams
with slick editing and some hallmark features of web - ready videos:
handheld camera work, shallow focus and an emphasis on pitch - perfect music.
They are
handheld computers,
with capacitive touch screens, word processors, media players, GPS navigation systems, digital
cameras, and millions of apps.
Inside the stadium we will also be employing the enhanced tactic of issuing a group of stewards
with handheld video
cameras.
With 2
cameras you will be able to pan, tilt and zoom in remotely from the parent
handheld controller.
Maintain visual and auditory contact
with your preemie, infant or toddler
with one of the new,
handheld, wireless security
cameras with small LCD screens, infrared night vision, and several different frequencies so you can choose the one that works best in your situation.
With only the on - board
camera,
handheld range finders and their eyes, Mir's cosmonauts struggle to see the approaching vehicle.
Their team of young assistants then festoons the property
with infrared
cameras and digital voice recorders, and for the rest of the night the team shuffles about in groups of two using
handheld devices to measure unexplained changes in temperature and fluctuations of electromagnetic fields (knowingly shortened to «EMF»).
Intensity is the name of the game here,
with director Gary Ross going all Paul Greengrass
with shaky,
handheld camera - work getting up close and personal
with every fight scene.
For someone like Rees, who emerged out of the indie scene, Mudbound in many surface ways is an old - fashioned movie, but there's also an invigorating occasional raw edge to its refinement, its graceful visuals punctuated by economic use of
handheld camera, notably in scenes
with Jamie and Ronsel.
Once again, a mostly bare stage is dotted
with lines that stand in for houses and gardens, and von Trier's
handheld camera shoves its way into the actors» faces, hovering there
with accusatory intimacy.
The
handheld camera effect while making things more suspenseful does at times get a bit annoying
with its constant moving.
Shot largely
handheld, the
camera practically vibrates
with excitement during the bloodier scenes.
Like the eclectic and colourful characters portrayed on screen, this is a movie that has a unique aesthetic and tone: it mixes the realism of
handheld cameras and documentary footage
with the colour palette of a Japanese anime.
It switches between
handheld point - of - view shots from the perspective of the characters and an omniscient
camera that seems to have a mind of its own, weightlessly sweeping through rooms and drifting up into corners
with a spectral presence.
The costume and visual effects teams work hard for the Oscar nominations that eluded them last year and there's spiffing
handheld IMAX
camera action in the arena where our heroes - a few mean - looking bad - asses and a bunch of other contestants we never actually meet - find themselves in a tropical jungle dome laid out like a clock
with a wicked surprise in every sector.
Director Gordon Chan uses
handheld cameras to get close to the action,
with fights extending into streets, alleys, up staircases and onto rooftops.
Even the over-the-shoulder
handheld camera shots are like second - hand Dardennes brothers, applied here to give the audience the immediacy of going on a ride - along
with a policeman facing an increasingly desperate set of options.
It will feature an unlikely love story
with a beautiful and constant woman (sort of a stultifying «beauty and king gimp» conceit), a few half - hearted attempts at portraying the world from the «special» protagonist's literal perspective (by using a jittery
handheld camera or some similarly unenlightening gimmick), and end on a high note tinged
with the bittersweet for that vital splash of lingering «importance.»
It has the usual Russell chaos,
with much
handheld wide - lens
camera work to emphasize everyone's lunacy.
Hewing faithfully to Brecht's text, Schlöndorff juxtaposes the theatricality of the prose
with bare - bones,
handheld 16 mm
camera work, which gives immediacy to this savage story of rebellion.
, German - language documentary in 4x3 SD
with burned - in yellow English subtitles contains B - roll that provides a good impression of the filming conditions — including the look of the sets and the relatively small size of the
handheld 16 mm film
cameras — plus a clip of Burger delivering a lecture on his work in the camps and footage showing him consulting on set during the production.
The video for «Sapokanikan» speaks to Anderson's looser vibe in 2014's Inherent Vice, which Newsom stars in and narrates, as Anderson's
handheld camera dances joyously along
with Newsom through downtown Manhattan.
The film operates in a mode unmistakable to Woody Allen and Noah Baumbach devotees: Through a skittish
handheld camera we see Philip angrily marching into an NYC sandwich shop to meet
with an ex-girlfriend he hasn't seen in a while.
Handheld camera shots in the first half of the film create an edgy, uncertain feel, as the Foxfire group become dangerous and giddy
with its own potential.
Rappaport films everything
with a whipping, zooming
handheld camera, in close - ups
with no sense of staging, so disoriented and interchangeable that the whole thing might as well have been shot in one location.
As in her previous films, Ade maintains a natural intimacy
with the actors via loose,
handheld camera work, befitting of the film's awkward humor and sometimes antagonistic relationships.