Sentences with phrase «with more horror stories»

Not exact matches

The appeal to the viewer is never presented within the reasonable context of calculated stewardship or responsible use of one's possessions: rather, the approach is designed to catch the viewer's attention with a more desperate and urgent religious horror story.

He will want to know more about the remarkable sailors whose stories are included or he will have read so much of watery ordeals that sailing vessels thereafter will fill him with horror.

And somehow, even after hearing horror stories about hurt children, you will walk away more deeply in love with humanity.

It can be a daunting choice to consider, with some people shouting the benefits of cloth diapering and insisting you are killing the environment with your Huggies, and with yet more people telling horror stories about how difficult and time consuming cloth diapering can be.

And I would bet that the hospital horror stories are more to do with the womens «feelings» about her birth experience rather than the actual damaged / dead babies from the home birth horror stories.

But as I hear more horror stories of toddlers with teeth so decayed that they have to be anesthetized to have their cavities filled, I began to worry.

Visualization and Surrounding myself with Positive Birth Stories: Our instructor explained the importance of hearing positive birthing stories, and how it can do more harm than good when people share their birthing horror sStories: Our instructor explained the importance of hearing positive birthing stories, and how it can do more harm than good when people share their birthing horror sstories, and how it can do more harm than good when people share their birthing horror storiesstories.

Before I Wake is a beautiful, meditative ghost story with one of the more rewarding horror payoffs I've seen in years.

Driftwood is presented and promoted as a horror movie with psychological elements, and while this is true, it undersells what is an effective psycho thriller, less about gore and horror, more about story and character.

But there's a seriousness with which he's given this first Freak Show outing that actually piques more of a curiosity than trotting out the expected onslaught of spooks, one - liners, and cheekiness could've possibly be done at this point in the American Horror Story run.

It's clear almost immediately that the horror elements within the proceedings don't fare quite as well as moments of a more overtly dialogue - based nature, as director Karyn Kusama generally proves unable to infuse the story's horrific moments with any real sense of dread or terror.

«Saw» co-creator James Wan has lately been proving himself to be more than a one - trick pony, winning over horror fans with the atmospheric ghost stories «Insidious» and «The Conjuring.»

The story itself follows a far more linear path than what's commonly found in Japanese horror, but the usual preoccupations with hair, decorum, and bodily horror still abound.

The team felt this was possible with Silent Hill 2 as this new installment embodied much more than just horror or even a tragic love story: It was conceived to shake players mentally and emotionally on many subconscious levels.

Period dramas like «Mad Men,» «Boardwalk Empire,» «Hatfields and McCoys,» «The Americans,» «Masters of Sex,» «American Horror Story» and «Downton Abbey» leaned even more heavily on character actors, with their ability to transcend time.

Opening in September: Kirsten Dunst and Isla Fisher take a turn in the comic bridesmaid well in «Bachelorette» (Friday); Bradley Cooper is an author whose stolen work becomes a hit in «The Words» (Friday), a thriller co-starring Jeremy Irons and Dennis Quaid (see story on Page 17); Pixar adds another dimension to one of its most popular films in «Finding Nemo 3 - D» (Sept. 14); Milla Jovovich returns for one more zombie slaughter in «Resident Evil: Retribution» (Sept. 14); Jake Gyllenhaal and Michael Peña are Los Angeles cops in «End of Watch» (Sept. 21), which aims for a realistic look at inner - city law enforcement; Elizabeth Shue and Jennifer Lawrence are mother and daughter, discovering a horror - tinged secret in «House at the End of the Street» (Sept. 21); Karl Urban plays «Dredd» (Sept. 21), a helmeted avenger who cleans up the futuristic Mega City as its judge, jury and (wait for it...) executioner; In the animated «Hotel Transylvania,» Dracula (voiced by Adam Sandler) struggles to cope with his daughter's new non-vampire love interest (Sept. 28).

With too many stock horror clichés and overly - familiar story angles, The Reaping doesn't sow enough new, interesting ideas to reap anything more than our occasional interest.

What's more, the game was initially designed as a spiritual sequel to the NES horror game Sweet Home, with the final version retaining several elements of that NES title (the mansion setting, environmental puzzles, scattered notes shedding light on the story, limited inventory, and the iconic door loading screen).

With studios like Blumhouse (Get Out, Split, and the Insidious franchise) and A24 (The Witch, It Comes at Night) establishing distinct identities in the minds of moviegoers and television shows like American Horror Story, Bates Motel, and even Stranger Things spreading the genre elements across the airwaves — or, more likely, your laptop — it's difficult to deny that we're in the midst of an era of horror filmmaking that prizes subtext, mood, and tone over gore effects, elaborate kills, and jump - sHorror Story, Bates Motel, and even Stranger Things spreading the genre elements across the airwaves — or, more likely, your laptop — it's difficult to deny that we're in the midst of an era of horror filmmaking that prizes subtext, mood, and tone over gore effects, elaborate kills, and jump - shorror filmmaking that prizes subtext, mood, and tone over gore effects, elaborate kills, and jump - scares.

Last weekend I watched Ghost Stories, the closing title of the IMAGINE Film Festival in Amsterdam this year, and had a lot of fun with it, as with more horror anthologies recently.

A lot of time with horror games you feel more like your running through a never ending path of blood and guts and never really getting much out of the story side of things.

The latest iteration of «American Horror Story» is set more than 300 years after the Salem witch trials, with those who managed to escape the trials facing extinction.

Electric guitars chug along with strings in a concoction more fitting to a generic horror flick than a story set in 1848.

Any costume drama with Helena Bonham Carter in a main role probably is worth at least a look for her performance, and she commands attention as the story's most beguiling character, Miss Havisham, even though the way she's utilized feels borne more from the tradition of Gothic horror than customary.

The second story feels more like a bunch of j - horror elements glued together and slapped with the One Missed Call label.

Plants can not be reasoned with, and the inexplicable supernatural horror, with a side of gore, makes the story even more terrifying.

And, if you have a few dollars to spare and the love of story - driven horror in your heart, you can get the demo by backing the game with a pledge of $ 7 or more.

It certainly shares elements with other horror visual novels like Zero Escape — particularly in the way its story peels back layer by layer, slowly dissolving the painting and then the frame itself — but it ultimately has more in common with genre - benders like Undertale and Pony Island than its Japanese counterparts.

Now, Unraveled is more than just a game for the joy of nostalgia, tugging on the heart strings of our inner child, and warming your heart with a bittersweet story and JRPG style (and the musical theme by Hiroki Kikuta (Secret of Mana, Soul Calibur V) and musical styling of Dale North (Silent Horror, Dragon Fantasy Book II).

With travel horror stories like emergency medical evacuations, stranded cruise ships, and super blizzards, travelers have become more aware of travel insurance and yet they still have a lot to learn.

Along with the branching, player - driven story, Until Dawn offers more than enough suspense and survival - horror action to keep you adrenaline junkies on the edge of your seats.

Bitter relations between tenants and landlords, with an arms race between ever - more ingenious strategies to force tenants out — what yesterday's article oddly described as «free - market horror stories» — and constantly proliferating regulations designed to block those strategies?

No more fascination with horror stories in the media.