Sentences with phrase «with human creativity»

The Second Circuit's notion of value added making a use transformative has fundamentally to do with human creativity; the Ninth Circuit's interpretation of value added opens the door to a purely mechanical procedure involving no human creativity whatsoever.

«They provide new insights which, combined with human creativity, allow for opportunities to improve designs within the practical product cycle.»

This raises the prospect of employing machine learning in science in a collaborative fashion, combining the power of machines to distil information from vast data sets with human creativity and background knowledge.

Not exact matches

We often think of creativity as the domain of a special, gifted subset of humans -; unusual creatures magically endowed with a mysterious creative talent.

We often think of creativity as the domain of a special, gifted subset of humans -; unusual creatures magically endowed with a mysterious

We need bosses who equip businesses with promising talent; who excel at creativity and lateral thinking; and who have the emotional intelligence to herd the complicated urges and behaviours of their employees — most of whom, all hype aside, remain stubbornly human — toward building something great.

We'll celebrate design for its own sake, but our primary aim is to focus on how melding the creativity talent of great designers with the capital, human resources and execution capabilities of large firms can to achieve distinctive, high - impact business results.

To make this claim is not to say, however, that the genius of human creativity is always identical with God's hand at work.

Camus is confronted with a dilemma: he does not wish to baptize history because history has resulted in the reign of terror; he does want to advocate absolute values independent of time, for that would reconstitute the «old god» that negates human creativity.

What needs to be asked is how men and women can live in this culture filled with sexual symbols, sharing in the new freedom, and discover the creativity and satisfaction of authentic human love.

Human sexual identity: a) is a relational identity; b) is tied up with creativity; c) suggests complementarity; d) implies a power regarding others.

It needs to be noted that in the inherited Western tradition, creativity has been seen as an attribute of creatures with mentality, that is to say of human beings only.

One could turn to many artists for a precedent for a newly evangelised culture comprising imaginative activities that are open to the transcendent, a culture that integrates human creativity in art, literature and science with the call to holiness, to a life that acknowledges truth, goodness and beauty as having their source in the divine.

A.: It is reasonable to hope that science and technology, along with other expressions of human imagination and creativity, will find progressively better solutions to our problems as time goes on.

In one sense the discovery of human individuality was necessary for the development of human rights, the economic individualism orientated to profit and free market produced the modern economy; the separation of human being from nature coupled with the autonomy of the world of science helped the development of technology; and the autonomy of different areas of life like the arts and the government, each to follow purposes and laws inherent in it, did make for unfettered creativity in the various fields.

Like the creativity of a human artist, evolutionary creativity is a synthesis of environmental challenges with the available biological (or intellectual) means to respond to these challenges.

Kaplan maintained: «The human mind, as Kant has shown, can not really solve the problem of absolute beginnings, and identifying creativity with transformation marks the limit of its capacity (MOG 61).

He seems to agree with Bracken that the creativity of individual occasions is primary and is constitutive both of enduring human persons and of societies, but unlike Lakeland his objections to the existing social order of things are melioristic and reformist rather than fundamental and hence revolutionist.

If we assume, as we presently do, that the primary goal of both God and concerned humans is to maximize freedom (creativity) for the greatest number, it is the following query with which we must be concerned: Do continuous divine persuasion and occasional human coercion, in conjunction, better maximize freedom than would continuous divine persuasion alone?

I recognize that the unconscious which is the abysmal source of our earthly demons is also the dynamic ground of love and creativity which, together with our cognitive capacities, produces the truths and beauties and goodnesses of human life.

Therefore God is in human life continuously from the time it first began to be human; and this divine creativity will be with us so long as there is any human life at all.

How far this creativity can go in creating the human level in the case of any one individual depends partly upon his innate capacity but most of all upon two other features: (1) how wide and deep is the volume of history that reaches him, that is, how abundant and coherent are the values that have been accumulated in the history he inherits and (2) how deep is the communion he is able to have with other persons who embody these meanings accumulated through a long sequence of generations.

Unlike much of the inherited Western tradition, which has equated creativity with mentality and attributed it only to human beings, process thought considers anything actual at all an instance of creativity, from the tiniest energy event to the most complex creatures we are aware of, human beings; some degree of mentality is present in no matter how rudimentary, even negligible, a form.

What we create will never be identical with what God is creating; but human intelligence and artistic skill and patient workmanship can serve and release His creativity.

With regard to human creativity, what we need to derive is a new anthropology.

The unique factor about the present situation is that the vast human potentiality for destructiveness (in blocked creativity) is now armed with fiendish instruments of mass annihilation.

It is well known that some of the most significant atheism in the modern intellectual world has been aroused because of the apparent impossibility of reconciling the idea of God with the fact of human freedom and creativity.

The issue of just how to balance an appreciation of natural processes with an appreciation of human creativity is complex.

But even more daunting, his own productivity and protean creativity so defy the imagination that one might almost sympathize with the Shakespeare «deniers if the candidates put forward in his stead were not themselves such pathetic blue «blood epicenes» not to mention the fact that the achievement would still remain inexplicable coming from any human being, whatever the color of his blood.

In Psalm 104 and in Job 38 - 40 we get a glimpse of God's relationship with creation, independent of humans, and in creation itself we begin to see the depths of God's creativity.

Process theology undertakes a search for an alternative to the Augustinian understanding of love and being in which the freedom and creativity of human loves have their place, and in which the love of God is understood in his involvement with a real history.

The combination of sentience in natural entities, be they electrons, cells, or human beings, together with the lure beyond themselves for their possible futures is the source of their creativity.

It too has become obsessed with the theme of human creativity at the expense of cosmic creativity.

A theology of redemption combines affirmation of human creativity in the purpose of God and deliverance from human sinfulness to release humans for their vocation of cooperation with God in continuous new creativity.

The central issue in the early debates between Fundamentalists and Modernists was on the question whether the gospel should emphasize as the essence of the gospel, deliverance of the humans from sinfulness or affirmation of the human vocation to creativity and cooperation with God in recreating nature and society according to the purpose of God.

And even with the «best» of motives, the unintended consequences of moral creativity are often discontinuous with what is most advantageous for human betterment.

The burden of the preceding discussion is to suggest that technology, with all its problems, is not a monolithic entity whose very touch brings the death of creativity and aesthetic experience, but an integral aspect of human personal and social existence, with all the richness and ambiguity of human life itself.

And quite apart from humans, nature itself, we believe, has produced new species of plants and animals, new environments, and other important new facts.15 To interpret this use of the word «creativity»» from the standpoint of our metaphysics, we may claim that the production of such novelty» has to do exclusively (with the exception to be discussed below) with characterization.

One corollary of this view is that creativity in human relationship can never be the sheer imposition of one will upon another, It must be the kind of action, with whatever coercion is involved, which so far as possible leaves the other more free to respond.

The relation here between the renaissance affirmation of human creativity and the reformation with its reliance on grace presents a complex and baffling problem.

It is in fact a process that has been doing one for centuries, a process I might add that involves the incessant unfolding, with all its creativity and contradictions, of the human spirit into the wider horizon of history.

Modernization has shattered them all because they with their hierarchies and patriarchies sanctified by religion could not comprehend within them the creativities of human individuality and rationality which were emerging.

The congregation is made up of men and women who are finite, sinful human beings, yet also endowed with unrealized creativity.

As for Jesus himself, his human power of imagination was fully alive and in harmony with what we may by analogy call his divine imagination or creativity.

It remains an often brilliant exploration of the ways in which Western humanity has succeeded in creating a world in which all values have become subordinate to the demands of the human will, and in which knowledge and human creativity have become almost entirely confused, conceptually and practically, with the exercise of instrumental reason's mastery over all of reality.

Process thinkers encourage sociologists, political scientists, psychologists, historians, and scholars in other disciplines to take a more holistic approach, taking into account and doing justice to how human organisms interact not only with the human environment of their cultures and societies but also the non-human environments of which they are a part that are throbbing with life, energy, and creativity.

«Chef Óscar Portal Huguet is a great human being with a lovely personality who always puts people first and embraces continuous creativity,» said Bernard de Villèle, director general of The St. Regis Mexico City.

«The very state of being human endows us with this creativity,» Fuentes said, «and it's this creativity, in collaboration with a particular brand of cooperative possibilities, that made us who we are.»

If brain size had anything to do with innovation and creativity, some scientists expected to see a link between the so - called Mind's Big Bang (the emergence of bone tools and cave paintings that occurred between 50,000 and 70,000 years ago) and the emergence of modern - size human brains.

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