Sentences with phrase «with nude portraits»

Elegantly - posed choreographers and dancers alternate with nude portraits of ballet dancers and models that Lynes shot after hours, sometimes repurposing the same sets he used for ballet photographs and commercial work for Harper's Bazaar and Vogue.

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An amusing example of this taboo on confronting a dressed lady with a naked man is embodied in a group portrait of the members of the Royal Academy in London in 1772, represented by Zoffany as gathered in the life room before two nude male models: all the distinguished members are present with but one noteworthy exception — the single female member, the renowned Angelica Kauffmann, who, for propriety's sake, is merely present in effigy, in the form of a portrait hanging on the wall.

In the introduction Haynes writes: «For her new exhibition... Semmel has created 12 large paintings, many of which have two layers, each with a nude self - portrait.

A key figure of Australian art since the mid-1980s, Linda Marrinon has developed an idiosyncratic language of figurative painting and sculpture that merges contemporary cartoons with neoclassic tropes of the nude, reclining figure, and bust or standing portrait.

In his 2010 painting Not Yet Titled Condo alludes to group portraits by Goya and to Manet's Le déjeuner sur l'herbe (1863), with cavorting nudes and men primly dressed in satin smoking jackets.

This was established with their first purchase, Pierre Bonnard's Standing Nude Looking in Mirror, and continued as the collection grew to include works such as Edgar Degas's Dancer with Arm Too Far behind Head and Adolph Gottlieb's Portrait of Marcus Rothkowitz — a pencil portrait of his colleague MarkPortrait of Marcus Rothkowitz — a pencil portrait of his colleague Markportrait of his colleague Mark Rothko.

But whereas the work of those artists achieves a meaningful dissonance through a sundry aggregation of disjunctive motifs, Picabia's layered images serve to reinforce one another within each painting, coalescing in their signification into a unified expression or theme: in one case it is the seductive menace of his Portrait of Kiki (ca. 1938 - 40), a demimonde figure painted in lurid yellows and greens with a spider form imposed over her face; in another it is the cheesy eroticism of Reve (ca. 1935), an image of a sleeping woman about to be kissed imposed over a nude standing (like Botticelli's Venus, but with arms upraised) on the surface of the waves.

Images from Secret City, Langer's ten year retrospective of urban portraits and nudes will be shown alongside rare vintage prints documenting Doisneau's sixty year love affair with Paris and its inhabitants.

With a nude self - portrait currently on show in our From Life exhibition, Chantal Joffe discusses her models, inspiration and artistic process with the show's curator, Adrian LoWith a nude self - portrait currently on show in our From Life exhibition, Chantal Joffe discusses her models, inspiration and artistic process with the show's curator, Adrian Lowith the show's curator, Adrian Locke.

In between, we discover paintings on canvas and ink drawings of larger - than - life heads, full - length nudes, Ms. Dumas's daughter as a young child, raunchy strippers, political commentary, and more, from early experiments with a variety of conceptually based approaches to an idiosyncratic, continuing series of portraits of «Great Men.»

Although Baselitz has always worked with specific imagery (portraits, nudes, animals, landscape), he professes equal interest in pure painting - in problems of shape, color and line.

Along with his watercolours, Roberts showed works on canvas, particularly self - portraits and images of his first wife Marian, who would be the subject of numerous nude and clothed figure paintings.

Man Ray's famous muse Kiki also posed nude for Foujita in the 1920s, with the resulting portrait, Reclining Nude with Toile de Jouy being the sensation of the Paris Salon d'Automne in 1922, as well as earning Foujita more than 8,000 franude for Foujita in the 1920s, with the resulting portrait, Reclining Nude with Toile de Jouy being the sensation of the Paris Salon d'Automne in 1922, as well as earning Foujita more than 8,000 fraNude with Toile de Jouy being the sensation of the Paris Salon d'Automne in 1922, as well as earning Foujita more than 8,000 francs.

The exhibition is divided into several sectors: On the seventh floor, the section «Portrait of the Artist» brings together self - portraits with portraits of artists and other members of the creative community; Early Twentieth Century Celebrity and Spectacle; under the rubric of «Street Life» the exhibition presents artists who took to the pavement with their cameras, photographing subjects as they encountered them, sometimes surreptitiously; Portraits Without People; Body Bared (nude portraits); Self Conscious; Institutional Complex and Postwar Cportraits with portraits of artists and other members of the creative community; Early Twentieth Century Celebrity and Spectacle; under the rubric of «Street Life» the exhibition presents artists who took to the pavement with their cameras, photographing subjects as they encountered them, sometimes surreptitiously; Portraits Without People; Body Bared (nude portraits); Self Conscious; Institutional Complex and Postwar Cportraits of artists and other members of the creative community; Early Twentieth Century Celebrity and Spectacle; under the rubric of «Street Life» the exhibition presents artists who took to the pavement with their cameras, photographing subjects as they encountered them, sometimes surreptitiously; Portraits Without People; Body Bared (nude portraits); Self Conscious; Institutional Complex and Postwar CPortraits Without People; Body Bared (nude portraits); Self Conscious; Institutional Complex and Postwar Cportraits); Self Conscious; Institutional Complex and Postwar Celebrity.

Sculptor Jennifer Rubell's oversized self - portrait, a reclining white nude with a hollow space where its womb would be, invites bolder viewers to curl up inside.

«O'Hara Nude with Boots» painting at the National Portrait Gallery's «Hide / Seek» exhibit.

They even got nostalgic for transgression, with seedy family portraits, female nudes, and a look back at the East Village art scene.

He shows us how to develop the portrait in this completed nude painting, how to work with line and the interplay of cool shadows on warm flesh».

These sketchbook drawings of portraits of young men and erotic portrayals of male nudes contrasted with the work of other contemporary gay artists, such as Robert Rauschenberg and Jasper Johns, who considered Warhol «too swish.»

Her portraits, landscapes, nudes and interiors grab your eye with their bold colors and in - your - face use of glitter and rhinestones.

But several dark - chocolate - toned Polaroid portraits of bare - breasted African - American women, and one of two female nudes entwined in bed, reclaim another, often exploitative tradition with audacious authority.

Other projects include Big Mouth: The Amazon Speaks, his book with the American anthropologist Stephen Nugent about their visit to Northern Brazil, (Fourth Estate in 1990); Today's Nude with Alan Kane and Artangel for Channel 4 in 2009; Art Everywhere with the Art Fund in 2013 (on billboards, 57 of Britain's favourite paintings) and in 2014 he painted a portrait of Randy Lerner for the National Portrait portrait of Randy Lerner for the National Portrait Portrait Gallery.

In the late 1990s, Aguilar turned the camera on herself, making dramatic nude self - portraits in which her body is contrasted with the rough terrain of the desert landscape and in which the body and landscape become one.

Faith Ringgold's mixed - media Matisse's Model (1991) combines appropriation art with appreciation art, by combining a reproduction of Matisse's 1910 Dance with fabric swatches, a reclining nude, and a portrait of the man himself.

For her new exhibition at Alexander Gray Associates, Semmel has created 12 large paintings, many of which have two layers, each with a nude self - portrait.

This exhibition highlights drawings of well - known motifs, including Spanish dancers, surrealist compositions, nudes and a large portrait of a couple in profile emerging from a black heart embellished with small flowers.

Peyton herself owes a debt to the great portrait painter Alice Neel, known for her incisive psychological studies, and in fact paid homage to Neel with a nude image of the artist (referencing Neel's own famous nude self - portrait at age 80.)

Exhibition Checklist Main Gallery (Clockwise from entrance) Robert Arneson Splatt, 1983 bronze with unique ceramic base 71 x 21 x 21 inches RAs 130.01 Robert Arneson Elvis II, 1978 conte, pastel on paper 41 5/8 x 29 7/8» RAd 04 Joan Brown Self - Portrait at Age 42, 1980 enamel on canvas 71 3/4» x 60» JBRp 19 Steven Campbell Men Insulting Nature and the Notion of Travel, 1986 oil on canvas 83 x 99 inches SCamp 01 Carol Cole Tar Baby, 2004 mixed media 7 x 13 inches CCs 1 Peter Saul Come and Get Me, 1968 oil on canvas 63 1/2 x42 inches PSp 118 Richard Shaw Figure on a Palette, 1980 glazed porcelain 39 x 13 x 18 inches RSs 68 Andrew Lenaghan Big Sarah, 2005 acrylic on canvas 77 1/2 x 58 inches AnLp 395 Yoan Capote Madness II, 2004 steel 70 1/2 x 40 x 23 inches YCs 19 Collier Schorr Esther's Fine Dream (Ashes to Ashes, We All Fall Down), 1991 cast paper, acrylic, pencil, and collage L 18 x W 12 x D 10 inches CoSs 1 James Barsness Untitled (Red nude on street), 2004 acrylic, ballpoint pen 12 x 9 inches JBARd 60 James Barsness Untitled (with jack o'lantern), 2004 acrylic, ballpoint pen, inkjet archival print on paper 11 7/8 x 8 5/8 inches JBARd 61 Anthony Kulig Look - Out, 2005 plaster, acrylic Two figures 17 x 4 1/2 x 3 inches each AKuls 8 Don Colley Weave 2003 7 x 6 1/2 inches scratchboard, artist's frame DCp 10 Don Colley Reel, 2003 scratchboard, hand - made hardwood frame 6 x 6 inches DCp 09 Side Gallery Diane Edison Self - Portrait Interior (striped robe), 1992 color pencil / black paper 30 x 22 inches DEd 8 Adolph Gottlieb The Watchers, c. 1941 oil on canvas 30 x 24 inches AGotp01 Lesley Dill Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on paper 30 1/2 x 25 inches JVd 52

Significant works in the exhibition include two 1917 Matisse paintings of the Italian model Lorette, Picasso's Rose Period portrait of a «Woman with a Kerchief», Dufy's 1929 «Reclining Nude», and a powerful 1914 Cubist collage by Juan Gris.

In recent years, Urs Fischer has been exploring the genres of classical art history (still lifes, portraits, nudes, landscapes, and interiors) at the intersection with everyday life in cast sculptures and assemblages, paintings, digital montages, spatial installations, mutating or kinetic objects, and texts.

His favorite subjects were mundane activities of everyday life — taking the subway, bicycling in the countryside — but he also tackled traditional genres such as the portrait, the female nude, and the landscape, in which he could better subvert expectations with his outrageous depictions.

With additional references ranging from the obscure (nude portraits from Paris» Salpetrière hospital) to the mundane (a close look reveals the Quaker Oats mascot), Chadsey's cyborg characters are alluringly bizarre.

i Reputedly the first American woman artist to paint a nude self - portrait, Barton deployed a garish realism, sometimes with a provocative touch of slick commercialism, for unsettling effect.

Discover with educators Shelby Brown and William Zaluski the social and sexual contexts of posed and perfected classical nude sculptures, and explore their ultimate influence on the nude and portrait photography of Robert Mapplethorpe.

His works «Le Dejeuner sur l'herbe» (1862 - 1863) and «Olympia» (1863) prominently featured nude women and riffed on previous paintings, combining elements of works by masters like Raphael and Titian with traditional portrait, still life, and landscape styles.

Where his early works encompassed portraits and Impressionist landscape painting, as well as genre - painting featuring groups of figures in cafes, dance - halls, boats, or riverside scenes, his later works are largely concerned with female nudes or semi-nudes.

The 93 - year - old painter will present small - scale portraits (made in the sixties and seventies) of noted critics, curators, and other artists, nude, with big heads of bad hair, and flowery clothes.

Installed across the room is the better - known and equally immense portrait of the poet Frank O'Hara, «O'Hara Nude with Boots,» finished the same year.

Only a few of the canvases feature Ms. Semmel naked, but with these she is breaking new ground, since there are relatively few examples in the history of art of nudes of the aging female (and almost none are self - portraits).

Phillips causes a stir with her first show, «Body Works» — nude self - portraits by John Coplans — which travels to New York's Museum of Modern Art.

Reinvesting traditional art historical genres (still life, portraits, nudes, landscapes, and interiors) with an abundance of rich and surprising forms — such as cast sculptures and assemblages, paintings, digital montages, spatial installations, kinetic objects, and texts — he ceaselessly explores the intersection of art and everyday life.

In her signature painted and photographic portraits of family, friends, lovers, and pop - culture icons, Thomas draws on and deconstructs 19th - and 20th - century traditions of portraiture, replacing the ubiquitous white female nude with voluptuous African American women.

Last summer, Chetrit filled Sies + Höke's Dusseldorf gallery with two distinct bodies of work: Nude self portraits taken in front of the mirror, and street shots of people who were unaware of being photographed.

For this exhibition, pictures of he young son and daughter are hung along with several nude self - portraits (in one, he is reduced to a jutting erection alongside his wife's pregnant belly), all of which are juxtaposed with shots of weeds growing in the abandoned Nazi parade grounds at Nuremberg.

Cases in point: Keith Farquhar's photographic cut - out of a nude young woman with a pixie cut blowing up a smiley beach ball at Office Baroque, John Baldessari's portrait of Elton John that erases all but the performer's pearly whites at Marian Goodman, Martin Creed's snapshot of his own beaming mug at Hauser & Wirth and Mariana Castillo Deball's more abstract 1975 photograph of a turquoise mask upon a sunflower background at Kurimanzutto.

In light of the complexities of tackling a number of unfamiliar and highly technical media, Eisenman was wise to stick to familiar subject matter — the works convey disaffected drinking scenes, surrealistic / expressionistic portraits and nudes, and the occasional macabre figure that have been features of her work over the past several years — albeit with a fresh perspective.

With a career spanning 5 decades this photography exhibition is complete in presenting a selection of images from the last fifty years including works from the supermodels series, nudes, jazz series, fashion series, portraits and St Barth series.

His installations juxtapose portraits, nudes, still lifes and landscapes with abstract elements, creating veritable «salons», each one carefully orchestrated for the critical, yet hedonistic contemplation of the individual parts.