Sentences with phrase «with loans from private collections»

Thematically grouped selections from these extensive holdings — most of which has never before been on public view — together with loans from private collections will give a comprehensive overview of his development and accomplishments.

This fresh exhibition combines non-Haitian works from the Rodman Collection with loans from private collections and other sources, extending the traditional of focus to include art from various geographies including Jamaica, Africa, Cuba, and a number of works by self - taught artists from Southern U.S.

Artefacts on loan from various British museums and institutions, together with loans from private collections nationwide are mixed up with modern and contemporary bronze sculptures by the likes of Louise Bourgeois, Henry Moore and David Smith - along with Marcel Duchamp's bronze cast sink stopper, Subodh Gupta's bronze potatoes and a cast bronze flower by Martin Creed.

Not exact matches

While the cost of placing your loan with a private collection agency is usually the largest collection cost you may face if you default, there may be other collection costs, such as Treasury offset processing fees and costs associated with potential civil litigation from the Department of Justice.

A federal student loan enters default when a borrower fails to make a payment on it for 270 consecutive days.9 When this happens, the borrower's loan is transferred from the student loan servicer — a private contractor responsible for collecting payments on behalf of the federal government — to the Debt Management Collections System.10 Borrowers then have 60 days to come to a repayment arrangement with the Education Department.

This landmark exhibition brings together a stunning array of works loaned from museums and private collections throughout the U.S. and Europe to follow the trajectory of Diebenkorn's long and successful career with some of the powerful works by Matisse that the younger artist would have seen.

The Kunsthistorisches Museum in Vienna is billing «Bruegel» (2 October 2018 — 13 January 2019) as «a uniquely comprehensive survey of his oeuvre», with panels that are rarely, if ever, loaned from international museums and private collections joining the Viennese institution's holdings of 12 paintings by the artist (around 40 paintings by him survive).

Featuring works from the BCMA's robust collection of American art, as well as loans from 30 prestigious public and private collections across the United States — such as The Metropolitan Museum of Art; Phillips Collection; Philadelphia Museum of Art; and Museum of Fine Arts, Boston — the exhibition provides visitors with an opportunity to consider transformations in American art across generations and traditional stylistic confines.

Organized in collaboration with her daughter, Catherine Hutin - Blay, the show includes nearly 140 paintings, sculptures and drawings borrowed from museums and private collections worldwide, as well as works on loan from the Picasso family and the estate of Roque, a number of which are being presented publicly for the first time.

«The luminosity and depth of his work stands up to any Old Master or 19th Century Master that we have ever seen, but with an added modernity — employing the use of innovative materials and collage to tie it all together,» said gallerist Laura Grenning, who arranged the show by selecting works from private collections as well as those on loan from Marlborough Gallery.

With loans from the New Walk Museum in Leicester, the V&A and private collections, this exhibition explores how Picasso enjoyed pushing the boundaries just as much in drawing, printmaking and ceramics as in painting.

The exhibition includes loans from the Museum of Modern Art, Dallas Museum of Art, Albright - Knox Art Gallery, Walker Art Center, Johnson Museum at Cornell University, and several private collections along with key works from the artist's estate.

Comprising more than 50 works with significant loans from public and private collections in the United States and Europe, «Richard Diebenkorn» demonstrates the variety and subtlety of the artist's oeuvre and reveals the vital role he played in the development of American art.

April — November 2017 Paule Vézelay is the subject of a Spotlight room display at Tate Britain curated by Inga Fraser with works from Tate's collection and from Tate Archive, together with loans of works from private collections facilitated by England & Co, who represent the Estate of the artist.

The work is on loan from a private collection, New York, and will be the source of discussion in a show as it is juxtaposed with and against the work of ten contemporary artists.

Historically relevant artworks, ephemera and publications loaned from private collections were presented side by side with contemporary work by emerging artists, including a series of project - specific artworks commissioned to emerging artists.

The ten works in this exhibition span from 1964 to 1975, with works from the Block's collection complemented by loans from institutional and private collections.

Drawn from the Museum's collection together with loans from other institutions and private lenders, artists include Albert Bierstadt, William Henry Jackson, Robert Henri, Elizabeth Dolan, Aaron Douglas, Aaron Pyle, William Ellsworth Artis, Donald Ruleaux, Carol Haerer, Sheila Hicks, Robert Weaver, Robert Adams, Barbara Takenaga, and Kent Bellows, among numerous others.

If you lived here, you'd be home by now presents a number of works on loan from Marieluise Hessel's private collection — works which she has lived with over a number of years — including paintings and sculpture by Gerhard Richter, Sigmar Polke, Agnes Martin, Louise Bourgeois, Carl Andre, and Dan Flavin.

Featuring loans from institutions and private collections in North America and Europe, along with selections from the artist's collection, the exhibition includes around 130 works across several mediums, including individual sculptures and immersive sculptural environments and a distinctive body of drawings, prints, and photographs.

The addition, to be called the Rothko Pavilion, comes with a partnership with Mark Rothko's children, Christopher Rothko and Kate Rothko Prizel, that will provide loans of major Rothko paintings from their private collection.

With loans from nearly thirty public and private collections, this exhibition represents the first comprehensive examination of this crucial period of artistic experimentation.

Along with pieces from its collection, the museum also presents works on long - term loan from other private and public art institutions.

Specializing in: • Developing exhibitions internationally, securing loans from institutions and private collections • Strategic planning and project management for museums and foundations • Site - specific installations by artists, designers and architects • Building and developing institutional and private collections of contemporary and modern art globally • Creating strategic partnerships between private funding sources, museums and cultural institutions • Initiate and oversee local and global fundraising projects • Collaborate and facilitate with partnering institutions • Serving as active board member in the private and public sector • Historic building preservation and conservation

The exhibition will include ten stacks of both large and small sizes, spanning from 1968 to 1990, pairing loans from private collections with works available for sale.

Co-organized with the San Francisco Museum of Modern Art (SFMOMA), Matisse / Diebenkorn brings together 92 objects — including 36 paintings and drawings by Matisse and 56 paintings and drawings by Diebenkorn — on loan from museums and private collections throughout the U.S. and Europe.

Major loans from private collections — including works never displayed in public before — will be united with iconic paintings from museums around the world.

Here, The Warehouse presents carefully considered, original exhibitions of works from The Rachofsky Collection, complemented by art acquired jointly with the Dallas Museum of Art and works on loan from other significant institutions and private collections.

Drawn primarily from the holdings of the Arts Council Collection and augmented with major loans from important UK public and private collections, Making It is curated by Dr Jon Wood, Research Curator at the Henry Moore Institute in Leeds.

Four collaborators with varying disabilities — Elena Fedoseeva, Evgeny Lyapin, Elizaveta Morozova, and Polina Sineva — joined a group of Garage curators to make the final selection of artworks — which are on loan from Moscow - based private collections — and develop the architecture and mediation of the show.

Organized by the Schirn in collaboration with Ateneum Art Museum, Finnish National Gallery the exhibition comprises outstanding loans from the Ateneum and public collections as well as rarely accessible impressive works from private collections.

Monet came to Montana, along with other international artists, through a landmark exhibition of masterpieces on loan from the private collection of billionaire William I. Koch.

Museum - quality historical shows have also always played a major role in the gallery, with rigorously curated exhibitions focusing on specific moments in art or thematically arranged groups of work, and featuring pieces on loan from a variety of institutions and private collections (which are very often not for sale).

Works from the Cantor's permanent collection are presented alongside and in juxtaposition with contemporary works loaned by private individuals and galleries, organized around ideas of artistic inspiration and source material, the role of a preliminary study, the significance of place, the influence of technology and globalization on creation, etc..

With nearly eighty drawings, on loan from Public and Private Collections, this is the first museum exhibition of its kind in over thirty years.

Now, the exhibition RECTO VERSO, at the Fondazione Prada in Milan until February 2016, focuses on the back side of painting, with works both from the its collection and on loan from private and public institutions.

Blue Trees, on loan from the Neuberger Museum of Art, with its vivid blues and yellows against a moss green hilltop, or Vermont Spring, on loan from a private collection, with pink rocks, almost lime green fields and deliberate scratchy lines for branches, both demonstrate Avery's freedom in translating his surroundings.

This unusual show combines older works from «The Haitian Renaissance,» which have been loaned from prestigious private collections with pieces by contemporary artists.

These include artefacts on loan from regional museums and private collections nationwide, sculptures by artists including modern masters Louise Bourgeois, Alberto Giacometti, Henry Moore, and Fausto Melotti, along with Phyllida Barlow's bronze cast paint sticks, Subodh Gupta's bronze Mona Lisa, a cast bronze fist by Martin Creed, and Mark Wallinger's spectacles.

Pulled primarily from the Mississippi Museum of Art's extensive collection of his work, along with loans from other public and private collections, this exhibition explores the life and work of this Mississippi artist.

The majority of the art will be from the DMA's archives, with loans from the Archives of American Art in Washington, D.C., the Dallas City Municipal Archives, the Texas / Dallas History & Archives Division of the Dallas Public Library, and several local private collections.

Featuring loans from both artists» studios and private collections the exhibition includes nineteen major work groups with a total of 150 individual works in twenty rooms on four floors of the PinchukArtCentre.

Complete with an artist lecture and catalogue, Infinite Work in Progress will showcase a combination of foundational early works on loan from private collections, and brand new works from the studio that will preview her upcoming solo show with Mark Moore Gallery October 17 — December 15, 2012.

The exhibition was enabled through close cooperation with Florent Bex and consists almost exclusively of loaned works from public and private collections in Belgium as well as various pieces from the artist's estate.

With major loans from museums and private collections, it showed prime works by established (and a few emerging) female artists that have been excluded from leading discussions of modern and contemporary sculpture.

Drawn from the Zimmerli Art Museum's collection, with additional loans from public and private collections, the exhibition focuses on American, European, and Soviet and post-Soviet Russian photographers who use the camera to educate, persuade, and to effect social change.

«Colors of Descents» features entirely brand - new work from all three artists, with some works loaned from private collections.

Drawing works from the museum's collection are complimented with loans from private and institutional collections in Norway and internationally.

Featuring signature works from the Broad collection with loans from more than 50 international public and private collections, The Broad's presentation marks the first comprehensive survey of

«L'Inarchiviabile» (The Unarchivable), curated by Marco Scotini with Lorenzo Paini, covers two decades of Italian art practice, from the 1960s and»70s, with a vast selection of works loaned from Italy's main private collections.