Sentences with phrase «with other abstract expressionists»

[ii] Marca - Relli shared with other abstract expressionists a desire to capture intuitive, creative impulses before his rational mind had a chance to repress them.

Not exact matches

Müller is often grouped with other figurative painters from the 1950s including Fairfield Porter and Bob Thompson - painters who married abstract expressionist technique and earlier influences, most notably the Nabis.

PAUL CUMMINGS: Well, you were saying that you didn't really get involved with the other quote «abstract expressionists» as much as you did with Bill de Kooning.

Works from the abstract expressionist period will include never before seen works by Helen Frankenthaler, Morris Louis, Philip Guston, along with mid-century master Alexander Calder, among others.

With that being said, that is quite a difference between the top market for Jackson Pollock and Rothko and other abstract expressionists.

In these two - venue talks, guides from the Clyfford Still Museum and the Denver Art Museum collaborate to compare and contrast the work of Clyfford Still and other male abstract expressionists with the leading female artists of the movement.

These «Modernist» landmarks include the atonal ending of Arnold Schoenberg's Second String Quartet in 1908, the expressionist paintings of Wassily Kandinsky starting in 1903, and culminating with his first abstract painting and the founding of the Blue Rider group in Munich in 1911, and the rise of fauvism and the inventions of cubism from the studios of Henri Matisse, Pablo Picasso, Georges Braque, and others, in the years between 1900 and 1910.

The other abstract expressionists followed Pollock's breakthrough with new breakthroughs of their own.

Unlike with some other movements, there are no formulas for making an abstract expressionist painting.

Fritz Bultman set himself apart from other Abstract Expressionists with his meticulously organized abstract compositions, use of sculpture, and the adoption of collage as a core prac...

Newman is generally classified as an abstract expressionist on account of his working in New York City in the 1950s, associating with other artists of the group and developing an abstract style which owed little or nothing to European art.

With his roots in printmaking and Surrealism, British artist Stanley William Hayter's (1901 — 1988) theoretical writings on automatism and the expressive abstraction of his own work were a formative influence on Pollock and other abstract expressionists via his printmaking studio, Atelier 17, where Hayter taught Pollock and other well known artists including Pablo Picasso, Joan Miro, Max Ernst, Alexander Calder, Marc Chagall, Jacques Lipchitz and Alberto Giacometti.

But among the things they had in common was a rejection of the gestural painting favoured by the abstract expressionists and other abstract painters, and the personal agonising associated with Auerbach, Bacon and what would come to be known as the School of London.

Fritz Bultman set himself apart from other Abstract Expressionists with his meticulously organized abstract compositions, use of sculpture, and the adoption of collage as a core practice.

Okada became friends with Mark Rothko and many other abstract expressionists, especially the early color field painters.

Though typically labeled an Abstract Expressionist, his work might better be described as abstract and expressionist, with liberal doses of Surrealism, Art Brut, and a few other eclectic affinities thrown Expressionist, his work might better be described as abstract and expressionist, with liberal doses of Surrealism, Art Brut, and a few other eclectic affinities thrown expressionist, with liberal doses of Surrealism, Art Brut, and a few other eclectic affinities thrown into the mix.

Henner reaches back in time with other works as well: for example the 18 aerial landscape photos that show a striking similarity to abstract expressionist paintings from the 1940s.

From the famous «Erased de Kooning Drawing,» in which he both puckishly defied and meticulously paid tribute to his abstract expressionist contemporary, to his performance work with Merce Cunningham, John Cage, Trisha Brown and others, to his globe - spanning Rauschenberg Overseas Culture Interchange, which propagated new work with artists, poets and ordinary people in 10 countries, Rauschenberg was engaged in a kind of perpetual conversation.

On the other hand, a significant tribute to Robert Motherwell, the American abstract expressionist painter, was not timed to coincide with the auctions.

Like other abstract expressionists and the Surrealists before them, Stillman experimented with «automatic» drawing techniques in which the line was allowed to roam freely without conscious control.

The gallery had long lacked cohesion, being composed overwhelmingly of abstract expressionist paintings, but with just enough individual works from other movements or periods to frustrate any attempt to make sense of it.

«We work with some informed collectors in Uruguay, Argentina and Brazil who have made a significant commitment to the art of Joan Mitchell, and to that of other first - generation abstract expressionist painters.

During the Great Depression, he met Willem de Kooning, with whom, and other abstract expressionists, he founded the New York School.

That's the big difference I think between the 30s and the period after World War II: that in the 30s we were consciously form - making and in the abstract expressionist period we were more concerned with expression and non-form, which, as I said, in a sense always is form in one way or the other.

Siskind radicalized the medium by showing photography's potential for to create abstract art; this fit perfectly with the gestural lines, abstract forms, and other themes being explored on canvas in New York City by the Abstract Expressionists.

The use of parallel sequential strips of pure undiluted colour refer to Graham's fascination with the American abstract expressionist painter Morris Louis, whose work amongst others has been deeply interested him during the last decade.

I remember there were paintings of political and cultural signs like a profile of a figure, sometimes mixed in with writings in Hebrew, other times barely sustained among floods of expressionist and highly charged abstract gestures.

In the early 40s, Siskind became friends with Abstract Expressionist painters (Franz Kline, Barnett Newman, Mark Rothko and others) and focused his aristic focus on symbolic and abstract photography based on a documentary style.

Together with Kenneth Noland (b. 1924) and Frank Stella (b. 1936), he is considered to be one of the leaders of the generation of American painters that succeeded the New York School of Abstract Expressionism, except that his development differs markedly from the others because, from the beginning, he rejected the influence of US abstract expressionist painting and turned directly to a personal re-examination of European, and especially French, sources of postmodernist art.

Art historians had begun using the term «abstract expressionism» at the end of World War I to refer to Kandinsky and other Europeans who painted abstractly with expressionist brushwork.

By doggedly ploughing his own furrow, Hartung in a sense refused to choose between two simplistic visions of abstract art: on one side, eruptive and chaotic painting, based on pure intuition, combined with the expressionist, gestural, lyrical, informal and Tachiste tendencies of post-war painting; and, on the other, control, precision and systems, whose notions belong more to the realm of Geometric Abstraction.

Among early modernist non-literary landmarks is the atonal ending of Arnold Schoenberg's Second String Quartet in 1908, the Expressionist paintings of Wassily Kandinsky starting in 1903 and culminating with his first abstract painting and the founding of the Expressionist Blue Rider group in Munich in 1911, the rise of fauvism, and the introduction of cubism from the studios of Henri Matisse, Pablo Picasso, Georges Braque and others between 1900 and 1910.

Beginning with Solomon R. Guggenheim's founding collection of abstract art, the museum's holdings have been augmented and strengthened over the years by Karl Nierendorf's important German and Austrian Expressionist works, Justin K. Thannhauser's Impressionist, Post-Impressionist and other modern pieces, Hilla Rebay's personal collection of 20th century works, and Count Giuseppe Panza di Biumo's Minimalist, Post-Minimalist, Environmental, and Conceptual art.

Other important artists involved with the movement included Hans Hofmann, Robert Motherwell, and Mark Rothko; among other major abstract expressionists were such painters as Clyfford Still, Theodoros Stamos, Adolph Gottlieb, Helen Frankenthaler, Lee Krasner, and Esteban VicOther important artists involved with the movement included Hans Hofmann, Robert Motherwell, and Mark Rothko; among other major abstract expressionists were such painters as Clyfford Still, Theodoros Stamos, Adolph Gottlieb, Helen Frankenthaler, Lee Krasner, and Esteban Vicother major abstract expressionists were such painters as Clyfford Still, Theodoros Stamos, Adolph Gottlieb, Helen Frankenthaler, Lee Krasner, and Esteban Vicente.

Although some abstract expressionists continued to experiment with pure abstraction, others began to reintroduce recognizable subject matter into their canvases.

Nevertheless, by 1943, Jackson Pollock, Lee Krasner, Willem de Kooning, Elaine de Kooning, Robert Motherwell, William Baziotes, and other future abstract expressionists were becoming increasingly familiar with each other's work.