Not exact matches
MacLeish's contribution,
other than bringing the story into the 20th century, making a great contribution to the tiny, tiny pool of American poetic drama, and winning the 1959 Pulitzer
with it, is quite a bit of additional commentary by his God and Satan characters, a pair of washed - up
actors who observe the Job story being
played on a stage, and occasionally take part in it.
you feel like screaming), and the farcical way in which a handful of
other key characters are
played really jars
with the weighty subjects discussed and nuanced misery portrayed by a few of the
other actors.
Middendorf
plays her good girl character
with aplomb while Hughes doesn't bug me nearly as much as
other child
actors.
I am a body builder and a musician, I write my own music,, and I call it Movie Metal Music, Viking, like,
actors, who would be
playing in my movie, would be Melinda Murphy,, this music I must keep to my woman and I only until we can find
other musicians that will
play with us I have my music copy...
Maïwenn brings up the dirty and dark side of Paris
with the help of an excellent team of child
actors - Malonn Lévana, the lovely little girl of «Tomboy» (where she
plays the sister of the leading character) is someone to keep an eye on - and the best known
actors of the French cinema of today: Marina Foïs, Sandrine Kiberlain, Nicolas Duvauchelle, Frédéric Pierrot, Karin Viard, Louis - Do de Lencquesaing, Alice de Lencquesaing (L'heure d'été, Le père de mes enfants), Jérémie Elkaïm (La guerre est déclarée), Karole Rocher, and
others.
Farrell's performance in the stage
play Skidding established her reputation, and in 1929 she was wooed to Hollywood along
with many
other stage
actors in the wake of the «talkie» revolution.
The lead
actors are typecast,
with Ferrell being goofy SNL - style, Vince Vaughn doing the loudmouth jackass thing he did so well in Swingers and Made and Luke Wilson acting as the straight man like in Bottle Rocket or Legally Blonde, but the refreshing thing is how the three
play off each
other.
With the possible exceptions of fellow character players Fritz Feld and Gino Corrado, German - born
actor Sig Arno
played more waiters and maitre d's than any
other film
actor.
Recruited by an old chum (Peter Boyle) to help find an exotic prostitute missing in Chinatown, Hammett enlists his implausibly gorgeous neighbor (Marilu Henner) to
play Girl Friday as he matches wits
with colorful
actors including Jack Nance («Eraserhead» and
other David Lynch works), David Patrick Kelly (whose strangled voice is an interesting counterpart to his iconic «Come out to
play - yi - yay» taunt from «The Warriors»), Roy Kinnear and a few old - timers from film noir's heyday (the scene
with Sylvia Sidney is especially good).
B.J. Novak's One More Thing: Stories And
Other Stories is largely read by Novak, but it plays with the use of other actors — it includes a really lovely performance from Lena Dunham as a sex robot (just... listen to it, it's very good), as well as turns from Jenna Fischer, Julianne Moore, Rainn Wilson and, of course, Novak's frequent collaborator Mindy Kaling (who's very fu
Other Stories is largely read by Novak, but it
plays with the use of
other actors — it includes a really lovely performance from Lena Dunham as a sex robot (just... listen to it, it's very good), as well as turns from Jenna Fischer, Julianne Moore, Rainn Wilson and, of course, Novak's frequent collaborator Mindy Kaling (who's very fu
other actors — it includes a really lovely performance from Lena Dunham as a sex robot (just... listen to it, it's very good), as well as turns from Jenna Fischer, Julianne Moore, Rainn Wilson and, of course, Novak's frequent collaborator Mindy Kaling (who's very funny).
If you're not groaning already, you should be, because we've seen every single one of these
actors play the exact same part in
other movies — only
with far better results.
I sat down
with the real - life heroes, now
actors, to discuss the fascinating concept of them
playing themselves, what they learned about themselves and each
other after doing so, and what the film says about bringing a community together to conquer despair.
Shelley Winters
plays the concierge, a woman
with little time for the
others occupants; veteran Hollywood
actor Melyyn Douglas is Monsieur Zy, the recalcitrant owner of the building who demands that his tenants live as quietly as possible;
other tenants include the shrewish M. Dioz (Jo Van Fleet (East of Eden, The King and Four Queens) who wages spiteful wars on those
with whom she has fallen into disagreement, and the meek mother (Lila Kedrova — The Kremlin Letter) and her disabled daughter who become the focus of Dioz's vitriol.
Films from Velvet Goldmine to Moulin Rouge to Down
With Love have proven that few
actors possess McGregor's dynamism, but in this adaptation of Alexander Trocchi's Beat - era novel, he
plays to the
other end of his range.
He has been nominated for the Tony Award as Best
Actor for the Broadway
play God of Carnage (2009), along
with his
other three cast - mates.
So by the time we got ready to shoot Lincoln, and I had spent the time
with the
other actors, most of my work was
with everybody else,
with Tommy Lee Jones,
with Joseph Gordon - Levitt,
with Sally Field,
with David Strathairn, who
plays Secretary of State Seward, because we hadn't spent that time discussing this together.
Throughout the film Kaufman experiments
with varying degrees of fiction (Cage also
plays Charlie's made - up twin brother, Donald) and nonfiction (actual events from «The Orchid Thief» are acted - out by Meryl Streep, Chris Cooper and
other supporting
actors).
While Willis continues to phone in his performance
with the same on - screen persona he's been giving us for the last decade or two, the
other main
actors get their chances to shine, especially an always fun Helen Mirren (Monsters University, Hitchcock) and John Malkovich, who know well enough to
play to the audience that they know that the movie they're in is meant to be nothing but a hammy lark.
But there the quartet is, Boyle and the men who respectively
played Renton, Sickboy and Spud (Robert Carlyle, the
actor who gave life to the psychotic Begbie, is still back in the U.K. working), joking
with each
other as if the last 20 - plus years had never happened.
Harvey is an executive producer and he
plays himself in talk show interviews sprinkled throughout, but Think Like a Man belongs to
others as well, including Friends
with Benefits writers Keith Merryman and David A. Newman, Barbershop director Tim Story, and a large, talented ensemble cast composed primarily of African - American
actors.
The
actor who
played Iron Man, 53, revealed to Entertainment Weekly he, along
with four
others of the original six Avengers including Scarlett Johansson, Chris Hemsworth, Jeremy Renner and Chris Evans, got a sweet reminder of their time in the franchise and how's that for friendship goals?
Two
other actors will portray «small Alison» and «medium Alison» (those parts are yet to be cast), revealing her relationship
with her dad (
played by Zubin Varla) and mother (Jenna Russell).
Apart from anything else, cis
actors get an annoying «bravery» bonus from the
other cis
actors who vote on awards — just as able - bodied
actors are rewarded for
playing characters
with disabilities,
playing trans is seen as a demonstration of a cis
actor's commitment to the craft.
Nowhere is this more clear than in the Best
Actor category, which already seems to have congealed into a solid list of five extremely likely candidates
with a number of
others waiting in the wings to
play the spoiler.
With actors like Plummer and McGregor
playing off each
other, I was psyched for something good.
If Owen is the standard to which all
other performances must rise Foster proves to be the bare minimum you can get away
with,
playing a character so deeply rooted in some ethical and moral grey area you're not sure if she's being intentionally vague or if the
actor ever believed in the part.
Co-written by estimable Frownland director Ronald Bronstein, it's inspired by the experiences of street kid Arielle Holmes, who
plays a fictional version of herself alongside
actor Caleb Landry Jones in what's described as «a tumultuous drama about a New York City couple battling addiction in the midst of a love affair»... And finally, the prize for oddest remake of the week: French thriller specialist Jean - François Richet is changing gear rather alarmingly
with his, er, «reboot» is the word I'm looking for, of Claude Berri's 1977 comedy Un moment d'égarement, in which two fathers take their sexy adolescent daughters on vacation — and one of them is seduced by the
other's jeune fille.
These changes in characters, along
with a group of powerhouse
actors to
play them (Jack Lemmon, George C. Scott, Armin Mueller - Stahl, Tony Danza, Edward James Olmos, and
others), allow the viewer to intimately know each of these twelve individuals — an amazing feat considering the size of the cast.
With two
other projects in
play this year as well, 2015 is quite possibly going to be the year of Gyllenhaal, so he's my early pick right now to take home Best
Actor.
The first two acts of The Maze Runner
play out exactly as you'd expect them to,
with all of the various details and requisite dynamics sketched in through the thin characterizations of the group's leader Alby (Aml Ameen, who along
with Sangster are the only
actors who manage to escape this unscathed), the rote and relentlessly irritating (for no reason
other than drama) group villain Gally (Will Poulter, whose acclaim and popularity continues to baffle me as he turns in another dreadful performance), the trite cliche of the young innocent Chuck (Blake Cooper) and so on.
Among the
other fiction films to look for in theaters or on VOD: John Michael McDonagh's Calvary, in which Brendan Gleeson gives a beautifully modulated performance as a dedicated priest who is no match for the disillusionment of his parishioners and the rage of another inhabitant of his Irish seaside village, determined to take revenge against the priesthood for the sexual abuse he suffered as a child; the desultory God Help the Girl, the debut feature by Stuart Murdoch (of Belle and Sebastian), all the more charming for its refusal to sell its musical numbers; Tim Sutton's delicate, impressionistic Memphis, a blues tone poem that trails contemporary recording artist Willis Earl Beal,
playing a character close to himself who's looking for inspiration in a legendary city that's as much mirage as actuality; and two horror films, Jennifer Kent's uncanny, driving psychodrama The Babadook,
with a remarkable performance by child
actor Noah Wiseman, and Ana Lily Amirpour's less sustained A Girl Walks Home Alone at Night, which nonetheless generates some powerful political metaphors.
Other documentary finalists included «Quest,» which follows a black Philadelphia family over the course of a decade, and «Casting JonBenet,» an experimental look at the way a murder haunts the residents of Boulder, Colorado, unfolding through auditions
with actors designed to
play relatives of the victim.
Mendelsohn is perfectly cast (his terrific poker face makes it difficult for those he encounters to tell if his character is being straight
with them) and he
plays the character memorably (reeking of desperation and totally convinced his next bet will be the one that will make up for all of the
others), which is why it's not surprising that he landed a best
actor Spirit Award nom — and why one can't rule out the possibility that he will be a surprise Oscar nominee, as well.
Characters pop in and out of the story
with little explanation;
others yell and fight
with each
other for no reason; and Anna Paquin (who
plays one of the most annoying film characters in recent memory) simply isn't a good enough
actor to carry the whole thing on her shoulders.
Due mostly to the busy schedules of the
actors during its production, the fourth season followed one character of the Bluth family for one episode
with other members
playing supporting or small -LSB-...]
The film maintains the original audio recordings
with actors playing Hull and various
other people in his life, occasionally lip - synching to the pre-existing audio.
At the recent press day, Tarantino and his
actors talked about the advantages of shooting in 70 mm, how a Tarantino set differs from
other movie sets, how Leigh and Russell
played off each
other while chained at the hip for 4-1/2 months, why Russell remained in character after his character met his demise, the decision to stay close to the script, Tarantino and Jackson's take on race relations in America, why a period film affords a filmmaker the opportunity to comment on the present in ways a present day film does not, what their filmmaking adventure was like for the veteran
actors who have been
with Tarantino from the beginning, and why Tarantino doesn't mind dancing on the edge of political correctness.
Bob Balaban — the only prominent American
actor in the cast, who
plays an American film producer — reportedly came up
with the initial idea for the film, and most of the
other forms of inspiration and discipline seem
actor related as well.
The companies then moved on to
other actors before circling back to Keaton, the
actor who once
played Bruce Wayne / Batman and then poked fun of his own image as an
actor living in the shadow of a superhero role
with his Oscar - nominated turn in Birdman.
With something like Churchill, you're not only
playing arguably the greatest Briton that ever lived, to some, and this icon, but you are walking in the shoes of all the
other great
actors who have
played him, and quite recently too.
There are
other good performances: Barry Pepper as Jack's right - hand man Michael Scanlon; Jon Lovitz as a crooked Florida mattress salesman who joins forces
with Jack; and the late Maury Chaykin, the great Canadian
actor, who
plays a mob kingpin and whose last screen appearance this is.
Other notable films that will screen at TIFF include Tom Ford «s «Nocturnal Animals,»
with Jake Gyllenhaal and Amy Adams; «Whiplash» director Damien Chazelle «s musical «La La Land,»
with Ryan Gosling and Emma Stone; Peter Berg «s «Deepwater Horizon,» a true - life drama about the oil spill, starring Mark Wahlberg and Kurt Russell; Werner Herzog «s «Salt and Fire,» a drama in which Michael Shannon and Gael Garcia Bernal face ecological disaster in South America; Ewan McGregor «s Philip Roth adaptation «American Pastoral,» the
actor's directorial debut; Denis Villeneuve «s sci - fi drama «Arrival,» formerly titled «Story of Your Life,»
with Amy Adams and Jeremy Renner; Juan Antonio Bayona «s «A Monster Calls»; «Denial,» Mick Jackson's drama starring Rachel Weisz as a historian sued by a Holocaust denier; Irish director Jim Sheridan «s «The Secret Scripture,»
with Vanessa Redgrave and Rooney Mara
playing two different ages of a woman who keeps a diary of her time in a mental hospital; and «Mascots,» Christopher Guest «s comedy about the world of sports mascots.
Although the three lead
actors are all working under serious impediments — Travolta has been equipped
with a singularly ridiculous soul patch and a Boston accent that runs the gamut from non-existent to «SNL» sketch broadness, oftentimes in the same scene, Plummer has a role that all but insists on being
played in the hammiest manner imaginable and Sheridan (whose previous films have included such better projects as «The Tree of Life,» «Mud» and «Joe») is
playing a contrivance instead of a character — they are not without a certain innate charm, and indeed, the best scenes here are the ones in which they are simply allowed to interact and bounce off of each
other in a relaxed manner before having to return to the mechanics of the increasingly forced plot.
On the
other hand, in the company of incandescent actresses such as Catherine Keener, Frances McDormand and Joan Cusack in «Friends
With Money,» Aniston — ostensibly the biggest name in the cast — faded out, becoming blurry and indistinct almost like that
actor played by Robin Williams in Woody Allen's «Deconstructing Harry.»
Director Trip Cullman has worked
with young
actors in
plays like Punk Rock and Significant
Other.
Jenny Agutter provides «Call the Midwife»
with a solid center as the head of the order of nuns
with whom the midwives live and work, and several
other razor - sharp character
actors fill out
other roles extremely well, but Miranda Hart, who
plays Chummy, walks off
with the show.
Said Russian mole Rudolf Abel (
played by renowned stage
actor Mark Rylance) and Donovan start off as mutually uncomfortable
with each
other, the former out of incredulity and the latter out of fear.
The
other actors all acquit themselves well enough
with the exception of the actress
playing the younger daughter.
After collecting trophies for Best Performance by an
Actor in a Television Series and Best Television Series (both in the Musical or Comedy categories), the triple threat was met
with questions from the press about his
other major project —
playing young Lando Calrissian in the upcoming Han Solo Star Wars anthology film.
In an interview
with i09 published on Monday, the
actor who
plays Vision, Paul Bettany, revealed that the hero gets attacked early in the movie, and he flees to Wakanda
with other Avengers not just for protection, but also for surgery.