Sentences with phrase «with other artists of their generation»

[Kruger's work] supplies another chunk in the history of postwar American art... Her life - size figures, portrait busts and political asides are in step with other artists of her generation, including Bill King and Marisol.

Not exact matches

The vast technical background necessary for creating cinematic stories, illuminating interviews with the greatest living filmmakers, in - depth analyses of high quality movies... The material provided by Cahiers du Cinéma, Sight & Sound, Cinemagic, Cinefantastique and many others has inspired thousands of people to dedicate their lives to filmmaking, and thanks to the wonders of modern technology, these priceless cultural beams of historic value and prime educational significance continue to inspire, astonish and enlighten us, bringing up a new generation of artists who might persevere and thrive to one day fill the shoes of the likes of Orson Welles, Krzysztof Kieślowski, Jean - Pierre Melville, Agnes Varda, Paul Thomas Anderson, David Fincher and dozens of others whose work continually delight and move us in every way possible.

Calligraphy, miniature painting, Sufi mysticism, and other traditions are the starting point for a new generation of artists from the Islamic world who are using the language of contemporary art to inflect their work with multiple layers of meaning.

On the other hand, though the group of painters represented here form a tight - knit «generation» (one constraint of the show is that all the artists were born between 1939 and 1949), and though the selected works originate from the same period and place, the works are aesthetically independent enough to resist any easy categorization according to style or aims... Rubinstein's curation in Reinventing Abstraction proposes something — an idea, a possible history — that may connect with others but which is, nevertheless, its own.

Over dinner with Smith and others from the museum, she talked about a followup to her previous book, The Wild Wild East, that she was researching, about the new generation of Chinese artists.

Through audio interviews with founders and key staff, a reading room of magazines and publications, documentation, ephemera and narrative descriptions, the exhibition will tell the story of pioneering spaces — like P.S. 1, Artists Space, Fashion Moda, Taller Boricua, ABC No Rio, The Kitchen, Franklin Furnace, Exit Art, 112 Greene Street, White Columns, Creative Time, Electronic Arts Intermix, Anthology Film Archives, Storefront for Art and Architecture, Just Above Midtown, and many more — as well as document a new generation of alternative projects such as Cinders, Live With Animals, Fake Estate, Apartment Show, Pocket Utopia, Cleopatra's, English Kills Art Gallery, Triple Candie, Esopus Space, and othwith founders and key staff, a reading room of magazines and publications, documentation, ephemera and narrative descriptions, the exhibition will tell the story of pioneering spaces — like P.S. 1, Artists Space, Fashion Moda, Taller Boricua, ABC No Rio, The Kitchen, Franklin Furnace, Exit Art, 112 Greene Street, White Columns, Creative Time, Electronic Arts Intermix, Anthology Film Archives, Storefront for Art and Architecture, Just Above Midtown, and many more — as well as document a new generation of alternative projects such as Cinders, Live With Animals, Fake Estate, Apartment Show, Pocket Utopia, Cleopatra's, English Kills Art Gallery, Triple Candie, Esopus Space, and othWith Animals, Fake Estate, Apartment Show, Pocket Utopia, Cleopatra's, English Kills Art Gallery, Triple Candie, Esopus Space, and others.

A great rendering of this period was the 2014 British Museum exhibition (Germany divided: Baselitz and his generation from the Duerckheim Collection), where, among other key post-war artists, Baselitz participated with eleven of his Heroes series and other iconic works of the late 1960s.

Proposals are evaluated on the basis of the following criteria, which are weighed equally: How well a project aligns with the MAP Fund's goal of supporting experimentation and innovation in all traditions and disciplines of live performance, especially work that brings insight to the issue of cultural difference, be that in class, gender, generation, race, religion, sexual orientation or other aspects of diversity The artistic strength of the proposed project The viability of the project, based on the applicant's professional capabilities as demonstrated in the project narrative, bio and artist statement, and work samples.

At 19:30 the curator Ofir Dor will offer a final tour through the exhibition with the focus on how the displayed works of different generations of Israeli artists are interwoven with each other in a complex manner by the theme «body».

At the gallery's 293 Tenth Avenue location, «Robert Motherwell: Early Paintings» examines the lesser - known, experimental abstractions of the artist's pre - «Elegy» years.1 Around the corner at Kasmin's 515 West Twenty - seventh Street venue, «Caro & Olitski: 1965 — 1968, Painted Sculptures and the Bennington Sprays» looks to the personal friendship and creative dialogue between sculptor and painter.2 And finally, up the block at the gallery's 297 Tenth Avenue address, in «The Enormity of the Possible,» the independent curator Priscilla Vail Caldwell brings the first generation of American modernists together with some of the later Abstract Expressionists — Milton Avery, Oscar Bluemner, Charles Burchfield, Stuart Davis, John Marin, Elie Nadelman, and Helen Torr, among others, with Lee Krasner, Jackson Pollock, and Mark Rothko.3

Thus they spread the way for a new generation of artists who combine virtual reality with other media in a seemingly effortless manner, the Internet as their ubiquitous and inexhaustible source of inspiration.

Its other prongs include an artist residency at her home in Sonoma, California, for living artists in her collection, as well as scholars and curators whose work extends the canon and relates to the artists in her collection; sitting on the boards of museums like the Art Institute of Chicago; publishing critical scholarship, beginning with the 2016 book Four Generations: The Joyner Giuffrida Collection of Abstract Art; and collecting and gifting major works by black artists to institutions.

It examines not only the complex aesthetics and personal styles of Golub and his compatriots — including Cosmo Campoli, June Leaf, Dominick Di Meo, Seymour Rosofsky, and Nancy Spero, among others — but also uncovers the Monster Roster's relationships with preceding generations of Chicago artists and differences from the well - known Chicago Imagists who followed.

Having garnered an international reputation as one of the leading artists to emerge from the New York Pictures Generation of the 1970s and 1980s, Simmons has thoughtfully and methodically moved through her various photographic series, such as Early Black and White Interiors, 1976 — 78, in which pseudo-realities are created by staging miniature spaces with dollhouse furniture and other banal props; and Walking & Lying Objects, 1987 — 91, a series of black - and - white photographs of inanimate objects animated with human legs.

A roundtable discussion with artists a generation or two removed from those featured in Other Primary Structures, whose work — primarily in sculpture — comes out of a Minimalist tradition.

She will also contextualize Frankenthaler's practice with that of other artists of her generation on view in the PMA's galleries, ranging from Anthony Caro and Louise Nevelson to Lois Dodd and Alex Katz.

Together with solo presentations by seven other artists closely associated with Feature Inc. and a booth representing the recently launched non-profit Feature Hudson Foundation (FHF), For Your Infotainment honors a man remembered in The New York Times as «one of the most prescient, independent - minded and admired gallerists of his generation.»

EXILE presents artists of different generations, often setting these in dialogue with each other and understands art as a collaborative, inter-generational and overarching discourse embedded in a complex web of socio - political, gender and personal histories as much as in aesthetic theory and conceptual practice.

Robert Ryman and Ellsworth Kelly were both working steadily, granted, but so distinctively as to be inimitable by younger artists — not that Heilmann seems to have ever resorted to simple mimicry, despite the frequency with which other artists of her generation have used it as a tool.

In this exhibition we present a selection of these works, together with works from other Norwegian collections, in an exhibition that reviews Kitaj's contribution as a historical artist, but also as one whose works still resonate with those of younger generations of artists.

In the years 1977 to 1979 Noffke, working with the University of Georgia and several other artists, put together three annual «National Ring Shows» featuring the younger generation of metalsmiths.

Future instalments may focus on other generations, but this being the New Museum they started with the freshest bunch, the Millennials, artists who were born no earlier than 1976, who came of age amidst far - reaching economic prosperity and who are mobile, global and hyper - connected.

The museum's permanent collection of Damian Hirst's iconic formaldehyde - works are in this exhibition contextualised with other British artists of the same generation, who in the 1990s were known as the YBAs: Young British Aartists of the same generation, who in the 1990s were known as the YBAs: Young British ArtistsArtists.

These artists used familiar scenes to engage a wide range of audiences with fine art, in contrast to the popularity of European trends in abstract painting among other American painters of their generation.

They're not going to burn out as sometimes happens with younger artists... and normally the prices are far below the other artists of their generation, so you're offering a value to someone.»

While many other artists of his generation were appropriating images of American flags or movie stars or newspaper clippings, Mr. Kelly was relentlessly immersed in abstraction: creating color spectrums and panel paintings with nothing but a giant curve or rectangle, or making drawings depicting the simple outline of a leaf.»

These trends and traditions continue today with a new generation of artists, both those from Santa Fe as well as others drawn to the city's creative vibe.

With, among others, Gerhard Richter, Georg Baselitz and Anselm Kiefer, Sigmar Polke belongs to the first post-war generation of German artists who, following World War II, have decisively contributed towards restoring the standing and importance of German art in the international art world.

Others, like Sarah Lucas, one of the few great artists of her notorious Y.B.A. (Young British Artist) generation, didn't quite rise to the occasion, scattering the British Pavilion with intermittently pervy sculpture against dazzling marigold yellow walls.

Represent culminates with a wide - ranging array of portraits created by several generations of artists, from those active over a century ago to those making work today, as well as audio excerpts of interviews with contemporary artists Moe Brooker, Barkley L. Hendricks, Odili Donald Odita, Joyce J. Scott, and others.

Holliday became famous in New York during the 1970s and 1980s and through his career, he has worked in close association with preeminent artists of his generation such as Keith Haring, with whom he had a two - man show at Club 57 in 1980, Jean - Michele Basquiat, Ann Magnuson, Kenny Scharf and Donald Bachelor, among others.

Exile presents artists of different generations, often setting these in dialogue with each other and understands art as a collaborative, inter-generatioal and overarching discourse embedded in a complex web of socio - political, gender and personal histories as much as in aesthetic theory and conceptual practice.

He also became acquainted with members of this generation of artists largely tied with the Abstract Expressionism movement, including Mark Rothko, Willem de Kooning, and Al Held, among others.

On the other hand, I have a show that is opening very soon with Mark Bradford, who is not an emerging artist, but he is actually of my generation, but someone who I've known for many years, and actually have had some of the most important discussions to me about painting over the years, as well as feminism, and queerness, and all kinds of other things that Mark thinks about.

In contrast to many other artists who were tarred with the term, «Second Generation,» Clark's paintings are not full of agitated brushstrokes.

Some of the artists have worked in close collaboration with one another; others make direct reference to the work of earlier generations.

But this year — with a powerful presentation at Manifesta 11, her first solo museum exhibition at Palais de Tokyo, a prize for best work at the Moscow Young Art Biennial (which she shared with Brazilian - American artist Juliana Cerqueira Leite), and a solo booth at Frieze London, among others — has cemented her place among the next generation of rising stars.

Obviously, there are other great artists, but having lived the life I've lived, being around a lot of different people and traveling to a lot of different places, it became interesting to me to be part of what I felt was a new generation of artists who were really able to make a statement and change the way people were looking at art in general,» said McEnroe, in an interview with Phillips.

Perhaps more than any other artist of his generation, Judd shaped the cultural discourse of his time - not only through his radical sculptures, but with his prolific writing on his peers.

His distinct perspective is what makes his work so noteworthy and over three decades later, his photos still resonate with the contemporary generation of artists, as evidenced by the contributions from Wes Anderson and other art world creators, each of whom command their own chapters of the new body of work.

In addition to screenings of his films, access to his library, manuscripts, drawings, and other materials, the visitors are exposed to an unedited conversation about his work with three artists of the younger generation in the Moroccan art scene, thus interrogating collective memory.

Takamatsu was on the one hand an established artist regarded on a national level, and on the other a challenging one whose work could also be exhibited with the work of a younger generation.

Other works on view include a suite of watercolors by Guo Hongwei, combining his renderings of American iconography with his father's calligraphy of Chinese classical poems; Chen Wei's staged photographs in the traditions of Gregory Crewdson and Cindy Sherman; a thick - imexhibitionso floral - patterned diptych by Liang Yuanwei, exhibitionsly featured in the Chinese pavilion at the 54th Biennale di Venezia; Cheng Ran's romantically staged photos of the Hollywood sign, commenting on the role cinema has played in shaping the image of America in the psyche of younger Chinese generations; the American premiere of Sun Xun's 21 Grams, a four - year long animation project reflecting on history, social struggles and dystopia; and Hu Xiangqian's Art Museum, a video presentation of the «collection» of Western artworks that have inspired the artist's creative language but that he's never seen in person or fully understood.

Exhibiting together for five years, these artists, along with Jackson Pollock, Willem de Kooning, and others would come to be known as the first generation of Abstract Expressionists.

In 2009, Kruger's postmodernist art was included in the important «Pictures Generation» exhibition at the Metropolitan Museum of Art, New York, along with works by other postmodernist artists of the 1980s involved in the appropriation of images from the media, such as Sherman, Jack Goldstein (1945 - 2003), Louise Lawler (b. 1947), Sherrie Levine (b. 1947), Robert Longo (b. 1953), Richard Prince (b. 1949) and David Salle (b. 1952).

Although often seen as part of the YBA generation of the 1990s, he worked with Derek Jarman on Caravaggio and other 1980s films before emerging as an artist in his own right.

Check out work by the newest generation of emerging talent, meet the artists, get a behind - the - scenes look at their studios, and rub elbows with others in Minnesota's creative community.

Siegel points to Tibor de Nagy Gallery, which opened in 1950 and represented Frankenthaler along with other second - generation New York School artists, as the nexus of a taste that embraced decorative art, campy humor, and exquisite found objects alongside more commercial abstract paintings.

Clough is associated with the Pictures Generation, a loosely knit group of artists that includes Longo, John Baldessari, Mike Bildo, Sherrie Levine, Cindy Sherman, and many others, who, in the late 1970s and early 1980s, appropriated, manipulated, and recontextualized familiar imagery from consumer culture and art history.

7, 2015) that presents Lawrence's paintings in context with interpretations of the mass migration from the rural South to the urban North by other artists spanning generations and discplines, including literature, poetry, film and music.