Sentences with phrase «with mechanical reproduction»

Fascinated with mechanical reproduction, Warhol used the medium of silkscreen printmaking to achieve his characteristic hard edges and flat areas of color.

Drawing from his early training in printmaking, he employs diverse techniques that combine the hand with mechanical reproduction.

Those skips, breaks and anomalies align the work less with the original ideas associated with mechanical reproduction and more with the hand and experimentation.

In her practice, she often used tools associated with mechanical reproduction that she employs in unconventional ways, as well as mechanically reproduced materials, such as a windows screens, plastic mannequins, and studio floor debris from previous art pieces.

The heritage of 18th century caricature and 19th century illustrated journals is historically embedded in this industrial system that juxtaposes artistic creation with mechanical reproduction.

Not exact matches

With Andy Warhol, repetition holds the insistent dullness of mechanical reproduction.

[3] It is also associated with the artists» use of mechanical means of reproduction or rendering techniques.

She draws in paint with a loaded brush while bringing together various forms of mechanical and digital reproduction, essentially bridging a binary that the art world has focused on since the 1960s: the hand - painted versus the machine - made.

Continuing to investigate the boundary between mechanical and manual reproduction, he works with appropriated images of vintage photographs, deftly mimicking the Xerox aesthetic by hand, using only carbon pencil, charcoal and acrylic.

Created by layering thickly painted areas with fragments of found maps, the composition mixes mechanical reproductions with tactile brushwork to yield a central circular form edged by both paint and paper.

Whereas Campus utilizes the most current of photographic methods — a literal blending of mechanical and electronic reproduction — Gary Schneider finds his muse in the very beginning of photography's history with nearly comparable results.

In 1985 Richter said that he was ready to «try out my abstract works in printmaking but in a more conventional manner... etching and all that,» but it did not happen.12 Instead he continued to cycle between mechanical reproduction (with increasingly refined production values) and haptic hand - facture.

Constantly playing with the legendary personalities that haunt us — rock stars, politicians, cartoon characters, his paintings are never mere caricatures, let alone the mechanical reproduction of a situation.

Jerry Saltz gave praise to the show and summarised it better than anyone else: «Wool's paintings of blocky letters, words, and phrases; abstract graphic fields filled with erasures; and boxy geometries implausibly synthesize the gesturalism of mid-century Modernism — now out of style, semi-forbidden — with cooler art from the age of mechanical reproduction.

Overpainted Photographs gathers this body of work, which unites the labor of the hand with the work of mechanical reproduction to produce a kind of art as conceptually rich as Richter's better - known paintings, neutralizing the expressive powers of each medium to reach an indifference to their potency.

As consumerism took over the systems of mass production implemented for the war effort, artists came to terms with unprecedented levels of commodification and mechanical reproduction.

Some critics, particularly those preoccupied with terminal progress, narrow the view further and describe his brushstrokes of hardened encaustic as the bridge between Abstract Expressionism's volatile brushwork and Andy Warhol's use of mechanical reproduction, the latter cited by many experts as signaling the death of painting.

Mechanical production and digital reproduction repeatedly switch places with one another, blurring boundary and pushing the physical limits of each medium.

Though Fisher begins with photographs of clouds used as studies, the resulting compositions, though photographically accurate in their details, are clearly painted and not mechanical reproductions.

They also include underlying brushstrokes laid down as if with a roller, for yet another layering of free and mechanical reproduction.

Working with color, «hands on» as it were, required a familiarity with trichromacity, the mechanism whereby organisms (and devices) deploy red, green, and blue receptors (or elements in mechanical reproduction) in the eye to mediate the visual world.

The plaintiff in these cases claim that Spotify is yet to fully comply with the U.S. Copyright Act obligations under Section 115, the act mandates a license for musical composition (mechanical reproduction), available only with proper payments and «notice of intention.»