Sentences with phrase «with other curators»

The Seminar offers curators from around the world an unparalleled platform of exchange and discussion, and the opportunity to connect with other curators who share their concerns and research interests.

It's great to sit with these other curators who are operating at a much higher level certainly than I am and have conversations and hear their responses to work.

The programming for Platform explores more conceptual work, including video and installation works, as well as presenting collaborative projects with other curators and dealers.

«Artists such as Trenton Doyle Hancock, Jennie C. Jones, and Benjamin Patterson have opened up to her in a way that they might not with other curators.

READ Q&A WITH THE OTHER CURATORS Anthony Elms On The Rise Of Literary Art And The Usefulness Of Ghosts Stuart Comer On His Shapeshifting Presentation

Jury artists into the program along with other Curator Residents and CAC's Director of Exhibitions and Residencies

Not exact matches

His New York City - based team of five is supplemented by eight part - time curators in cities around the world, from Los Angeles to Tel Aviv, all of whom are tasked with finding stylish clothes, interesting books, vintage watches, antique furniture and other desirables for the Bureau.

«Evan's research shows alligators didn't evolve in a vacuum with no other crocodilians around,» said co-author David Steadman, ornithology curator at the Florida Museum of Natural History at the University of Florida.

Working as a museum curator is a demanding job with many different responsibilities — and, like most jobs, some of those duties are better than others.

In a letter to the chairman of the trustees, the IPMS and three other unions with members at the museum say «reducing the number of curators... will make it more difficult to achieve the (museum's) mission to promote the public understanding of the history and contemporary practice of science, technology, industry and medicine».

The two - hour - and -20-minute film turned out to be a shaggy satirical comedy about Christian (Claes Bang), the chic curator of an art museum, toggling among mortifying story lines: a one - night stand with lingering consequences, a nastily conceived ad campaign for a hot new exhibit (the titular «square,» an artwork creating a kind of ethical safe space), and a positively unbelievable outreach effort to retrieve a stolen wallet and other items.

Sharing this interest with others is the main reason Paul plays the assiduous curator, along with the creative freedom it grants him.

For one thing, she's noticed that HFA students are more comfortable with adults, in part because they eat in the employee lunchroom, where they mingle with curators and other museum staff.

Re Lucian's concern i think publishing will continue to morph and new alliances of writers, journalist, curators, illustrators, translators and social & mobile geeks will collaborate on ways to create ebooks, enhanced ebooks, interactive books — and additional distribution channels along with amazon... and increasingly what we create can be agnostic of technology, available on any devise, Mathew's coverage has been in - depth, up - to - date and writing for a wide audience... as a former JSJ reporter who is interested in this area i am in awe of his writing, and thankful for it, like so many others here evidentally are... maybe you, Matthew, will author your own Amazon - supported book?

But best of all are the people I've met, from tourism bureau reps and fellow travel writers to shop owners, museum curators, other travelers, so many more I've crossed paths with, and especially you, my readers.

Publishing on the Web is good for an artist's creative vision, as it allows him or her to «hear instant feedback from readers, meet and collaborate with other artists, disseminate their work and see their creative visions through to the end,» says Sarra Scherb, curator of «Morning Serial: Webcomics Come to the Table,» a current exhibition at Seattle's Henry Art Gallery (www.henryart.org).

Along with two other curators — Helen Molesworth and Dieter Roelstraete — Alteveer is currently at work on the largest museum retrospective to date of Marshall's paintings.

Condorelli often collaborates with other people, for example she worked on the publication Support Structures (2003 - 09) with artist - curator Gavin Wade and James Langdon.

Since 2015 Pugh has been the North American curator for Facebook's global artist - in - residence program, working with local artists to create site - specific installations in New York, Cambridge, Austin, Seattle, Detroit, Chicago, Toronto, Los Angeles, and other cities.

Artists are paired with critics, curators, gallerists, writers or other artists to converse about art and the potential of exploring new ideas.

In addition, Jennifer collaborates with the Joan Mitchell Catalogue Raisonné team as well as scholars, curators, and conservators from other institutions.

Illustrations of works by Alexander Calder, Anselm Kiefer, Roy Lichtenstein, Agnes Martin, Gerhard Richter, Andy Warhol, and many other artists are accompanied by insights from curator Gary Garrels and an interview with the Fishers by SFMOMA director Neal Benezra.

BOOKSHELF An extensive interview with Marshall by curator appears in the exhibition catalog «Painting and Other Stuff.»

BOOKSHELF Published to coincide with the exhibition, «Speaking of People: Ebony, Jet and Contemporary Art» features full - color images and contributions from Studio Museum in Harlem Director Thelma Golden, curator Lauren Haynes, and artist Hank Willis Thomas, among others.

In 2016, long - time New York magazine art critic Jerry Saltz even declared the once - scorned 1993 Whitney Biennial, which Golden organized with two other curators, «the moment in which today's art world was born.»

VoCA Workshops aim to provide conservators, curators, educators, and other arts professionals at all stages of their careers with a greater understanding of the methods and skills needed to conduct successful artist interviews.

Mind and Matter and these other exhibition and incidental installations of individual works are part of an ongoing initiative among women curators at MoMA to delve deeply into the permanent collection in order to find out what works by women artists they already own and then see how gaps in the collection can be filled through acquisitions, with assistance from the Modern Women's Fund.

An extensive interview with Marshall by curator appears in the exhibition catalog «Painting and Other Stuff.»

Tiffany Bell and Frances Morris — the loving curators who put the London survey of her work together — include 1954's Untitled, with its Adolph Gottlieb — like shapes and a few other paintings of its kind, the better to show what it looked like as Martin moved away from the body and into drawing something more ineffable — nature, or more specifically, the cosmos at the heart of the natural world.

With no columns or other structural elements to impede curators, says De Salvo, «We can articulate them as we wish... They don't enforce a linear narrative, they open up a lot of possibilities.»

Her other projects include Roma - Sinti - Kale - Manush (May - July 2012) at Rivington Place, London, as co-curator with Mark Sealy, Director of Autograph ABP and Gabi Scardi, Independent Curator; Reflections on the Self — Five African Women Photographers London and touring the UK (2011 - 2014), as part of Hayward Touring; and [Kaddu Jigeen]-- Women Speak Out (2011 - 2013), Galerie Le Manège, Dakar and touring Africa.

We discuss, among other topics, about photography in the Middle East with Peggy Sue Amison, artistic director at East Wing; net art and networked cultures with Josephine Bosma, Amsterdam - based journalist and critic; urban digital art and criticality in the media city with curator and researcher Tanya Toft; art and technology with curator Chris Romero; the politics of surveillance and international security with political scientist David Barnard - Wills; art and architecture with Maaike Lauwaert, visual arts curator at Stroom, an independent centre for art and architecture in the Netherlands; the intersections of art, law and science with curator and cultural manager Daniela Silvestrin; the architecture of sacred places with curator Jumana Ghouth; the historical legacy of feminism today with Betty Tompkins and Marilyn Minter; hacktivism and net culture with curator and researcher Tatiana Bazzichelli; culture, place and memory with Norie Neumark, director of the Centre for Creative Arts in Melbourne; anthropology and the tactical use of post-digital technologies with artist and philosopher Mitra Azar; or feminism and the digital arts with curator Tina Sauerländer.

«Borrowed» Art Gets Show — For «Thanks,» his new group show at Lu Magnus Gallery about the ways in which artists crib ideas and inspiration from each other, artist and curator Adam Parker Smith used unusual means to acquire works for the exhibition: he stole them, surreptitiously absconding with everything from paintings to personal articles during studio visits with other artists (he plans to return them after the show).

But to lead to it, the curator Stephen Brown, in consultation with the Soutine scholars Esti Dunow and Maurice Tuchman, has assembled a well - paced procession of other still lifes that demonstrate the peculiarities of Soutine's style: naked fowl; silver herring; a giant ray fish, inspired by Chardin; and explosive bursts of popeyed sardines.

On the other hand, the Blanton, which in 2010 divvied up the responsibilities for works on paper to various curators «according to their specific expertise and research areas,» has reconsidered, reinstating the position of Senior Curator of Prints, Drawings and European Paintings in 2012 with the appointment of Francesca Consagra.

She is the founder and curator of Lunch Bytes (www.lunch-bytes.com)-- a project on digital art and culture which includes talks, discussions and an online platform for which she collaborated with institutions such as Art Basel; CCA, Glasgow; ICA, London; and the Hirshhorn Museum and Sculpture Garden, Washington, D.C. among others.

The group show, which brings a whole slew of artists — including Amalie Jakobsen (also functioning as curator with Oliver Hickmet), Kyungmin Sophia Son, Oskar Jakobsen, Daniel Szor and Alexander Glass, along with about 16 others — takes the location as the starting point.

The catalogue features essays and discussions with Klein, Consulting Curator Okwui Enwezor, exhibition advisory board member Koyo Kouoh and urban theorist Edgar Pieterse, among others, complemented by statements from nearly 70 other African design thinkers and practitioners whose interviews are featured in the exhibition.

Curator Gary Garrels worked with six abstract painters — Mark Grotjahn, Wade Guyton, Mary Heilmann, Amy Sillman, Charline von Heyl, and Christopher Wool — to select one of their own recent paintings as well as works by other artists who have influenced their thinking.

As examples, in 1976 the Museum mounted the exhibition 200 Years of American Sculpture, organized again by Marcia Tucker with a group of other curators.

One wonders if Weber and Stritzler - Levine realised just how far off the map they would go when independent institutional curator José Roca, a native of Colombia who now lives in Bogotá, agreed to take on the project.1 Inspired by a show of Andean chuspas — bags made from coca leaves — that would run simultaneously in the BGC Focus Gallery, Roca envisioned immersive environments in which the paradoxes, polarities and points of contact between diverse artistic practices are explored through the tropes of the river and weaving.2 The works themselves provide their own context as they interact with each other and viewers, who are given a minimalist illustrated pamphlet as their only guide to what they will encounter in the gallery spaces.

As resident curator and researcher at the Dark Dark Science project, she explores the relationship between fine art and music with a continuing goal of creating her own work while gaining an understanding of the processes of others.

UMOCA will also provide residents with private meetings with national curators, critics, and other art world professionals who will be brought to UMOCA specifically to give our residents opportunities for higher visibility inside and outside the state.

Storm King's President John Stern and Director and Chief Curator David Collens, along with Storm King Curator Nora Lawrence, welcomed notable artists, curators, dealers, and art world luminaries including Amy Plumb Oppenheim, Agnes Gund, Klaus Beisenbach, Helen W. Drutt English, Chakaia Booker, Josephine Halvorson, Doug and Mike Starn, Doreen and Gilbert Bassin, and New York City Council Speaker Melissa Mark - Viverito, among many others.

At 19:30 the curator Ofir Dor will offer a final tour through the exhibition with the focus on how the displayed works of different generations of Israeli artists are interwoven with each other in a complex manner by the theme «body».

An Opening Reception and Gallery Talk with the curator takes place on Sunday, August 7, 2016 from 5 to 7 p.m. «Innovation and Abstraction: Women Artists and Atelier 17» presents abstract graphics and works in other media by eight artists.

While there are moments of insight when encountering specific works within the biennial overall, these three curators, with perhaps the exception of Comer, do little to change or even exaggerate the conversations that are occurring and laying one atop the other through various discourse - driven platforms that fuel the believed validity of contemporary art altogether.

«We are pleased to extend the dates for the UPRISE / ANGRY WOMEN exhibit, which has given female artists a means to express themselves in regards to the social and political climate in America, and empower others with their visual imagery,» curator Indira Cesarine said.

It's been unavoidable as we met with artists, fellow curators, writers, and other cultural producers across the United States and beyond.»

(During the 1990s, he kept coming, both as an architecture aficionado and as a curator, borrowing Impressionist works from the DMA and other U.S. museums to supplement an exhibition with a trove of 41 loans from Paris's Musée d'Orsay, and Roy Lichtenstein's Head with Blue Shadow (1965), from Raymond Nasher for a Lichtenstein sculpture survey.