Searching for a visual language to capture the immediacy of everyday life and the quotidian nature of his subject matter, Andrews developed his «rough collage» technique, combining scraps of paper and cloth
with oil paint on canvas.
Peter Hoffman is a New Orleans - based artist who primarily works
with oil paint on canvas.
Not exact matches
Yet I changed my tools from brushes,
oil paints, and
canvas to pencil, paper, and computing power for years and finished physics
with a diploma
on the topic of many - particle theory, under the supervision of Prof. Nolting at the Humboldt University in Berlin.
I
paint with oil colors
on to
canvas, and l feature photo - realism in my work.
Approaches to
oil painting techniques include indirect
painting, whereby successive layers of
paint are added to build up a
painting's surface, as well as «wet into wet,» which involves blending wet
paint directly
on the
canvas and is closely associated
with alla prima
painting.
It is based upon Giuseppe Arcimboldo's Summer, a portrait composed of fruits and vegetables
painted with oil on canvas.
Co-directors Dorota Kobiela and Hugh Welchman have put together a movie that is the first ever to be assembled entirely via
oil paintings on canvas,
with each frame of the animated feature brought to life by the efforts of 125 artists.
Approaches to
oil painting techniques include indirect
painting, whereby successive layers of
paint are added to build up a
painting's surface, as well as «wet into wet,» which involves blending wet
paint directly
on the
canvas and is closely associated
with alla prima
painting.
Approaches to
oil painting techniques include indirect
painting, whereby successive layers of
paint are added to build up a
painting's surface, as well as «wet into wet,» which involves blending wet
paint directly
on the
canvas and is closely associated
with alla prima
painting.
Joffe has described the absorbing, as well as the highly physical experience of the work's making, the thickly applied pastel accumulating
with a luminous purity that is markedly different from the act of
painting and the ways in which
oil behaves
on canvas or board.
I don't know what's «industry standard practice» for fine art galleries these days, regarding pricing works
on paper vs. works
on canvas, but my suspicion is that the reason for the * historical * difference between the two is that works
on paper are perceived to be less «serious» (after all, watercolor started out as a quick way for
oil painters to sketch out drafts), and less long - lasting (historically, a lot of watercolors were fugitive, and tended to fade
with time, unlike varnished
oil paintings).
Andrew Masullo works
on small
canvases with unmixed
oil paint in high - keyed colors.
Still Life
with Orange Stripes and Three BB Holes / 2015 /
Oil, acrylic, gesso and mud
with polymer medium, ink, marker, spray
paint and smoke stain
on canvas / 48» x 36» / $ 6,500
Animals have become unlikely companions — wild Horses
painted deftly
with tonal accents or ducks rendered in pastel colors —
with an enigmatic sense of drama, we experience the great theatre played out in
oil on canvas.
Inscribed «Alberto Giacometti 1965» b.r.
Oil on canvas, 51 1/4 x 32 (130 x 81) Purchased from the artist (Grant - in - Aid)
with the aid of the Friends of the Tate Gallery 1965 Exh: Alberto Giacometti: Sculpture
Paintings Drawings 1913 - 65, Tate Gallery, July - August 1965 (155); Giacometti - Udstillingen, Louisiana Museum, Humlebaek, September - October 1965 (144) Repr: The Friends of the Tate Gallery: Annual Report 1st May 1965 - 30th April 1966 (London 1966), p. 25; Reinhold Hohl, Alberto Giacometti: Sculpture
Painting Drawing (London 1972), p. 168
Still Life
with Painted Pear and Lower Case Letter O / 2015 /
oil, acrylic, spray
paint, glue, mud
with polymer medium, gesso, ink, smoke stains, and floor sweepings
on canvas / 84» x 30» / PLS INQ
David Humphrey's acrylic
on canvas Heat Cycle, David Diao's acrylic and collaged
on canvas Hammered Black and Blue, 2011, behindDonald Moffett's Untitled, Lot 010804, 2004/2011
oil and aluminum
paint on linen
with wood panel support
with steel tacks, galvanized bucket, concrete, rebard, wood, sheet metal, rusted chains.
Callum Innes Exposed
Painting Oriental Blue, 2017
oil on canvas 70 7/8 x 68 7/8 inches (180 x 175 cm) signed and dated by the artist, verso
with accompanying signed certificate of authenticity CI - 75.17
Untitled Spray Portrait
with Painted Eye, Red Purple Drip, a Staple, a Rip and a BB Hole / 2011 /
oil, acrylic, enamel and pastel
on canvas / 72» x» 48» / $ 7,000
ACQUISITION In early January, the Brooklyn Museum announces the acquisition of its first Beauford Delaney
painting, «Untitled (Fang, Crow, and Fruit),» a 1945
oil on canvas still life (shown above), purchased from Michael Rosenfeld Gallery
with money from the museum's African American Purchase Fund.
Inscribed «Alberto Giacometti 1965» b.r.
Oil on canvas, 51 x 31 3/4 (130 x 80.5) Purchased from the artist (Grant - in - Aid)
with the aid of the Friends of the Tate Gallery 1965 Exh: Alberto Giacometti: Sculpture
Paintings Drawings 1913 - 65, Tate Gallery, July - August 1965 (153); Giacometti - Udstillingen, Louisiana Museum, Humlebaek, September - October 1965 (142) Lit: Reinhold Hohl, Alberto Giacometti: Sculpture
Painting Drawing (London 1972), pp. 185, 282 - 4 Repr: The Friends of the Tate Gallery: Annual Report 1st May 1965 - 30th April 1966 (London 1966), p. 24; The Tate Gallery (London 1969), p. 161
Still Life
with Four Blue - Green Stripes, Two BB Holes and White Drips / 2015 /
oil, acrylic, spray
paint, glue, mud
with polymer medium, gesso, ink, smoke stains, and floor sweepings
on canvas / 84» x 30» / PLS INQ
This quality is not only apparent in the way vibrant swaths of
oil paint harmonize
with each other
on the
canvas; it also comes through in the way her career has quietly percolated along through the decades since, without drama or self - promotion,
with no clearly delineated sty listic phases or periods.
Guarding The Pass, 1936,
oil on canvas, 16» x 22» Period Frame, 19th - century Northern European
painting frame, ebonized carved wood, ogee profile
with 12 - karat gilded slip.
Still Life
with BB Holes,
Painted Pear and Learn to Draw Rodent / 2015 /
oil, acrylic, enamel, spray
paint, ink, gesso, and mud
with polymer medium and smoke stain
on canvas / 48» x 36» / PLS INQ
Still Life
with Ten Red - Purple Stripes,
Painted Bite - Size Spiced Donuts and a BB Hole / 2015 /
oil, acrylic, spray
paint, mud
with polymer medium, gesso, wood glue, smoke stains and floor sweepings
on canvas / 84» x 30» / PLS INQ
Aeroplane, 1928,
oil on canvas, 44» x 38», framed by Gill & Lagodich in a custom - made replica of ac.1930s - 40s American Modernist
painting frame; wide reverse wave profile, water gilded in palladium leaf
with light burnt sienna patina.
Two Line Spray Portrait
with Painted Eye and Four White Stripes / 2012 /
Oil enamel and spray
paint on canvas / 96» x 60» / PLS INQ
Caroline Artist: Alberto Giacometti 1901 - 1966 Date: 1965 Classification:
painting Medium:
Oil paint on canvas Dimensions: support: 1295 x 806 mm Purchased
with assistance from the Friends of the Tate Gallery 1965 © The Estate of Alberto Giacometti (Fondation Giacometti, Paris and ADAGP, Paris), licensed in the UK by ACS and DACS, London 2018
Untitled Spray Portrait
with Painted Eye, Four Color Drips, a Rip and Two BB Holes / 2007 /
oil, acrylic, enamel, and spray
paint on canvas / 60» x 48» / $ 6,000
His large - scale works begin as drawings either
on paper or
on the computer screen before they are printed or transferred to
canvas and then embellished
with oil paint.
Still Life
with Two BB Holes and Drips / 2015 - 2016 /
Oil, acrylic, spray
paint, gesso, ink, and mud
with polymer medium and smoke stain
on canvas / 48» x 48» / $ 7,500
Untitled Spray Portrait
with Painted Eye and Green Drip / 2011 /
Oil, acrylic, enamel and spray
paint on canvas / 96» x 48» / $ 10,000
Still Life
with Orange Drips and
Painted Pumpkin / 2015 - 2016 /
Oil, acrylic, enamel, spray
paint, ink, gesso and mud
with polymer medium and smoke stain
on canvas / 96» x 60» / $ 12,000
Snowy Mountain Range (Path of Souls, Idaho), 1896,
oil on canvas, 15» x 27» Custom - made replica, c. 1880s American
painting frame; gilded applied composition ornament
with gilded oak panel; molding width: 5-1/4»
Tyler applies both
oil and acrylic
paint with a brush, his fingertips, or throws and drips the
paint on the upright
canvas.
A selection of
oil on canvas paintings from the «Two Weeks One Summer» series exhibited at the Pinchuk Art Centre to coincide
with the Future Generation Art Prize.
They cling firmly to the fundamental principles of their art and do not araise any doubts about the methods, techniques or materials they apply: Houseago makes sculptures and casts
with plaster and clay, Bessone
paints on canvas or paper
with watercolours and
oil.
While the content is filled
with personal memory, it is also fueled
with humor, reverie, whimsy, and the colorful use of
oil paint on canvas mixed
with paper and meticulous embroidery work.
«Salt Spring Peony» is an
oil painting on museum - wrap
canvas with the image wrap
painted around the edge.
IL LEE offers the negative of his well - known ballpoint pen works — here a dark ground of
oil stick and
paint on canvas is rendered white by scraping lines into the surface
with an ink-less pen.
Edward Ruscha, Large Trademark
with Eight Spotlights, 1962,
Oil, house
paint, ink, and graphite pencil
on canvas
Challenging the set traditions of
oil painting, works in this series articulate
on the essence of working
with the
canvas and utilizing the limitless possibilities of the surface in the most unrestrained manner.
Over the past five years, Richter has been primarily concerned
with a series of
paintings premised
on systematically deconstructing a photograph of his own abstract
oil on canvas from 1990.
Engaging in their complexity and enigmatic in their elusiveness, John Mills shows his most recent large and small scale graphite and
oil paintings on canvas with Rosamund Felsen Gallery.
Oil on canvas Hand - signed «Pat Steir, 1988» verso Excellent Condition Though her early work was loosely allied
with Conceptual Art and Minimalism, Pat Steir's poured «Waterfall»
paintings initiated in 1988 gained her critical acclaim.
Francis Alÿs, The Upset Bucket, 1991 — 92 [detail],
oil on canvas;
oil, graphite, and masking tape
on vellum,
painted wall, dimensions variable
with installation © Francis Alÿs.
Benny Andrews (1930 - 2006) The Way (Revival Series), 1995
oil on canvas with painted fabric collage 60» x 40 1/4» x 3/8», signed and dated
Oil and charcoal
on sized, primed
canvas with painted wood frame, 69 5/8 × 68 1/2 inches
Oil and enamel
on canvas mounted to four shaped wood boards joined
with eight
painted metal supports, 87 x 61 3/4 x 1 5/8 inches.