With these paintings, I am finding ways to make the painting sculptural, to introduce space, but I don't want to do
that with illusionistic depth.
Not exact matches
Ferguson's paintings are comprised of built - up troweled layers of plaster
with uneven surfaces, repeated patterns and
illusionistic depth that suggest something representational yet actually derived from geometric variations created on her computer.
This has sort of changed the perspective direction of a lot of post-analog painting, because whereas before, figurative painting functioned as a «window,» a recessive space
with the illusion of
depth, now there is a push towards
illusionistic projection and forward movement.