Sentences with phrase «with illusionism»

Critics have rightfully associated the torn canvas paintings with Loving's autobiography (his mother sewed quilts), and his dissatisfaction with illusionism and geometric abstraction.

No one dazzles you with skill or persuades you with illusionism.

Britton taunts the viewer with illusionism, promising legibility but delivering deception.

This recent group of volumes has been a pleasure as I play with illusionism, very different from most of my other textile work and closer to my painting.

Trudy Benson, for one, means that literally, with an illusionism inspired by software as much as history.

Both paintings play with the illusionism of depiction, and one can not help but be drawn into their world.

Not exact matches

Additional highlights include Helen Frankenthaler's Belfry and February Turn (both 1979), which mimic the look and feel of Abstract Expressionism yet in truth represent a rupture with that tradition through the use of a staining technique that seemingly minimizes the artist's role in the process; Frank Stella's Double Scramble (1978), whose nested squares, color contrasts, and pulsing optical effects bridge the artist's early minimalism and later illusionism; and Robert Rauschenberg's Golden Chalice (1989) which, insofar as it marries abstraction and representation and juxtaposes gestural brushwork and photographic media, affords a crucial link to late 20th - century abstraction.

Abstract illusionism comes to mind, with painters such as James Havard airbrushing shadows under squiggles of paint.

How familiar Laura Owens (b. 1970) is with Abstract Illusionism, I don't know.

While Held moves illusionism inward, Marcaccio builds outward with literal collage, encrustations, and paint, occasionally trapping pockets of illusion.

Viewers confront his personal experiences and perceptions, mixed with history and myth, transformed into a space that conflates western perspective with eastern illusionism.

His work is associated with Geometric abstraction, Abstract Illusionism, Lyrical Abstraction, Hard - edge painting, Color field painting, Shaped canvas painting, and 3D Computer Graphics.

As Newman captured «streaks of light» in his zips, De Luca captures the atmosphere of contemporary light and color derived from varying visual sources such as advertisement and mass media, conflating modernist abstraction with contemporary illusionism and sensational effects.

Abstract Illusionism was painting with a very specific set of devices: dropped shadow under a thickly painting floating brush stroke, or a sprayed halo around, but really under a painted shape.

In a three - question interview with her published by Half, she explains the difference between two painting styles that have influenced her work: Bad Painting and Abstract Illusionism.

7 In actuality, however, Rauschenberg played a bit more daringly with the spatial effects engendered by photography, pressing photographs (and fine art reproductions) into service as markers of perspectival illusionism so as to pit them against the Combines» otherwise flatbed expanses (not unlike the manner in which he utilized the actual openings he sometimes incorporated into such works).

But perhaps only with the greatest intellectual and technological advances can this illusionism serve to soothe the soul.

Much of early modern art was concerned with representation and how to reconcile art's illusionism with its real object status (think of René Magritte's Ceci n'est pas une pipe from 1929).

Illusionism has long been an important aspect of Sinsel's practice and he continues to work with it here, deploying an impression of space more constricted than in his previous works.

There's still no avoiding the experimental spatial illusionism in the works of Valledor and Fleming that punctuate the walls of the gallery — and it becomes obvious that other artists who have until now rarely been associated with the gallery's history, namely Linda Fleming and Patsy Krebs, shared the concerns of their contemporaries.

Written about by influential critics (Judd, Lippard), and shown in prominent galleries (Martha Jackson, Pace), Lukin's work fused the Juddian «specific object» with hard - edge painting, geometric illusionism, the exuberant palette of Pop, and a feeling for sensual curving forms that exuded a playful eroticism.

A new exhibition at the Whitney Museum of American Art is rescuing the panorama from the historic abyss, and revalorizing its intoxicating technological illusionism with an installation by artist T. J. Wilcox.

The exhibition work highlights the artist's exploration of the relationship between color, structure, and abstract illusionism, beginning with his paintings of the early «60s and «70s.

A number of paintings in the Zwirner exhibition suggests that Bishop disagreed fundamentally with Clement Greenberg, who believed that painting resists three - dimensionality and illusionism.

Rejecting the illusionism of painting and seeking an aesthetic freed from metaphorical associations, Judd sought to explore the relationship between art object, viewer and surrounding space with his so - called «specific objects.»

Influenced by Clement Greenberg's theory of picture - plane flatness, and with an innate desire to reduce the medium of painting to its basic attributes, the Robert Ryman sought to do away with pictorial illusionism all together.

Juan Muñoz's Double Bind set false floors into the hall to mine areas of theatricality and illusionism with unsettling effect.

By borrowing Judd's purity in forms and combining it with the raw material of the container, Davila comments on the illusionism of the city of Miami Beach.

With a formal reference to both Hard Edge and Illusionism the paintings appear at rst sight as large paper collages.

Comprising more than 40 paintings and a related group of drawings, prints and other Dalí ephemera, «Salvador Dalí: The Late Work» will also explore the artist's enduring fascination with science, optical effects and illusionism as well as his connections to such artists of the 1960s and 1970s as Andy Warhol, Roy Lichtenstein and Willem de Kooning.

Jones jettisoned illusionism of any kind many years ago, choosing to search for the spiritual, and using organic and geometric forms to inform his ideas — his quest has been a lifelong existential confrontation with the canvas in his search for the sublime.

The drawings offset the gritty evidence of their own dilapidation with transcendent illusionism.