Sentences with phrase «with numerous international exhibitions»

Late in her career, she was honoured with numerous international exhibitions and received countless prizes, among them a Golden Lion at the Venice Biennale.

Not exact matches

While Düsseldorf has always been known as an art and fashion capital of Germany, along with their numerous international businesses and world renowned trade fair exhibition, Düsseldorf is much more than that.

This is the largest art gallery in the Maldives and forms the epicentre of the country's art scene, with numerous exhibitions of local as well as international artists that create everything from conceptual art to photography to be displayed on the museum.

Gaining early international recognition with her participation in Damien Hirst's Freeze exhibition, Surrey Docks, London (1988), she has had numerous solo exhibitions, including: Thomas Dane Gallery, London (2017), Museum of Contemporary Art San Diego, CA (2015), Lehmann Maupin, New York, NY (2015), Blum & Poe, Los Angeles, CA (2014), Headlands Center for the Arts, Sausalito, CA (2014), Artpace, San Antonio, TX (2013), Annet Gelink Gallery, Amsterdam (2011), Camden Arts Centre, London (2008), SculptureCenter, New York, NY (2006), and Tate Britain, London (2002); and group shows at venues such as Bohusläns Museum, Uddevalla, Sweden (2016), Museum of Contemporary Photography, Chicago, IL (2014), the FLAG Art Foundation, New York, NY (2013), Contemporary Arts Center, Cincinnati, OH (2012), Whitechapel Gallery, London (2011), and Kunstmuseum Bonn, Germany (2009).

He has also participated in numerous group and invitational exhibitions with regional, national and international venues.

As curator of this university contemporary art gallery for over four years, Blackson initiated a public art program, international publishing house, and numerous solo exhibitions with artists such as Jimmie Durham, Minerva Cuevas, Christoph Büchel, Brian Chippendale, Julianne Swartz, Anthony McCall, Harry Smith, and Big Chief of the Yellow Pocahontas Mardi Gras Indian Tribe, Darryl Montana.

She has been included in numerous international group exhibitions at venues including Documenta 14 (2017) with Rosalind Nashsashibi, The Renaissance Society, Chicago (2013), The Metropolitan Museum of Art (2013), Carnegie Museum of Art, Pittsburgh (2010), Centre Georges Pompidou, Paris (2010), and K21 Düsseldorf (2010), Tate Britain (2009), the 5th Berlin Biennale (2008), and the 52nd Venice Biennale (2007).

He has also exhibited in numerous group exhibitions including Paper and Process 2, Art Projects International, New York; Krungthep 226, Bangkok Art + Culture Center, Thailand; Different Ways of Seeing: The Expanding World of Abstraction, Noyes Museum of Art, New Jersey; and The Inverse Mirror, Chambers Fine Art, New York IL LEE is best known for his pioneering work with ballpoint pen that he began 30 years ago and continues today.

In addition to participating in numerous international biennales and important group shows, he has held solo exhibitions at Capsule Gallery, Tokyo (2014); a site specific exhibition entitled «House Lives with Time» in a traditional house in Seoul, Korea (2012); Kunstmuseum St Gallen, Switzerland (2012); Ullens Center for Contemporary Art, Beijing (2011); Miyanomori Art Museum, Hokkaido, Japan (2010); San Francisco Museum of Modern Art, USA (1997); Fondation Cartier pour l'Art Contemporain, Paris, France (1996); and Modern Art Museum of Fort Worth, USA (1996).

Besides numerous thematic group exhibitions, Kroksnes has also curated solo exhibitions by international artists such as Thomas Ruff (2002, in collaboration with the Kunsthalle Baden - Baden), Paul McCarthy (2003, together with the Kunstverein in Hamburg), Nick Relph / Oliver Payne (2003 - 2004, in collaboration with the Musée d'Art Moderne de la Ville de Paris), Rémy Zaugg (2004), Louise Lawler (2005), and Kirstine Roepstorff (2010, with Kunstmuseum Basel).

Since 1985 Ugo Rondinone's work has been included in numerous international solo and group exhibitions, including at the Museo de Arte Contemporáneo de Castilla y Léon, Léon (2009); Sculpture Center, New York (2008); Hamburger Bahnhof, Berlin (2008); Palais de Tokyo, Paris (2007); Kunstmuseum Wolfsburg, Wolfsburg (2007); Whitechapel Gallery, London (2006); Witte de With — Center for Contemporary Art, Rotterdam (2006); Museum of Contemporary Art, Chicago (2005), Australian Centre for Contemporary Art, Melbourne (2004); Musée des Beaux - Arts du Canada, Ottawa (2004); Centre Georges Pompidou, Paris (2003); Museum für neue Kunst / ZKM, Karlsruhe (2002); Swiss Institute, New York (2002); Museum of Modern Art, New York (2002); Kunsthalle Wien, Vienna (2002); Palazzo delle Esposizioni, Rome (2001); P.S. 1.

The exhibitions have received numerous reviews in The New York Times, with additional reviews in publications ranging from Artforum and Art in America to The New Yorker and Vanity Fair, as well as international pieces in Vogue, the Frankfurter Allgemeine Zeitung and Die Welt.

She has participated in numerous national and international exhibitions, including the solo exhibition This, and other things at The Irish Museum of Modern Art, Dublin, 2010 accompanied by a catalogue with writing by Charles Esche, Hans Ulrich Obrist, Vaari Claffey and Rachel Thomas.

In addition to numerous successful international exhibitions across Africa, Europe and the Middle East, Abebe has also worked with charities such as UNICEF to hold workshops for street children in Arba Minch, Jinka and Addis Ababa.

Matta has been included in numerous international exhibitions, with mountings of nearly 400 solo exhibitions of his work.

«The exhibition features masterworks from the DMA's collection in dialogue with works from the VMFA and numerous international collections, providing our audiences with a new experience of the genre.»

Teresita Fernández has been featured in numerous solo and group exhibitions internationally and abroad at sites including the Corcoran Gallery, Washington, D.C. (1997); the Institute of Contemporary Art, Philadelphia (1999); Site Santa Fe, New Mexico (2000); the Witte de With, Rotterdam (2001); Outer City, Inner Space: Teresita Fernández, Stephen Hendee, and Ester Partegas at the Whitney Museum of American Art at Phillip Morris; Castello di Rivoli, Torino, Italy (2001); Miami Art Museum, Florida (2002); Centro de Arte Contemporáneo de Málaga, Spain (2005); Lehmann Maupin Gallery, New York (2009); Blind Lanscape at the Contemporary Art Museum at the University of South Florida in Tampa; the Blanton Museum of Art in Austin, TX (2009); and the Setouchi International Art Festival, Naoshima, Japan (2010).

Salter has had numerous solo and group exhibitions recently including: Paintings, Drawings, Prints, Beardsmore Gallery, London (2016); First Light, Howard Scott Gallery, New York (2015); New Works on Paper (with Gianfranco Foschino) Galerie Michael Sturm, Stuttgart (2014); Beyond, Beardsmore Gallery, London (2013); International Print Exhibition UK / Japan, Kyoto, Kita Kyushu (2012); into the light of things: Rebecca Salter 1981 - 2010, Yale Center for British Art, Connecticut (2011); Rebecca Salter and Japan, Yale University Art Gallery (2011); 40 Artists: 80 Drawings, Burton Art Gallery and Museum, Bideford, Devon (2011); Pale Remembered, Beardsmore Gallery, London (2009); 40 Artists - 40 Drawings, Victoria and Albert Museum (2009); Drawing into Painting into Drawing, The Drawing Gallery, UK (2008).

[4] He has also curated numerous exhibitions in many other distinguished museums around the world, including Events of the Self: Portraiture and Social Identity, The Walther Collection, Germany; Archive Fever: Uses of the Document in Contemporary Art, International Center of Photography; The Short Century: Independence and Liberation Movements in Africa, 1945 — 1994, [14] Villa Stuck, Munich, Martin - Gropius - Bau, Berlin, Museum of Contemporary Art Chicago, and P.S. 1 and Museum of Modern Art, New York; Century City, Tate Modern, London; Mirror's Edge, Bildmuseet, Umeå, Sweden, Vancouver Art Gallery, Vancouver, Tramway, Glasgow, Castello di Rivoli, Torino; In / Sight: African Photographers, 1940 — Present, [15] Guggenheim Museum; Global Conceptualism, Queens Museum, New York, Walker Art Center, Minneapolis, Henry Art Gallery, Seattle, List Gallery at MIT, Cambridge; David Goldblatt: Fifty One Years, Museum of Contemporary Art, Barcelona, AXA Gallery, New York, Palais des Beaux Art, Brussels, Lenbachhaus, Munich, Johannesburg Art Gallery, Johannesburg, Witte de With, Rotterdam.

The Rose Mandala series was originally created to be presented to the Dalai Lama in 2006 for his visit at the University of Buffalo; the Mandalas have been featured in numerous international exhibitions such as AA Bronson's Garden of Earthly Delights, Kunstverein Salzburg, 2015; Sacre du Printemps, Kunstverein Graz, 2015; The Temptation of AA Bronson, Witte de With Centre for Contemporary Art, Rotterdam, 2013 and will also be included in AA Bronson's upcoming exhibition at KW Institute of Contemporary Art Berlin in 2018.

With the support of an experienced team of curators, advisors and SITE's Board of Directors, Hofmann continues SITE's legacy of presenting first one - person museum exhibitions of numerous emerging and now internationally recognized artists in addition to significant group exhibitions, while garnering SITE an expanded profile among its national and international peer institutions as well as in its own community.

Noah Becker is an acclaimed oil painter with exhibitions at numerous international museums and galleries.

Olga has had numerous solo museum exhibitions throughout the world, including in Belgium, Germany, France, United Kingdom, Spain, Italy, Hungary, Netherlands, Norway, Sweden and Finland and has shown with American favorites like Tony Oursler and Cindy Sherman at the Tate Modern, as well as countless other well known international artists.

Volk has curated numerous exhibitions in the United States and abroad, including Elemental (2013) at Havremagasinet in Boden, Sweden, which featured both Icelandic artists and international artists deeply engaged with Iceland, and The Transportation Business (2015) at Jane Lombard Gallery in New York, with works by US and international artists that involve multiple kinds of transportation.

He has curated numerous exhibitions in some of the most distinguished museums around the world, including Archive Fever: Uses of the Document in Contemporary Art, International Center of Photography; The Short Century: Independence and Liberation Movements in Africa, 1945 — 1994, Museum Villa Stuck, Munich, Gropius Bau, Berlin, Museum of Contemporary Art Chicago, and P.S. 1 and Museum of Modern Art, New York; Century City, Tate Modern, London; Mirror's Edge, Bildmuseet, Umeå, Vancouver Art Gallery, Vancouver, Tramway, Glasgow, Castello di Rivoli, Torino; In / Sight: African Photographers, 1940 — Present, Guggenheim Museum; Global Conceptualism, Queens Museum, New York, Walker Art Center, Minneapolis, Henry Art Gallery, Seattle, List Gallery at MIT, Cambridge; David Goldblatt: Fifty One Years, Museum of Contemporary Art, Barcelona, AXA Gallery, New York, Palais des Beaux Art, Brussels, Lenbach Haus, Munich, Johannesburg Art Gallery, Johannesburg, Witte de With, Rotterdam; Co-Curator of Echigo - Tsumari Sculpture Biennale in Japan; co-curator of Cinco Continente: Biennale of Painting, Mexico City; Stan Douglas: Le Detroit, Art Institute of Chicago.

He has participated in numerous international exhibitions at institutions including Kunstverein Hannover (2011), Royal Academy of Arts, London (2009), Bonniers Konsthall, Stockholm (2009), the Fondazione Morra Greco, Naples (2008), Skulptur Projekte Münster (2007) and Witte de With, Rotterdam (2006).

In collaboration with the great Paris designers M / M, Tiravanija offers us the most complete evaluation of his work to date, using as narrative backbone his numerous international retrospective exhibitions of 2004 and 2005 (at the Chiang Mai University Art Museum in Thailand, the Munich Kunstverein, the Boijmans van Beuningen Museum in Rotterdam, the Musée d'Art moderne de la Ville de Paris, and the Serpentine Gallery in London).

In addition to his solo shows, he has contributed numerous works to group exhibitions at the Audain Art Centre in Vancouver, Canadian Centre for Architecture in Montréal, Whitechapel Gallery in London, La Musee d'Art Moderne de la Ville de Paris, The 6th Beijing International Art Biennale, OCA Museum in Sao Paulo, and Mass Moca in Massachusetts along with many others.

Jack Zajac has had a long and impressive career, with his work is in more than 45 major public and private collections and numerous US and international exhibitions.

atelierWG has developed numerous art activities, hosted exhibitions, including monthly open studio events, and has organised international exchanges with artists» collectives.

It was followed by numerous international awards, experimental, and long documentaries Stenvert led to his unusual object assemblage, with which he on the 33rd Biennale di Venezia in 1966 and later in museum solo exhibitions in Italy, Sweden and Germany caused a stir.