Sentences with phrase «with human writers»

That's problem with human writers dreaming up applications for godly powers — they think in human terms — emotionally effective for humans of course, but logically absurd.

Briefly, it teaches that unlike other Holy Books of other religions, the Bible is the truly inspired Word of God, that somehow or another, along with human writers, God is the author of the Bible.

Not exact matches

Writer Gillian Terzis explains that, «Humans have long entertained the possibility of communing with the machines, exploring them as servants, or using them for sexual gratification.

Moreover, for a certain kind of writer on the left, ideas must bear a revolutionary panache, and there is a frisson of defiance in taking one's stance with, say, the Druids of old (reinvented and sanitized, to be sure, without, for instance, the burning of human sacrifices).

And then that moment of birth being one of complete relief and release and joy, yes absolutely, but instead of popping champagne corks or bursting into laughter, I cried from the core of myself — like some ancient writer said, I lifted up my voice and I wept, because she was finally here and we were alive and we were safe and I felt held by the God - with - us; it was the most human and most sacred thing I'd ever done in my life, it felt like a glimpse of Incarnation.

One can still find this emphasis on divine immanence in writers formed by Pentecostalism like James Baldwin, who equated it with the outworking of love in human life.

The God of the bible is just that, a God invented by the authors of the bible with all the human emotions the writers had, anger, jealousy, regret and a short temper.

No one could honestly read the letters of the New Testament without becoming aware that not only the writers themselves but scores of other people were looking at life and death in a way in which they had never been looked at before, and were experiencing a contact with the living God unprecedented in human history.

It could be said that almost all of human nature is here, yet the writer tackles her subject with charity, attempting to be fair to everybody, while being honest about the problems.

It needs only a slight acquaintance with the traditional Jewish eschatology to recognize that these writers are all using language which implies that the eschaton, the final and decisive act of God, has already entered human experience.

Similarly, for people like Christian Century writers and readers, there were reasons to hope that much human harmonizing would unite behind symbols associated specifically with the Christian church and the name of Christ.

Second, that much human frailty as well as human genius went into its making, with some of the most skilled writers of all time, yet men like ourselves, among its creators.

I would say that both these writers are fundamentally concerned with behavior, deportment, human conduct in the face of formidable, even overwhelming forces.

It is equally easy and false to take a docetic view of revelation: to suppose that the content of the scriptures, for example, is, just simply, the thoughts of God, the human writers contributing no more than a pen for God to write them down with; or to imagine that a person or a group of people or an institution can, as it were, throw a switch from time to time and become a transmitter of revelation from an external divine source: a group of bishops, for instance, when assembled in council, or a pope when defining a dogma ex cathedra.

But whereas Coover believes that we can enjoy the opportunities of our dynamic present if we but realize the ultimate «vanity» of all of life, the writer of Ecclesiastes finds the human being able to be at peace only with the realization that life is a gift given by God.

These parables, this teacher who spoke in parables beside the sea, this gospel writer who meant well in his expunged explication of the text, this biblical narrative with a height and depth — all of this must be missed in a merely human grasp.

Of course St. Paul, like all the other New Testament writers, has to deal always with the concrete realities of human sentiment and behavior.

He preferred to be regarded as «a scientist first, popular science writer second, and, in all the ways that matter, a normal human being with the same desires, drives, dreams, and ambitions as the next person.

The writer found her living alone in a little room on the top story of a cheap boarding - house, quite out of touch with all human relations, but apparently happy in the enjoyment of her own spiritual blessings.

Contrast this with Nabokov: Even if he did claim that «aesthetic bliss» was his only goal, he was a great writer precisely because he was able to convey all the ambivalence and guilt humans usually feel when they do something morally questionable.

One letter - writer responded to several of the series features with these words: «Taken all together, these articles demonstrate the tremendously complex nature of human sexuality.

Examples of these human marks include the fact that the Bible was written in Hebrew and Greek, that the Old Testament world was a world of temples, priests and sacrifice, that Israel as well as the surrounding nations has prophets that mediated divine will to them, that Israel was ruled by kings, that Israel's legal system shares striking similarities with those of surrounding nations, that the creation narrative and the story of Noah resemble other ancient stories of the time, that the writers of Scripture operated within the paradigm of ancient cosmology, etc..

I will no longer take the words of some 40 different writers with their different viewpoints, and human inconsistencies and stuff these words into the mouth of God, calling it «The Word Of God», a term which the Bible itself never uses to refer to itself.

Further, the distribution of the peoples of the earth is represented as being in accord with divine purposes; even if not ethically determined, at least it was an expression of that impulse which the writers believed to be the ultimate authority in human life.

I am also Registered Nutritionist (RNutr) with the Nutrition Society of Australia, a writer, a mum to a beautiful ginger baby and a sensitive human.

«And in spite of all of that, I struggle every day with my self - esteem, my self - worth, and my value not only as an actor and writer, but as a human being.

DioGuardi lives in Ossining, New York, with his wife, Shirley Cloyes DioGuardi, a writer, foreign - policy analyst, human rights activist and former book publisher.

In Willpower: Rediscovering the Greatest Human Strength (Penguin Press, 2011), Baumeister and New York Times science writer John Tierney reveal that one of our most valued abilities — selfcontrol — actually operates like a muscle: it can be strengthened with practice and exhausted by overuse.

We're so intertwined with microbes that biology writer Ed Yong describes himself as «trillions of microbes in a human - shaped sack.»

Bingham has an extensive background in science communication beginning with his work as writer, director and presenter of PBS programs including the series The Human Quest.

Plato and other ancient writers linked Mount Lykaion specifically to human sacrifices to Zeus — the legends say a sacrificed boy would be cooked with sacrificed animal meat and those who consumed it would become a wolf for 9 years.

Here Is a Human Being By Misha Angrist (Harpercollins) As an original participant in the Personal Genome Project, writer and ex-geneticist Angrist was one of the first to wrestle with the scary yet thrilling prospect of unlocking his own genes.

The June 18th, podcast featured a conversation with IEEE Spectrum editor in chief, Glenn Zorpette, and writer, John Horgan, about the so - called technological singularity in which artificial intelligence and computing power would allegedly lead to a new era in human history.

Science - fiction writers have been resurrecting Neandertals in novels for decades, imagining what it would be like to see and communicate (not to mention mate) with another species of human.

At least the present AiG writers have not stooped to quoting Zuckerman, who has hitherto been the other anatomist that creationists have deigned to acknowledge as an expert on human evolution; but they have not come to terms with Oxnard's own evolving views, and continue to cite him as if he still thought the same as he did 15 years ago or more.

Amanda Vogel, MA, human kinetics, is a fitness presenter and writer with an expertise in social - media marketing for the fitness industry.

I'm not affiliated with this site but it's my go - to source for supplement info — it's science - based, takes no ads and its writers / editors examine human research studies to explain the benefits (or not) of supplements.

Description: Host Elle Russ sits down with CJ Hunt, the writer, producer and host of the break out film hit (and first Paleo documentary), The Perfect Human Diet, and author of the how - to companion guide of the same title.

Influential writer Roxanne Gay, author of Bad Feminist (a searing collection of essays I will forever recommend), is back with a collection of stories that are as thought - provoking as they are human.

I'm a Clinical Researcher and Journalist / Writer ~ primarily with regard to Global Healthcare / Human Rights / Mental Illness / Psychopharmacology under the umbrella of BioEthical Medicine.

That's why... Bar stools dating to 1920s writers Ernest Hemingway and F... noting it's Dating Sites People Love Dogs Dating — Wikipedia — Dating is a stage of romantic relationships in humans whereby two people meet socially with the aim of each assessing the other's suitability as a prospective partner... Dating — A dating show for dog people is in the works.

Despite never letting you interact with another human, Tacoma is an almost unrivalled success when it comes to emotional storytelling and facilitating a We Asked Sci - Fi Writers About The Future Of Climate Change Jeff VanderMeer, Lidia Yuknavitch and others discuss solutions to the urgent problem.

Writer / director Terrence Malick («Badlands» / «The Thin Red Line» / «The New World») superbly shoots it as an enthralling mood piece, that lets its romanticized story of the human condition be spelled out visually to overwhelm us with its deep emotional impact as a parable of love and the loss of innocence with biblical proportions.

The movie's only vaguely human presence is Sharon Horgan (the gifted writer and star of TV's «Catastrophe»), who gazes upon the manufactured gags with an air of chagrin.

In his 2014 speculative thriller «Ex Machina,» writer - director Alex Garland created a haunting, stylishly atmospheric meditation on what it means to be human, building a credible world just this shy of the future in which humanoid robots moved, loved and deceived with all the nuance and subterfuge of their flesh - and - bone counterparts.

Unfortunately, the problem with the film is that eventually characters have to talk, and it's in those moments of human interaction that shows how limited he is as a writer.

Writer - director Alex Garland is certainly carving out a niche for himself, with movies in which people literally carve into themselves (or others) to check if they're still human.

The next big question, of course, is whether director / writer / star John Krasinski will be back (in some capacity) for the sequel to the thriller about humans dealing with a post-apocalyptic world where creatures that hunt via sound have been picking off the population.

Matt Brown offered an in - depth look on how the film tackles the dangers of conformism and socialization in his essay «The Normalized Atrocities of Julia Ducournau's Raw», and earlier today we published an interview with the writer - director herself, in which she discusses her process as a writer, the fine - tuning of her cinematic language, and underscores how Raw addresses the subject of human identity in a manner that both challenges and transcends stereotypical conceptions of gender roles.

This, still, is an oversimplification as writer / director Jonathan Glazer (along with co-writer Walter Campbell) have loosely adapted Michel Faber «s 2000 novel into a story of an alien being come to Earth to harvest humans for sustenance and, in the process, finds compassion for her victims only to find with compassion comes injury.