Sentences with phrase «with other abstract painters»

Essentially self - taught, he had educated himself in the city's museums and art galleries and through his association with other abstract painters.

In 1964, Noland - along with other abstract painters including Jules Olitski (b. 1922), Ellsworth Kelly (b. 1923), Al Held (b. 1928) Helen Frankenthaler (b. 1928) and Frank Stella (b. 1936)- was labelled a member of Post-Painterly Abstraction, by the critic Clement Greenberg (1909 - 94).

Not exact matches

Müller is often grouped with other figurative painters from the 1950s including Fairfield Porter and Bob Thompson - painters who married abstract expressionist technique and earlier influences, most notably the Nabis.

As with other abstract movements, these painters emphasized color and how the work corresponds with their own inner emotions over shape or form.

Now emerging abstract painters play with projections and simulations as one more medium among others.

Curator Gary Garrels worked with six abstract painters — Mark Grotjahn, Wade Guyton, Mary Heilmann, Amy Sillman, Charline von Heyl, and Christopher Wool — to select one of their own recent paintings as well as works by other artists who have influenced their thinking.

While the movement is closely associated with painting, and painters such as Arshile Gorky, Franz Kline, Clyfford Still, Hans Hofmann, Willem de Kooning, Jackson Pollock, and others, collagist Anne Ryan and certain sculptors in particular were also integral to abstract expressionism.

And he was doing it with the kind of deeply seductive, gutsy painterliness that, say, Philip Guston, that other abstract - turned - figurative painter — and upstate New Yorker — wasn't.

An abstract painter, Greenbaum «wields a vast visual glossary, with her works sometimes reading like punchy, assured, confrontational statements and at other times ballooning quietly across the page like slow - capture botanical animation, never arriving at any kind of declaration,» Ali Fitzgerald has written.

Bringing together three painters with distinct oeuvres — that have been, at times, linked to the legacy of German painting, or even of Albert Oehlen himself — the panel will consider abstract painting in relation to other contemporary manifestations of abstraction in economics (market speculation), philosophy (anti-essentialist thought, questions around the structure of time, semiotics), digital culture (sampling, rendering), and aesthetics more generally (considerations of form, the notion of style).

On the other hand, both parts of Black in the Abstract make it perfectly clear that, on the whole, the quality of the work being produced by black artists whose practices include abstraction — as the inclusion of Hammons, McMillian and Donnett indicate, not everyone here is an «abstract painter» — does not suffer in comparison with that of their colleagues of other backgrounds, including major figures like Amy Sillman and Charline von Heyl, both of whom have work in Arning's Painting: A Love Story.

But among the things they had in common was a rejection of the gestural painting favoured by the abstract expressionists and other abstract painters, and the personal agonising associated with Auerbach, Bacon and what would come to be known as the School of London.

But his question wasn't wrong per se — it just didn't have much to do with the achievement of his exhibition, which takes a more interesting, less expected tack: Garrels asked six abstract painters working in the United States to «select one or two of their own recent paintings to be shown with works by other artists who have had a significant impact on their thinking and the development of their own work.»

These artists used familiar scenes to engage a wide range of audiences with fine art, in contrast to the popularity of European trends in abstract painting among other American painters of their generation.

Okada became friends with Mark Rothko and many other abstract expressionists, especially the early color field painters.

In essays that address links with the poetry of Robert Frost and the paintings of Edward Hopper, Charles Sheeler and other artistic peers, the authors consider Wyeth's statement that he was, in fact, an abstract painter.

Other artists I am always loving are abstract painters like Trudy Benson, Wendy White, Laura Owens, and artists that are creating immersive environments with 2D and 3D Elements like Liz Miller, Jim Drain, Diana Cooper.

On the other hand, a significant tribute to Robert Motherwell, the American abstract expressionist painter, was not timed to coincide with the auctions.

The Other nominees for the inaugural year included sculptor Richard Deacon, the collaborative duo Gilbert & George, abstract painter Howard Hodgkin and sculpture and installation artist Richard Long — but unlike his fellow nominees Morley just did not fit into any one particular genealogy; with his connection to Photorealism, or Super-realism — as he named it — later being discarded by the artist in favour of a more expressive method of painting — that critics deemed a kind of Neo-expressionism.

«We work with some informed collectors in Uruguay, Argentina and Brazil who have made a significant commitment to the art of Joan Mitchell, and to that of other first - generation abstract expressionist painters.

And while it could be argued that the dazzling boom and bust of a few 26 - year - old white male skateboarders - cum - abstract - painters isn't representative of thousands of other emerging artists, the spectacular market failure of that one, tiny group had a much broader cooling effect on the market: With collectors suddenly questioning the value of their not - insignificant investments (no matter how rich you are, watching your $ 100,000 painting go to $ 20,000 in a few months has to be unpleasant), a crisis of confidence resulted in some very good galleries going under.

The use of parallel sequential strips of pure undiluted colour refer to Graham's fascination with the American abstract expressionist painter Morris Louis, whose work amongst others has been deeply interested him during the last decade.

Ernst Kirchner, Karl Schmidt - Rottluff, Max Ernst, Alexei Jawlensky, Oskar Kokoschka, Franz Marc, August Macke and Max Beckmann) were not abstract painters, but their vivid palette - along with Kandinsky's theoretical writings - alerted other more abstract - inclined artists to the power of colour as a means of achieving their goals.

Other abstract painters associated with Orphism include the French - Czech painter Frank Kupka (1871 - 1957), Francis Picabia (1879 - 1953), Jean Metzinger (1883 - 1956), Marcel Duchamp (1887 - 1968), Fernand Leger (1881 - 1955), and others.

Painter, illustrator, graphic designer and graffiti artist, Rems 182's imagery unites violence, eroticism, and strength in both large - scale and smaller portraits characterised by a use of multiple perspectives that create a unique softness in each image that allows the various expressions to complement each other while revealing the complexities of human emotion Having a background as a graffiti writer his work combines both letter - based and complex figurative images, or as the artist himself explains: «I fuse my graffiti writer language with my modern figurative art experience in perennial tension towards abstract disaggregation.»

In addition to those Vorticist members mentioned above, certain other artists were closely associated with the movement including the much underrated painter David Bomberg (1890 - 1957), the US - born sculptor Jacob Epstein (1880 - 1959), who settled in Londin in 1905, and the American - born British photographer Alvin Langdon Coburn (1882 - 1966) noted for his avant - garde black - and - white abstract photographs, known as Vortographs.

In the early 40s, Siskind became friends with Abstract Expressionist painters (Franz Kline, Barnett Newman, Mark Rothko and others) and focused his aristic focus on symbolic and abstract photography based on a documentary style.

Together with Kenneth Noland (b. 1924) and Frank Stella (b. 1936), he is considered to be one of the leaders of the generation of American painters that succeeded the New York School of Abstract Expressionism, except that his development differs markedly from the others because, from the beginning, he rejected the influence of US abstract expressionist painting and turned directly to a personal re-examination of European, and especially French, sources of postmodernist art.

Situated neither within Constructivist nor Minimalist movements, his pared - down vocabulary of lines and squares, refined colour palette and precise measurements nevertheless positioned Calderara closely with other minimalist painters at the time, including Piet Mondrian and Josef Albers, both of whom the artist admired greatly.Such singular geometric lyricism came to the fore in Calderara's seminal work Painting Infinity, which he created in 1959 at the age of 56 — the same year he created his first fully abstract painting, Quadrati e Rettangoli.

The most important monochromatic, richly nuanced paintings that are primarily made of one color, including works by Ellsworth Kelly who, as one of the most radically abstract painters, will be central in the display together with other American artists like Nassos Daphnis, Marcia Hafif, Joseph Marioni, Allan McCollum, Steven Parrino, Stephen Prina.

Throughout his life, the artist inspired several other painters in the abstract expressionism era, and they came up with their own innovative techniques.

Other important artists involved with the movement included Hans Hofmann, Robert Motherwell, and Mark Rothko; among other major abstract expressionists were such painters as Clyfford Still, Theodoros Stamos, Adolph Gottlieb, Helen Frankenthaler, Lee Krasner, and Esteban VicOther important artists involved with the movement included Hans Hofmann, Robert Motherwell, and Mark Rothko; among other major abstract expressionists were such painters as Clyfford Still, Theodoros Stamos, Adolph Gottlieb, Helen Frankenthaler, Lee Krasner, and Esteban Vicother major abstract expressionists were such painters as Clyfford Still, Theodoros Stamos, Adolph Gottlieb, Helen Frankenthaler, Lee Krasner, and Esteban Vicente.

In the 1950s, she took weekend studio classes at American University, working briefly with Jacob Kainen, one of a group of abstract painters — Gene Davis, Morris Louis, and Kenneth Noland were others — gaining national attention as the Washington Color School.

Several other artists also experimented with the style, including Francis Picabia, Albert Gleizes, Fernand Léger and the American abstract painter Patrick Henry Bruce.

In any event, detached as it was from the unique horrors of the Great War and the Holocaust of World War II, Mexican muralism contrasted noticeably with the flight into abstract art (via movements like Abstract Expressionism and Art Informel) adopted by many other 20th century painters during the period 1930 - 1960.

Her abstract painterly techniques and figurative glyphs are well married and suggest a personal dialogue with other artists and art history; I happened to think of such different painters as Lois Lane, Gael Stack, Charles Marburg, and Clint Jukkala.

Six contemporary abstract painters each have been asked to select one or two of their own recent paintings to be shown with works by other artists who have had a significant impact on their thinking and the development of their own work.

The only think that can say further, without question, I feel that a good abstract painter is as much connected, as you say, with the human spirit as any other painter.

Zao's use of this calligraphic motif conflates the act of painting with the pictorial structure of the work, something he had in common with other postwar abstract painters, such as his American contemporary Franz Kline.

Walker is a leading abstract painter, with works in the collections of the Art Institute of Chicago, the British Museum, the Irish Museum of Modern Art in Dublin and other museums across the world.

Two great artists bounce and fizz off each other in an exhibition that compares Bridget Riley's early masterpieces of abstract art with the 19th - century painter who helped inspire them: Georges Seurat.

He formed Painters Eleven with ten other abstract painters (most of whom had also been in the Abstracts At Home event) sooPainters Eleven with ten other abstract painters (most of whom had also been in the Abstracts At Home event) soopainters (most of whom had also been in the Abstracts At Home event) soon after.