Sentences with phrase «with jazz records»

Not exact matches

He spent what he calls «a very informative year» with MCA Records, as head of his own jazz label, Cranberry Records, in 1986 and» 87.

That team finished the regular season with a 62 - 20 record before defeating the Utah Jazz in the NBA Finals.

The Jazz are the only West team with more games remaining against teams with losing records (10) than against teams with winning records (9).

is a jazz musician, composer and audio engineer and, along with his partners, owns and runs Sandblast Productions, a recording studio in NYC.

Michael Ungar is a jazz musician, composer and audio engineer and, along with his partners, owns and runs Sandblast Productions, a recording studio in NYC.

With UNESCO's International Jazz Day this weekend, and with Record Store Day and Canadian Music Week also part of the April calendar, dating site EliteSingles thought this was the perfect month to to explore the link between music tastes and successful dating habWith UNESCO's International Jazz Day this weekend, and with Record Store Day and Canadian Music Week also part of the April calendar, dating site EliteSingles thought this was the perfect month to to explore the link between music tastes and successful dating habwith Record Store Day and Canadian Music Week also part of the April calendar, dating site EliteSingles thought this was the perfect month to to explore the link between music tastes and successful dating habits.

«Any data associated with your account will be deleted shortly after the closure,» says Jazzed, «provided that we may archive certain information for record keeping integrity, fraud prevention, enforcement of our terms, or to the extent it relates to a pending dispute.»

Extras: Interview from 2005 with Moreau; archival interviews with Moreau, Malle, actor Maurice Ronet, and original soundtrack session pianist René Urtreger; footage of Miles Davis and Malle from the soundtrack recording session; program from 2005 about the score featuring jazz trumpeter Jon Faddis and critic Gary Giddins; Malle's student film «Crazeologie,» featuring Charlie Parker's song «Crazeology»; trailers; a booklet featuring an essay by critic Terrence Rafferty, an interview with Malle, and a tribute by film producer Vincent Malle.

Indiepix Festival Favorites, Volume 2 Value - priced, three film set of music documentaries: «Icons Among Us: Jazz In the Present Tense,» about the modern jazz scene, with Terence Blanchard, Ravi Coltrane, Robert Glasper, Nicholas Payton, Brian Blade & the Fellowship Band, the Dirty Dozen Brass Band, Donald Harrison Jr., Anat Cohen and Esperanza Spalding; «Echotone,» a lyrical documentary providing a telescopic view into the lives of Austin's vibrant young musicians as they grapple with questions of artistic integrity, commercialism, experimentation, and the future of their beloved city; and «Roaring Abyss,» a stunning audiovisual poem, the product of filmmaker Quino Piñero's two years of field recording traditional and modern music from around every corner of Ethiopia, a country of eighty different nationalities and cultures spread amongst mountains, deserts and foreJazz In the Present Tense,» about the modern jazz scene, with Terence Blanchard, Ravi Coltrane, Robert Glasper, Nicholas Payton, Brian Blade & the Fellowship Band, the Dirty Dozen Brass Band, Donald Harrison Jr., Anat Cohen and Esperanza Spalding; «Echotone,» a lyrical documentary providing a telescopic view into the lives of Austin's vibrant young musicians as they grapple with questions of artistic integrity, commercialism, experimentation, and the future of their beloved city; and «Roaring Abyss,» a stunning audiovisual poem, the product of filmmaker Quino Piñero's two years of field recording traditional and modern music from around every corner of Ethiopia, a country of eighty different nationalities and cultures spread amongst mountains, deserts and forejazz scene, with Terence Blanchard, Ravi Coltrane, Robert Glasper, Nicholas Payton, Brian Blade & the Fellowship Band, the Dirty Dozen Brass Band, Donald Harrison Jr., Anat Cohen and Esperanza Spalding; «Echotone,» a lyrical documentary providing a telescopic view into the lives of Austin's vibrant young musicians as they grapple with questions of artistic integrity, commercialism, experimentation, and the future of their beloved city; and «Roaring Abyss,» a stunning audiovisual poem, the product of filmmaker Quino Piñero's two years of field recording traditional and modern music from around every corner of Ethiopia, a country of eighty different nationalities and cultures spread amongst mountains, deserts and forests.

Having helped create an all - singing serial killer tuner for «London Road,» Adam Cork uses his instrumental voice to capture the despair and ebullience of North Carolina author Thomas Wolfe for «Genius,» (Milan Records) his Americana - accented score capturing the unique, orchestral spark of literary inspiration along with the jazz bounce of a copious writer's enthusiasm on the loose in The Big City.

With the exception of a British anthem, the selections are recorded by international artists — arias, ballads, jazz and rhythm and blues, ska, and tango.

«The Bare Necessities: From the Jungle to the Bayou» (3:30) brings us down to New Orleans to peek in on the recording of Bill Murray and Kermit Ruffins» «The Bare Necessities» duet with Dr. John and various jazz men laying down the lively music.

But when he learns that big - time producer Bud Grossman (F. Murray Abraham) may be looking for new acts, Llewyn hitches a ride across the country with an eccentric jazz musician (John Goodman) and his mysterious driver (Garrett Hedlund) to audition in hopes of scoring a recording contract.

Recorded live at the Manchester Craftsmen's Guild in Pittsburgh, the set kicks off with an improvised boogie - woogie that shows why Pickens» contemporaries revered him as «one of the foremost piano players in jazz.»

In place of Begin Again's insufferably starry - eyed music - industry idealism (where the big innovation that gets record producer Mark Ruffalo jazzed up is selling an album for a pittance and spending nothing on promotion), Sing Street features characters who don't really know what they're doing, to results both hilarious — check out their music video costuming — and poignant, as with Jack Reynor's older - brother subplot.

Complete List of NAACP Image Award Winners Film Categories Best Picture - «The Secret Life of Bees» Best Director - Gina Prince - Bythewood, «The Secret Life of Bees» Best Actor - Will Smith, «Seven Pounds» Best Actress - Rosario Dawson, «Seven Pounds Supporting Actor - Columbus Short, «Cadillac Records» Supporting Actress - Taraji P. Henson, «The Curious Case of Benjamin Button» Independent Film - «Slumdog Millionaire» Documentary - «The Black List» Foreign Film - «The Class» Best Screenplay - Jenny Lumet, «Rachel Getting Married» Television Categories Best Comedy Series - «Tyler Perry's House of Payne» Best Actor in a Comedy Series - LaVan Davis, «Tyler Perry's House of Payne» Best Actress in a Comedy Series - Tracee Ellis Ross, «Girlfriends» Supporting Actor in a Comedy Series - Lance Gross, «Tyler Perry's House of Payne» Supporting Actress in a Comedy Series - Keshia Knight Pulliam, «Tyler Perry's House of Payne» Best Dramatic Series - «Grey's Anatomy» Best Actor in a Dramatic Series - Hill Harper, «CSI: NY» Best Actress in a Dramatic Series - Chandra Wilson, «Grey's Anatomy» Supporting Actor in a Dramatic Series - Taye Diggs, «Private Practice» Supporting Actress in a Dramatic Series - Angela Bassett, «ER» Made - for - TV Movie, Miniseries or Dramatic Special - «A Raisin in The Sun» Best Actor in a Made - for - TV Movie, Miniseries or Dramatic Special - Sean Combs, «A Raisin in the Sun» Best Actress in a Made - for - TV Movie, Miniseries or Dramatic Special - Phylicia Rashad, «A Raisin in the Sun» Best Actor in a Sopa Opera - Bryton McClure, «The Young and the Restless» Best Actress in a Sopa Opera - Debbi Morgan, «All My Children» Best Director in a Dramatic Series - Ernest Dickerson, «Lincoln Heights - The Day Before Tomorrow» Best Director in a Comedy Series - Kevin Sullivan, «30 Rock - MILF Island» Best Screenplay for a Dramatic Series - Shonda Rhimes, «Grey's Anatomy: Freedom Part 1 & 2» Best Screenplay for a Comedy Series - Erica D. Montolfo, «The Game: White Coats and White Lies» News / Information Series or Special - «In Conversation: Michelle Obama Interview» Talk Series - «The View» Reality Series - «American Idol 7» Variety Series or Special - «An Evening of Stars: Tribute to Smokey Robinson» Children's Program - «Dora The Explorer» Best Performance in a Children's Series or Special - Keke Palmer, «True Jackson» Music Categories Best Male Artist - Jamie Foxx Best Female Artist - Beyonce» Best New Artist - Jennifer Hudson Best Duo, Group or Collaboration - Jennifer Hudson, featuring Fantasia - «I'm His Only Woman» Best Jazz Artist - Natalie Cole - «Still Unforgettable» Best Gospel Artist - Mary Mary Best World Music Album - Cheryl Keyes - «Let Me Take You There» Best Music Video - «Yes We Can» - Will.i.am Best Song - «Yes We Can» - Will.i.am Best Album - Jennifer Hudson - «Jennifer Hudson» Literary Categories Fiction - «In the Night of the Heat: A Tennyson Hardwick Novel,» Blair Underwood, Tananarive Due, Steven Barnes Nonfiction - «Letter to My Daughter,» Maya Angelou Debut Author - «Barack, Race, and the Media: Drawing My Own Conclusion,» David Glenn Brown Biography / Autobiography - «The Legs are the Last to Go,» Diahann Carroll Instructional - «32 Ways to Be a Champion in Business,» Earvin «Magic» Johnson Poetry - «Hip Hop Speaks to Children: A Celebration of «Poetry With a Beat»» Nikki Giovanni Children - «Barack Obama: Son of Promise, Child of Hope,» Nikki Grimes (illustrator - Bryan Collier) Youth / Teens - «Letters to a Young Sister: Define Your Destiny,» Hill Harper

This rhythmic chant, «Je viens de France» set to a lively Samba variation beat, includes: - the words to the chant - a cloze (fill — in the blank) listening sheet - an extension activity - Professionally recorded MP3 This French jazz - like chant or rap - like chant is appropriate for all ages but especially with upper primary and secondary French classes.

, set to a Caribbean beat, includes: - the words to the chant - and a cloze (fill — in the blank) listening sheet - an extension activity - pictures for review - Professionally recorded MP3 This Spanish jazz - like chant or rap - like chant is appropriate for all ages but especially good with upper primary and all secondary French classes.

This rhythmic chant, «J'ai mal à la tête» set to a Haitian maringue beat, includes: - the words to the chant - a cloze (fill — in the blank) listening sheet - an extension activity - pictures for vocabulary reinforcement - Professionally recorded MP3 This French jazz - like chant or rap - like chant is appropriate for all ages but especially good with upper primary and all secondary French classes.

This rhythmic chant, «Repaso de verbos» is set to bossanova beat This musical packet includes: - the words to the chants - 2 cloze (fill — in the blank) listening sheets - 2 verb conjugation grids - Instructions - Professionally recorded MP3 This Spanish jazz - like chant or rap - like chant is appropriate for all ages but good with upper primary and secondary school.

- Professionally recorded MP3 This French jazz - like chant or rap - like chant is appropriate for all ages but especially good with upper primary and secondary school French classes.

On jazz recordings, each instrument is defined clearly, with incredible levels of detail.

Recorded jazz and pop music from the bars compete with live performers on street corners.

In partnership with the Monterey Jazz Festival, the new Sand City Station and 24 new bus shelters along the route will allow waiting passengers to download jazz concert recordings from past festival performanJazz Festival, the new Sand City Station and 24 new bus shelters along the route will allow waiting passengers to download jazz concert recordings from past festival performanjazz concert recordings from past festival performances.

He had the kid tucked up under his left arm as, with his free right hand, he worked through the eighth of fifteen crates from the Benezra estate, the records in crate number 8 favoring, like Archy, the belly meat of jazz, salty and well marbled with funk.

Back then, I spent every free moment with my geeky jazz ensemble buddies, dissecting obscure records and mocking popular kids like you.

He has lead his ensembles at venues across the United States, Southeast Asia, Europe, and Brazil, and has performed and recorded with world - renowned jazz musicians including Clark Terry, George Russell, Eric Marienthal, Bob Moses, Jimmy Giuffre, Gene Bertoncini, Mick Goodrick, John Abercrombie, Tim Miller, Bevan Manson, John McNeil, and Rick DiMuzio.

Inspired by cartoons of the 1930s, the visuals and audio are painstakingly created with the same techniques of the era, i.e., traditional hand - drawn cel animation, watercolour backgrounds and original jazz recordings.

As well as providing brand - new audio recordings from the original cast, the N. Sane Trilogy will jazz up the level design with freshly - made assets.

Partnered with Verve Records, L.A. Noire: Remixed is a six track EP featuring jazz standards remixed by some of today's most acclaimed DJs and producers including works by Dave Sitek, DJ Premier and Truth & Soul.

Inspired by cartoons of the 1930s, the visuals and audio are painstakingly created with the same techniques of the era, i.e., traditional hand - drawn cel animation, watercolor backgrounds and original jazz recordings.

Concert: David Virelles at Jazz Standard On Gnosis, the full - length album on ECM Records from Cuban - born pianist David Virelles in collaboration with the drummer Román Díaz and the Nosotros Ensemble, traditional Afro - Cuban rhythms are cut with more dissonant musical gestures informed by contemporary improv and classical music.

Here Jones played with classic jazz recordings to alter their speeds and styles.

The exhibition also includes a recurring live performance entitled 3 -2-1 (2011/16), in which saxophonist André Vida improvises alongside musician Jemeel Moondoc's recorded lamentation in Long Sorrow, expanding on the dynamics of free jazz in a duet that changes with each recital.

The exhibition also includes a recurring live performance entitled 3 -2-1 (2011/16), in which saxophonist André Vida improvises alongside musician Jemeel Moondoc's recorded lamentation in Long Sorrow, expanding on the dynamics of free - jazz in a duet that changes with each recital.

He's made numerous records, performed with his wife, the opera singer - actress Alicia Hall Moran, at the Whitney and the 2015 Venice Biennale, and currently serves as the artistic director for jazz at the Kennedy Center.

Her work also appears on albums covers with Rounder Records, on book covers by New Orleans authors, and on the official 1990 New Orleans Jazz and Heritage Poster.

He also began a lifelong infatuation with jazz music, haunting the record stores and live venues of Seattle's Jackson Street, which was two blocks from the Pacific Hotel, where he lived with his family.

The Jazz Museum at the Old Mint held a sampling of the sometimes naughty, little - known collages that jazz great Louis Armstrong made in the final two decades of his life, as well as Satch Hoyt's tambourines linked into chains attached to mirrors to form endless columns, or halved and assembled into crosses reminiscent of the city's famous ironwork; and there were two installations by Dario Robleto, one featuring preserved, mounted butterflies with antennae made of audio tape delicately perched on the edges of the fossilized inner - ear bones of whales, and the other a collaboration with the record label Dust - to - Digital to preserve early gospel muJazz Museum at the Old Mint held a sampling of the sometimes naughty, little - known collages that jazz great Louis Armstrong made in the final two decades of his life, as well as Satch Hoyt's tambourines linked into chains attached to mirrors to form endless columns, or halved and assembled into crosses reminiscent of the city's famous ironwork; and there were two installations by Dario Robleto, one featuring preserved, mounted butterflies with antennae made of audio tape delicately perched on the edges of the fossilized inner - ear bones of whales, and the other a collaboration with the record label Dust - to - Digital to preserve early gospel mujazz great Louis Armstrong made in the final two decades of his life, as well as Satch Hoyt's tambourines linked into chains attached to mirrors to form endless columns, or halved and assembled into crosses reminiscent of the city's famous ironwork; and there were two installations by Dario Robleto, one featuring preserved, mounted butterflies with antennae made of audio tape delicately perched on the edges of the fossilized inner - ear bones of whales, and the other a collaboration with the record label Dust - to - Digital to preserve early gospel music.

Inspired by «Herbert Bayer's Bauhaus posters and the old jazz record sleeve designs of Duke Ellington», the end result is a contemporary design that ties in with the focus of the brand as an online furniture and homeware boutique.

His music has been released on labels such as Soul Jazz Records / Mr Bongo / Bizarre Music / Sulphur Records / Slum Dunk Music — including a collaboration with French artist Sophie Calle «Samba de Monalisa — Tetine Vs Sophie Calle».

Over the course of his 30 - year career, percussionist and 2000 Pew Fellow Pablo Batista has performed, recorded, and toured with a range of leading jazz, R&B, Latin, pop, and gospel artists including Bono, George Howard, Alicia Keyes, Gerald Levert, Jeffrey Osborne, Eddie Palmieri, Teddy Pendergrass, Diane Reeves, Grover Washington, Jr., Musiq, Manny Oquendo's Conjunto Libre, and the Philadelphia Orchestra.

For ten years she was a member of the Anthony Braxton Quartet and the Reggie Workman Ensemble, and has performed and recorded extensively as a soloist and with players on the American and international jazz scenes.

He had progressive ambitions — creating «spatial films» in the museum galleries with photographic reproductions of famous African American figures, videos of members of the Harlem community, and recordings of jazz music — but not a single artwork by a black (or white) artist was included.

The limited edition collection provides «researchers and jazz lovers unparalleled access into one of the most comprehensive visual records documenting the jazz era,» through two decades of live performances and nearly 100 interviews with jazz and blues artists, among many other assets.

So a jazz musicians improvisation, or an improvised cadence by a concert pianist, is copyright protected if it is recorded on request or with permission of the performer, it's illegal to record it without permission, but there is no copyright protection if I'm in the audience and memorise it and write it down or play it and record it at home?

Intended to mark 75 years of Blue Note Records, the custom - painted speaker comes with exclusive access to jazz playlists curated by some of the big names in the genre, like Don Was.

The clean low end also served the warm upright bass tones heard on jazz recordings such as Freddie Hubbard's Dedicated To You extremely well, with each pluck of the strings coming through clearly in the musical image.

♪ Arrange music for and record the Jazz Ensemble performed by the Jazzers at the Florida Studio Inc. on a fortnightly basis ♪ Play bass for the New York Symphony Orchestra ♪ Coach with the Cleveland Quartet for performances in Kilbourn Hall ♪ Play the lead trombone for Eastman Chamber Rock Ensemble

Milan, Lombardy About Blog Italian record label and music distributor with a a vast repertoire of artists of mixed music styles, from classical to jazz to pop music.