Sentences with phrase «with opera director»

Pausing at the opera house's steps, exhausted from the late night backstage encounters with singers and musicians reluctant to discuss Maestro Wellauer's violent death, Commissario Guido Brunetti delays the night's last unrevealing interview with opera director Santore to linger over his city's history and beauty.

Not exact matches

But the possible charges shows that there's a deeply serious side to this soap opera, with a sitting CIA director possibly violating his security clearance, thus proving that the affair had the potential to endanger US national security.

Dramatizing his lead character's fantasies through opera, animation, and musical numbers, the director, according to Indiewire, «renders a troubled subjectivity with striking creativity,» providing «an unhinged portrait of emotional turmoil with bold stabs at expressionistic representation at every turn.»

This time out, things are essentially all on a larger scale, with director David Twohy trying to create a kind of space opera; somewhat inevitably, critical backlash was large and it ended up not seeming such a good idea after all.

Yet even as badly written and directed as it is, the character interplay is not without its occasional fringe benefits, including Richard Chamberlain's early scenes with Newman, Holden, and Susan Blakely; and a surprisingly good, though brief, performance by soap opera first - stringer Susan Flannery as Lorrie, a secretary whose love - tryst with Publicity Director Dan Bigelow (Robert Wagner) turns into a nightmare.

The odd hybrid of small town soap opera and brutal crime thriller builds slowly — maybe a little too slowly for some — but director Richard Fleischer does an impressive job of weaving the stories and character around each other visually, with characters criss - crossing through scenes and Fleischer panning his camera to across the vast canvas to pick out threads of others stories.

Marvel's Guardians of the Galaxy is out on DVD and Blu - ray today, and Yahoo! Movies caught up with director James Gunn during the press tour for the home - entertainment release, with Gunn taking a moment to discuss the villainous characters of the space opera — specifically, Karen Gillan's Nebula, calling her «the Boba Fett of the -LSB-...]

Through intimate and honest conversations with Jodorowsky, filmed over the span of three years, plus interviews with legends and luminaries including H.R. Giger (artist, ALIEN), Gary Kurtz (producer, STAR WARS) and Nicolas Winding Refn (director, DRIVE and THE NEON DEMON), as well as never - before - seen realizations of Jodo's mind - blowing psychedelic space opera, director Pavich's film finally unearths the full saga of «THE GREATEST MOVIE NEVER MADE».

Working with director David Dobkin, Gough and Millar (who previously created «Smallville» and wrote Dobkin's film «Shanghai Knights») cross-pollinate soap - opera melodrama with gonzo hand - to - hand combat scenes.

After an opening that reminds of the breathless epileptic dirt of Joe Carnahan's Narc, director Jean - François Richet takes control of his frenetic camera and presents the action with an unusual amount of clarity for a modern shake - and - bake opera.

The director of Godzilla (2014) constructs a fast paced, sure footed space opera, with a complete vision of the Star Wars universe that's full of characters living in a world of destruction and dirt covered faces.

The soap operas Hudson made with the director Douglas Sirk, whose windswept allegories of alienation (even the interiors looked windswept) influenced the lumpy - rain - cloud fatalism of Rainer Werner Fassbinder, exploited Hudson's sympathetic potential, their very titles soliciting tears: Written on the Wind, The Tarnished Angels, Magnificent Obsession, All That Heaven Allows.

A super-concentrated packet whose features have the precision of an X-Acto knife, Natalie Portman literally and figuratively blasted out of the box as a pubescent punkette assassin in The Professional (1994) and hasn't taken a breather since, working with the top stratum of directors in a carousel of genres ranging from costume drama (The Other Boleyn Girl) to space opera (the Star Wars prequel trilogy), to mirror - splintering psychodrama (Black Swan, for which she won the Academy Award for Best Performance by an Actress in a Leading Role).

He himself plays a role in the film as an uncomfortably retired opera director who flies with his wife (Judy Davis) to Rome to meet his future son - in - law and discovers that the boy's undertaker father (Fabio Armiliato) has a great singing voice — but only when he's singing in the shower.

He's made numerous records, performed with his wife, the opera singer - actress Alicia Hall Moran, at the Whitney and the 2015 Venice Biennale, and currently serves as the artistic director for jazz at the Kennedy Center.

Meanwhile, PIERRE ALEXANDER DE LOOZ activates the secret Vogue history of CY TWOMBLY photographed by HORST P. HORST; publisher LORD GEORGE WEIDENFELD divulges the historical foundation of the global networking imperative in an interview with HANS ULRICH OBRIST; architect ARNO BRANDLHUBER asks how we can build architecture in the form of a discussion; artist MATTHEW BARNEY previews the Detroit chapter of his opera Ancient Evenings; designer RICK OWENS talks with CARSON CHAN about the discrete, the lurid, and the total aesthetic; director PAUL SCHRADER and king of disco GIORGIO MORODER crystallize 30 years of AMERICAN GIGOLO; artist ANDRO WEKUA stares us down with a 21st - century scenography;

As well as creating their own projects, they have collaborated widely with festivals, theatre directors, opera houses and choreographers.

At the basis of the collaborative project stands the desire to offer another layer of interpretation to the medium of opera through the eyes of contemporary photographers, and with that, add another tier of observation on the genre, one that is independent from the interpretations of the director and the conductor that will be presented on stage.

«Many have said that the true starting point of contemporary opera was 1976 with the production of «Einstein on the Beach» in Avignon,» Colin B. Bailey, director of the Morgan Library & Museum, stated in the announcement.

His collaborations with Japanese choreographer Saburo Teshigawara and Royal Ballet artistic director Wayne MacGregor have been seen at opera houses, theatres and festivals around the world.

A Year at ENO: Visual Artist in Residence Tom Hammick discusses his prints and paintings in response to a season of opera productions, with ENO Director Elaine Tyler - Hall

Co-curated by renowned theater director, Peter Sellars, along with Meskerem Assegued, the exhibition included props designed by Sime for Sellars» production of Igor Stravinsky's opera Oedipus Rex.

In 2004, she collaborated with director Bill Friedken, creating sets for the opera Tannhà $ user at the Dorothy Chandler Pavilion, Los Angeles and Lincoln Center, New York.

Giuseppe Frigeni is a director, choreographer, and visual designer who has also collaborated with Bob Wilson as co-director on video works and theater & opera productions.

He's worked with the likes of the late Sam Kennison, Carrot Top, Ron White, Howie Mandel, Rich Hall (Saturday Night Live), Anthony Clark (Yes, Dear) and Michael Winslow (Police Academy) He is also the writer / producer / director / actor of the soap opera spoof Misty Dawn.