Sam Shepard makes an appearance in a 2002 video interview, while Richard Gere's memories are heard as an audio featurette backed
with images from the film.
Be sure to stick around during the closing credits where actual photos from the real - life Argo exodus are placed side - by - side
with images from the film.
The featurettes tend to be rather dry, as they mix talking heads shots
with images from the film.
Not exact matches
Schilowitz, an expert in the workings of video technology, had investigated, and he had come back to Jannard
with the bad news: Though every element of this hypothetical camera,
from the body to the software, would be tough to develop, the sensor — the light - sensitive chip that replaces
film in capturing an
image — was a doozy.
Creativity will be the keyword of the evening as it will feature
film screening and original live music
with the performance of composer Pete Drungle on archive
images from Gaumont
film studio.
Even if the
images come
from a husband and wife
with curious tastes
filming each other in their own home, their possession of the newly -
filmed tape would make them criminals.
The team of researchers
from MIPT's Laboratory of Functional Materials and Devices for Nanoelectronics,
with the participation of their colleagues
from the University of Nebraska (USA) and the University of Lausanne (Switzerland), have for the first time experimentally demonstrated that polycrystalline alloyed
films of hafnium and zirconium oxides
with a thickness of just 2.5 nm (see
image below) retain their ferroelectric properties.
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, a map a Tehran for your next vacation, showing notable locations
from scenes in the
film, a 40 - page book
with images and info on the movie, and a reproduction of Tony Mendez's CIA card (
with the face of Ben Affleck as Tony, alas).
In the new
film, he gives one fond and musing speech — «I grew up lookin» at Oklahoma,
from the south bank of the Red River» — that may be the most placid interlude in any Friedkin
film, and the cinematographer, Caleb Deschanel, backs it up
with some tack - sharp
images of busy pizza parlors and empty pool halls, where life clatters on or comes to a lonely halt.
The
film explores the dynamics of emotions by intersecting stories of characters
from their past and present
with the combination of
images and historical references to accentuate the transformation of society and the reality of painful loss
This moody, elegiac
film has universally been acclaimed as a cinematographic masterpiece,
from the talents of Cuban - born European Nestor Almendros (and «additional photography» by Haskell Wexler),
with naturally - lit, sweeping, 70 mm
images of crystal clarity and scope, and artfully composed scenes reminiscent of Andrew Wyeth paintings.
Once away
from the Disney orbit, Munro radically altered her screen
image with a string of sexy, fallen - woman roles; her final
film assignment was as the fading alcoholic pop star in Sebastian (1968).
The
film explores the dynamics of emotions by intersecting stories of characters
from their past and present
with the combination of
images and historical references to accentuate the transformation of society and the reality of painful loss through time.
He accepts an invitation
from Charlie to come to Los Angeles for a job writing a
film starring rapper / actor Samurai Apolcaypse, then reunites
with Karen, her former professor and now - husband Richard, and his daughter Becca, who now has a boyfriend named Tyler that is the spitting
image of Hank himself... in the worst possible way.
It's all wonderfully illustrated
with red, white, and blue renderings of
images from the
film, like Opal surrounded by school buses.
Beautifully shot, like Rohrwacher's other features, on Super-16, this
film,
with its richly textured
images, does indeed feel at times like a retrieved and rather miraculous relic
from a lost era of cinema, which is not to say that it isn't of its own moment.
The main menu runs through a montage of emotionally charged clips
from the
film with a section of the score that crescendos in the background, fading in and out
with the buildup of the
images
Historically, American
film has accompanied depictions of death
with some kind of mark of registration, either
from characters, machines, or stylistic cues, because, unlike photography's stillness, cinema gives us a moving
image.
One of the
film's strategies is to pair the voice of Samuel L. Jackson intoning selections
from Baldwin's writing
with relevant
images salvaged
from American history, including segments that highlight the white supremacy encoded in Hollywood narratives.
The digital
image from the Red cameras used to capture the
film are translated beautifully to home video
with a pin - sharp
image that immerses the viewer in the chaos.
Transcending the boundaries of both biopics and animated
films alike
with rich material, gorgeous
images, a devastating story, and one of the most powerful thematic interpretations of the passion that comes
with creativity, the story of Jiro Horikoshi and his journey
from wide - eyed dreamer to war - engineer is a heartbreaking, existentially maddening, astoundingly beautiful and human
film.
Presented in widescreen and fullscreen on the same side of a dual - layer DVD, the
film's
image lacks depth here — there's a muted, Seventies quality to Barry Stone's cinematography that no doubt looked smashing on the big screen and probably would've been marginally improved at home by dispensing
with the fullscreen version (thus lessening the compromise of compression), which lops a significant amount of visual information
from the right side of the frame (while restoring a negligible amount to the bottom — in one shot literally a pinkie toe).
(remix) music video by Danger Mouse and Jemini; deleted scenes and alternative takes, five in total, including an alternative ending (9 min)
with a less subtle conversation between Richard and Mark, but a haunting final
image of Richard
with Anthony;
images from Anjan Sarkars graphic novel animation matched to actual dialogue
from the
films soundtrack (the scene where Herbie first sees the elephant); In Shanes Shoes (24 min) documentary featuring the premiere at the 2004 Edinburgh Film Festival, interviews
with Shane Meadows about run - ins
with violent gangs in his youth, and on - location clowning; Northern Soul (26 min) also made by Meadows in 2004, and starring Toby Kebbell as an aspiring wrestler
with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes is.
The
film opens pleasantly enough,
with voiceover narration by Emma Thompson accompanying an
image of the Voyager I spacecraft, the furthest man - made object
from earth, hurtling toward the edge of the solar system.
If you haven't heard anything about it or you want to learn more, here I share
with you some things I learned about the
film when I visited the set in Albuquerque, New Mexico, as well as two brand new
images from the
film below!
That makes Infinity War the first movie shot entirely
with IMAX digital cameras, and so when you see the
film in IMAX screens, you're getting an
image that was created specifically for that format
from start to finish.
Ludwig Göransson, who has collaborated
with Ryan Coogler on all his major
films, knew that the only way to write the music for Black Panther was to get help
from the source of its
images and ideas: Africa.
Entertainment Weekly has scored an exclusive,
with three new
images from Woody Allen's new
film Blue Jasmine.
A teaser trailer for the
film has now been released, along
with first look
images from the upcoming tentpole.
To depict war on
film is a tricky thing, and, as if to acknowledge the dangers of trivializing suffering into rousing pyrotechnics, Bigelow at one point fills the screen
with images from a first - person shooter video game as a soldier tries in vain to unwind back in the barracks.
The
film opens majestically,
with great wit, as the director himself plays a man magically transported
from a hotel room to a cinema hall, where he gazes down upon an audience enraptured by moving
images from the 1890s.
Indeed, Leigh's own capsule description of his
film, published in the Cannes
film festival catalog, sounds like the sort of thing Jack Valenti might have come up
with for an after - dinner speech: «Secrets and Lies is about roots and identity, the ever - changing
images we all have of ourselves and each other, and our compulsive need to reaffirm constantly who and what we are, and where we come
from.
With the
film allegedly releasing this October, Bloody Disgusting now has the first ever official
images from Leatherface, the hotly anticipated prequel...
Actor Molly Shannon
from the
film «Wild Nights
With Emily» poses for a portrait in the Getty
Images Portrait Studio Powered by Pizza Hut at the 2018 SXSW
Film Festival on March 11, 2018 in Austin, Texas.
Star Evangeline Lilly confirmed two months back that she was undergoing costume - fitting, teasing her appearance in the
film with an
image from the comics.
You can check out our wrap - up post
with almost everything we know, and our new Blue Jasmine tag to see all our
images and news
from this
film so far.
LAURA *** / ****
Image B Sound B - Extras B starring Gene Tierney, Dana Andrews, Vincent Price, Judith Anderson screenplay by Jay Dratler and Samuel Hoffenstein and Betty Reinhardt, based on the novel by Vera Caspary directed by Otto Preminger PINKY * / ****
Image C Sound B - Extras A + starring Jeanne Crain, Ethel Barrymore, Ethel Waters, William Lundigan screenplay by Philip Dunne and Dudley Nichols,
from a novel by Cid Ricketts Sumner directed by Elia Kazan by Walter Chaw A camp classic of a very particular variety, Otto Preminger's stylish, pedigreed Laura might best be read as a satire of Hitchcock's Rebecca, reuniting that
film's Judith Anderson
with another late, lamented mistress and acres more scenery to chew.
With its ambiguous ending, Tattoo seems to evoke François Truffaut's Les quatre cents coups (The 400 Blows, 1959), the legendary French New Wave
film about another «troubled» teenager who experiences freedom only when he is in motion — whether while spinning in a rotor's drum or when running away
from the reformatory in the
film's famous concluding tracking shot that culminates in a zoom - in - on - freeze - frame
image of his gaze addressing the camera.
With filming for the second instalment in the franchise now underway, Brolin has taken to Instagram to share an
image from the set — chiefly, of him in the make - up chair, receiving his transformation into the character of Cable, a time - travelling soldier.
A new supposed behind - the - scenes
image from filming shows a shot of Doctor Strange and Spider - Man teaming up,
with Strange ominously telling Peter «Protect them, they're not dead.»
But while I would only recommend it to art - house enthusiasts due to its slow pace, it is refreshing to see a
film that deals
with body
image from an older woman's point of view.
What makes Room 237 work so well is that Ascher shows the same Shining clips over and over,
with different interpretations, letting only the voices of the theorists and the
images from the
film (plus a few other relevant movies) tell the story.