Sentences with phrase «with independent art curator»

Bending the Grid: Pat Lay: Myth, Memory and Android Dreams is documented by an illustrated catalog, including an essay by the guest curator Lilly Wei and an interview with independent art curator, writer and chairman of the board of Independent Curators International, Patterson Sims.

Not exact matches

«Jettisoning the silence that has been imposed on women of all races and religions and classes and sexual orientations is important for all of these artists,» said Deborah Frizzell, an independent curator who organized the exhibition with guest curator Harry J. Weil, and Wave Hill's senior curator Jennifer McGregor and curator of visual arts Gabriel de Guzman.

With detailed profiles of over 400 independent art spaces from 96 countries around the world, this easy - to - use volume is a useful tool for artists, curators, students and the general public.

Traveled to Fondation Deutsch, Lausanne, Switzerland (September 17 — November 8); Musée Bab Rouah, Rabat, Morocco (December 11, 1992 — January 31, 1993; Casablanca, Morocco (February — March 1993); Fondation FISA, Séville, Spain (April — May 1993); Italy (summer 1993); Museum Sankt, Saint - Ingbert, Germany (September 19 — November 21, 1993); and Paris (December 1993 — January 1994) Painting, Self Evident: Evolutions in Abstraction, concurrently at Halsey Gallery, College of Charleston; The Meddin Building; and the Gibbes Museum of Art, Charleston, South Carolina (May 21 — June 28) Summer group exhibition, Ginny Williams Gallery, Denver (May 14 — June 30) From America's Studio: Twelve Contemporary Masters — Works by Alumni of the School of the Art Institute of Chicago / One Hundred Twenty - fifth Anniversary Celebration, Art Institute of Chicago (May 10 — June 14) 15th Anniversary Exhibition, Rhona Hoffman Gallery, Chicago (May 8 — June 13) Slow Art: Painting in New York Now, P.S. 1 Museum, Institute for Contemporary Art, Long Island City, New York (April 26 — June 21) Play Between Fear and Desire, Germans van Eck Gallery, New York (April 24 — May 23) Alumni Exhibition, School of the Art Institute of Chicago (April 20 — June 15) An Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara University, New York

Each year, working in close collaboration with a leading cultural institution and an independent curator, a London borough is transformed for a night of unforgettable art.

When independent curator Lance Fung was approached by the Atlantic City Alliance (ACA) in March 2012, he was skeptical about getting involved with Artlantic, an ambitious public art project set in a coastal town better known for casinos and beauty pageants.

Wendy Ewald will discuss her latest body of work entitled An Immigrant Alphatbet with Patricia C. Phillips, Writer and Independent Curator / Academic Dean, Moore College of Art & Design.

Margaret Mathews - Berenson is an independent curator, art educator and advisor with special expertise in contemporary art and photography.

6 pm ABMB Art Salon: Artist Talk with Tracey Emin Tracey Emin, Artist, London in conversation with Sir Norman Rosenthal, Independent Curator and Writer, London Art Basel Miami Beach, Miami Beach Convention Centre, Hall D, Miami Beach

We discuss, among other topics, about photography in the Middle East with Peggy Sue Amison, artistic director at East Wing; net art and networked cultures with Josephine Bosma, Amsterdam - based journalist and critic; urban digital art and criticality in the media city with curator and researcher Tanya Toft; art and technology with curator Chris Romero; the politics of surveillance and international security with political scientist David Barnard - Wills; art and architecture with Maaike Lauwaert, visual arts curator at Stroom, an independent centre for art and architecture in the Netherlands; the intersections of art, law and science with curator and cultural manager Daniela Silvestrin; the architecture of sacred places with curator Jumana Ghouth; the historical legacy of feminism today with Betty Tompkins and Marilyn Minter; hacktivism and net culture with curator and researcher Tatiana Bazzichelli; culture, place and memory with Norie Neumark, director of the Centre for Creative Arts in Melbourne; anthropology and the tactical use of post-digital technologies with artist and philosopher Mitra Azar; or feminism and the digital arts with curator Tina Sauerlänarts curator at Stroom, an independent centre for art and architecture in the Netherlands; the intersections of art, law and science with curator and cultural manager Daniela Silvestrin; the architecture of sacred places with curator Jumana Ghouth; the historical legacy of feminism today with Betty Tompkins and Marilyn Minter; hacktivism and net culture with curator and researcher Tatiana Bazzichelli; culture, place and memory with Norie Neumark, director of the Centre for Creative Arts in Melbourne; anthropology and the tactical use of post-digital technologies with artist and philosopher Mitra Azar; or feminism and the digital arts with curator Tina SauerlänArts in Melbourne; anthropology and the tactical use of post-digital technologies with artist and philosopher Mitra Azar; or feminism and the digital arts with curator Tina Sauerlänarts with curator Tina Sauerländer.

Currently the Director / Curator of PLATFORM: centre for photographic + digital arts, Kegan found himself in New York City this past June as a participant in the inaugural Curatorial Intensive with Independent Curators International, where he work - shopped the exhibition Cabin Fever, which opened at PLATFORM in October.

, in partnership with the Lower Eastside Girls Club (see VIDEO), benefitting local female - driven arts organizations, the fair will present a full roster of 1,200 works of art by 78 global exhibitors including progressive galleries, curators, and independent artists.

Showcasing the work of 21 artists, including nine new productions commissioned and selected in close collaboration with independent curator Julie Boukobza, the show has been produced by Balkan Projects — a new initiative led by LA - based Serbian actress Marija Karan, which aims to bring the Balkan art scene to an international stage.

Transnational Belonging and Subjectivity - in - Process: Contemporary Women Artists» Encounters with Space Chairs: Catherine Dormor, Ph.D., Head of Research Programmes, Royal College of Art and Basia Sliwinska, Ph.D., Senior Lecturer, Critical & Historical Studies, London College of Fashion Speakers: Kathy Battista, Sotheby's Institute of Art, Jane Chin Davidson, California State University, and Aliza Edelman, Independent Curator

September 10, 2014 Filed under Art Seen: International and tagged with Curatorial Intensives, ICI, Independent Curators International, Renaud Proch, Stephanie Cristello.

Emily Colucci is a freelance art writer, independent curator and co-founder of Filthy Dreams, a blog looking at art through a queer lens and with a touch of camp.

An independent curator, she has been involved in several biennials including Brighton Photo Fringe at the Brighton Photo Biennial (2010); 3rd Photoquai Biennial, Paris (2011); Dak» Art Biennial (2012) and the recent experimental project Mobile Emergency Room with Thierry Geoffroy presented in the Zimbabwe Pavilion at the 55th Venice Biennale (2013).

Lecture Anne Truitt in Washington: A Conversation with James Meyer and Alexandra Truitt November 19, 12:00 East Building Auditorium Alexandra Truitt, the artist's daughter, independent photo editor and picture researcher, and manager of the Estate of Anne Truitt, in conversation with James Meyer, curator of art, 1945 — 1974, National Gallery of Aart, 1945 — 1974, National Gallery of ArtArt.

They include: Negar Azimi, writer and senior editor at Bidoun, an award - winning publishing, curatorial, and educational initiative with a focus on the Middle East and its diasporas; Gean Moreno, curator of programs at the Institute of Contemporary Art Miami and founder of [NAME] Publications; Aily Nash, co-curator of Projections, the New York Film Festival's artists's film and video section, and Film and Media Curator at Basilica Hudson; and Wendy Yao, a publisher and founder of both the exhibition space 356 South Mission Road and Ooga Booga, a shop with two Los Angeles locations that specializes in independent books, music, art, and clcurator of programs at the Institute of Contemporary Art Miami and founder of [NAME] Publications; Aily Nash, co-curator of Projections, the New York Film Festival's artists's film and video section, and Film and Media Curator at Basilica Hudson; and Wendy Yao, a publisher and founder of both the exhibition space 356 South Mission Road and Ooga Booga, a shop with two Los Angeles locations that specializes in independent books, music, art, and clothiArt Miami and founder of [NAME] Publications; Aily Nash, co-curator of Projections, the New York Film Festival's artists's film and video section, and Film and Media Curator at Basilica Hudson; and Wendy Yao, a publisher and founder of both the exhibition space 356 South Mission Road and Ooga Booga, a shop with two Los Angeles locations that specializes in independent books, music, art, and clcurator of Projections, the New York Film Festival's artists's film and video section, and Film and Media Curator at Basilica Hudson; and Wendy Yao, a publisher and founder of both the exhibition space 356 South Mission Road and Ooga Booga, a shop with two Los Angeles locations that specializes in independent books, music, art, and clCurator at Basilica Hudson; and Wendy Yao, a publisher and founder of both the exhibition space 356 South Mission Road and Ooga Booga, a shop with two Los Angeles locations that specializes in independent books, music, art, and clothiart, and clothing.

Organized by independent curator Amy Wolf, this exhibition presents a comprehensive survey of Isamu Noguchi's most important artistic relationships with influential figures in art, dance, architecture and design.

The show was conceived by Emilio Steinberger, the gallery's director, and organized with Linda Norden, an independent art historian and curator, and Peter Ballantine, a Judd specialist who once fabricated the artist's plywood pieces to exacting specifications.

Art and Culture Center / Hollywood in Hollywood, Florida, features a unique look at four generations of South Florida artists, curated by the Miami - based, internationally exhibited artist and indefatigable independent curator William Cordova, with emphasis on the region's distinctive geography and cultural diversity.

The exhibition is organized by ONE National Gay & Lesbian Archives at the USC Libraries in collaboration with The Museum of Contemporary Art, Los Angeles, and organized as a traveling exhibition by Independent Curators International (ICI).

The exhibition is accompanied by a catalogue, with essays on the interaction between Gutai and New York artists by guest curator Ming Tiampo, associate professor of art history at Carleton University in Ottawa, and on Jackson Pollock's relationship to the Gutai group by Tetsuya Oshima, curator of the Aichi Prefectural Museum of Art in Japan, as well as a new translation of the Gutai Manifesto by independent scholar Reiko Tomii and a reflection by David Kaplan, a director and Tennessee Williams scholar, on Gutai's influence on Williams» one - act play, The Day on Which a Man Diart history at Carleton University in Ottawa, and on Jackson Pollock's relationship to the Gutai group by Tetsuya Oshima, curator of the Aichi Prefectural Museum of Art in Japan, as well as a new translation of the Gutai Manifesto by independent scholar Reiko Tomii and a reflection by David Kaplan, a director and Tennessee Williams scholar, on Gutai's influence on Williams» one - act play, The Day on Which a Man DiArt in Japan, as well as a new translation of the Gutai Manifesto by independent scholar Reiko Tomii and a reflection by David Kaplan, a director and Tennessee Williams scholar, on Gutai's influence on Williams» one - act play, The Day on Which a Man Dies.

As League Curator Jillian Russo explains, «Butler's original idea to bring several independent art organizations into partnership to create a building with dedicated exhibition space transformed the Art Students League from fledgling art school into a cultural institution.&raqart organizations into partnership to create a building with dedicated exhibition space transformed the Art Students League from fledgling art school into a cultural institution.&raqArt Students League from fledgling art school into a cultural institution.&raqart school into a cultural institution.»

The 2017 programme includes the returning Spotlight section for rare solo presentations of 20th - century pioneers curated by Toby Kamps (Blaffer Art Museum, University of Houston) as well as the Collections section, featuring specialist galleries with extraordinary art and objects, selected by independent curator Sir Norman RosenthArt Museum, University of Houston) as well as the Collections section, featuring specialist galleries with extraordinary art and objects, selected by independent curator Sir Norman Rosenthart and objects, selected by independent curator Sir Norman Rosenthal.

The quality and diversity of the 2016 fair was further strengthened through Frieze Masters's collaborations with leading international curators, including Toby Kamps (The Menil Collection, Houston), Clare Lilley (Yorkshire Sculp - ture Park), Tim Marlow (Royal Academy of Arts, London) and Sir Norman Rosenthal (independent curator), who created sections and programmes dedicated to artistic discovery and connoisseurship.

The program affords the Gallery the opportunity to work with young artists who might not otherwise not have the opportunity to show within the primary space as well as esteemed independent curators and art historians.

Their donation of $ 3 million will endow the Chief Curator position held by Anthony Elms, who joined ICA in 2011 from Performa where he was part of the organizational team behind the 2011 visual art performance biennial in New York, along with other independent curatorial projects.

The four thematic programs will screen consecutively and are organized in collaboration with local and international artists, independent curators, and arts organizations:

Talk with local curators upcoming programming and independent projects, in addition to meeting fellow arts administrators, artists, and cultural practitioners.

Following our conversation with Edward Winkleman and Murat Orozobekov, the co-founders of Moving Image, we discussed with some of the participants about the relevance of the Moving Image art fair and the uniqueness of video as an artistic medium: with Paula Alzugaray (independent curator, São Paulo, Brazil) and Sabine Brunckhorst (collector, Hamburg, Germany) about their perspective on the fair from a curator's and a collector's perspective, and with gallerists Serra Pradhan (Marianne Boesky Gallery, New York, NY, USA), Catharine Clark (Catharine Clark Gallery, San Francisco, CA, USA), Barbara Polla (Galerie Analix Forever, Paris, France), Catlin Moore (Mark Moore Gallery, Culver City, CA, USA), Wagner Lungov (CENTRAL Galeria de Arte, São Paulo, Brazil), Nancy Atakan (5533, Istanbul, Turkey), Lise Li (Vanguard Gallery, Shanghai, China), Kelani Nichole (TRANSFER, Brooklyn, NY, USA), Asli Sumer -LRB-.

In the past Goodman Gallery has collaborated with independent curators such as Simon Njami and Bettina Malcomess, who curated the US exhibition, part of which was shown at Goodman Gallery Projects at Arts on Main in 2009.

With Toby Kamps, he co-curated Space Is the Place, an exhibition about space travel and contemporary art, which toured through Independent Curators International (2007 - 2008).

Together with curator Chris Sharp, Soto Climent founded the independent project space Lulu in Mexico City in 2013 and currently collaborates with blogs and independent initiatives from the international art scene, while preparing his master's degree on photography at the Academia de San Carlos, UNAM.

Chavez also works as an independent sound art curator in NYC, collaborating with various organizations and art spaces, helping to produce events and festivals that present the latest of what is being shown in the sound art world.

Leeza Ahmady (Independent Curator and Director of Asia Contemporary Art Week [ACAW], Curatorial and Educational Platform [New York, Asia, and Beyond]-RRB- and Iona Whittaker (Art Critic) led a discussion with the two artists.

OF THE AMERICAS: Contemporary Latin American Art Gallery talk with writer and independent curator José Antonio Navarrete and LUAG Director / Chief Curator Ricardocurator José Antonio Navarrete and LUAG Director / Chief Curator RicardoCurator Ricardo Viera.

Cortney Lederer is an independent curator and art consultant with sixteen years of experience managing an array of artistic programming for organizations and businesses.

The lecture will be introduced by Charlotte Day, Director MUMA, and followed by a discussion and Q&A with Lars Bang Larsen, an independent curator, art historian and writer based in Barcelona and Copenhagen.

Pratt Manhattan Gallery and Independent Curators International (ICI) will present a panel discussion on contemporary video art in conjunction with the current Pratt Manhattan Gallery exhibition «Project 35» on Tuesday, June 21 from 7 to...

With: Caroline Hancock (independent curator and art critic), Aurélien Mole (artist, curator, art critic, exhibition photographer and cofounder of the magazine Postdocument) and Vincent Romagny (independent curator and editor).

(Gallerist NY) See Vladimir Restoin Roitfeld's New Show - The Observer provides a nice service to curious art worlders with this slide show of work that the fashionable independent dealer (and son of former French Vogue curator Carine) curated at Sotheby's hybrid S2 gallery.

The exhibition is curated by Cynthia Burlingham, deputy director, curatorial affairs and Allegra Pesenti, senior curator and associate director, Grunwald Center for the Graphic Arts, Hammer Museum, in collaboration with independent scholar Florian Rodari.

The exhibition will be accompanied by a fully - illustrated catalogue with essays by the curators Cynthia Burlingham and Allegra Pesenti, independent scholar Florian Rodari, and a chronology by Matthieu Vahanian, curatorial assistant at the Grunwald Center for the Graphic Arts.

Liv Vaisberg is part of an exciting generation of independent curators experimenting with traditional art fair formats.

Selected independent exhibitions include Once around the block (twice) a solo exhibition of work by Scott Kiernan at NURTUREart, Brooklyn, NY (2011), Call & Response, a group exhibition commissioned by the Newark Arts Council in Newark, NJ (2011) and 5C5C, a two - year curatorial project working with a team of five international curators resulting in a traveling exhibition.

As a non-market-oriented, independent project space, LAGE EGAL has set a long - term goal to give artists the opportunity to show their work outside the commercial art market and the institutional mediations and to provide guest curators with an experimental space.

Alongside the exhibition is planned an intervention by Hélène Jayet with photo portraits shooting sessions on the theme of Afro hair open to the public, as well as an exciting programme of public events organised by Amal Alhaag, independent curator and co-founder of The Side Room, a space for intersectional feminist, queer and anti-colonial discourses and art.

The Whitney's Independent Study Program for budding curators in fact has one, with «The Price of Everything: Perspectives on the Art Market.»