Sentences with phrase «with narration from»

«In a special collaboration with the PostClassical Ensemble's Iberian Mystics: The Confluence of Faiths Festival, March 10 — 12, 2015, The Phillips Collection presents Spanish pianist Pedro Carboné in a thought - provoking program, Spain, Flamenco, and the Piano, with narration from author Antonio Muñoz Molina.»

It will put a universe at your fingertips, letting you control thousands of life forms with narration from the late British philosopher Alan Watts.

Fenton also conducted the show in other cities around the world (including LA, at the Hollywood Bowl) and it became so popular itself that it inspired the show's producers to combine some of the most dramatic scenes into a movie to be released in cinemas, Deep Blue (this time with narration from Sir Michael Gambon).

With narration from Leonard Maltin, footage from Ferguson's animated works, and interview clips with the animators (Frank Thomas, Ollie Johnston, Andreas Deja) and historian (John Canemaker) seen on Disc 1, the piece paints a portrait of Ferguson the man and the filmmaker.

With narration from Patrick Stewart and a bleak art style to represent the H.G. Wells book it sounded like a unique product for XBLA.

Stone shows us much of the legacy of the powerful conqueror of many lands, but bridges important gaps in time with narration from Ptolemy.

Not exact matches

As a Prime member, you can now read as much as you like from over a thousand top Kindle books, magazines, short works, books with Audible narration, comics, children's books and more — all at no additional cost.

Instead of beginning with an image derived from prophetic discourse, that of another voice behind the prophet's voice, and extending it by analogy to narration, prescriptive saying, wisdom literature, hymnic compositions, and so on, we are delivered from psychologizing interpretations of revelation to a sensitivity to the sense of the text, to the world - reference it opens up before it.

Your narrations of how and why you came up with certain dishes and ideas and the influences and childhood memories from Russia are fascinating.

It even comes with a nice narration from Rosberg as he takes the car out for its first installation lap.

In the narration, an English woman likened our thoughts to hummingbirds, and indeed, my mind was flitting from voice to scene (with multiple perspectives available at the push of a button) and back again, with nary a thought of my breath.

The film changes a few bits from the book, including making Jo - Jo the shirker into the Mayor's son, giving the film a deeper emotional center, serving as an additional relationship to go with the bond between Horton and the mayor, but most of the rest of the story is still in place, held together by Charles Osgood's narration, which has just the right effect.

The film, with its transcendentally beautiful visuals and mysterious and detached narration from Bill's actual younger sister Linda (Linda Manz), who tags along with them, is a rich and rewarding experience, then as now celebrated for its intricacy and slowness.

In telling Crowhurst's sad story, Osmond and Rothwell intercut narration from Crowhurst's journals, archival film, and interviews with the sailor's family, friends, and colleagues.

Filmed without narration, subtitles, or any comprehensible dialogue, Babies is a direct encounter with four babies who stumble their predictable ways to participating in the awesome beauty of life.Needless to say, their experience of the first year of life is vastly different, yet what stands out is not how much is different but how much is universal as each in their own way attempts to conquer their physical environment.Though the language is different as well as the environment, the babies cry the same, laugh the same, and try to learn the frustrating, yet satisfying art of crawling, then walking in the same way.You will either find Babies entrancing or slow moving depending on your attitude towards babies because frankly that's all there is, yet for all it will be an immediate experience far removed from the world of cell phones and texting, exploring up close and personal the mystery of life as the individual personality of each child begins to emerge.

Taken a from a point of narration by Chaplin during an interview with a fictional character played by Hopkins the film simply takes you through Chaplin's life from one event to another although with many gaps.

The film opens pleasantly enough, with voiceover narration by Emma Thompson accompanying an image of the Voyager I spacecraft, the furthest man - made object from earth, hurtling toward the edge of the solar system.

When: June 27th Why: Bong Joon - ho's English - language debut has had a very bumpy road on its way to theaters — with U.S. distributor Harvey Weinstein reportedly wanting to cut 25 minutes from the film and add narration to make it easier to follow — but fans of the Korean director can rest easy, because the unedited version will be coming to the States after all.

The teenager's sophistication suggests that perhaps the narration comes from an adult Nasia thinking back, but the other kids also speak with similarly mature voices.

The documentary does not use voice - over narration, but weaves together live performance, rehearsal and in - the - studio footage of Frisell, interspersed with insightful observations from his closest collaborators and interviews with Frisell himself.

Brickman does a handful of a snazzy moves — some with editing, some with the narration, some with lighting and slowing down the film (nothing ostentatious, but certainly a little different from the rest of his approach)-- and the score tempers it.

Thus, the inclusion of narration properly shifts the focus away from Brad Pitt and onto Jesse James, allowing Dominik to avoid the accusations that he has become overly enamored with Pitt, or that he has been corrupted by the same subservient and obsessive fawning over celebrity that he is actually attempting to scrutinize and condemn.

Minac re-creates these moments by placing actors in costume and play out the scene with voiceover narration from the survivor.

Adapted from Burroughs» first Barsoom book (A Princess of Mars), John Carter (as the film would ultimately be called) opens with narration shattering our misconceptions about Mars.

The voice - over narration for I Am Not Your Negro, performed with atypical restraint by Samuel L. Jackson, consists entirely of Baldwin's thoughts, which Peck has cobbled together from more than a dozen texts.

Everyone's favourite characters, much of the surreal narration (delivered with perfect dryness by Stephen Fry), and the original's distinctive theme music, are all present and accounted for — and in an age where CGI has become the slick new medium for special visual effects, an inordinate amount of physical modelling and creature puppetry have been used to give the film a refreshingly organic retro look, as though the crew from the original TV series had been lured back to their old tools by a much bigger budget.

Benedict Cumberbatch takes control from the get - go with a narration over a sequence of increasingly dramatic scenes.

He tells the story in flashback with heavy narration from Chastain, with a healthy amount of jumps back to the present.

From the menu, it is presented in two ways: with its narration provided by director Peter Berg in one and Gina Rodriguez in the other.

This time he alludes to the art - cinema context much more directly by opening with music from Francois Truffaut's Jules and Jim and evoking the form of that film with offscreen narration (delivered by Baumbach himself) recounting the story in past tense and with old - fashioned devices such as irises and wipes and French New Wave devices such as fantasy inserts, fleeting flashbacks, freeze - frames, and jump cuts.

Extras: Two optional English narrations, including one by actor Roy Scheider; audio commentary from 2008 featuring Schrader and producer Alan Poul; interviews from 2007 and 2008 with Bailey, producers Tom Luddy and Mata Yamamoto, composer Philip Glass, and production designer Eiko Ishioka; interviews from 2008 with Mishima biographer John Nathan and friend Donald Richie; audio interview from 2008 with co-screenwriter Chieko Schrader; interview excerpt from 1966 featuring Mishima talking about writing; «The Strange Case of Yukio Mishima,» a 55 - minute documentary from 1985 about the author; trailer; a booklet featuring an essay by critic Kevin Jackson, a piece on the film's censorship in Japan, and photographs of Ishioka's sets.

The narration not only signals a shift in tone, as viewers are thrown then into the midst of a battle between the Amazons and soldiers from the world of man, but also contrasts the Diana of today with the one from 100 years ago.

The naughtiness that's supposed to be providing us vicarious thrills is at odds with the preachy, moralistic narration from Fonda's character.

10,000 BC embroiders the classic coming - of - age, boy - with - a-heroic-destiny legends and lore told around camp fires for millennia with straight - faced, pretentiously sober spirituality, made - up mysticism and reams of voiceover narration (from Omar Sharif).

This is felt especially in Godard's narration, which, with the proper system, can sound like a mono track softly emanating from behind, or blaring and directionally imbalanced.

I have enjoyed my time with Etrian Odyssey Untold: The Millennium Girl and apart from the lack of save slots and narration I can't find a lot wrong with it.

To make matters worse, we have the second big flaw in Devil: the narration courtesy of our token Hispanic guy, who seems to be narrating a story on par with the ridiculous tale from The Lady in the Water.

But Davis also uses these letters to express his emotions over the loss of his wife, but in a strangely straightforward way (complete with monotone narration from Gyllenhaal).

Additionally from the narration paints the film as an exploration of the delicacy of both life - sustaining systems in space, and interpersonal relationships as the characters are faced with colliding satellites, extra-terrestrial slime mold and fear of the unknown.

But looking inward, one crucial aspect is missing, what with its Wicked-esque revisionist angle of a «misunderstood» antiheroine, the «this is the true story of the familiar tale» framing narration borrowed from Ever After, and a climactic plot point lifted wholesale from the Mouse's own Frozen: true imagination.

From Allen's vigorous narration opening with an explicit reference to the film being set in the 1930's to the general, ever - so - slightly starstruck perspectives of Bobby and Vonnie, there is a melancholy and a longing for the times and stars that seem just out of reach (notably, no movie stars are ever shown, apparently just off camera).

The film is saddled with a sing - songy, frequently dopey voiceover narration, and the solutions McGill and Vittorio ascribe to the predicament range from simplistic to politically dubious.

With a healthy sense of caffeinated advocacy and voiceover narration from Jason Bateman, A Lego Brickumentary delves into the $ 4 billion Lego brand, who manufacture an astonishing 100,000 pieces per minute.

Filmmaker Richard Levine, working from his own screenplay, delivers an opening stretch that admittedly doesn't hold much potential, as the writer / director places an excessive emphasis on narration from both Tucci and Timlin's respective characters - with the seemingly ceaseless voiceover making it initially impossible to work up any interest in the characters and their exploits (ie neither Ted nor Angela are developed beyond their most obvious attributes).

Blending archive footage, candid interviews with colleagues and narration from the late Best himself, the film reminds us of his genius, without sugar - coating his self - destructive tendencies.

That's not to say the screenplay doesn't provide viewers with a «rooting interest» - the film is presented from Doug's point - of - view and he provides some sporadic narration - but Richard is not demonized.

The Brothers Bloom begins in unbelievable territory, with a rhyming narration (from David Mamet alumnus Ricky Jay no less), smartly dressed child grifters and a one - legged cat on a roller skate, and gets less realistic from then on out.

For most of the running time, the adaptation is faithful to a fault — with huge chunks of narration lifted from the book, and even lines of McCarthy's prose written out on screen.

Clunky though not uninteresting in its assembly, and admirably direct in its anger and passion, the film features interviews with migrants from Syria, Afghanistan, Guinea and elsewhere, as well as direct - to - camera narration from Redgrave, who speaks of everything from the Universal Declaration of Human Rights to her own refugee status as a child forced to flee London during World War II.

It's hard to explain but Peluchonneau looks and sounds like he emerged from a hard - boiled noir piece of fiction, complete with overheated narration and rear - projection for driving backgrounds.