A key member of the Art Informel movement (the European variant of Abstract Expressionism), he was associated initially
with the Lyrical Abstraction wing, before becoming more calligraphic in style, not unlike the painting of Pierre Soulages (b. 1919).
Patrick Heron (1920 - 99) English colourist painter associated
with Lyrical Abstraction.
Nicolas de Stael (1914 - 1955) Russian - born abstract painter associated
with Lyrical Abstraction.
• Patrick Heron (1920 - 99) English abstract expressionist painter influenced by Matisse and Braque, and associated
with Lyrical Abstraction and the St Ives School.
Associated principally
with the Lyrical Abstraction style, but also Tachisme, Mathieu's expressive art, combined with a natural talent for self - promotion, gained him an international reputation during the 1950s.
Some of the other artists connected
with Lyrical Abstraction were Victoria Barr, Jake Berthot, Dan Christensen, Ronnie Landfield, Pat Lipsky, John Torreano, Phillip Wofford and Robert Zakanitch.
Works by the following artists associated
with Lyrical Abstraction will be included: Natvar Bhavsar, Stanley Boxer, Lamar Briggs, Dan Christensen, David Diao, Friedel Dzubas, Sam Francis, Dorothy Gillespie, Cleve Gray, Paul Jenkins, Ronnie Landfield, Pat Lipsky, Joan Mitchell, Robert Natkin, Jules Olitski, Larry Poons, Garry Rich, John Seery, Jeff Way and Larry Zox.
Poons, Christensen, Davis, Landfield, Seery, Lipsky, Zox and several others created paintings that bridge Color Field painting
with Lyrical Abstraction and underscore a re-emphasis on landscape, gesture and touch.
Not exact matches
A trove brimming
with variety, from small
abstractions,
lyrical figuration, to taped performances, and their associated sculptural sets, Brātescu's protean energies were a welcome surprise.
Along
with John Hoyland, Walter Darby Bannard, Larry Zox, Ronald Davis, Ronnie Landfield, John Seery, Pat Lipsky, Dan Christensen [29] and several other young painters a new movement that related to Color Field painting began to form; eventually called
Lyrical Abstraction.
While younger artists like Frank Stella, Ronald Davis, Larry Zox, Larry Poons, Walter Darby Bannard, Ronnie Landfield, Dan Christensen, began
with Post-Painterly
Abstraction and eventually moved forward towards a new type of expressionism, referred to as
Lyrical Abstraction.
With encouragement from Greenberg, Bush became closely tied to two movements that grew out of the efforts of the abstract expressionists: Color Field Painting and
Lyrical Abstraction.
The reappearance of these ten masterful studies and the five more fully realized Grand Décorations (large Water Lilies) of Monet point the way to a comparison
with Abstract Expressionism of the 1950's and
Lyrical Abstraction of the 1960's and 1970's.
With a career spanning over six decades, this film presents Mason as a shy yet innovative figure in American art, a pioneer in the field of
lyrical abstraction, and a master of the so - called «poetry of color».
The survey features 28 paintings spanning five decades — from late - 1960s bold geometric
abstractions to recent gold metallic fields
with lyrical lines.
Over six decades, the artist has explored through her distinctive style of
lyrical, luminous
abstraction, which reflects through her paintings executed in oil, carrying a sense of intriguing intimacy combined
with uncompromising yet gentle intensity.
During the later phases of Color Field painting; as reflections of the zeitgeist of the late 1960s (in which everything began to hang loose) and the angst of the age (
with all of the uncertainties of the time) merged
with the gestalt of Post-Painterly
Abstraction, producing
Lyrical Abstraction which combined precision of the Color Field idiom
with the malerische of the Abstract Expressionists.
The Museum of Fine Arts, Boston therefore is to be applauded for its accompanying exhibition Reflections Of Monet, which includes Abstract Expressionism, Colorfield Painting and
Lyrical Abstraction and is located on the main floor of the museum; running concurrently
with Monet In The 20th Century on the second floor.
Associated
with Op Art, Hard - edge painting, Color Field painting,
Lyrical Abstraction and Abstract Expressionism, Poons has challenged critical expectations throughout his career, transitioning through several distinct phases of work.
His paintings were closely aligned
with Post-Painterly
Abstraction, Color Field painting and
Lyrical Abstraction.
With the exception of Kelly, all of those artists developed their versions of painterly
abstraction that has been characterized at times as
lyrical abstraction, tachisme, color field, Nuagisme and abstract expressionism.
The
lyrical abstraction of these paintings is contrasted
with smaller geometric abstract paintings, rigid in structure and form, but handmade,
with deliberately imperfect and variably weighted lines, in an ironic and humorous way.
Lyrical Abstraction shares
with both Abstract Expressionism and Color Field Painting a sense of spontaneous and immediate sensual expression, consequently distinctions between specific artists and their styles become blurred, and seemingly interchangeable as they evolve.
[33]
Lyrical Abstraction, Conceptual Art, Postminimalism, Earth Art, Video, Performance art, Installation art, along
with the continuation of Fluxus, Abstract Expressionism, Color Field Painting, Hard - edge painting, Minimal Art, Op art, Pop Art, Photorealism and New Realism extended the boundaries of Contemporary Art in the mid-1960s through the 1970s.
With these events, he déclared that «the
lyrical abstraction is born».
[34]
Lyrical Abstraction is a type of freewheeling abstract painting that emerged in the mid-1960s when abstract painters returned to various forms of painterly, pictorial, expressionism
with a predominate focus on process, gestalt and repetitive compositional strategies in general.
European
Abstraction Lyrique born in Paris, the French art critic Jean José Marchand being credited
with coining its name in 1947, considered as a component of (Tachisme) when the name of this movement was coined in 1951 by Pierre Guéguen and Charles Estienne the author of L'Art à Paris 1945 — 1966, and American
Lyrical Abstraction a movement described by Larry Aldrich (the founder of the Aldrich Contemporary Art Museum, Ridgefield Connecticut) in 1969.
In collaboration
with PARKVIEW ART Hong Kong, Agora Gallery is pleased to present the work of contemporary Chinese artist Mao Lizi in the exhibition,
Lyrical Abstraction.
However, instead of trying to establish a pedigree that approximates the emergence and development of modern art in larger metropolitan areas like New York, Chicago, or Los Angeles,
with its requisite local variations of welded steel sculpture and
lyrical abstraction, the historic past proposed in this exhibition is one that is just as idiosyncratic as the present it influences.
Sam Gilliam (born 1933) is an American artist associated
with Color Field painting,
Lyrical Abstraction, and Abstract Expressionism.
His work is associated
with Geometric
abstraction, Abstract Illusionism, Lyrical Abstraction, Hard - edge painting, Color field painting, Shaped canvas painting, and 3D Compute
abstraction, Abstract Illusionism,
Lyrical Abstraction, Hard - edge painting, Color field painting, Shaped canvas painting, and 3D Compute
Abstraction, Hard - edge painting, Color field painting, Shaped canvas painting, and 3D Computer Graphics.
Although the work of Larry Poons is is associated
with Op Art, Hard - edge painting, Color Field painting,
Lyrical Abstraction and Abstract Expressionism, during the course of years he has developed authentic art practice.
With their experimental materials and sculptural expression, Hasselknippe's works share much in common with Modernism's lyrical nature - abstraction, especially through her emphasis on the sensuous experience of natural elements translated in abstract fo
With their experimental materials and sculptural expression, Hasselknippe's works share much in common
with Modernism's lyrical nature - abstraction, especially through her emphasis on the sensuous experience of natural elements translated in abstract fo
with Modernism's
lyrical nature -
abstraction, especially through her emphasis on the sensuous experience of natural elements translated in abstract forms.
A variety of abstract styles ranging from geometric
abstraction,
lyrical abstraction, hard - edge painting and color field painting are linked
with the work of Ronald Davis.
His early paintings, his figurative still - lifes, particularly - not the late, softly fluid,
lyrical abstractions that would profoundly influence the course of American art - are often so densely built up, so airtight
with paint, that they've more or less had the life choked out of them; in the course of trying to keep them alive, they have in fact become dead things.
During the 60's Dzubas became associated
with the Color field painting and
Lyrical Abstraction movements.
[28]
Lyrical abstraction shares similarities
with color field painting and abstract expressionism especially in the freewheeling usage of paint — texture and surface.
Lyrical abstraction, a term connected to a number of abstract artists working between 1945 - 1960s, was used to describe the work of Meyer along
with others painting all - over compositions (
with no singular focal point) that exhibited a nearly patterned organization
with vibrational movement.
As a pioneer of
Lyrical Abstraction, he made images through the use of layers and bold brushwork, rejecting geometry, and building a connection
with the natural world.
Californian art from the 1950s through the 1970s is a particular strength,
with artwork by Sam Francis, Richard Diebenkorn, Jay DeFeo, Ronald Davis, Larry Bell, Edward Ruscha, Kenneth Price, Charles Arnoldi, and Ed Moses, Color Field painting and
Lyrical Abstraction are represented by Ronald Davis, Sam Francis, Kenneth Noland, Ronnie Landfield, Frank Stella, Helen Frankenthaler, and Kenneth Showell.
But on it went, altering and transforming through op - art,
lyrical abstraction, colour field painting, minimalism and so on, to the point where nobody now would imagine that this once curious obsession
with shapes and colours and non-descriptive marks is likely to come to an end.
Pat Lipsky is an American painter associated
with Color Field Painting and
Lyrical Abstraction.
Robert Natkin was an American born abstract painter whose work is associated
with Abstract expressionism, Color field painting, and
Lyrical Abstraction...
After that, he balanced
lyrical abstractions evoking rustic pleasures
with more tormented statements regarding the flesh.
A major pioneer of
Lyrical Abstraction, a gestural and personal form of abstraction, along with Hans Hartung and Pierre Soulages, Gérard Schneider was shown in Paris at the Galerie Louis Carré as ear
Abstraction, a gestural and personal form of
abstraction, along with Hans Hartung and Pierre Soulages, Gérard Schneider was shown in Paris at the Galerie Louis Carré as ear
abstraction, along
with Hans Hartung and Pierre Soulages, Gérard Schneider was shown in Paris at the Galerie Louis Carré as early as 1950.
His work is associated
with Minimal Art, Post-minimalism, and
Lyrical Abstraction.
The artist was also associated
with Color Field painting and
Lyrical Abstraction...
The resulting images are immersive and highly
lyrical but carefully controlled,
abstractions riddled
with literary allusions, internal dilemmas, and phenomenological queries.
For Egan the results clearly identify a masterful handling of the paint that fuses the motion and drive of
lyrical abstraction with overlaid and still forms and shapes of defined instances of paint that bring to mind Hans Hofmann, or the mosaic paintings of Jean Paul Riopelle.
Twenty - eight paintings will be included, starting
with his late - 1960s bold geometric
abstractions like Harlem Angels (1968) to recent gold metallic fields
with lyrical lines like Evidence (2016).