Sentences with phrase «with oil crayons»

The Brooklyn - based artist begins with patterns from traditional Persian carpets, which he paints on wall - mounted canvases with oil crayons and help from photographs he projects.

Particularly notable: a small sketch made with oil crayon in 1953 (Sand, Sea & Sky), revealed as inspiration for two 1958 paintings that also picture three - part seascapes depicting the horizon, ocean, and shore.

Not exact matches

Once your child has mastered the basic coloring and painting skills, it's fun for them to explore different ways to play with color using different materials — and a kit that's jam - packed with markers, crayons, oil pastels, colored pencils and more will certainly wow them!

Available at Ulta, this lip crayon is filled with shea butter, kendi oil, and jojoba oil, so it'll hydrate your lips while imparting them with a beautiful rich color.

- Smashbox Photo Finish Oil Free Foundation Primer Pore Minimizing - Urban Decay Naked Skin Illuminating Beauty Balm Broad Spectrum SPF 20 mixed with MAC Matchmaster foundation # 3 - Milani Wax pencil - Tarte Amazonian Clay Waterproof Brow Mousse in Taupe - Tarte Colored Clay CC Eye Primer Stick - Too Faced The Chocolate Bar Eye Palette - Marc Jacobs Beauty Highliner Gel Eye Crayon in Brown (bronze with shimmer)- Lancôme LE CRAYON KHÔL — Smoky EyeLiner in Black Coffee - Yves Saint Laurent MASCARA VOLUME EFFET FAUX CILS — Luxurious Mascara in Burgundy # 5 - Benefit Cosmetics Fake Up Concealer in Medium - Stila Stay all day cream concealer in cocoa # 16 - Too Faced Chocolate Soleil Medium / Deep Matte Bronzer - Milani Baked blush in Luminoso - Dior Gold shimmer highlighter - Nars Lip pencil in Rosebud - MAC lipstick in Vegas Volt - Chanel LipglosCrayon in Brown (bronze with shimmer)- Lancôme LE CRAYON KHÔL — Smoky EyeLiner in Black Coffee - Yves Saint Laurent MASCARA VOLUME EFFET FAUX CILS — Luxurious Mascara in Burgundy # 5 - Benefit Cosmetics Fake Up Concealer in Medium - Stila Stay all day cream concealer in cocoa # 16 - Too Faced Chocolate Soleil Medium / Deep Matte Bronzer - Milani Baked blush in Luminoso - Dior Gold shimmer highlighter - Nars Lip pencil in Rosebud - MAC lipstick in Vegas Volt - Chanel LipglosCRAYON KHÔL — Smoky EyeLiner in Black Coffee - Yves Saint Laurent MASCARA VOLUME EFFET FAUX CILS — Luxurious Mascara in Burgundy # 5 - Benefit Cosmetics Fake Up Concealer in Medium - Stila Stay all day cream concealer in cocoa # 16 - Too Faced Chocolate Soleil Medium / Deep Matte Bronzer - Milani Baked blush in Luminoso - Dior Gold shimmer highlighter - Nars Lip pencil in Rosebud - MAC lipstick in Vegas Volt - Chanel Lipgloss # 64

The game's art style is similar to that of previous Yoshi games, with backgrounds drawn as though they are created from crayons, watercolors or oil paints.

You'll need something to draw with (pencil or marker), paper, and your oil pastels (you can use other coloring supplies like crayons or markers).

Max Brand (German, b. 1982) paints with a wide variety of media including sidewalk chalk, crayon, pencil, marker, spray paint, ballpoint pen, chlorine bleach, and oil and acrylic paints.

Also on view are several early non-ballpoint works; an early lithograph Untitled (1979); a drypoint etching Untitled (1980); two small crayon and oil on paper works Untitled B (1980) and Untitled R (1980); an acrylic and oil on board Untitled 84 - 6 (1984); and Untitled 82 - A (1982), a stunning example of an early painting drawn with a sharp nail and a precursor to his recent acrylic and oil paintings.

Whites bury the artist's traces in ink, oil crayon, and marker, with oil, acrylic, and vinyl layered over that.

The works on paper, made with crayon, marker, oil, and pastel, are a wholly separate practice from the paintings, created in the artist's intimate home space.

These artists created works on paper with the use of many different mediums to achieve their unique creative goal including, graphite drawing, etching, oil paint, collage, crayon, lithography, and watercolor.

The current show at the Quogue Gallery has a large assortment of paintings done with oil, acrylic, and crayon, created from the»50s right through the»80s.

Avery insisted on a rigorous study of his subject, and most of these mature works were the result of sketches or drawings made with color notations, later enlarged and simplified into watercolor or oil crayon and finally translated to oil applied in luminous, thin washes of closely valued colors overlaid with swiftly applied expressionist brushstrokes.

With sebaceous materials such as oil stick and wax crayon, the late works reveal, in their lyricism and sensuousness, what Twombly described as his «irresponsibility to gravity.»

In Ligon's paintings, the instability of his medium — oil crayon used with letter stencils — transforms the texts he quotes, making them abstract, difficult to read, and layered in meaning, much like the subject matter that he appropriates.

In this show, as always, she is intensively engaged with drawing and its corporeality: drawings that she makes with her little finger on an iPhone screen, and the drawing process inherent to large - scale paintings which she makes using brushes, rags, scrapers and giant oil crayons.

The exhibition begins with his drawings from the early 1970s, when he drew primarily on paper with ink, charcoal, lithographic crayon, and black paintstick — a crayon comprised of a mixture of pigment, oil, and wax.

• English Sporting Paintings o Henry Thomas Alken (English, 1785 - 1851), four works from the series A Steeplechase at Market Harborough, Leicestershire, ca. 1840 - 50, oil on panel, each 10 × 14»: The First Fence; Taking a Brook; Bad Fall at a Paling Fence; and Coming up to the Finish o Sir Edwin Landseer (English, 1802 — 1873), A Terrier on a Step, oil on canvas, 7 ⅛ × 8 ⅛» o Sir Alfred J. Munnings (English, 1878 — 1959): Study of the Pytchley Bitch, 1928, oil on panel, 16 × 16»; Pilot, one of Freeman's Hunters, Pytchley, Brixworth, 1928, oil on board, 16 × 8 1/4» • European Paintings o Kees van Dongen (Dutch, 1877 - 1968), Haystacks, n.d., (possibly ca. 1904 - 05), oil on canvas, 19 ⅝ x 25 1/2» o Raoul Dufy (French, 1877 - 1953), L'Atelier au bouquet, 1942, oil on canvas, 25 ⅝ × 31 ⅞» o Paul Gauguin (French, 1848 - 1903), Still Life with Bowl, ca. 1889, oil on canvas, 8 x 12 ⅜» o Vincent van Gogh (Dutch, 1835 - 1890), Daisies, Arles, 1888, oil on canvas, 13 x 16 1/2» o Camille Pissarro (French, 1830 - 1903), The «Royal Palace» at the Hermitage, Pontoise, 1879, oil on canvas, 21 ⅜ x 25 ⅞» o Rene Princeteau (French, 1843 - 1914), Le Tilbury, oil on canvas, 15 ⅞ x 22 ⅛» o Georges Seurat (French, 1859 - 1891), Houses and Garden, ca. 1882, oil on canvas, 11 x 18 1/2» o Henri de Toulouse - Lautrec (French, 1864 - 1901), Norfdac, 1881, oil on panel, 9 1/4 x 5 ⅝» • European Drawings o Leon Bakst (Russian, 1866 - 1924), La Chasse, pencil and watercolor on paper, sight: 12 ⅛ x 18 ⅝» o Eugène Boudin (French, 1824 - 1898), recto: Deux Bretonnes en costume, verso: untitled graphite and watercolor sketch, 10 1/2 x 8 ⅛» o Alexandre - Gabriel Decamps (French, 1803 - 1860), Studies of Hounds, black chalk on grey paper, 6 3/4 x 10 ⅞» o Georges Seurat, Enfant à l'echarpe, black conte crayon, sight: 6 1/2 x 4» o Henri de Toulouse - Lautrec, Le depart, pen and ink and pencil, sight: 6 x 9 3/4»

Using oil sticks, crayons, and laser - printed images of personal and legal documents, Binion creates mixed - media works filled with geometric patterns and flashes of abstract expressionism.

The oil and encaustic canvases and the related watercolor and crayon monotypes are brightly colored in contrast to the bronzes with their dark patinas.

On Sept. 20, some 450 paintings from all periods of a five - decade - long career and about 1,750 drawings executed with pencil, graphite, conte crayon, ink and oil, as well as watercolors and pastels, will be published in high resolution on the website of the Clyfford Still Museum in Denver.

While oil and pastels were his media of choice for painting, Still explored a full range of drawing material: he did work with oils and pastels, but he also created colorful, dynamic works with watercolor, gouache, graphite, pen and ink, charcoal, crayon, and tempera, too.

After seeing James Bishop, which is currently on view at David Zwirner (September 6 — October 25, 2014), I would urge anyone who cares about what an artist can do with paint to go and immerse themselves in this beautiful, sensitive, astringent exhibition of eleven mostly square, human - scaled paintings in oil and four small works (all are less than six inches in height and width), done in oil and crayon on paper.

Working closely with groups of two, Rhode instructed the children to color in the geometric designs using the oversized oil pastels and graphite crayons included in the exhibition.

Takefumi Hori's mixed media paintings are created using multiple layers of acrylic paints, acrylic gels, sometimes an acrylic or oil crayon for detail along with gold, silver, and copper leaf applied to canvas.

It's an interactive, wall - drawing project with a group of young kids, who drew on the walls directly with enlarged oil crayons.

ink on Nepal paper with glass glitter, lithographic crayon and silk tissue; oil paint on mouth - blown clear antique glass with white and yellow gold leaf, two works on Nepal paper, 73-1/2» x 85-1/2» (186.7 cm x 217.2 cm) and 75» x 86» (190.5 cm x 218.4 cm) three glass panels, 23-5/8» x 19-3/4» (60 cm x 50.2 cm) each.