Real space interacts
with illusionistic space in Conversation, If and Yellow Light, all of which are built of two or more panels of varying reliefs.
Not exact matches
The Los Angeles based artist will continue to explore ideas of
space and motion
with these works and is applying new media technology to create the
illusionistic environments.
Thus,
with no formal training in sculpture, but an interest in exploring the
illusionistic potentials of three - dimensional
space, Simpson began making constructed forms, both wall based and freestanding, from corrugated cardboard, some titled Corrugated Drawings (1978 — 1980).
The haunting
spaces of the observatory in Jaipur and of the pavilions at Fatehpur Sikri led to renewed experiment
with illusionistic representation of architectonic volumes.
«When I work I move back and forth between the creation of
illusionistic space and a fully non-representational relationship
with the process, the surface of the picture, and even the formal considerations relating to its shape,» says Ms Adams.
Between
Spaces will include film, installation, photography, and sculpture that address themes of nostalgia, a preoccupation
with materiality, and the creation of
illusionistic and psychological shifts in
space.
These renderings are then executed in acrylic paint and overlaid
with enlarged drawings painted
with a vinyl paint that alternately reinforces the
illusionistic space of the painting and calls to attention the physical reality of the paintings» two - dimensional linen support.
He began building his works so that they would project off the wall, combining
illusionistic painted
space with real
space.
She teases the viewer
with the promise of
illusionistic painterly
space and then she catapults her canvas into the void, forcing it to exist in real time, building little fortresses, and firing cannons in its general direction.
A pioneer in painting, Murray's distinctively shaped canvases break
with the art - historical tradition of
illusionistic space in two - dimensions.
Maine's use of carefully chosen pre-existing materials deployed in the «real»
space found just in front of the supporting wall sculpturally counters the
illusionistic tendencies of painting while clearly echoing painterly concerns
with color and structural relationships.
In other pieces in the show, everyday objects such as books are transformed by applying to them the geometry of paper ornaments and minimalist sculpture (Minimal Bibliography), and photographed window fences
with geometric designs are isolated from their functional environment by cutting the prints and flattening the
illusionistic space of the photograph, thus relating those specific daily life situations
with the idealistic language of modernist geometric abstraction (Popular Geometry).
The juxtaposition of disparate images
with graphic renderings in an ambiguous,
illusionistic space in Burns to Breathe (Got ta Have a Better Attitude)(2014, 40 x 38.5 inches) recalls the «inscapes» of Surrealist painter Roberto Sebastián Matta, who combined unexpected imagery
with unconventional painting techniques to create fantastic landscapes intended as landscapes of the mind.
Painting
with airbrushed acrylic on nylon mesh or Mylar has the effect of layering
illusionistic space on top of the painting's actual, material
space.
In New York, the smaller Parisian formats were quickly associated
with fussy
illusionistic spaces, and in an eagerness not to miss the train of Greenberg's seductive theories, too many American painters fell for his Kantian logic of progress in art and the eventual critical endgame of the death of painting that followed.
In «Chromatic Geometries,» her seventh solo exhibition at Arden Gallery, Mattera has decisively moved away from the layered, atmospheric approach of earlier «Silk Road» and «Vicolo» series to explore,
with her customary virtuosity, the possibilities of figure - ground relationships and the
illusionistic space conjured by dividing the square into two horizontal rectangles.
In my current paintings, I have reintroduced the idea of
illusionistic space in a way that stays true to the abstract forms that I have been experimenting
with for the past 5 years.
Throughout his long career, Stella has used color, surface texture, and
space to create dichotomies in his work, adeptly playing
with real
space as opposed to
illusionistic space.
Minimalist art eliminated figurative images and
illusionistic pictorial
space and replaced them
with a single image, often composed of smaller segments organized in a grid pattern.
Working like the Roman god, Vulcan, forging calderas and caverns
with deep, rock - like chasms of paint, Berg's
illusionistic space offers no horizon, only an ever - changing, tumultuous world where time and
space are uncertain.
This has sort of changed the perspective direction of a lot of post-analog painting, because whereas before, figurative painting functioned as a «window,» a recessive
space with the illusion of depth, now there is a push towards
illusionistic projection and forward movement.
With these paintings, I am finding ways to make the painting sculptural, to introduce space, but I don't want to do that with illusionistic de
With these paintings, I am finding ways to make the painting sculptural, to introduce
space, but I don't want to do that
with illusionistic de
with illusionistic depth.