Sentences with phrase «with narrative ideas»

Please Note: The VSNT - California Narrative Ideas and Therapeutic Practices workshop format can be as useful for a narrative therapy trainer / supervisor / consultants, veteran narrative therapists, and students recently engaged with narrative ideas and practices.

Not exact matches

If you enter a conversation with a pre-conceived idea of what the result will be, chances are you're creating a story or narrative that isn't necessarily true.
It should align with the tone of the core idea / narrative.
When we were building the campaign, we did explore the idea that our summer athletes might consider themselves underdogs — that's a narrative we could have worked with.
With millennials consuming more and more of their media through mobile devices and social platforms, executives at Indigenous Media bet that Snapchat users would warm quickly to the idea of following a narrative story posted in regular installments to social media, as opposed to the traditional theatrical experience.
Plugged - in millennials will know what's trending, the up - and - coming social - media sites, and can help brainstorm ideas to connect the company narrative with a younger audience.
121:8.14 — While I, with the collaboration of my eleven associate fellow midwayers and under the supervision of the Melchizedek of record, have portrayed this narrative in accordance with my concept of its effective arrangement and in response to my choice of immediate expression, nevertheless, the majority of the ideas and even some of the effective expressions which I have thus utilized had their origin in the minds of the men of many races who have lived on earth during the intervening generations, right on down to those who are still alive at the time of this undertaking.
He did, however, emphasize the educative value of reflecting on ideas within an historical matrix, and his philosophy has fostered accents on interconnectedness and historical process that are highly compatible with narrative methodology.
The explanation of Isaac's name (from a word meaning «laughter») is indicated in the thrice - repeated narrative motif of laughter over the idea and fact of Isaac's birth (17:17, 18:12, 21:6) So is Ishmael's (16:11, 17:20, 21:17) The meaning «heelholder» is given to the name Jacob with the explanation that he was born holding his twin brother by the heel (25:26).
Instead, he tried to combine it with a number of theological ideas — community, tradition and universality — under one rubric, «narrative
The meta - narrative as it is often referred to is the idea that from the begining of time, God with perfect foreknowledge planned to create a new thing to reveal parts of His nature that were not yet revealed.
Certainly, if the idea of Jesus» risen life started with any factual element associated with an empty tomb, that element was never clearly visualized, even in the imagination of the first disciples, and is now confused for us in narratives that contradict each other on every important detail.
His resurrected body, as described in the assembled narratives of the New Testament, represents alike the original, primitive belief in a resuscitation of the flesh with all its earthly functions still intact and, as well, the later tendency to rarefy and spiritualize the idea of «body» in the risen life.
Many Christians saw the article as fuel for the narrative that the media is biased against them, but others took issue with the idea that Jesus didn't go to hell after His death.
Of course, the great narrative of science shares with the great religious narratives the idea that there is order to the universe, which is a fundamental assumption of all important narratives.
In games like Norwich, Swansea, Manchester United, Sunderland and Stoke both of these issues have been evident to varying degrees and this is playing into the idea of the second narrative: had we not hit the woodwork so much, had we not had lapses at the back, had we taken one or two more chances then Liverpool would be higher in the table, with a higher points count, and at the end of the day, that is the best barometer for a club, isn't it?
With my illustrator training, I'm used to communicating narratives and ideas in 2D while Mecki has the greater insight when it comes to looking at the practicality of applying these to ceramics.
Through A Little Casual I share affordable fashion finds and style ideas with a casual spin for «real life;» reliable advice and information about health and fitness; and occasional narratives about faith, family, and life adventures as a wife, mama, joy seeker, and coffee lover.
And a subset of the PM's inner team will be tasked with developing the big themes, crafting the narrative and liaising with trusted outsiders that will be asked to give ideas and views.
But it's actually rather impressive, combining plenty of specific policy ideas with an overarching political narrative (predatory capitalism), strong, real - life anecdotes (see 11.14 am) and a nice new buzzword («stewardship banking»).
Their idea was that papers written in a more narrative style — those that tell a story — might be more influential than those with a drier, more expository style.
«s run time - which I thought was two hours, but it really seemed to be like four - seems devoted to a tertiary subplot in the art house Coherence, a film that lacks traditional narrative structure and drips with the ideas mother!
It is one of those games that takes Norse mythology as a core idea and treats it with respect, while also integrating it seamlessly into the story and making it important to the narrative.
With his resistance to the very idea of conventional narrative coherence and resolution (beyond mocking their cliches), it's no wonder that the most perfect film Maddin has created so far is probably 2000's «The Heart of the World,» an epic of quasi-archival fetishism just six giddy, succinct minutes long.
It will astound you with its visuals, narrative, gigantic final bosses... But under all that shinning beauty, lies a game with a simple mechanics and ideas, that in some levels seems to be a little bit empty in terms of content.
While Farpoint is certainly a fun adventure that you'll have a lot of laughs, and frights, with, there's little of narrative or strategic originality here and the idea that this will have a long life of competitive multiplayer seems to be hopeful at best.
He's so wrapped up in his crazy ideas of why he made this decision, and Hayden Christensen is so wrapped up in it with this stoned, demonic look on his face, you almost forgive his questionable narrative and acting choices before hand.
While romance may bloom with Le Notre, the focus of the narrative is firmly on her own abilities, and her determination to root herself, and her ideas, into the fabric of this astonishing garden — despite the resistance she faces along the way.
As I said, not the easiest of plots to explain in words, but if you were to combine Abre los Ojos (Vanilla Sky) with Gwynneth Paltrow's Sliding Doors, you have a rough idea the style in which the narrative is told.
While there are standout examples — like Darren Aronofsky's disorienting, eye - opening Requiem for a Dream, or the achingly beautiful narratives of animated animal - people addicts in BoJack Horseman — sagas like this one usually work better on the page than on the screen; the brief gloss of film can make drug use seem rather too appealing, while the idea of spending eight TV seasons with an addict seems rather unappealing.
His closest genre contemporary, as it turns out, may be Neill Blomkamp, a filmmaker with big ideas and a similarly scrappy visual eye who hasn't been able to corral a clean narrative since District 9.
Now two new featurettes dive into the fascination that Disney himself had with the innovations of the future, and the ideas he had in order to make civilization more efficient, not to mention the narrative in the film as well.
After producing multiple shorts, documentaries and experimental films, Meredith Danluck is the latest director to explore these ideas with her feature - narrative debut State Like Sleep (which premiered at the 2018 Tribeca Film Festival) starring Katherine Waterston as a photographer trying to find answers to her husband (Michiel Huisman)'s recent death; co-starring Michael Shannon and Luke Evans.
The narrative, and its thematic elements, are tied into what's happening with interactive, because of this idea that «Possibilia» is kind of this weird, fruitless cycle.
Also, the script seems like it was put together with only the set pieces in mind, almost like the writer thought up some hilarious ideas after going to an insurance meeting, but didn't know how to tie them together with a working narrative.
Stray Dog is striking because the idea of a tough, aging biker behaving with fearless confidence is such a familiar media narrative, but nothing about Hall's unique blend of humility and pride fits the stereotype.
The idea that the fate of this little racehorse that could (and ultimately, even the idea that the horse is an underdog is a bit of a cheat, since Seabiscuit's lineage was sterling — less «underdog» than «underachiever») galvanized a nation reeling under the Great Depression is the only idea that remains in the film, seized by Ross as an opportunity to insert archive stills of the period — complete with voice - over from historian David McCullough — to lend his horse opera the sort of gravitas he's not able to provide through narrative.
The simplicity of the premise, combined with a concerted lack of explanation as to the how and why of such a strange idea for a society existing, makes it feel like the concepts are woefully underdeveloped, leading to a lack of trust in the narrative due to having to put aside the myriad of questions that inevitably develop and halfheartedly go with the flow just to see where things will lead.
There are some good ideas in Meg LeFauve's screenplay, such as the idea of inverting the classic boy - and - his - pet narrative so that the boy is the pet, and the way that it threatens to become a full - blown Western with the introduction of the T - Rexes (including a campfire scene complete with someone playing a mournful tune on a «harmonica»).
It's wrong - headed from the get, a giant f*ck you to both the idea of narrative consistency and the audience for having the temerity to expect a superhero movie — a genre about people with fantastical powers flying around and saving the world — to be any fun at all.
Franka Potente deserves applause for being a charismatic female to pair Damon up with, as well as never caving into the idea of being a narrative token woman for the male hero to take to bed at the end of the story, but outside of their duo, everyone else are foot notes.
While Greene and Sheil's docu - drama explores ideas around the ethics and meanings of «playing» with the real death of a real woman, Christine is more directly biographical in its construction and linear in its narrative.
Roger Donaldson, who worked with Brosnan before in the mediocre volcano flick, Dante's Peak, has the talent to shoot and hold this film together visually, but his hold on the narrative gets away from him, resulting in a displeasing mish - mash of ideas that unravel until the blow - out right before the finish line.
Script is so sparse with ideas and dialogue that the running time is stretched through observational narrative.
Finley's script is so sparse with ideas and dialogue that the running time is stretched through observational narrative.
Rather than push more jokes about its narrative formulas, Pitch Perfect 3 proceeds with a halfhearted, ginned - up rivalry between the Bellas and an intimidating, snobby rock band, the filmmakers» ideas of which are downright bizarre: girl - group rhyming names (Chastity, Calamity, etc.) and circa - 2004 punk - pop.
Early Man The new stop - motion animated caveman / soccer comedy by «Wallace and Gromit» creator Nick Park is filled with disarmingly funny moments and lacking in narrative sweep, as if the story team came out of a long brainstorming session — and then just decided to use all of their ideas.
It's fair to say that Zack Snyder was wrestling with a number of interesting themes, and perhaps he wanted to do his spin on something like David Lynch's Mulholland Dr., but either he doesn't have the intellectual weight, or the narrative was too compromised by making a studio picture (I'll give him some wiggle room for attempting something this audacious) to fully form all the ideas that are apparent here.
After producing multiple shorts, documentaries and experimental films, Meredith Danluck is the latest director to explore these ideas with her feature - narrative debut State Like Sleep.
«PARK CITY, Utah — About three years ago, Randy Moore, a struggling screenwriter living in Burbank, had an out - there idea: What if he took a tiny camera and, without asking permission, began shooting a narrative movie at Disney theme parks?Moore had been visiting Disney World in Orlando, Fla., with his now - estranged father since he was a child, and he'd also begun taking his two children, then 1 and 3, to Disneyland.
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