Peter Doig, whose practice over the past twenty years has drawn heavily on the language of cinema, layers the personal and public, figurative and abstract, visual and conceptual in works that resonate
with narrative potential.
Not exact matches
In a
narrative account, the historian offers events in a sequence designed to evoke in the reader's imagination the contrasting elements and
potential configurations discussed above,
with the expectation that the reader will hold them together in an emerging synthesis as the story progresses.
Even the natural
narrative arc of the game is in three acts — the early, middle, and late innings — each
with its own distinct
potentials and imperatives.
Obviously honored by the all media
narratives linking him
with the sports bluest of blue bloods, Christian Pulisic was then asked about the
potential opportunity of someday testing his skills in the Premier League, to which he answered:
With the withdrawal of NATO troops, the 2014 elections have the
potential to determine the country's socio - political
narrative.
The exact
narrative a gubernatorial opponent would want to draft is that Albany remains broken under a two - term incumbent; this past weekend,
potential Cuomo challenger Chris Gibson said in a radio interview
with Bill Samuels that he supports a convention because «we clearly need reform in this state.»
«It's useful for scientists on the one hand but on the other hand, the fact that you can take something like the data from 2,000 trees in Alaska and give someone a 20 - second description of what that song is portraying and they pick it up (means) it has huge
potential to share these
narratives with people.»
It's a shame because it had such
potential but I fear the editing room had a lot to do
with the final result as the flow didn't feel as smooth as I would have expected and there were too many story lines to make a solid
narrative.
The gorgeously shot sequence achieves its full
narrative and visual
potential,
with the director coaxing seemingly effortless performances from two actors at opposite ends of the age spectrum.
Sadly, the
narrative doesn't reach these heights; and
with a sparse overworld and some tedium in place, it doesn't reach its full
potential.
The film caught some flack for its racial and gender politics once it hit wide release
with The Ringer's K. Austin Collins distilling why, in a year where the Academy is once again facing a
potential #OscarsSoWhite crop of nominees, Rockwell's performance as a redeemed racist cop may not be the
narrative Hollywood wants to push:
Though the basic premise is filled
with potential, offering a unique spin on the traditional rom - com formula that takes a big risk
with its time - hopping
narrative, the characters aren't very compelling (or likable, for that matter) apart from Travis Fimmel's socially awkward sperm donor, who disappears around the 30 - minute mark never to be heard from again.
We have to admit we're a little concerned about Tarantino returning to the revenge
narrative yet again («Kill Bill,» «Death Proof,» «Basterds»), but
with its racially charged and sure - to - be-controversial subject matter, «Django» has the
potential to be an epic unlike anything we've seen from the filmmaker before.
Gradually, you should be able to unlock more of the
potential of the mobile suits along
with the strikers but only if you actually enjoy the battle system since there is no
narrative laid out here to make you carry out the missions.
The story eventually shifts back to Los Angeles,
with J.B.'s neighbor, Brenda (Lake Bell) emerging as an agreeable force in the
narrative — as a
potential love interest for J.B. and as part of an unusual family unit
with J.B.'s new houseguests.
Verbinski had this to say: «I think the whole utopia - gone - wrong story that's cleverly unveiled to players is just brimming
with cinematic
potential... Of all the games I've played, this is one that I felt has a really strong
narrative.»
With its carefully composed and framed shots, the trailer plays out a bit like a string of
potential cover photos or screen savers, but we're reminded that we're actually watching a
narrative film because of the intense performances from leads Michael Fassbender (Macbeth) and Marion Cotillard (Lady Macbeth).
Even
with history being what it is, Edison finally accepting defeat, the film all of a sudden, switches
narratives and says «but look what Thomas Edison created after that»... This script is an infuriating mess, not because I care if this movie is good or bad, but because there was so much
potential in this story.
In our review of the film, we praise Green for bringing his «A-game to a project more fraught
with trainwreck
potential than anything he's tackled before, demonstrating a refreshing shrewdness and restraint in a
narrative that could have easily melted into gooey hagiography or pat inspirationalism.»
This is the problem
with the MCU in miniature: The emotional and
narrative stakes are placated by an infinite loop of new «Phases,» new heroes, and
potential franchises to branch out, which will beget more crossover events like Infinity War in the years to come.
After I have done an initial overall marketing / editorial assessment and developmental edit of a manuscript or proposal, a writer may choose to work
with me further in a very close one - on - one mentoring relationship in which I would guide him or her in rewriting and re-envisioning the original material — chapter by chapter — in a new manuscript, to make the
narrative voice more resonant; the descriptive prose more powerful and, in general, to increase the book's overall quality, marketing viability, sales
potential.
But comments on the piece indicate a frustration
with the widely shared unwillingness to say that a yarn told on an electronic device is every bit as good in terms of
narrative technique and
potential as one told on paper.
According to this source Dead Space 4 was already in pre-production at Visceral,
with Visceral Montreal tossing around
potential narrative ideas, and creating prototypes and mock ups for the game.
These bonuses will allow additional modification of player's playable characters as they relive the gripping
narrative of the worldwide anime hit, «Attack on Titan» — including a
potential new perspective
with their very own custom scout.
«Our goal
with Army of TWO The Devil's Cartel is to apply our key design principles — immersive, challenging gameplay, intense
narrative and focus on quality — to help improve a franchise we feel has always had a lot of
potential.»
Outside of the
narrative, the game offers a number of reasons to return,
with worldwide and friends rankings for time getting through each level and a very simple, but well - designed level editor that seems to have a lot of
potential for some interesting levels created by those more talented budding designers.
Inside looks to be the
potential darling of the show, up for 6 awards (Best Audio, Best Design, the Innovation Award, Best
Narrative, Best Visual Art and Game of the Year),
with Overwatch (Best Audio, Best Design, Best Technology, Best Visual Art and Game of the Year) and Firewatch (Best Debut, the Innovation Award, Best
Narrative, Best Visual Art and Game of the Year) trailing close behind
with 5 nominations.
Despite 5th Cell's attempt to directly furnish players
with as much quirky
narrative potential as possible, the enduring charm remains the accidental stories waiting to be discovered as players push against the walls of the test chamber here.
This dynamic, evolving world is has the
potential to be quite intimidating when combined
with the game's
narrative foundation, but all is not lost!
Pitched between depicted action and the act of painting - paint's illusory
potential and its materiality - Furnas entwines history
with art history in provocative combinations of
narrative and form.
These paintings,
with titles that refer to inspirational affirmations (It's not going to happen like that, Devotion, Determination, Perseverance and
Potential) are suspended between an analytical depiction of reality and a dreamlike dimension, between autobiography and imagination,
with her own personal style and
narrative, in which the attention to time and space is central, evoking at the same time an affinity between life and painting, both imbued
with intention and
with mystery.
Weintraub explores
potentials for the future of humanity through large - scale hyper - colored
narrative paintings, which are saturated
with information and describe a world where morals have fallen and children act without consequence.
In particular, Bearden seems to have been interested in exploring the
potential for
narrative sequences, which his somewhat younger contemporary Jacob Lawrence had been doing
with great success, most notably in the 1941 series «The Migration of the Negro.»
With the nine oil paintings and three works on paper that comprise the exhibition, Miller continues to explore the
narrative potential of the animal world by revisiting many of the themes that she has surveyed in her work for the past thirty years, including the relationship between predator and prey, the effect of changing habitats upon both flora and fauna, the folly of our human sense of control over nature, and the passage of time.
With its holdings and
potential for growth, SAMA is in a unique position to present a
narrative of art that is outside the mainstream art world or traditional museum context.
Presenting a painting from his well - known body of work «Black Dada» as well as a work from a series layering text and images on mirrored stainless steel, Adam Pendleton's works in this exhibition give material form to the artist's engagement
with a dynamic idea of history; one that is ever mutable and reflective of subjective and infinite
narrative potentials.
Whereas, conceptual artist John Baldessari has incorporated appropriated stock and movie imagery combined
with texts for the
narrative potential of images and the associative power of language, because of the structural similarities of linguistics to games, since both operate as a mixture of arbitrary and mandatory systems of rules.
Tomoo Gokita's solo exhibition
with Mary Boone experiments
with the
potential of black and white to create dynamic forms and perplexing
narrative.
Among the earliest examples of Conceptual Art, it was
with these seminal paintings that Baldessari reconsidered the practice of artmaking, questioned the concepts of authorship, originality, and aesthetic judgement, and first explored the
narrative potential of imagery and the associative power of language that continues to inform his work today.
«I found it ripe
with potential — to change its status and its
narrative and to deconstruct its stereotypes,» she writes.
Focusing on the mechanics of representation — particularly cinematic representation — its metaphoric
potential and its engagement
with reality, her art addresses processes of thought and their relationship to subjectivity,
narrative, place and time.
An Archive of Stones, to be periodically activated, speculated upon, damaged and finally gilded
with fiction is a project which addresses the use and significance of stones in contemporary art, as well as their
narrative or linguistic
potential.
She wants to use these installations to shift a
narrative in which only those
with outside lens (such as developers and speculators) can ever see these spaces as
potential gold mines and using a satirical quality she wants to make vacant parcels gold mines by re-embed gold leafed bricks in the ghosted footprint of where houses once used to be.
With these autobiographical stories, viewers — for the most part — have no means to confirm these
narratives and are unaware of the
potential exaggerations or the possible private information withheld.
[2] Positing that these open
narratives hold
potential for a wider conversation about political desire that does not exclude the subject of feeling, the exhibition aims to provide points of reflection for how the political group might be reimagined
with a renewed capacity to respond to the power of the few.
His meticulously researched projects — which have included such diverse conceptual gestures as an invented word, a chess set, a television script, and a children's book — engage familiar historical
narratives and cultural paradigms only to unravel their structures and assumptions, presenting elusive scenarios that abound
with interpretive
potential.
Breaking out of illustration's prescriptive
narrative mode, Leveille maintains a relationship
with language yet subverts the
narrative potentials of her work in her personal determination to create something poetic rather than literal.
Much of her work is inspired by experimentation
with materials and processes, which she mines for their
narrative implications and untapped
potentials.
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