Sentences with phrase «with human drama»

Of course, you'll also have to deal with human drama between appointments.

will ensnare readers with its human drama and fascinating references to Irish folklore — even as the vulnerable and brassy Mimi Malloy steals their hearts.

In the past, director David Gordon Green has succeeded in comedy — Pineapple Express in 2008 comes to mind — but he's also struggled with human drama.

Not exact matches

«It was pretty obvious to see if you look closely that people were obsessed with these events because they represented hope for the future and human drama,» he says.

The decline of BB is perhaps a more familiar story, but «Losing the Signal» enhances the drama with personal human stories: how the founders» genius and strengths ultimately became their downfall: the reliance on efficiency of network and battery use ignored the groundswell of desire for an always - with - me computer.

And what if, instead, there's a supreme being who says, «let me reward those who have used their human faculties, reasoning and intellect,» and to add the drama that you so love, «and let me punish for eternity those with weak will who blindly adopted the fantasties and fairy tales pushed upon them without ever questioning...» What do you do then???

The heart of Santmire's quarrel with us is that he thinks biblical theology, read correctly, allows a kind of parallel track alongside the drama of human redemption.

On the one hand, of course, all human relationships have some sort of drama, but it often seems that it get magnified in church because people try to defend their positions with pious spirituality.

In addition to the expected human drama that comes along with any reality gameshow, the StartupBus is also a fascinating look at a modern pathway to (relative, at least) fame in a culture obsessed with celebrity.

Serious social scientists have no professional vocabulary to deal with the mystery of death, the human search for meaning, the moral struggle, the primacy oflove or the drama of salvation.

Ours, however, is the massive drama that saturates the In Between Time and inflates everyday life and human interaction to cosmic proportions; it searches with a loving gaze for the «inscapes» of the visible world.

To find their own participatory presence in the drama they will form relationships with those «speakers» who are both hidden and revealed in the thick surfaces and structures of the text by entering into the human sensorium disclosed by a text.

The biblical understanding of nature, therefore, inheres in a human ethical vision, a vision of ecojustice, in which the enmity or harmony of nature with humanity is part of the human historical drama of good and evil.

The biblical understanding of nature inheres in a human ethical vision, a vision of ecojustice, in which the enmity or harmony of nature with humanity is part of the human historical drama of good and evil.

«In his preoccupation with the analysis of the capitalist system, he (Marx) failed to do justice to the sphere of the personal and the subjective, the sphere where the human drama of hope and despair, love and hate, death and survival is enacted... Had Marx paid sufficient attention to these existential problems, he might have been led to a more critical assessment of his atheist stance.»

The Bible is viewed not only as an historical or canonical document, but as a description of the individual soul's journey of spiritual development and commentary on what happens when different states of consciousness interact with one another in the collective drama of human existence.

But with this important exception, the Bible contains reflections of every human interest — not only religion, but also history, philosophy, poetry, drama, great addresses, stories, letters, law - making, the struggles of war, the pursuits of peace.

From every possible source (including art, literature, theological thought, drama, the behavioral sciences, and his experiences with human relationships), he needs to widen and deepen his understanding of human nature and the human situation.

God withdraws and blends in, setting the stage for a free and historical encounter of humans with God as a single «Thou» in the drama of history.

The mythological view of the world has gone, and with it went the possibility of speaking seriously of a Heilsgeschichte: a historical «drama of salvation,» in which God is said to have acted at a certain time in this world to change the state of human affairs.

The Cambridge historian, H. Butterfield, has said of the Old Testament «Altogether we have here the greatest and most deliberate attempts ever made to wrestle with destiny and interpret history and discover meaning in the human drama; above all to grapple with the moral difficulties that history presents to the religious mind.»

As with the Callaghan era, Graham says it was the human drama prompted by the 2010 result that attracted him to write Coalition.

One program, «Inside Einstein's Mind,» succeeded not only because it dealt in a convincing way with the complexities of theoretical physics, but also because it revealed a very human drama as Einstein raced to complete his general theory of relativity in 1915, even as the world seemed to be falling apart during World War I as was his marriage.

11 THE REFLECTIVE SELF Systematic discovery of the drama of human existence and its compensations was arguably possible only after the development of full human consciousness — a mind with an autobiographical self that is capable of guiding reflective deliberation and gathering knowledge.

Check out this new drama Dating is a stage of romantic relationships in humans whereby two people meet socially with the aim of each assessing the other's suitability as a

Dating is a stage of romantic relationships in humans whereby two people meet socially with the aim of each assessing the other's suitability as a Can you tell me the best friends with benefits rules so I can make this happen without drama or complication?

Jonathan Rhys Meyers stars in this original, history - based drama series as the young, vibrant King Henry VIII, a competitive and lustful monarch who navigates the intrigues of the English court and the human heart with equal vigor and justifiable suspicion.

An underdog drama with clanging metal - on - metal action, «Real Steel» feels scientifically programmed to claw at your heart while its battling robots, which have a semblance of human personality, drum up your adrenaline.

It is always refreshing to see a film that treats the human condition with such respect and extracts drama from everyday life.

Using lavish CGI, ten renowned scientists from various fields sketch plausible scenarios that include devastating firestorms, gigantic tsunamis, months of icy cold and darkness... Heightening the intensity of the human drama, a selection of individuals is portrayed coping with the wasteland that once was the Earth.

There's not too much material to this film, therefore there's not too much too the performances, but charisma is found across the board, with solid chemistry and dramatic highlights that do a lot to define the heart of this colorful human drama.

In this offering the human drama is sidelined, and is the simple getting on with the in - laws shtick.

Visually inspired but thematically derivative, the apocalyptic sci - fi drama «Automata» pits humans against robots with predictable results.

Instead of putting itself best foot forward this game offers a complete arcade fighter experience against humans, and AI fully equipped with static manufactured drama with its sudden and most time random flash knockdowns, to strikes that deal significant damage not causing the fighter to show any visual que that it was effective.

Instead of putting itself best foot forward this game offers a complete arcade fighter experience against humans, and AI fully equipped with static manufactured drama with its

Filled with wit, heart, real human drama, and a lot of love, «Danny Collins» is a terrific film.

Like Benjamin Button, this drama plays around with the human lifespan, is slickly produced and feels far too serious for its own good.

A comedy - drama with a study of the human condition, throw in a potential alien attack that's literally loitering overhead and this is an impressive piece of work.

It finds drama in philosophical difference and emotional damage transformed into human conflict, and ends with revelations that will redefines the stakes of the show's upcoming fourth and (sadly) final season.

mmm... a protagonist who complete dominates a long film to the detriment of context and the other players in the story (though the abolitionist, limping senator with the black lover does gets close to stealing the show, and is rather more interesting than the hammily - acted Lincoln); Day - Lewis acts like he's focused on getting an Oscar rather than bringing a human being to life - Lincoln as portrayed is a strangely zombie character, an intelligent, articulate zombie, but still a zombie; I greatly appreciate Spielberg's attempt to deal with political process and I appreciate the lack of «action» but somehow the context is missing and after seeing the film I know some more facts but very little about what makes these politicians tick; and the lighting is way too stylised, beautiful but unremittingly unreal, so the film falls between the stools of docufiction and costume drama, with costume drama winning out; and the second subject of the film - slavery - is almost complete absent (unlike Django Unchained) except as a verbal abstraction

His focus moves from physical horror associated with freakish events to psychological drama associated with the darkness of human mind, and I was not so surprised when he made a fairly conventional period drama «A Dangerous Method» (2011).

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With a clever tip of the ten - gallon hat to Sergio Leone's highly influential spaghetti westerns, The American strolls across the screen conveying its drama with an emphasis on the human face as one assassin steps out of the shadows to bathe in some momentary sunshWith a clever tip of the ten - gallon hat to Sergio Leone's highly influential spaghetti westerns, The American strolls across the screen conveying its drama with an emphasis on the human face as one assassin steps out of the shadows to bathe in some momentary sunshwith an emphasis on the human face as one assassin steps out of the shadows to bathe in some momentary sunshine.

In the end, Unbroken is the sort of classic drama and triumph - of - human - spirit story that people love in movies - with the added bonus of offering three different (but entertaining) versions of that experience.

Gattaca director Andrew Niccol reunites with Ethan Hawke for this timely drama about the human costs of advanced war technology.

«Ran» is a heroic saga of human destiny, a war movie with some of the greatest battle scenes in the history of the cinema, a costume drama of the utmost magnificence — and a crackling good samurai movie chock full of swordplay and palace intrigue.

Curtis's free - floating anxieties are intended to connect up with our fears about the collapsing economy, about the safety of the world and our families, but Nichols never loses sight of the small - scale human dramas at the film's core

Resembling a children's movie for grown - ups while reining in Del Toro's worst tendencies, its hybrid form holds clear appeal for another year when the highest - grossing films replace humans with costumed superheroes and animated creatures, our postmodern costume dramas.

From creator J. H. Wyman (Fringe) and J.J. Abrams» Bad Robot Productions, Almost Human is a cop drama set in the not - so - distant future, where police officers are partnered with human - like androids known as syntheHuman is a cop drama set in the not - so - distant future, where police officers are partnered with human - like androids known as synthehuman - like androids known as synthetics.

As our protagonist battles with issues like suicide, mental illness and abuse, there is a certain endearing depth here, which takes this story from teen drama to human drama.