Sentences with phrase «with other art spaces»

Little HISK (Higher Institute for Fine Arts in Ghent) will be presenting the work of five current and five former HISK students and then the chance to go on a hike and enjoy the Contemporary Photography Route that will take you to galleries that specialise in contemporary photography along with other art spaces exhibiting photography based work for the Antwerp Art Weekend.

Not exact matches

While free use of sets, state - of - the - art camera equipment and other production resources are relegated to creators with over 5,000 subscribers, YouTube hosts two to three events at the space per week, including educational workshops and schmoozy happy hours, where everybody can participate.

partnered with Girls, Inc. of Metropolitan Dallas to transform a barren lot into a welcoming and playful space complete with a state - of - the - art new playground and other enhancements.

The center which has an office area spanning over more than 11,000 square feet with a world - class incubation space, state - of - the - art conference rooms and other amenities will help groom students to start up their own enterprise.

Such insights are not lacking in the novels, films, and art of our time, but we must create the time and space to reflect on them, both alone before the Lord and with others in the Church.

Since its founding in 1927, the Lombard Park District has provided our 44,000 residents with 450 acres of open space, playgrounds, an award winning state - of - the - art water park, a 3,000 yard 9 - hole golf course, a recreation center and other rental facilities.

Its a stunning statement piece that works well with the other art in the space.

Corbijn isn't making a stereotypical Hollywood thriller, with the stakes spelled out in neon and the loud fight scenes spaced every few minutes, but he doesn't seem to realize there is such a thing as being too vague, and in his efforts to make some kind of art - house / thriller hybrid, he goes too far the other direction and creates a nicely rendered film with no emotional hook.

The two - hour - and -20-minute film turned out to be a shaggy satirical comedy about Christian (Claes Bang), the chic curator of an art museum, toggling among mortifying story lines: a one - night stand with lingering consequences, a nastily conceived ad campaign for a hot new exhibit (the titular «square,» an artwork creating a kind of ethical safe space), and a positively unbelievable outreach effort to retrieve a stolen wallet and other items.

The building is designed as a three storey structure with state of the art facilities for all its students including sixteen science labs, thirteen art and design technology classrooms and a drama studio, in addition to over 60 other classroom and teaching spaces.

Many independent schools support state - of - the art set equipment and performance spaces and encourage drama and theatre teachers to connect their concentration with other disciplines, such as English and History.

Written by MARK WAID Art by MARCOS MARTIN Colors by MUNSTA VICENTE / Letters by VC's JOE CARAMAGNA With Fear Itself and its aftermath, Spider - Island, Schism and Regenesis all happening within a few weeks of each other, a lot of Marvel readers probably don't have a ton of extra space on their pull lists.

«We think having [the Portal] in this public / democratic space — our parklands — offers a great platform for discussing all kinds of topics and ideas not only with people on the other side of the world, but also with those a few states over,» says Sabrina Bedford, the Parks Conservancy's Art & Community Engagement Coordinator.

Other features include a luxury spa that reinterprets the traditional hamam; a state - of - the - art gym and a metamorphic roof space with lounge, café and pools.

In the past year, the Arts Fund has spearheaded the Funk Zone collaborative art walk / openings with Michaelkate, Wall Space Gallery, Greenhouse Studios, Gone Gallery and other art studios and businesses in the Funk Zone.

Other onsite amenities include: a lively bar / lounge, cafe, 13,000 square feet of meeting space, state - of - the - art fitness center, lobby business center and indoor saltwater swimming pool with a two - story heated waterslide.

Oslo also has an emergent art scene, with galleries and museums that can stand toe - to - toe with the best in Europe, and with its expansive «green space» Norway's capital is as good as any other reason to visit the country.

Historical buildings, museums, art galleries and a myriad of temples are among countless other attractions that share the space with good shopping, restaurants and people hanging up their laundry in front of their houses.

But in the space of two weeks I've gotten to see two games with singular art - styles; and each is a polar opposite of the other.

Combat consists of a straightforward turn - based gameplay system with some situational spacing, similar to other titles in the Atelier series and you are able to use pairs for combination arts which are ultimate attacks.

Shibuya: Well, there's limited space with pixel art, so some poses will inevitably resemble each other.

Among James's credits are: RuneScape (the world's most popular free MMORPG), Dead Space 3, Cloudy With a Chance of Meatballs, Freelancer, Evil Genius (BAFTA Nomination, 2005), Command and Conquer: Red Alert 3, Terraria: Otherworld, Nintendo's Art Academy, Transformers Universe, Microsoft's Brute Force, Republic: The Revolution (BAFTA Nomination, 2004), entries in the Warhammer and Space Hulk series, Nintendo's Super Smash Bros. 4, Reign of Fire, Grand Prix, Cutthroat Island, Catwoman, The Lord of the Rings: Aragorn's Quest, Harry Potter and the Order of the Phoenix, Harry Potter and the Half - Blood Prince (BAFTA nomination, 2010), Harry Potter and the Deathly Hallows Parts 1 & 2, the technically groundbreaking Privateer: The Darkening, Command and Conquer 4: Tiberian Twilight, Flight of the Amazon Queen, Digital Anvil's Conquest: Frontier Wars, Frontier Developments» Infestation, entries in the F1 & FIFA series» - and numerous others.

Discover how to fall in love with your studio (or other art creation space) and fire up your creative joy with

Once the warehouse and manufacturing district of Greater Miami, this colorful neighborhood now teems with art complexes, performance - art spaces and other creative businesses.

Discover how to fall in love with your studio (or other art creation space) and fire up your creative joy with Melissa Dinwiddie's Great Clutterbust course.

She has engaged in solo and collaborative projects with numerous Chicago creatives and institutions, including A+D Gallery at Columbia College Chicago, The Black Visual Archive, Chicago Artists» Coalition & Hatch Projects, the School of the Art Institute of Chicago, Hyde Park Art Center, Quite Strong and Swimming Pool Project Space, among others.

In this sense, her work is more aligned with artists who prioritized sensorial experience, like James Turrell, Mary Corse, and others of the Light and Space movement of the 1960s, than with film or other such time / media - based art.

Ballroom Marfa is collaborating with Whitechapel Gallery, London, and nine other international art spaces for the third season of the film and video program, Art in the Auditoriart spaces for the third season of the film and video program, Art in the AuditoriArt in the Auditorium.

Explore art in new and exciting ways with the Studio Museum at libraries, local parks, and other community spaces!

In a series of encounters with art made strange by its expansions, contractions, inversions and implosions in time and space, The Quick and the Dead surveys more than 80 works by a global, multigenerational group of 50 artists, scientists and musicians — among them James Lee Byars, Joseph Beuys, Marcel Duchamp, Harold Edgerton, Ceal Floyer, Felix Gonzalez - Torres, Pierre Huyghe, The Institute for Figuring, Paul Ramirez Jonas, Stephen Kaltenbach, On Kawara, Christine Kozlov, David Lamelas, Louise Lawler, Paul Etienne Lincoln, Mark Manders, Kris Martin, Steve McQueen, Helen Mirra, Catherine Murphy, Bruce Nauman, Rivane Neuenschwander, Claes Oldenburg, Roman Ondák, Adrian Piper, Roman Signer and Shomei Tomatsu, among many others.

Through audio interviews with founders and key staff, a reading room of magazines and publications, documentation, ephemera and narrative descriptions, the exhibition will tell the story of pioneering spaces — like P.S. 1, Artists Space, Fashion Moda, Taller Boricua, ABC No Rio, The Kitchen, Franklin Furnace, Exit Art, 112 Greene Street, White Columns, Creative Time, Electronic Arts Intermix, Anthology Film Archives, Storefront for Art and Architecture, Just Above Midtown, and many more — as well as document a new generation of alternative projects such as Cinders, Live With Animals, Fake Estate, Apartment Show, Pocket Utopia, Cleopatra's, English Kills Art Gallery, Triple Candie, Esopus Space, and othwith founders and key staff, a reading room of magazines and publications, documentation, ephemera and narrative descriptions, the exhibition will tell the story of pioneering spaces — like P.S. 1, Artists Space, Fashion Moda, Taller Boricua, ABC No Rio, The Kitchen, Franklin Furnace, Exit Art, 112 Greene Street, White Columns, Creative Time, Electronic Arts Intermix, Anthology Film Archives, Storefront for Art and Architecture, Just Above Midtown, and many more — as well as document a new generation of alternative projects such as Cinders, Live With Animals, Fake Estate, Apartment Show, Pocket Utopia, Cleopatra's, English Kills Art Gallery, Triple Candie, Esopus Space, and othWith Animals, Fake Estate, Apartment Show, Pocket Utopia, Cleopatra's, English Kills Art Gallery, Triple Candie, Esopus Space, and others.

Averse to the act of collecting as luxury consumption, Rogers and Weisenbacher find it essential to get to know and form dialogues with the artists they support, as well as other «passionate and thoughtful people in the art ecosystem» such as gallery owners and those involved in nonprofit art spaces.

More than 85 galleries, art spaces, and artist studios are set to participate in the Chelsea Art Walk 2013, with special events at selected locations, including a pop - up bookstore at David Zwirner (519 West 19th Street), a lecture on Japanese photographer Takuma Nakahira at Yossi Milo (245 Tenth Avenue), and artist receptions at Kips Gallery (511 West 25th Street), International Print Center New York (508 West 26th Street), Onishi Project (521 West 26th Street), among otheart spaces, and artist studios are set to participate in the Chelsea Art Walk 2013, with special events at selected locations, including a pop - up bookstore at David Zwirner (519 West 19th Street), a lecture on Japanese photographer Takuma Nakahira at Yossi Milo (245 Tenth Avenue), and artist receptions at Kips Gallery (511 West 25th Street), International Print Center New York (508 West 26th Street), Onishi Project (521 West 26th Street), among otheArt Walk 2013, with special events at selected locations, including a pop - up bookstore at David Zwirner (519 West 19th Street), a lecture on Japanese photographer Takuma Nakahira at Yossi Milo (245 Tenth Avenue), and artist receptions at Kips Gallery (511 West 25th Street), International Print Center New York (508 West 26th Street), Onishi Project (521 West 26th Street), among others.

Over the past few months, Chinatown Art Brigade has joined forces with Chinatown Tenants Union of CAAAV Organizing Asian Communities, The Illuminator, the W.O.W. Project, Decolonize This Place at Artists Space, and others in NYC to call attention to the community rezoning campaign and issues of tenant displacement and gentrification in Manhattan's Chinatown.

For others of this era, the communication gap between city policy and artist initiatives proved insurmountable at the time: Fugitive Art Projects sought physical space in 1999 to cultivate exhibitions, studios, and artistic dialogue, but eventually closed their Fugitive Art Center venue in 2005 after struggling to work with building codes and facility issues.

Thriving in a subgenre of alternative spaces, The Company has performed in the UK and US including seasons and appearances at: Conway Hall, London («15), The Broadway Theatre, London («13), Roehampton University («10), The Place («06), Bonnie Bird Theatre, London («04, «05); The Brooklyn Museum («14), Centre for Performance Research, Brooklyn («11, «12), Dance at Socrates («14, «15, «16, «17), National Academy Museum («12), Black Mountain College Museum + Arts Center, Asheville («11), Bushwick Starr («09), Fete de Danse («04,» 05,» 06,» 07, «14), Joyce SoHo, New York («01, «03) with critical notice in The New York Times, Village Voice, New Criterion and Brooklyn Rail among others.

Filling the space with their intermittent light, these emblems introduce the possiblity of an event, a work of art in itself, but also promise other works that await the viewer.

more than fifty gigantic, real firs hanging from the ceiling presents a monumental sculptural challenge: the trees must be placed in a specific relationship to the exhibition space and simultaneously provide a dialogue with more than forty other works of art in and around the site — sixteen of which have been created especially for the show.

With five current exhibitions on view (two permanents and three temporary), is a museological space of reference in Lisbon, where the visitor can enjoy the best of modern and contemporary art, hosting the Berardo Collection with its more than 70 artistic tendencies and more than 900 works that demonstrates its strong museological and didactic nature, with works by artists like Marcel Duchamp, Pablo Picasso, Salvador Dalí, Joan Miró, Man Ray, Andy Warhol, Francis Bacon, Jackson Pollock, Gerhard Richter, James Rosenquist, Alexander Calder, Jean Dubuffet, Yves Klein, Maria Helena Vieira da Silva, Helena Almeida, Louise Bourgeois, Dan Flavin, Andreas Gursky, Nan Goldin, Rebecca Horn, Donald Judd, Anish Kapoor, Jeff Koons, Nam June Paik, Frank Stella, Bill Viola, among many othWith five current exhibitions on view (two permanents and three temporary), is a museological space of reference in Lisbon, where the visitor can enjoy the best of modern and contemporary art, hosting the Berardo Collection with its more than 70 artistic tendencies and more than 900 works that demonstrates its strong museological and didactic nature, with works by artists like Marcel Duchamp, Pablo Picasso, Salvador Dalí, Joan Miró, Man Ray, Andy Warhol, Francis Bacon, Jackson Pollock, Gerhard Richter, James Rosenquist, Alexander Calder, Jean Dubuffet, Yves Klein, Maria Helena Vieira da Silva, Helena Almeida, Louise Bourgeois, Dan Flavin, Andreas Gursky, Nan Goldin, Rebecca Horn, Donald Judd, Anish Kapoor, Jeff Koons, Nam June Paik, Frank Stella, Bill Viola, among many othwith its more than 70 artistic tendencies and more than 900 works that demonstrates its strong museological and didactic nature, with works by artists like Marcel Duchamp, Pablo Picasso, Salvador Dalí, Joan Miró, Man Ray, Andy Warhol, Francis Bacon, Jackson Pollock, Gerhard Richter, James Rosenquist, Alexander Calder, Jean Dubuffet, Yves Klein, Maria Helena Vieira da Silva, Helena Almeida, Louise Bourgeois, Dan Flavin, Andreas Gursky, Nan Goldin, Rebecca Horn, Donald Judd, Anish Kapoor, Jeff Koons, Nam June Paik, Frank Stella, Bill Viola, among many othwith works by artists like Marcel Duchamp, Pablo Picasso, Salvador Dalí, Joan Miró, Man Ray, Andy Warhol, Francis Bacon, Jackson Pollock, Gerhard Richter, James Rosenquist, Alexander Calder, Jean Dubuffet, Yves Klein, Maria Helena Vieira da Silva, Helena Almeida, Louise Bourgeois, Dan Flavin, Andreas Gursky, Nan Goldin, Rebecca Horn, Donald Judd, Anish Kapoor, Jeff Koons, Nam June Paik, Frank Stella, Bill Viola, among many others.

Along with other works painted during the same period, such as Field for Skyes, in the collection of the Hirshhorn Museum and Sculpture Garden, and Clearing, at the Whitney Museum of American Art, Blueberry demonstrates Mitchell's ability to depict space on canvas.

Today, the Showroom's former stomping ground, Bethnal Green, has been transformed into a rather plush, art nexus — not only studded with a number of commercial galleries and project spaces but other attendant markers of regeneration from posh coffee shops and fashion - conscious hangouts.

Situated in the East End, the space, which moved to Commerce Street last September, facilitates a number of activities including an artist residency, a lecture series, creative music events, and new media screenings, in addition to collaborations with other non-profit arts spaces.

Be sure not to miss booths by Benrubi Gallery from New York, a leading gallery with a focus on 20th Century and contemporary photographs; Blindspot Gallery from Hong Kong, a gallery with a primary focus on contemporary image - based works; Bryce Wolkowitz Gallery from New York, a gallery with a major commitment to representing new media artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery representing emerging, mid-career and established artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among others.

In the same period, Rauschenberg immersed himself in all aspects of the New York art world, attending lectures by major critics and artists at the Club, the legendary space where artists associated with the New York School gathered for debate beginning in 1948, and frequently viewing recent work by Willem de Kooning (1904 — 1997), Jackson Pollock (1912 — 1956), Franz Kline (1910 — 1962), Philip Guston (1913 — 1980), and Barnett Newman (1905 — 1970), among others, all of whom were acquaintances of varying familiarity.

With these projects we want to provide a space for other expressions and contributors in the art scene.

Also included in «Big Spaces and Large Planes» are: the loosely graphic paintings of Cathy Fiorelli who shares studio space with eleven other artists at the Middletown Pendleton Art Center; the perceptive works on femininity of Pattie Byron from West Chester; the Kente Cloth - inspired art quilts by Miami University - educated Linda Kramer; the mixed media of Oxford's Maureen Nimis with her cut paper and photographic work; the small works by Catalog & Slavic Librarian at Miami University, Russian - born Masha Misco; and the jewel - like small photographs of Denver - born Cincinnati resident Brian Luman whose exploration of urban crevices is fueled by his skateboard and cameArt Center; the perceptive works on femininity of Pattie Byron from West Chester; the Kente Cloth - inspired art quilts by Miami University - educated Linda Kramer; the mixed media of Oxford's Maureen Nimis with her cut paper and photographic work; the small works by Catalog & Slavic Librarian at Miami University, Russian - born Masha Misco; and the jewel - like small photographs of Denver - born Cincinnati resident Brian Luman whose exploration of urban crevices is fueled by his skateboard and cameart quilts by Miami University - educated Linda Kramer; the mixed media of Oxford's Maureen Nimis with her cut paper and photographic work; the small works by Catalog & Slavic Librarian at Miami University, Russian - born Masha Misco; and the jewel - like small photographs of Denver - born Cincinnati resident Brian Luman whose exploration of urban crevices is fueled by his skateboard and camera.

She conjured up the roiling, riotous art camp that was East 10th Street in the 1950s, her home before this one; the leaky, cold - water lofts that she, Mr. Resnick, Franz Kline, Willem de Kooning and other members of the New York School colonized; the endless coffee fueling the endless, passionate debates; the feuds and factions; and the constant, hilarious presence of the F.B.I., trawling for the operators of the Mafia gambling dens the artists unwittingly shared space with.

And like other open studio events GOS is a free uncurated event that allows art lovers to get a glimpse of the process and spaces where artwork is created while engaging directly with its creators.

Welcome to the limelight, curated by Natalie Woyzbun, includes works by Jessica Craig - Martin, Instant Coffee, Christian Jankowski, David Kramer, Liisa Lounila, and Tony Matelli that invite the viewer into spaces of entertainment and leisure; You don't live here anymore, curated by Montserrat Albores Gleason, features works in which ideas of dwelling and building transform the site of art and its methods of construction; Uninvited (working with restrictions), curated by Kerryn Greenberg, considers how success can be realized in failure, and freedom found through restriction, in the performances of Steven Cohen and his partner, Elu; and In Other Words, curated by Mariangela Méndez Prencke, focuses on bilingual works that use collage and other visual devices to translate themselves into a foreign conOther Words, curated by Mariangela Méndez Prencke, focuses on bilingual works that use collage and other visual devices to translate themselves into a foreign conother visual devices to translate themselves into a foreign context.

The Lighthouse Works provides fellows with housing, food, studio space, a $ 250 travel allowance and a stipend of $ 1,500 to defray the costs of shipping materials, the purchase of art supplies, and other expenses incurred in making artwork in a remote location; our belief is that no artist should have to spend money to accept the opportunity of a fellowship.